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Monthly Archives: March 2013

Hero of My Heart by Megan Frampton

Hero of My Heart by Megan Frampton

In about a month, my Regency-set historical, Hero of My Heart, will be available for your e-reader of choice. Meanwhile, I’ve just finished the revision of the first draft of What Not to Bare, which is due to my editor next Friday (yay for making a deadline!).

Hero of My Heart is an angsty book, filled with Life-Altering Decisions. What Not to Bare‘s biggest decision is what horrible outfit the heroine will choose to put on–and how the hero will manage to get it off her.

The two books are completely different in tone, and so writing WNTB was refreshing after dealing with the sturm und drang of HoMH. I’m including the description of the–of course!–stunningly gorgeous hero from WNTB:

He was even more stunning the closer he got. From far away, of course she’d noticed his commanding presence and brooding good looks; he’d walked into the room like he owned it, his height and dark hair making him stand out from the shorter, lighter-haired men. Which were all of them. He was the darkest and tallest. And definitely the handsomest.

Up close, she could see his dark eyes, which she’d assumed were brown, were deep blue, like a lake under a full moon. His hair was so dark brown as to be almost black. And his mouth, dear lord, his mouth was sinful to look at, with full lips curled into a knowing smile, which of course meant Charlotte couldn’t look away.

And he was speaking now, which meant she had to stare at his mouth, didn’t it? “I am pleased to make your acquaintance, Lady Charlotte. Perhaps you would save me a dance for later this evening?” His voice was low and husky, as though he’d recently recovered from a cough.

Charlotte wanted to giggle at the thought of offering him a poultice for his throat. “Yes, of course, my lord. I would be honored.” She stood silent, feeling as awkward as she ever had. What did a young lady say to such an impossibly handsome man: Goodness, you are lovely. Perhaps you would care to undress so I might compare you against all those statues my mother never wants me to see?

She felt her cheeks flush up a bright red; unlike Emma, Charlotte didn’t get a delicate lady-like blush, but instead looked as though she’d been sticking her face directly into a blazing fireplace.

And next up, I have an entirely different piece of writing, the potential second book to follow my contemporary women’s fiction title, Vanity Fare. Vive la difference (in writing!)

Megan

Posted in Risky Book Talk, Writing | Tagged | 3 Replies

Georgian-JewelleryBecause it’s a holiday weekend and I’m running a bit late, you get a short post  with lots of pretty pictures.  Today, we’re looking at Jewelry  of our era.  The information and pictures are from Georgian Jewellery 1714-1830, a gorgeously illustrated overview of Georgian jewels.

Click on any of the thumbnails to get a larger image of the various pieces.

Cameo & Intaglio - 1800

Cameos and intaglios are lumped together because they’re both made from carving stone.  The difference is that in cameos, the design stands out and in intaglios it’s carved into the surface.  agate, onyx, malachite and lapis were the stones of choice because of the their natural bands of color.

Opaline Glass - 1800

Opaline glass or opal paste was made in Derbyshire and in France.  This was a milky glass in which cooling during its manufacture caused a separation of various oxidex.  Opaline glass was a favorite for daytime wear.

Diamonds - 1800

Diamonds. There is much to be said about diamonds and probably not much that needs saying.  During our period, the table cut (flat on the top, faceted on the sides) of the 16th and 17th centuries was superseded by the rose cut (many different shaped and sized facets over a small culet, allowing the least amount of light to escape through the bottom of the stone.

Gold Woven Chain - 1800The chain was a particularly Georgian piece of jewelry.  It could be woven, knitted, engraved or stamped out links.  It would frequently feature a distinctive clasp.  There was a seemingly endless array of option.  Besides the gold, the chains were made out of silver and other materials such as iron, steel, gilt metal and pinchbeck.

Fine-cut steel - 1800Steel was an interesting jewel choice during the Georgian period.  The steel was fine cut and highly polished and primarily a night-time adornment as it reflected candle-glow particulary well.  Queen Charlotte wore a cut-steel chain made by Matthew Boulton.

