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Monthly Archives: April 2011

I’ve been busy lately writing/working on the yard now that it’s warm outside/reading research books, but I just finished reading an absolutely terrific new novel, The Great Night, Chris Adrian’s San Francisco-set, modern retelling of Midsummer Night’s Dream. (I knew I had to read it when I came across a review that said “Events turn ever wackier, ever more sinister and seductive, as Adrian’s narrative spins outward from its Bard-based core to its near-hard-core bawdy apogee, in which both the mortals and the underworld fairies engage in phantasmagorically depicted sexual, familial, ancient, childhood, professional, and political debaucheries-cum-memories-cum-dreams-run-amok.” Also, that the modern “rude mechanicals” stage a musical-theater version of the movie Soylent Green. I was not disappointed.

Reading this book (and Diane’s classic-lit post yesterday) had me wondering what other modern-day retellings are out there. There are tons of movie reworkings, of course (like Clueless, 10 Things I Hate About You, the wonderful BBC “Shakespeare Re-Told” films, Bride and Prejudice, and, er, Gnomeo and Juliet), and I’m sure there are far more books out there than I can thinkof. But here are a few I found:

Jane Austen is big for this sort of thing. I really enjoyed Paula Marantz Cohen’s Jane Austen in Boca (P&P in the retirement community, where Lizzy is a retired librarian) and Jane Austen in Scarsdale (Peruasion in the suburbs, where the Anne character is a high school guidance counselor reunited with her girlhood sweetheart). There is Cathleen Schine’s The Three Weissmanns of Westport (Sense and Sensibility), and the YA novel by Kristina Springer, The Esperessologist (Emma as barista, who can match people up according to the coffeees they drink).

YA actually seems to have a lot of adaptation titles. There is (among many others) Troy High by Shana Norris (The Iliad as football rivalry), and many Shakespeare stories, especially ones based on Romeo and Juliet.

And there’s always Michael Cunningham’s The Hours, Virginia Woolfe’s Mrs. Dalloway in 3 interlocking stories.

What is your favorite adaptation, either book or movie? What story would you like to see adaptated to a modern setting–or what would you definitely not like to see??

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As I have said many times, I am probably the world’s worst read romance novelist. I am in awe of how many books my fellow Riskies and our commenters are able to read, but I just can’t keep up, even though my love of books is deep and heartfelt.

