More than Topography

This article on the tradition of topographical water colors states that “topographical paintings seem quaint and bland to modern tastes”. Maybe I don’t have modern taste, because I love them.

In the 18th and early 19th centuries, topographical art served the purpose that cameras do now—recording what places looked like. Reason #1 I love topographical art is because I find it useful when developing settings for my stories. Many places have changed considerably since the Regency, so it helps to see buildings, roads, people and animals as they were back then.

However, some artists took topographical pictures further into the realm of art, and this is Reason #2 why I love them.

When the “picturesque” tradition met the topographical traditions, mountains became higher, crags became craggier and wilderness more wild. This is where I do check these images against modern photos, but I really I don’t care that they took liberties. It tells a lot about the culture of the times and I love those pictures anyway.

Here are just a few English topographical artists whose work I enjoy.

Paul Sandby (1731-1809) is one of my favorites. Here’s a 1794 picture of Darmouth Castle and a comparison photograph.

Dartmoudarmouthcastlephoto

Joseph Mallord William Turner (1775-1851), is famous for works which were impressionistic before the Impressionist movement had fully begun, but he also produced landscapes in the more traditional manner. Here’s his “Vale of Ashburnham”, 1816.

JMWTurner_Ashburnham

A later artist I enjoy is Thomas Allom (1804-1872). Here’s his “Eaton Hall”, published in the 1830s.

Eaton_Hall

Do you enjoy topographical art? Do you have any favorite artists or pictures? Please feel free to share links!

Elena

About Elena Greene

Elena Greene grew up reading anything she could lay her hands on, including her mother's Georgette Heyer novels. She also enjoyed writing but decided to pursue a more practical career in software engineering. Fate intervened when she was sent on a three year international assignment to England, where she was inspired to start writing romances set in the Regency. Her books have won the National Readers' Choice Award, the Desert Rose Golden Quill and the Colorado Romance Writers' Award of Excellence. Her Super Regency, LADY DEARING'S MASQUERADE, won RT Book Club's award for Best Regency Romance of 2005 and made the Kindle Top 100 list in 2011. When not writing, Elena enjoys swimming, cooking, meditation, playing the piano, volunteer work and craft projects. She lives in upstate New York with her two daughters and more yarn, wire and beads than she would like to admit.
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