Seed pearls 1810Seed pearls, tiny natural pearls from India were an essential part of Georgian jewelry.  They were used in a variety of ways:  long tasseled sautoirs, threaded into intricate designs on slides or clasps, used as surrounds for gemstones.

Iron and Steel 1815

Iron is probably not the first metal that jumps to mind when thinking about jewelry but black-lacquered cast iron jewelry was made by the Royal Berlin Foundry beginning in 1804 and became fashionable during the Napoleonic Wars.  It was made by moulding shapes into wax, impressing them in fine sand and then filling the impressions with molten iron.  Once cooled, it was usually lacquered black.

Coral 1820Coral had a brief period as jewelry desired for both day and evening wear.  It came in the form of cameos, carved rosettes, acorns, or cherubs’ heads, and beads carved in facets or crosshatched. In the early 1800s it was even paired with diamonds for evening dress.

PastePaste – It’s more than just something to replace the jewels you’ve pawned to support your gambling habit.  Much of the paste used in jewelry during the Georgian era was celebrated as jewels in their own right.   Paste was highly regarded because the stones could be cut into any shape required for a setting.  There are still some beautiful examples of fine paste jewelry.

Wedgwood & steel 1780Wedgwood jewelry is distinctly English.  Josiah Wedgwood’s ceramic-ware plaques were included in brooches, pendants, rings, buckles, clasps and earrings.  Mathew Boulton of Birmingham used jasperware ceramic, with its soft matte finish set into gold, silver, marcasite or cut-steel.  The beaded necklaces are particularly lovely.

RealJaneCoverThis week I am still buried in revisions, as well as a broken hot water heater (oh nooo!  It just shows me I could never have handled actually living in historical eras–I need my hot showers).  But I am also reading a great book, Paula Byrne’s The Real Jane Austen: A Life in Small Things, which I’m enjoying a lot.

This book isn’t just a straightforward biography.  Each chapter begins with an object from Austen’s life that evokes a key moment in her life or work.  It’s a fun structure that paints a portrait of a witty, socially and politically aware woman whose books are very much of their time as well as being so timeless we love her characters still.  Some of the objects are the topaz cross necklaces her brother gave her; her laptop desk; an Indian shawl; a royalty check; a barouche, etc etc.  I started looking around my desk to see what I might have that could be in a comparable story about my life.  (No royalty check at the moment, alas!)

MyDeskInstead of an Indian shawl I have a pink hoodie hanging on the back of my chair…

Instead of a vellum notebook, I have a Hello Kitty notebook from Target…

Instead of a quill pen, I have a Disney princess pen with a feathered skirt–it writes in yellow and blue ink…

HKBookSpeaking of Hello Kitty, I have a reading HK I got from a McDonald’s Happy Meal!  I had to stop this post for a minute to make her move the little book…

I have stacks of research books, little slips of paper with random notes written on them, and an Eiffel Tower cocktail shaker I got as a wedding present.  Not as nice as Austen’s little table maybe, but at least no one will interrupt me to feed the chickens or do some embroidery!

 

 

What’s on your desk?  What items would evoke your world?  And on a whole different note–I am trying to plot a Christmas short story and am having a hard time, since tulips are blooming outside my window and I’ve been shopping for shorts on J.Crew.com.  What do you love to see in holiday stories???

carriageI was down much of this week due to a stomach bug, but I’ve had a great time catching up today.  What an interesting week we’ve had at the Riskies!

Diane started out with Real Research? a discussion of whether it’s OK to base one’s research on that of popular authors in your genre. Then Amanda posted on Real Things (objects from Jane Austen’s life), Carolyn posted an Interview with Susan Broadwater of the Regency Library and Janet brought us the fascinating story of Anne Lister in Same Sex Marriage, 1834.

Diane’s original post reminded me of a recent writers’ loop discussion of historical accuracy. Some people were shocked when I put forward my belief that HISTORICAL ACCURACY IS NOT IMPORTANT when it comes to having a successful career writing Regency era romance.

