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Monthly Archives: October 2008

Yes, here’s Diane Gaston, to talk about her newest release Scandalizing the Ton, and one lucky person will win a signed copy of the book–your comment or question enters you into the contest. So chat away and have fun.

4 Stars! In this spin-off of The Vanishing Viscountess, Gaston deftly portrays the era and brings back previous characters. Her sensitive, compassionate and sensual romance shows how the power of love can overcome adversity. — Joan Hammond, Romantic Times BOOKreviews

Scandalizing the Ton has everything you want in a romance novel – love and passion, scandal and secrets….Debby Guyette, Cataromance

Tell us about Scandalizing the Ton (and congrats on the great reviews!).

Scandalizing the Ton is my Regency Paparazzi story, my idea of what it would be like for a Regency lady to be the victim of the historical equivalent of the media frenzy we’ve seen around celebrities like Paris Hilton and Britney Spears. Or Anna Nicole Smith.

Here is the backcover blurb: Lady Wexin, once the ton’s foremost beauty, has been abandoned by her family and friends, and creditors hound her. Her husband’s scandalous death has left her impoverished and the gossip-mongering press is whipped into a frenzy of speculation when it becomes clear the widow is with child. Who is the father? Only one man knows: Adrian Pomroy, Viscount Cavanley. He has cultivated the reputation of a rake, but in truth yearns for something useful to do. Delicate beauty Lydia Wexin could pose an intriguing and stimulating challenge.

Your hero, Pom, appeared in an earlier book. (Is that really his nickname?) When you created him, did you anticipate that he would have his own story?

Sigh. I didn’t realize when Pomroy first appeared in Innocence and Impropriety that “Pom,” as his friend Tanner called him, was a derogatory Australian term for a British person. Pomroy was a minor character and I had no plans to make him a hero, even when he was mentioned in The Vanishing Viscountess, Tanner’s story. When I selected Lydia as my next heroine, though, Pomroy was the perfect hero for her because of his reputation and his connection to Tanner. I couldn’t go through the book calling him “Pom” (my British editor told me) so I gave him a courtesy title and contrived to have Lydia call him Adrian, which I thought was a pretty cool hero name. He’s Adrian throughout the book—except to Tanner.

How would you define your books?

My niche at Harlequin Historical is to write about the Regency Underworld, the darker, grittier side of the Regency. The Mysterious Miss M, my first book, set the tone with its heroine who had been forced into prostitution. Since then I’ve tries to focus on the seamier side of gambling, of the theatre, and I also sent a marquess on the run with a beautiful fugitive. Scandalizing the Ton examines the darker side of the press during the Regency.

Do you find US and UK readers have different demands or expectations, and how do you meet both?

I mostly leave this up to my editors to help me get the varying expectations correct. (See my answer above about “Pom.” – there’s a lot I don’t know about the UK !). I do believe that the UK readers would want me to get their history and their geography correct. As a result, I try to be as accurate as I can be. Mostly, though, I believe both US and UK readers primarily want a good story. That is what I try to deliver.

How did you start this book: with the characters, or with the idea of a book about paparazzi in the Regency?

I started with the character of Lydia , who had to suffer for the sins of her former husband. At the end of The Vanishing Viscountess I’d left poor Lydia , totally innocent of any wrongdoing, in a very unhappy situation. She deserved a happy ending and someone like Pomroy ..er … Adrian … who was a light-hearted charmer, seemed perfect for her.

I originally focused on the pregnancy aspect of the story and had a villain who, in the end, abducted her baby. My editor accepted it but added, “Diane, do you realize you have ended the last three books with an abduction?”

Acck! (Amazing how blind one can be to such things) It was back to the drawing board for me. The paparazzi element had always been part of the story, but my friend Julie suggested I make the press the “villain.” Once she said that, I knew I had my story, a story I could put my heart into.

What’s your favorite scene?

Probably the initial scene when Adrian is caring for Lydia and it leads to lovemaking. I like to write these premature love scenes between two people who are obviously right for each other but who don’t even know each other yet. It’s like a foreshadowing of what is meant to be between them.

What was the most troublesome scene to write?

Oh, gosh. I can’t think of a troublesome scene (or one more troublesome than all the others). What was tricky was sustaining the love story between Lydia and Adrian when they really were not together for a significant part of the book. I did that by keeping them in each other’s thoughts and by the scene when Lydia sees Pomroy…er Adrian …pass by in a carriage.

What’s next?

The very next thing is my novella in the anthology I’m doing with Amanda and Deb Marlowe. We had such fun plotting this together. The anthology is called The Diamonds of Welbourne Manor, to be released May 2009, and it will be a featured book in Harlequin’s Diamond Jubilee. Mine is the first story and here is the set-up:

When the Duke of Manning ran off with Lady Linwall it had been the scandal of its day. Did they care? Not at all. Their home, Welbourne Manor, soon housed a happy miscellany of his and theirs—but not hers, not the young son she left behind. Now all the children are grown, this estranged son is on their doorstep, and all their lives are about to change.

There are more books coming, too, but you’ll hear more about them a bit later. Scandalizing the Ton really brings to an end the series of books that began with The Mysterious Miss M, which makes me a little sad, but I ran out of characters and I was coming perilously close to the end of the Regency era. I have a new trilogy planned and this is what you’ll hear more about as time goes on.

And you can always check my website!

Ask away… your question or comment enter you into a contest for a signed copy of Scandalizing the Ton.

p.s. sneaky promo from Janet, who’s guest blogging over at Historical Romance UK today. Come on over and chat!

