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Author Archives: Sandra Schwab

Teaser image for The Return of the EarlLast evening I finished the first draft of my new Regency story, and I’m still in that finished-the-book stupor that makes you feel as if your head is stuffed with wool. So instead of attempting to write something clever about mummers’ plays (which I mention in The Return of the Earl – and I mention them with SO MUCH GLEE because it’s a topic I did some research on for my PhD thesis, and to me, it’s always such a delight when I can make use of some of my older research 🙂 )…

Sooooo, instead of trying to write something clever about mummers’ plays, I’m going to give to you an excerpt from the new story. With a grumpy earl!! (See picture above)

The Grumpy Earl has come home after some years of absence and is majorly disgruntled when he finds his former lover has become his stablemaster. So, of course, Grumpy Earl is even grumpier than usual, but he will not give anybody the satisfaction of staying away from his own stables & thus goes to said stables the next morning & bellows for a horse. Which makes the stablemaster come over.
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And now, finally, for the first time in thirteen years, Con could clearly see those two-toned eyes—muddy-green and stormy-blue—and for a moment, he felt quite dizzy at the familiarity of them. He could almost hear his memories battering at their cage. If he left them out, now, here, in front of this man, he would disintegrate and shatter into a million pieces.

He would be damned before he gave the stablemaster that satisfaction.

“You want to ride?” the man asked.

“Yes.”

The stablemaster’s brows rose. “Have you had any practice in the past years?”

Con compressed his lips and thought about snapping some reply about a stablemaster’s proper deference to his employer. But he wouldn’t give the man the satisfaction of letting him rile him either. Oh no!

Thus, Con just gritted his teeth and forced out, “Of course, I have.”

Bryn’s lips twitched briefly as if he had to hold back a smile. At that tiny movement, Con felt an unexpected tightening of his stomach.

How he had loved to kiss those lips when he had been younger! He had loved chasing Bryn’s smiles with his lips and tongue, had particularly loved sucking on that slightly plumper lower lip.

No!

Angry at himself, angry at his damned stablemaster, Con pushed those unwanted memories aside.

Lifting his chin, he gave Bryn his haughtiest look.

But was had proved to be such an effective weapon in the ballrooms and drawing rooms across the continent, turned out to have very little effect on his stablemaster.

“If you say so.” Bryn’s tone was easy, and he didn’t give any indication that he was in any way greatly perturbed by his employer’s demeanor. Instead his eyes briefly flicked down Con’s body, assessing him as if Con were a blasted horse at Tattersall’s.

“What?” Con snapped.

Bryn’s gaze was thoughtful. “You used to have a good seat.” His eyes twinkled, before he turned and began to walk across the yard. “I hope you didn’t forget everything you’ve been taught,” he threw over his shoulder.

Con spluttered with outrage, a hot flush blooming in his cheeks.

How dared he?

Bryn threw him another glance over his shoulder—and Con’s outrage mounted as he spotted the grin on the man’s face.
“Are you coming, my lord?” Bryn called. “I have a few horses you might find suitable.”

Grimly, Con stomped after him. By Jove, how he wanted to throttle the man!

He tried to imagine it: Putting his hands around Bryn’s throat and—

His hands on Bryn’s skin.

Touching Bryn again.

Running his fingers over the strong neck down into the soft, vulnerable hollow at the base of his throat…

This time, it wasn’t just his stomach that tightened, and Con cursed himself, cursed the Fates, but most of all, he cursed his stablemaster.

Damn the man!

Posted in Writing | 3 Replies

Sandy's author's desk with her AlphaSmart, a notebook, and a cup of tea
Happy New Year, dear Riskies readers!

I’m sorry I’m late with my very first post of the year; I meant to write it on Wednesday evening after walking the doggies. But as I was about to fall asleep after walking the doggies, I crawled into bed instead. But I think at the moment, it’s still Wednesday in California, so this totally counts as a Wednesday post, right?!?!?!

So — new year, new beginnings. For me, this means working on a brandnew story. Since I finished The Centurion’s Choice, I have been trying to tackle something new, yet nothing quite gelled. Not the Roman novella set in Caledonia, and definitely not the Victorian novella set in the north of England. It took me a while to realize that either story would be just too gritty for my current frame of mind. So finally I decided a return to Regency England might be at order.

