Back to Top

Monthly Archives: November 2012

It’s Tuesday night as I write this and in the US, as you may know, there’s an election. I am distracted. A wee bit.

Brooke’s Gazeteer to the rescue.

Ilminster, a town in Somersetshire, with a market on Saturday; seated among hills, 26 miles  SW of Wells, and 137  W by S of London. Google maps confirms this.


View Larger Map

Wikipedia tells us the following:

Ilminster is a country town and civil parish in the countryside of south west Somerset, England, with a population of 4,781. Bypassed a few years ago, the town now lies just east of the junction of the A303 (London to Exeter) and the A358 (Taunton to Chard and Axminster). The parish includes the village of Peasmarsh and the hamlet of Sea.

Peasmarsh. That is awesome.

Also from Wikepedia:

Ilminster is mentioned in documents dating from 725 and in a Charter granted to the Abbey of Muchelney (10 miles to the north) by King Ethelred in 995. Ilminster is also mentioned in the Domesday Book (1086) as Ileminstre meaning ‘The church on the River Isle’ from the Old English ysle and mynster. By this period Ilminster was a flourishing community and was granted the right to hold a weekly market, which it still does.

Barrington Court is nearby. This is a National Trust house, and the pictures here are worth a click.

You REALLY need to see the before and after restoration pictures. Wow.

 

I heard from a reader who told me she was looking for historicals that were less graphic. She enjoyed mine, but skipped over the sexier parts.  I recommended the traditional regencies of our own Elena Greene, of course, as well as those of Candice Hern and some of Mary Balogh’s older traditional regencies.

Fellow Risky Readers, I am throwing the question open to you. Besides Heyer, what other writers do you recommend for someone who is looking for the emotional impact of Romance, but that is less graphic in content?

Feel free to recommend contemporary stories, as well. I don’t believe she’s looking for Inspirationals. Basically, I think she wants Lord Ruin (the historical of mine she’d read) but without the graphic sex. If anything, I am even more graphic now so I was not able to point her to my other books.

Thank you in advance!

Ok. Well, I was called for jury duty and now I am on a trial, which is all I am allowed to say for now. However, this means I am getting up early to do day job stuff, getting my son to school, then going to court where I DO NOT get to go home at a time commensurate with starting my work day at 5:30 AM, so I am home late and wow.

Anyway, NaNoWriMo has been derailed once again for me, though I am still hopeful of a miracle.

The WIP is going slower than I would like, but in many ways quite well.

Here is a pretty picture I took:

Picture by Yours Truly

This is currently my desktop background. It looks pretty damn awesome on my 27″ iMac.

And that is all I have for you today. My internet has now failed 5 times. I am not even kidding. I have to save this now or I’m doomed.