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So, I did promise lots of posts using the research I accumulated on my European adventure! (like that annoying relative with all their vacation slides, the ones that go on for hours and hours…).

Today I’ll talk a bit about my visit to Versailles, especially the Petit Trianon and the adorable Hameau (called on the rather confusing directional signs “Domaine de Marie Antoinette.” Hint: when you come to the fork in the pathways and it points left, go right). The Trianon just completed a year-long, $7 million renovation, meant to look as if the Queen and her friends had just stepped away for a moment. I was lucky to have a beautiful warm, sunny day, the perfect time to wander the gardens and daydream about going back in time about 230 years.

The Petit Trianon was built between 1762 and 1768, originally meant for Madame de Pompador, though she died before she could make use of it. It was then used a bit by Madame du Barry, but did not come into its own until 1774, when it was gifted to Marie Antoinette as her little retreat from the suffocating etiquette of Versailles (if you look at pics contrasting her bedrooms in the chateau and in the Trianon, you can see why she might need a break! Sorry about the fuzzy quality of the Trianon pic–I was in a hurry)

According to the booklets I bought, it’s a fine example of the transition from Roccoco style to the refined Neoclassical. The exterior is simple and elegant, essentially a big cube with four facades that reflect the part of the estate they face. The gardens around the house reflect the Queen’s interest in the more natural, “English” style of garden espoused by Rousseau, and features meandering paths, streams, and a little Temple of Love as well as a grotto. Inside, the rooms are airy and intimate, the perfect place to hang out with friends, play some music, have a little play in the cute little theater–get into some amorous trouble!

A short walk from the house (follow the little stream past the Temple and turn left, through the trees) there is the Hameau, the rustic retreat meant to look like a miniature (and cleaned-up) Norman peasant village. It comes complete with a dairy, mill, and farmhouse, and this is where the Queen and her friends would wear their simple little white muslin dresses and straw hats and chase sheep around. (On display was one of her milk buckets, porcelain from Sevres, fashioned to look like wood and decorated with the entwined MA monogram). The little gardens were in full autumn bloom, with pumpkins and apples, though the buildings can only be peeked at through doors and windows.

It was here, while sheltering from the rain in the grotto, that the Queen learned an angry mob was on its way from Paris. She returned at once to the chateau, and never saw the Petit Trianon again.

I had the most wonderful afternoon wandering around here, picturing what it all must have been like! I wished I had a muslin gown and little lamb to make it all complete. (Though I’m sure the other tourists around thought I was crazy enough already, the way I ran about exclaiming over everything…)

What would be your favorite part of Versailles? Or of any historical site? Do you go a little crazy there, like I do??

And next week we will move across the channel (and back even further in time) to the Tower of London…

I’m trying to be enthusiastic about food.

Now, to those of you who know me, that may sound odd, because formerly I loved to eat. In fact I did rather too much of it. Then came adventures with teeth, where for some time I nursed along two temporary crowns and a gap, and had to think every time I put something in my mouth whether it could dislodge a crown and whether it was therefore worth the effort. (Yes, we romance writers are such glamorous creatures.)

Now I sport a full working mouth of teeth again and decided I should build on the momentum of losing weight by joining Weightwatchers. I’m finding it a slow, tedious process, the program altogether too damn perky, and some of the food weird. (Brownies made with black beans? Eew.)

I’m not that enthusiastic about food and it’s not helping the weight loss process, so I’m trying to take an interest. I mourn the brief tomato and peach seasons of the summer; the first time my farmers’ market had heirloom tomatoes, I brought some home, along with a loaf of expensive artisan bread, and made myself a massive tomato sandwich. I think it was the highlight, gastronomically, of my summer.

I’m thinking hard about the pleasures of winter squash and of the delicacies of winter-harvested brussel sprouts; yes, I know 90% of you are turning up your noses, but believe me, brussel sprouts turn deliciously sweet in frost, even if you have to saw through the stalks. I’m indebted to the wonderful Tiny Farm Blog for this picture and other interesting stuff.

So, what would Regency folks eat in October? According to Sarah and Samuel Adams, you’d get the last of the artichokes and scarlet beans, the first broccoli, and cabbage, carrots, endive, leeks, onions, potatoes, beets, parsnips, spinach, and small salad (not sure what this is; does anyone know?). Just imagine what you could get if you had a greenhouse. Yum. (The pic, by the way, is from Colonial Williamsburg, not England.)

What are you planning on eating and cooking this fall? Any sources of good recipes you’d like to share?

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Look, like a lot of you, I wrestle with the oxymoronic construct of wanting to read super-sexy scenes AND historically accurate stories.

It’s really hard (no pun i.) to put the characters into situations that are satisfying in a modern sexual context as well as maintaining the period’s standards.

So us authors end up justifying ourselves (and our characters) with bizarre situations to explain the action.

I’ve been working on a synopsis lately–my best one yet! (which isn’t saying much)–and I have to figure out a way to have the heroine want to have sex with the hero, even though she’s traveling to her fiance’s estate. All without making her a total, moral-less slut.

So I’ve come up with giving him nightmares, which she wants to comfort him from, and her feeling free of society’s strictures for the first time in her life, and plus he’s really hot, but I still think it’s going to be tough sell.

What books juggle this difficulty well? What situations could you see one of our heroines putting aside her societal rules and getting it on with Mr. Hottie? What explanations of such behavior bother you in our books?

Thanks–

Megan

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