I’ve read enough bestsellers, RITA finalists and even RITA winners in the genre that include errors of title usage, people traveling from London to Cornwall in the matter of a few hours, horses galloping for hundreds of miles without dropping dead, etc… to know this is true. Their popularity proves that there are vast numbers of romance readers out there who don’t care much about such things.

I don’t even mean this as a criticism of these authors. Not at all. Their popularity proves that they are consummate professionals. They are providing good entertainment for their loyal readers, they are supporting themselves, putting their kids through college, etc… All things I want to do. And they’re doing it by writing good STORIES.

The lesson I take away is that the story (in this case, the romance) comes first.

Does this mean I don’t research any more? Not at all, for several reasons. First, why annoy the smaller percentage of readers who are knowledgeable enough to be annoyed by things that can be checked relatively easily?

But the main reason I research is because it’s part of my process. It helps ME write MY stories. I have never gotten reader mail complimenting me on my meticulous research (and heck, I make mistakes too). But I have gotten mail and reviews saying my stories were a bit different, in a good way.

The point is, research inspires me.

I’m feeling more inspired this week, having added some books to my TBR list and resolved to subscribe to the Regency Library!

What inspires you?

Elena
www.elenagreene.com

220px-Lister_anneCutting curl papers half an hour … Arranging & putting away my last year’s letters. Looked over & burnt several very old ones from indifferent people … Burnt … Mr Montagu’s farewell verses that no trace of any man’s admiration may remain. It is not meet for me. I love, & only love, the fairer sex & thus beloved by them in turn, my heart revolts from any other love than theirs…

Could not sleep last night. Dozing, hot & disturbed … a violent longing for a female companion came over me. Never remember feeling it so painfully before … It was absolute pain to me.

I recently stumbled across an amazing piece of history, the story of Anne Lister of Yorkshire (1791-1840), whose life represents a fascinating alternate history of the Regency. She kept a diary for most of her life which chronicles not only her experiences as a female landowner but also very  intimate details of her personal life, coded in a combination of Greek and algebraic symbols. codeddiarysampleIt’s been described as “the Rosetta stone of lesbian history.”

The BBC made a film of her life in 2010, The Secret Diaries of Miss Anne Lister and there’s a documentary about her which you can find on YouTube, created and narrated by the smart and witty Sue Perkins of the SuperSizers.

shibden-hall-in-halifaxHer father was an army captain, a member of a well-established gentry family who lived near Halifax. The only girl in the family, Anne revealed herself as a tomboy, intellectually precocious, smart, able to fence with her brothers and play the flute–“Zorro meets James Galway,” as Sue Perkins describes her. She was sent away to a boarding school in York in 1804 where her overwhelming presence proved so disturbing to the other girls that she was banished to an attic room. There she acquired a roomie, another misfit, the illegitimate daughter of a nabob and an Indian woman, Eliza Raine. They embarked on a passionate love affair, with an exchange of rings and poetry. Now the circumstances weren’t that unusual in an era where men and women were pretty much segregated, and sentimental friendships between young women were common, if not encouraged. But the authorities discovered the phsyical aspects of the relationship, and expelled Anne. Poor Eliza, as the friendship and correspondence faded, fell into a decline and was sent to a lunatic asylum in 1816 where she lived until her death at age 68.

Anne, back in Halifax, embarked upon a predatory sexual career, probably doing most of her cruising at “the one floozy hotspot where she knew the local lovelies would come in droves” (Sue Perkins)–church. Of course most of the local girls would be extraordinarily flattered to attract the notice of the Queen Bee of the neighborhood, even if they ultimately got more than tea and cakes. Anne’s first affair was with Elizabeth Brown, the daughter of a tradesman. Anne, a real snob, post-conquest noted in her diaries that Elizabeth was dirty and distinctly beneath her socially. (Doesn’t this remind you of Emma taking on–and dropping–Harriet Smith?)