Somehow (don’t ask me how), Janet’s and Megan’s blogs about movies made me think of movies I’ve seen and those I haven’t. That led me to books. That led me to wondering just how poorly read was I.
There are tons of must read lists on the internet, but most were too long or included obscure (to me) titles I figured most people would not have read. Others seemed to be confined to one person’s opinion. I settled on Booklist’s Classic Novels list. This would be a good test of how poorly read I am.
Here’s the list and my scores as well:
The Adventures of Huckleberry Finn by Mark Twain
yes
All Quiet on the Western Front by Erich Maria Remarque
no
Beloved by Toni Morrison
no, but I think I’d like this book
The Best Short Stories by O. Henry
I’m not sure if I’ve read them all, but I’ve read O. Henry
Brave New World by Aldous Huxley
surprisingly enough, no. My schooling somehow did not include this book.
The Call of the Wild by Jack London
no
Catch-22 by Joseph Heller
yes, read by choice, not for class
The Catcher in the Rye by J.D. Salinger
yes. A must-read for any adolescent
The Complete Sherlock Holmes by Arthur Conan Doyle
(don’t hit me!) no
Crime and Punishment by Fyodor Dostoevsky
no
Cry, The Beloved Country by Alan Paton
no. I confess, I had not heard of this book.
Don Quixote by Miguel de Cervantes
yes
Ethan Frome by Edith Wharton
yes
The Good Earth by Pearl S. Buck
yes
The Grapes of Wrath by John Steinbeck
no
The Great Gadsby by F. Scott Fitzgerald
no
Heart of Darkness by Joseph Conrad
no
Invisible Man by Ralph Ellison
yes, thanks to a wonderful Black Literature course in college
Jane Eyre by Charlotte Bronte
yes, of course
Lord of the Flies by William Golding
yes
Moby Dick by Herman Melville
yes
My Antonia by Willa Cather
no, but I’m certain I read some of her short stories
Native Son by Richard Wright
yes, that Black Lit course, again
1984 by George Orwell
no. It was never required of me
Of Human Bondage by Somerset Maugham
no
Of Mice and Men by John Steinbeck
maybe…but somehow I think I read it as a play
The Old Man and the Sea by Ernest Hemingway
yes
Pride and Prejudice by Jane Austen
yes!!!
The Red Badge of Courage by Stephen Crane
no
Robinson Crusoe by Daniel Defoe
yes
The Scarlet Letter by Nathaniel Hawthorne
yes
A Separate Peace by John Knowles
no, but I would like to read this one
Silas Marner by George Eliot
yes
The Sound and the Fury by William Faulkner
no
The Stranger by Albert Camus
no
A Tale of Two Cities by Charles Dickens
yes
Tales by Edgar Allen Poe
yes, at least some of them
Tess of the D’Ubervilles by Thomas Hardy
yes
Their Eyes Were Watching God by Zora Neale Hurston
no, but another one I’d like to read
To Kill a Mockingbird by Harper Lee
yes. In fact, my high school English teacher, Miz Lee, was Harper Lee’s cousin, but I’d read the book before then
Uncle Tom’s Cabin by Harriet Beecher Stowe
no
War and Peace by Leo Tolstoy
no – are you kidding?
Wineburg, Ohio by Sherwood Anderson
no. Another collection of stories I’d not ever heard of.
Wuthering Heights by Emily Bronte
yes
My score is 23 out of 44, a tad above 50%. I suppose that would be a failing grade, wouldn’t it?
I have excuses! Although I was an English major in college, I steered myself primarily to English authors, not American ones. In fact, that Black Literature course, innovative for its time, was probably the only course I took covering American authors.
Even more appalling, I asked my adult daughter if she’d read some of these books. She took lots of English in high school and some in college. She’s even worse than I am, which makes me wonder about the state of schools these days. She never read Moby Dick, for example. Or The Old Man and The Sea. She did read The Grapes of Wrath, but for an economics course, not English.
Who is brave enough to share their scores? If you graduated high school in the last 10 years, we might need to give you consolation points.
Visit me again on Thursday at Diane’s Blog. I’m going to talk about asking for what you want, and NOT in The Secret kind of way. And on Wednesday I’ll be writing something historical for the Harlequin Historical Author blog.
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Cara Elliott (aka Andrea Pickens, aka Andrea DaRif) is a longtime visitor to the Riskies, but today we welcome her new persona, historical mystery author Andrea Penrose! Comment for a chance to win a signed copy of Sweet Revenge, and be sure and visit Andrea’s website for more behind-the scenes info and fun contests…

Welcome (back) to the Riskies, Andrea! Tell us about your new book–and your new persona.

Sweet Revenge is my debut into historical mystery–a world I love as a reader as well as a writer. And my publisher thought a new genre needed a new name (oh, don’t ask!) so here I am, wearing my Andrea Penrose chipstraw bonnet…