Oh. My. Gosh.

There is something soothing about falling back into the familiar rhythms and patterns of Regency England, something extremely liberating about being able to just concentrate on the story instead of doing a heap of research beforehand and during writing. And if I do need to look something up again, all it takes is a quick look into one of my research books.

And did I mention the garden follies?!?

The Return of the Earl, the story I’m working on, is set almost exclusively on a big estate in the country, which means I get to describe a lovely landscape garden once again — AND ALL THE GARDEN FOLLIES!!!!

I adore garden follies. They are the best things.

In the past, I typically consulted my books on great houses and great houses when building a lovely estate for one of my characters, but this time around I just let it zip. Only after a while did I realize I was describing places I had visited myself, specifically Harewood House near Leeds.

My (still nameless) estate has the same imposing entrance gates…

Gates to Harewood House…and once you’re through the gates, you’re greeted by lovely meadows (with nary a house in sight!)

Harewood House - the driveIt’s only as you drive (or walk) on…and on…and on…that the landscape dips to form a valley — and there it finally is: the house.

Harewood HouseThe similarities continue behind the house: Harewood has a large, beautiful south terrace…

Harewood House South Terrace…which offers a nice view across the landscape garden.

Harewood House TerraceAnd when you walk down the path to the balustrade at the end of the terrace, you get this view of the landscape garden:

Harewood House landscape gardenAnd you will find exactly the same view and exactly the same meadow, gently sloping down to the large lake, in The Return of the Earl. 🙂

If you would like to follow my creative journey with this story, check out my Instagram account, where I am posting status updates for my main characters.

teaser image for The Return of the Earl, by Sandra Schwab

A picture of the new print edition of Castle of the Wolf
Today I come to you with all kinds of bookish news: I’m currently knee-deep into the production of new print editions of all of my books. (It kind of hit me when I was preparing  Eagle’s Honor: Ravished, which I have entered into the RITAs, for print that very few of my novels were actually available as paperbacks. So it was definitely beyond time to remedy that situation.) Moreover, a few weeks ago, I also discovered how to create drop caps in MS Word and since then I’ve been on a roll. As you can see from the picture above. 🙂

For the print edition of Castle of the Wolf, my Beauty & the Beast story, in which a young woman inherits a mysterious castle in the Black Forest, I chose a set of initial letters that reminded me of old fairy tale books. I thought that was quite fitting since fairy tales play a very important role in the story.

So this is the good part. However, overall Sandra’s Adventures in Print Publishing didn’t go quite that smoothly. The grumpy dude on the cover? He’s orange. “But, Sandy,” you might say, “he is not orange in that picture above.” Yeah. I know. I applied a number of filters to that picture above because I didn’t want to inflict his glow-in-the-dark color on anyone. So if you’d like to get a nice new edition of Castle, please wait a few days. I’m currently fixing it. (I just hope he doesn’t turn out to look like a zombie this time around.) (That’s what living in a run-down castle does to you: turns you into a zombie!)

But what *did* turn out really nicely is the frontispiece (see? I’m really on a roll here! hehe!): I did include a sketch of the Kastelburg in Waldkirch, upon which the castle in my novel is (partly) based. Here is a picture of the frontispiece in the making:

A sketch of the Kastelburg in Waldkirch Annnnnnd in other bookish news, my grumpy centurion, whom I mentioned in my last post about doing portraits, is going to hit bookshelves this Friday. I so enjoyed telling Caius & Lucius’ story. I fell in love with these two when I first wrote them as secondary characters into Eagle’s Honor: Ravished, which is set ten years after The Centurion’s Choice, and I knew from almost the start that I very much wanted to tell their story as well.

Teaser image for The Centurion's Choice by Sandra SchwabFor me, one of the great joys of writing the Eagle’s Honor series is that has expanded into an exploration of family relations across several generations as well as an exploration of family stories. Family stories formed an important part of my growing up – my paternal grandmother in particular liked telling me stories about the time when my father and his sisters were little, and sometimes also about the time when she was a young woman. And above my parents’ dining table there’s a huge collage of family pictures going back as far as the 1890s. So my own experiences of how people in my family talked about their past and about people from past generations I’ve never met, very much informed the way I have been approaching the stories the Florius family share.

