Unexpected Influences

I always love reading biographies of independent-minded women writers in history! (Austen, the Brontes, George Eliot, George Sand, Emily Dickinson, etc–it’s very inspirational). This weekend I read Brad Gooch’s new biography of Flannery O’Connor. O’Connor was one of my favorite writers in high school, but aside from a class called “The American Short Story” in college I haven’t re-read her as much as Austen and the Brontes (which I re-read almost constantly!). This biography, though almost strictly about her life and with very little literary commentary, was fascinating and inspired me to take my volume of her short stories off the shelf again.

Flannery O’Connor, like almost all those other favorite authors I listed, was something of an eccentric, solitary soul, deeply devoted to her work and her own strange interior world. She had a relatively short life, dying at 39 of lupus in 1964, and the last 14 years of her life were spent mostly on the remote family farm in Georgia, but she was a writer of immense genius and originality. She wrote 2 novels, Wise Blood and The Violent Bear It Away, and 2 short story collections, A Good Man Is Hard to Find and Other Stories and Everything That Rises Must Converge (which won a posthumous National Book Award). My college textbook says “(the) texts usually take place in the South and revolve around morally flawed characters.” They could loosely be called “Southern Gothic,” in the vein of her contemporaries Faulkner and Welty, but they are unique and deeply flavored with O’Connor’s own devout Catholicism and struggles with illness.

For a writer of historical romance fiction like myself, O’Connor isn’t such a direct influence as Austen and the Brontes. Though she declared “Hawthorne said he didn’t write novels, he wrote romances; I am one of his descendants,” they are ‘romances’ in a very different sense (more in the grotesque, fantastical way of Frankenstein). But as I re-read her most famous story, “A Good Man Is Hard to Find,” I realized O’Connor is a great teacher of craft. Nothing could be added or subtracted from this story; the visual details and rhythm of the dialogue paint a whole world. And the sense of sustained foreboding is equaled only (maybe) in James’s Turn of the Screw. It never falters. The same can be said of stories like “Good Country People” and the gorgeous “Revelation” (written partially from her deathbed. Determined to finish her Everything Rises… collection even as her body failed her, she set up a typewriter on a table by her bed, and would sleep for an hour and write for an hour until it was done. A lesson in artistic determination!).

There’s a great website on O’Connor’s work here, and her home at Andalusia is open to visitors, and I would love to visit there someday! (I would also love to visit Haworth Parsonage and Chawton, in hopes of soaking in some inspiration. Maybe we need to get together an international writers’ tour…)

Who are some of your unexpected influences and favorite writers? Whose life story do you find intriguing?

(BTW, on my own blog yesterday’s “Hottie Monday” was a Mr. Darcy edition! Be sure and stop in to vote for your favorite Darcy…)

About Amanda McCabe/Laurel McKee

Writer (as Amanda McCabe, Laurel McKee, Amanda Carmack), history geek, yoga enthusiast, pet owner!
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