I chose to set the new series in the Regency because, as we all know, it was a world experiencing change in so many facets of life–political, social, artistic, scientific, economic. Add the intrigue of the Napoleonic Wars, and what better setting is there for a mystery series? For me it presents a wonderful change to explore themes and issues that are true to the era but also resonate with modern readers: Here’s a small taste of the story:
Lady Arianna Hadley’s desire to discover her father’s murderer has brought her back to London from exile in the Caribbean. Masquerading as a male chef, she is working in one of London’s aristocratic households. But when the Prince Regent is taken ill after consuming Arianna’s special chocolate dessert, she finds herself at the center of a scandal. Because of his expertise in chocolate, the eccentric Earl of Saybrook is asked to investigate the crime. But during his first interrogation of Arianna, someone tries to assassinate both of them, and it quickly becomes clear that something very sinister is afoot within the highest circles of government. They each have very different reasons for wanting to uncover the truth, yet to have any chance of doing so they must become allies. Trust Treachery. Arianna must assume yet another identity as their search takes them from the glittering ballrooms of Mayfair to the slums of St. Giles. And their reluctant alliance is tested in more ways than one as it becomes clear that someone is looking to plunge England into chaos…

What is the inspiration behind the story?

Actually,
if I told you that I’d give away the mystery! But the inspiration for my heroine–the series is tagged “A Lady Arianna Regency Mystery”–came in a roundabout way. Several years ago, for my “real” job, I interviewed the head of a gourmet French chocolate company, which was founded by Marie Antoinette’s personal physician, and was fascinated to discover someamazing tidbits about the Regency and chocolate. I worked on a story idea that never saw the light of day, but was always determined to find a way to weave that chocolate research into a book. When I started to create Arianna, her Caribbean background suddenly made an expertise in chocolate a perfect ingredient to her character.

Did you run across any interesting research tidbits you can share?

Oh, don’t get me started! There’s a lot of real history woven into the plot, based on discoveries that surprised me. Researching chocolate provided a number of “delicious” little discoveries. Marie Antoinette complained about the unpleasant taste of her medicines, so her physician came up with the idea of mixing it into a solid form of chocolate–a pistole or wafer-like disc that the queen is said to have adored. (The company, Debauve & Gallet, still offers Pistoles de Marie Antoinette. A 1.7 lb box costs the princely sum of $200. Her favorite flavor was said to be almond milk). And Napoleon commissioned a chocolate treat to commemorate his victory at the Battle of Friedland.

What are some of the challenges of switching genres?

In romance, love is at the heart of the story–it’s primarily about the two main characters, and how they overcome obstacles, bot exterior and interior, to come together. For me, the core element of mystery is the idea of justice. So the characters in the story see themselves and those around them not just through a personal prism, but through the lens of conundrum. This adds a different slant to creating personas, but I’ve really enjoyed the challenge of seeing things from a new perspective.

Since this is a romance novel blog, we have to ask–is there romance in the story??

Yes, there is! It would be pretty hard for me to write a book without having a relationship be a core element of the story, because I really enjoy exploring the interaction between people. So I felt I got to do with the best of both worlds in creating a mystery with a romance.

The hero and heroine start out as very reluctant allies, and then it becomes–complicated. They are both loners, with a lot of conflicted feelings about their past, and I enjoyed being able to thread in more ambivalence into their interaction than I might be able to do in a romance. And since the relationship will carry on for a number of books (I hope!) it allows me to wrap a lot more layers around their cores. I’m looking forward to slowly revealing who they are. (Hey, they constantly surprise me, which is part of the fun!)

What’s next for Andrea Penrose? And what about Cara Elliott?

This year is a little crazy for me, in a very good way! In february I finished off my Cara Elliott “Circle of Sin” trilogy (To Surrender to a Rogue is a RITA nominee!), and in November Cara has a new trilogy debuting. Too Wicked to Wed begins the “Lords of Midnight” which stars 3 hardbitten rogues who are tamed by love.

As for Andrea, The Cocoa Conspiracy, the second LadyArianna mystery, will hit the shelves in December. It’s set at the Congress of Vienna, and once again chocolate does play a small part in the plot. In my research I discovered…but that would be spoiling the fun! I hope you’ll enjoy Arianna and Saybrook’s adventures through the Regency world.


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I’m writing this a week in advance, because on the Saturday it will post I will be returning from a week in Florida, where we are visiting family during my children’s spring break.