But in 1813 Anne met Marianna Belcombe, who was slightly higher up the social scale, the daughter of a doctor. After some time Marianna married for money (and why not? Anne wasn’t offering to support her).  Despite her initial feelings of betrayal, Anne continued their relationship, this time with the frisson of adultery (which technically it wasn’t). But after ten years, Marianna dumped her, telling her that gossip about Anne’s increasingly masculine appearance was becoming embarrassing.

This was not news to Anne.

The people generally remark, as I pass along, how much I am like a man. At the top of Cunnery Lane, three men said as usual, ‘That’s a man’ & one asked ‘Does your c*ck stand?’

But it seems that she also enjoyed her male characteristics, particularly in the thrill of chase and conquest. She liked compliant, pretty women: and, like many of her male counterparts, treated her partners shabbily.

There was a dramatic change in Anne’s life in 1826 when she inherited Shibden House and 400 acres of land. Now she was a force to be reckoned with, one of the elite, and absolutely independent. But she was threatened by the nouveau riche in the area, Halifax being at the heart of industrial expansion. She needed cash. Heck, she needed a wife. And she found one a few miles away, a Miss Ann Walker who was also an heiress. York,_Holy_Trinity_Church,_Goodramgate_-_geograph.org.uk_-_1115416In 1834 the two women attended Mass at Goodramgate Church in York, followed by a blessing from the clergyman which they felt sanctified their union. They now considered themselves married, and Ann moved into Shibden where they shared their wealth.

Anne then made a venture into coal mining, one of the best ways for a landowner to get rich, by opening the Walker Mine (aaw). The captains of industry were not amused, in particular one Christopher Rawson, a distant relative of Ann, and a local magistrate. He incited a mob in Halifax to burn the two women in effigy. Was it homophobia or just outrage at an uppity woman (which Anne certainly was)? But Anne got the last laugh. She opened another coal mine, undercut Rawson on prices and forced him to back down.

Anne was a remarkable if not always likeable woman. She was the first woman to be elected to the committee of the Halifax branch of the Literary and Philosophical Society, and a bluestocking who knew Latin, Greek, and geometry. She managed her lands herself and built schools for her tenants. (So in some respects she would have been an excellent romance heroine. Apart from the lesbian thing.)

In addition she traveled widely abroad, visiting not only tourist spots but also factories, prisons, orphanages, farms, and mines. 800px-Lister_graveShe also visited the famous Ladies of Llangollen. So it’s sad that on one of her jaunts abroad to Russia in 1839 she died of something quite minor–probably a tick or flea bite–and poor Ann, who outlived her by many decades–brought her body home for burial.

Her diaries–some 26 volumes, over 4 million words, with an index (which surely indicates Anne left them for posterity)–were hidden in Shibden Hall. They were discovered and translated in the 1890s by an indirect descendant, John Lister. But he was advised to hide them once again. During that period, when homosexuality was a crime and the theory that it was hereditary was developed, the revelation of the diaries might have damaged John Lister, who was gay. They were discovered  again in the 1930s, when the British censors had their knickers in a twist about Radclyffe Hall’s The Well of Loneliness–again, not a good time for Anne to posthumously come out.

whitbreadA local historian ran across them again in the 1960s but the town of Halifax, who now owned the diaries, refused permission to publish. Finally, in 1988, Helena Whitbread decoded them and published them–and sadly, her book is now out of print!

I find the life of Anne Lister fascinating. It certainly made me wonder about other relationships of the era–those sentimental friendships, the companions, the friends sharing beds. I also wonder how women without her advantages, of birth and wealth would have fared in a similar relationship. Most middle class women had no choice but to marry–as Amanda Vickery says in Sue Perkins’ documentary, in this period “the ultimate aphrodisiac was the length of a man’s rent roll.”

Had you heard of Anne Lister? Do you have any favorite characters who represent alternate or queer history?

Posted in Research | 10 Replies
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