 Welcome to the blog debut visitor Sarah Mallory, author of #5 in the Castonbury Park series, “The Illegitimate Montague”!!  Comment for the chance to win a copy…
Castonbury Village
We love to read (and of course to write) about the dukes and duchesses, the great and the good of old England, but for the Castonbury Park series we also took a look “below stairs”, at the people who worked in and around Castonbury Park and many of them would have lived in the village.
The country village of the Regency era was much more self-sufficient than it is today. Local farmers’ wifes produced butter and and eggs, which they would sell at the local market and most households would spin their own yard and knit stockings. A whole community would get together when it was time to kill a pig and everything would be done in one day, cutting up the meat, curing it and making the sausages etc. This was not the consumer society we know, but some things had to be brought in and fashion was beginning to make its mark.
For the Illegitimate Montague my heroine, Amber Hall is a clothier with a warehouse/shop in Castonbury and I have no doubt that she purchased at least some of her cloth from some of the many wholesale drapers in Manchester, which was only about 30 miles away.
There were no dress shops as such in the Regency: those wanting new clothes would buy their cloth from a clothier, or if they lived in London they would have access to more specialised silk warehouses. The clothes would then have to be made, either by the women of the house, or those rich enough would employ a dressmaker or modiste. They would most likely copy one of the fashion plates from the Ladies Magazine, or La Belle Assemblée.
Country families who rarely came to London could appoint the proprietor of a London coaching inn to act as their agent for shopping and other business, and the goods they ordered would be sent back to them on the mail coach – the very first “mail order”! Many provincial shopkeepers would travel by mail coach to London to buy goods from the wholesalers. In the early 1780’s Elizabeth Towsey (who, with her sister Susannah kept a milliners in Chester) travelled to London twice a year to select from the new season’s fashions. When the goods arrived, she put an advertisement in the local paper, inviting customer to come and inspect them. (Susannah later married a druggist, Mr Brown, and their son carried on the millinery business, which became a famous department store, Brown’s, in Chester).
Some families did not have a London agent, but would rely upon the county carriers, whose waggons travelled from the larger towns to appointed London inns – this was slower than the mail coach, but considerably cheaper, too.
Now, all the above would apply to the wealthier families, but for most of the villagers, new clothes were a rare occurrence. I found some fascinating snippets of information about country life in a book written by Anne Hughes, a farmer’s wife who lived at the end of the 18th century (The Diary of a Farmer’s Wife, 1796-1797.)
Anne’s village was in Monmothshire, and probably a little more remote than Castonbury, but although she does a great deal of sewing and she talks of her mother-in-law knitting hose and her maid spinning yarn, the only mention of a new clothes is when her husband has been paid for his harvest and he buys her a new gown. Anne does not mention buying cloth or gowns for herself, although when she goes to market and sells her butter (for 7 pence a pound) she does buy a ribbon for her maid Sarah’s hair.
Clothes were passed down the social strata – the lord and lady of the manor passing on their unwanted garments to the villagers and farmers of the area – and no one is offended by this. When it is her husband John’s birthday, Anne says “…I did give him a pair of blue velvet britches, which my dear lady’s mother did give me in my parsell, and which pleased him mitilie, he liking the good small cloes to his leg covering.”
Anne also passed on some of her older clothes to her maid Sarah. When Anne and her husband are invited to the parsonage to drink tea, Sarah is invited too and doesn’t know what to wear …”so we up to my chamber where I did give her a purple velvitt out of my chest… It fitte her finely, so I did tell her to wear it with her warm cloke and nitted bonnitt.” In fact, it must have looked very good, because Sarah ended up marrying the parson!
When it is announced that Sarah is to be married, there is much talk of sewing sheets and linen for her chest, and Anne’s brother in law sends a package for Sarah, which contains “verrie fine linen for the making of sheets and damask for the tablecloths for her tables. And, as well, a verrie fine piece of white satin with a little blue flower upon it, and some fine lace for trimming.”
The satin was later used to make Sarah’s wedding gown “and it do look very nice, all trimmed with the fine lace and some at the sleeves and throat.”
However, before we think that village life in the Regency was a non-stop sunny idyll, there could be disagreements – Anne most definitely took against one Parson’s wife, a Mrs Ellis. She says that when they were walking to church together “Mistress Ellis…minsed along aside me prating of her new cloathes and that the gown she is waring cost so much, which I doe know is onlie her last yeres turned about and new bowes on for show. This I cappes by saying I will show her my new brockade which Jon bought me last market day….. After we had dined, I did take her to my sleepin chamber to showe off on her my best cloes; at seeing which, she begins to trump up about her new black sylk, which had cost so much and which I do know she did buy off Mary Ann, herself telling me so. Knowing this I could well afford to bring out my black sylk with the white spottes, what John did buy for me and which I had not put on. This did end her bounce so down again. It being two howers since she had fed, to tee drinken.”
And again, when Anne sees a “flighty piece in church” – “April ye 12 – We to church this evening….I did see Sarah Anne Plummer was there, tossing her head about, on which was a new bonnet, that I doubte be paid for: she being a shiftless body. I did also spot Mistress Jones….very high and mighty and aping the great lady, she wearing a verrie queer head covering, like a platter, albeit not so big, with great store of flowers upon it and ribbons adandering therefrom, in which she did look a sight to be sure. She did also wear a bright red gown of a cottony stuff, and not silk as I could see verrie well and she did throw off her cloak to show her finery, but la ’twas but trumperie stuff ….”
I do not know what Anne would have made of my heroine Amber’s warehouse – certainly Amber made sure her stock wasn’t “trumpery stuff” but I can imagine that the ladies of the village would have been vying with each other to look their best and more than one would have ribbons “a-dandering” from their bonnets!
Sarah Mallory
The Illegitimate Montague – #5 in the Castonbury Park Series

a Rafflecopter giveaway

Follow
Get every new post delivered to your inbox
Join millions of other followers
Powered By WPFruits.com