Frankly, I must say that Florida is not my favorite vacation spot. There are fun things to do, of course, and it’s good to see relatives. But the Orlando area is Too Crowded and Too Hot. I am hardened by our upstate NY winters, I guess!

I did enjoy my visit to the Florida Keys, because I went scuba diving and saw a shark, just the right kind: about four feet long and swimming the other way! Tropical vacations for me have to include some sort of snorkeling or diving.

Otherwise, I prefer temperate climates, lakes and mountains. I love Maine, especially Acadia National Park, and I’ve had many wonderful vacations in Canada. I think I’d enjoy going out to the Rockies sometime.

During the Regency, the trend for seeking out the picturesque was satirized in William Combe’s poem “The Tour of Dr. Syntax in Search of the Picturesque,” illustrated by Thomas Rowlandson. I wouldn’t have cared; I would have gone anyway.

Here are some of my favorites among the picturesque spots I visited while on international assignment in the UK. My own pictures are buried; these are all from www.geograph.org.uk.

First, the Lake District. There’s a famous incident where a visitor, after boring Beau Brummell with stories of a tour in Scotland, asked him which were his favorite lakes. To depress the bore’s pretensions, Brummell consulted with his valet before replying “Windermere, will that do for you?”

My own real favorite in the Lake District is Ullswater, of Wordsworth’s “Daffodils” fame. My husband and I rented a canoe there one breezy afternoon. We paddled against the wind both ways (it turned just as we did) and enjoyed the movement of the clouds and the play of light over the hillsides until a light drain drove us toward shore and a nice pub in Glenridding.

Tintagel: crags, ruins and Arthurian legend. Who could ask for anything more?

The Isle of Skye: more fantastic scenery and sheep with an attitude. At one point in our travels, a ram planted his feet in the middle of the road in front of us and glared at us. I had to get out to shoo him out of the way and frankly, I was a little unnerved!

The Cotswolds: pastoral countryside, churches, cottages all built of a lovely golden stone. When my husband accidentally damaged our old brick fireplace in a fit of home improvement, we decided to rebuild it with stone that reminded us of the Cotswolds.

Do you enjoy the picturesque? What are some of your favorite destinations, in Britain or elsewhere?

Elena

Apologies for the delay in posting!

Anyway, onto the talk. Last week, I flew to LA for the Romantic Times Conference, and on the flight out, the airplane showed The Tourist, starring Angelina Jolie and Johnny Depp. A beautiful cast, on paper at least.

My flight companion Liz Maverick and I watched it, without the sound, and found it as execrably horrible as most, if not all, reviewers had said.

(Worse even was today when I realized Jolie affects this weird faintly European accent. Ugh!) There was zero charisma between the two of them, and we didn’t buy it for a second that either would fall in love with the other. Here is their first meet:

Now, we’ve all got our favorite swoony they MUST get together moments from book and film; why do some pairings work and others absolutely do not? It’s so hard to gauge, which is where good authors have to come in; for example, I’ve just finished reading Elizabeth Hoyt‘s Notorious Pleasures where, on the first page, the heroine meets the purported hero while he is in the middle of schtupping a married woman. And, somehow, Hoyt convinces us that those two–Lady Perfect and Lord Shameless, as each tag the other–are perfect together.

In one of my favorite meetings, North & South‘s Margaret Hale meets John Thornton for the first time. She’s brave enough to stand up to him–and his temper–and even though during this scene it’s hard to imagine it, it’s not impossible to imagine that by the end they’ll have fallen in love.

What is similar between Margaret and John is their passionate protection of people, even if during this scene they are diametrically opposed.

But in The Tourist–to come back to that atrocity–there is no question, at their first meeting, that Depp’s character will do absolutely whatever Jolie’s character wants him to. There’s no tension, no will they, won’t they? about it.

It’s the question that keeps us reading or watching–will they or won’t they?–even when we can predict the outcome (reading romance, and all).

Who are your most electric pairings on screen or in book?

Megan Frampton

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