Day in Newport with Gail Eastwood

I’ve just returned from a busy but fun vacation that ended with two lovely days with my dear friend and fellow Regency author Gail Eastwood. We spend the first of those days touring just a few of the famous homes in or near Newport, Rhode Island.
We began with the Breakers, the home of Cornelius Vanderbilt II, commissioned in 1893 and the most imposing of all the Newport mansions. Here Gail and I are posing on the terrace overlooking the water. And here’s a picture of the Great Hall by CC-BY-SA-3.0/Matt H. Wade at Wikipedia. 
 
I found the tour very interesting, but I have to admit the style of the Breakers did not appeal to me. Although I like ornamentation, I prefer designs that allow some resting places for the eye. At the Breakers the goal seems to have been to give every available surface some sort of special treatment.  It just seemed like Too Much. But the Gilded Age was the era that coined the phrase “conspicuous consumption”.
Comparing the Breakers with homes I’d toured in England, my impression is that the goal of houses like the Breakers was more the display of wealth than taste. In my favorite English homes, I like to think the designs were inspired not only by a desire to demonstrate good taste but a genuine love of beauty as well. 
Gail told me I’d probably find many of the other Newport mansions gaudy, so she suggested we visit Rosecliffnext. According to the online guide, “Commissioned by Nevada silver heiress Theresa Fair Oelrichs in 1899, architect Stanford White modeled Rosecliff after the Grand Trianon, the garden retreat of French kings at Versailles.” We agreed that the more restrained style was more elegant but also very romantic.
Our modern sensibilities still don’t easily embrace the idea of a family living in a home vastly greater than their needs, with an army of servants to keep it up.  It does make more sense if one considers the scope of their entertaining. In fiction, the house party stories like Gail’s recent reissue, An Unlikely Hero, need this sort of grand setting.
I don’t have problems with fictional heroes and heroines living this lifestyle as long as they treated those who lived and worked on the estate kindly. To have them question this arrangement would feel anachronistic without the right setup, perhaps an unusual upbringing that would have been considered revolutionary (probably not in a good way).  
Nevertheless, I’m glad that famous houses in England and elsewhere are now opened up as museums. I’m glad they’re also used as public spaces for concerts, weddings and other functions.  It seems right to me that those without the means to live in such over-the-top settings can still enjoy them now and then.
Our final stop was Green Animals. The house is relatively modest, decorated in Victorian style but cozy rather than overdone. The real star of this property is the garden populated with topiary animals. We were lucky to make it there for the last hour and tour the garden, bathed in late afternoon sunshine, though we heard rumbles of thunder from the north.
Learn more about the Newport mansions and other estates at www.newportmansions.org.
Have you ever toured the Newport mansions or anything similar? What did you think?

About Elena Greene

Elena Greene grew up reading anything she could lay her hands on, including her mother's Georgette Heyer novels. She also enjoyed writing but decided to pursue a more practical career in software engineering. Fate intervened when she was sent on a three year international assignment to England, where she was inspired to start writing romances set in the Regency. Her books have won the National Readers' Choice Award, the Desert Rose Golden Quill and the Colorado Romance Writers' Award of Excellence. Her Super Regency, LADY DEARING'S MASQUERADE, won RT Book Club's award for Best Regency Romance of 2005 and made the Kindle Top 100 list in 2011. When not writing, Elena enjoys swimming, cooking, meditation, playing the piano, volunteer work and craft projects. She lives in upstate New York with her two daughters and more yarn, wire and beads than she would like to admit.
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