My First “First Friday” Post – Covers, again!


Hello everyone! Gail Eastwood here. I’m popping in for a visit thanks to the kind invitation of our Risky hostesses, most particularly Elena Greene, who has given me the opportunity to guest blog on first Fridays of alternate months. I am delighted to be here to share your gracious company and conversation, and also to help Elena gain a little more time to work on her newest work-in-progress. I have read a little of it and can’t wait for her to get it done!!

Some of you already know me, or may remember that I wrote Regencies for Signet back in the day, but for those who don’t, here’s a link to an interview Elena did with me a few months ago on this blog. Coming back to the writing realm after ten years makes me feel a little like Rip Van Winkle at times, so much as changed! It is indeed a brave new world, but I’m excited to jump into it.

If I may beg your indulgence, for this post I’d like to go back to the topic of cover art, picking up from Elena’s post of Sept 14. Elena shared her dilemma over “branding” her sexy short story Lady Em’s Indiscretion through her cover art. My own dilemma, as I prepared the first e-book reissue that I am doing myself, The Lady from Spain, was whether or not to go with a cover style similar to what the new Signet reissues have, or try something different.

The Signet reissue e-books have taken a very different approach to their cover design, and I have yet to see anyone discussing it or reacting to it, and I’m dying to know what people think! Three of my books are being done this way.

As you can see below, I opted for “different” for the ones I am doing myself–all part of the grand experiment. For LFS, I wanted something that would suggest the suspense of the story and still atleast hint at the Regency time period. The story takes place mostly in London… The reissue of The Captain’s Dilemma, my French prisoner-of-war story pubbed in 1995, is not ready yet, but I will be working on converting it next!

 

Here are the old versions of those covers. You can see more on my website or on my author pages at Amazon.

What “branding” messages do you get from the new ones? Like them? Dislike them? Do you want to see the characters, and if so, do you want to see both hero and heroine? What would you do instead?
If you’re interested in covers and/or how the designs have changed over time, here’s a link to a great website devoted to covers done by artist Allan Kass, who painted many Signet and other covers over a long career. It’s fun to look for your favorite authors in the archives, and sometimes recognize a favorite book!
Finally, I’m offering a free copy of The Lady from Spainto one lucky commenter, whose name will be drawn and announced by next Friday. So, please, join the conversation! And if you’d like to be part of the drawing, please be sure to include your preference for Kindle or Nook (the only formats available currently) or if you’re willing to wait for one of the other formats which will be available soon. Oh, and your email address!
Thanks so much for letting me visit with you today!

About Gail Eastwood

Gail Eastwood is the author of seven Regencies that were originally published by Signet/Penguin. After taking ten years off for family matters, she has wobbled between contemporary romantic suspense and more Regency stories, wondering what century she's really in and trying to work the rust off her writing skills. Her backlist is gradually coming out in ebook format, and some are now available in new print editions as well. She is working on the start of a Regency-set series and other new projects. Stay tuned!
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