I love imagining what kind of stories members of the Florius family would share about past generations and what kind of things would be passed from one generation to the next. And also imagine what sort of circumstances would interrupt this chain of oral traditions; in how far memories might change over time. For me, it’s a really nice way to link these stories that set apart several decades. (And of course, I hope readers will enjoy these links, too!)

Teaser image for The Centurion's Choice, by Sandra SchwabBut, of course, these family stories just form a tiny part of the background for The Centurion’s Choice, which at its heart is a enemies-to-friends-to-lovers story. With a very grumpy centurion. 🙂 (Watching those grumpy guys fall in love is always such great fun, isn’t it?) So without further ado, here’s the blurb for the novella. I will add buy links on Friday, when the book comes out.

It’s 178 AD, and barbarian tribes once again threaten the borders of the Roman Empire. To make matters worse, Lucius’ promotion in his auxiliary cohort has been denied, and instead the governor has appointed a moody, mean-tempered Roman to become the new centurion of the Septem Gallorum. And, incidentally, to trample all over Lucius’ ambitions.

Tall and burly, Centurion Caius Florius Corvus might be way too good-looking for Lucius’ peace of mind, but the man has also made it abundantly clear that he doesn’t trust Lucius as his second-in-command. Yet as they are swept into war and each has to shoulder his responsibilities, a reluctant respect begins to grow between them, which soon grows into friendship — and, perhaps, more?

These past few weeks I’ve been thinking a lot about portraits in painting and the art of portraiture. This is perhaps hardly surprising as I needed to think about a cover for my new Roman story and also started a hashtag project on Twitter and Facebook (#FreePortraitFriday), where authors can share a description of their main characters and I’m going to pick one to do a free character portrait.

Those are excellent exercises for me as I don’t just have to think about how to visualize the verbal physical descriptions of a character, but also how to visualize the…eh…character of said character. Like, is that person shy or self-confident? Kind? Arrogant? Mischievous? Those character traits will translate into the pose and expression and are nearly as important as the physical characteristics.

A couple of years ago, there was an exhibition of children’s portraits at the Städel, a famous art museum in Frankfurt, and while I didn’t manage to go and see it, I did manage to snatch up a catalogue of the exhibition. The catalogue doesn’t just provide the reader with a good overview of the history and development of children’s portraits, but also invites the reader to look more closely at the small details. When you look at Joshua Reynold’s portrait of little Frances Crewe from 1775 (“Miss Crewe“), when more realistic portraits of children that emphasized their individual personalities rather than family and heritage, had just become all the rage, you can easily see what a sweet, funny little girl Frances must have been.

Francis Cotes, "The Young Cricketer"

Francis Cotes, “The Young Cricketer” (from Wikipedia)

For his portrait of young Lewis Cage, the artist Francis Cotes chose a pose reminiscent of that of military heroes, hinting at the boy’s self-confidence. However, he immediately subverts this pose and we are reminded that this is a little boy, for in contrast to the men depicted in those military portraits, young Lewis looks far from neat and tidy: his waistcoat is unbuttoned, a corner of his shirt is hanging out of his breeches, which have become unbuttoned at his left knee. All those details add to the vitality of the portrait by hinting at the vitality and physicality of the child: he is dirty, sweaty, and stinky, but immensely proud of his achievements in cricketing.

And all those paintings of little children cuddling with their pets with obvious affection? How cute are those? Joshua Reynolds’ little “Miss Jane Bowles” (1775) exuberantly hugs her (long-suffering?) pet spaniel while smiling mischievously. And when Henry Raeburn painted his step-grandson in 1814 (“Boy and Rabbit“), he depicted little Henry as an affectionate young boy who tenderly cradles his white pet rabbit in his arm.

Posing is something I find rather difficult when I’m working with my digital models (and not the least because digital models don’t automatically pose naturally and, thus, if you don’t do it correctly you end up with a wooden-looking zombie — NOT the kind of look you really want to go for) (unless you’re doing a picture of a zombie, of course). To find the right pose (and the right camera angle) for a character often takes me quite a long time, and I typically need several test runs before I come up with something I’m happy with. As with those real-life portraits, it’s often the small details that add character to cover art.

A portrait of my centurion

A portrait of my centurion

A few days ago I got thinking about what to do with the cover of THE CENTURION’S CHOICE.  Which of my two guys should I put on the cover? Lucius, whom I used on the teaser image? Or Caius, the centurion from the title of the novella? In the end I settled on burly, cranky Caius – and after some puttering around, I ended up with the above picture. (I wasn’t able to find a digital version of a centurion’s armor, so I put Caius in a set of shiny Spartan armor.) But somehow, it just wasn’t quite right. I mean, he’s a good-looking dude, yes, but he looks a bit young-ish, and besides, Caius is described as being built like an ox. And this guy isn’t quite what I would call burly. So…more tinkering ensued!

Luckily, the muscles of digital models can be pumped up on demand and so I did some pumping (gosh, that was too much….), tried to add some muscle definition to his lower arms, and…oh, what about body hair? *Sandy wanders off to investigate digital options of adding body hair, comes back slightly traumatized* Um. No body hair, sorry.

But I did change the camera angle somewhat and turned his hair windswept to make the whole thing look a bit more heroic. And finally, I ended up with – taaaahdaaaaah! – this cover draft. Which I quite like. 🙂 And I hope you do too!

Cover image of The Centurion's Choice by Sandra SchwabTHE CENTURION’S CHOICE will come out in late November / early December and will be my very first m/m story.

Not quite a goose, but a duck

Not quite a goose, but a duck

The first Wednesday of October is the traditional date for the Nottingham Goose Fair, which today is a huge pleasure fair. But as its name suggests, in former times, one of the main goods being sold at that fair were indeed geese.

The time around Michaelmas (also known as the Feast of the Archangels or the Feast of St. Michael and All Angels) on 29 September was traditionally a time for goose-eating in England — according to legend, because Queen Elizabeth received news of the defeat of the Spanish Armada on Michaelmas Day, just when she had sat down for a meal of roast goose. She thus declared (again, according to legend) roast goose should forevermore be eaten on Michaelmas day in celebration of England’s might.

The truth is a bit more mundane: by the Tudor age, goose eating had already become connected to Michaelmas – probably because it is one of the old quarter days, marks the end of the harvest season and the beginning of the new farming year. Incidentally, spring geese are big enough to be slaughtered by the end of September and thus, a goose became a customary gift of tenants to give to their landlord when they were paying the rent on Michaelmas Day.

Not surprisingly then, at a lot of fairs held around the country around Michaelmas the wares that were being sold included geese. Most of these goose fairs have been long forgotten, but Nottingham Goose Fair is one of the few exceptions.

The fair has a very long tradition: in some form or another, it might have existed even before the Norman Conquest, and it had received its name, “Goose Fair,” by 1541. Originally, the main event of the far was indeed the selling of geese. An article from the September 1871 issue of Golden Hours: An Illustrated Monthly Magazine for Family and General Reading mentions that a “street on the Lincolnshire side of Nottingham is said to be called Goose-gate from the numbers which were driven through it for the annual goose fair, when from 15,000 to 20,000 of those birds were brought from the Lincolnshire fens, each flock attended by a goose-herd with a crook, wherewith to catch and lead out any goose which a possible customer might desire to examine more closely.”

By the 19th century, it was considered lucky to eat goose on Michaelmas Day: according to a proverb, you’d never lack any money if you ate goose on Michaelmas Day. And in 1813, in a letter to her sister, Jane Austen writes, “I dined upon Goose yesterday — which I hope will secure a good Sale of my 2d Edition” (i.e., the 2nd edition of Sense and Sensibility).

Today, only the name of the Nottingham Goose Fair and the sculpture of a giant goose in the town serve as reminders of the old purpose of the fair, which by now has become a giant pleasure fair.

The Nottingham Hidden History Team has a picture of said sculpture as well as a few pictures of the fair in earlier centuries.

~~~

In other news: A couple of days ago, I sent my latest WIP to my editor. “The Centurion’s Choice” is a spin-off novella from my Roman series and will be ready for release at some point in November. (And poor Lucius doesn’t have any nipples in this picture. *sigh* Sandra Schwab, forever forgetting to give her male digital models nipples.) (He totally will have nipples on the finished cover!!)

teaser image of Sandra's upcoming novella The Centurion's Choice

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