
The Winner of Love With A Perfect Scoundrel is……
Margie!
Email us at riskies@yahoo.com and give us your address.
The Riskies

The Winner of Love With A Perfect Scoundrel is……
Margie!
Email us at riskies@yahoo.com and give us your address.
The Riskies

(I’ll leave the Academy Award Blog to Amanda, but just gotta say–Is there anything Hugh Jackman can’t do????)
Last week my friends Mary Blayney, Julie Halperson, Lavinia Kent, and I finally got together for our Christmas dinner–(we were all very busy)
This was my gift to each of them. It is The Jane Austen Centre’s eco-friendly shopping bag. You can order one of your own, or any number of lovely things here.
Gaming Counters from the 19th Century! What our Regency heroes and heroines gambled with, like we would gamble with poker chips.
It was the fashion in the mid-1700s -1800s to use these small (that’s a US quarter to give you an idea of size) mother-of-pearl chips for gambling, or even friendly games of cards. The chips came from China, through the East India Company. Each is carved and each have a Chinese scene on them. Here is a nice little history of the Chinese gaming counters.
And here is a good image of two counters and the kind of detail that are on them.
The gaming counters came in a variety of shapes, some like fish.
These are what Lydia Bennett meant in Pride & Prejudice, when she talked “incessantly of lottery tickets, of the fish she had lost and the fish she had won…”
You can win this set of counters on ebay.
Some of you know Lavinia. She was a 2008 Golden Heart Finalist and has been a GH finalist a bunch of times. Her GH entry, A Talent for Sin, sold to Avon and will be released in May!! She’ll be our Risky Regency guest author when the book is released.
Do you like to play cards? What is your favorite card or board or computer game?
Do you like eco-friendly bags? Do you use them at the grocery store?
Have you found something Hugh Jackman can’t do?
Visit Diane’s website to learn about her April Undone, The Unlacing of Miss Leigh, and her April Novella, Justine and the Noble Viscount, in The Diamonds of Welbourne Manor.
Diane is also blogging today at Wet Noodle Posse about “Writing Love Scenes from Real Life”
Nash’s vibrant, fresh storytelling sparkles as she tells the tale of a woman’s secret desires and the man who can make them all come true. Here’s a fantastic story you’ll want to go on forever! –Romantic Time BOOKreviews 4 1/2 stars for Love With A Proper Scoundrel
Let’s give a warm Riskies’ welcome to my friend, Sophia Nash. I knew Sophia even before she became an award-winning Regency Romance author, and I’m delighted she’s visiting us today. Sophia writes for AVON and she’s here to talk about Book 3 in her Widows Club series. Sophia is also giving away a signed copy of Love With A Proper Scoundrel to one lucky commenter.—Diane
1. Tell us about Love With A Perfect Scoundrel.
This is the third book in the series I’ve had a wickedly fun time creating for Avon.
Here is the back cover blurb:
Twice jilted in the last two years, the achingly beautiful yet stoic Grace, Countess of Sheffield has given up on love. Now she’s no longer capable of maintaining the elegant, serene facade with the members of the Duchess of Helston’s secret circle of friends. And so she flees… only to encounter wretched disaster during the carriage ride north.
But little does Grace know that once she faces all fate has tossed her way, she will find a new life…with a tall, rugged stranger who not only saves her life but forces her to dig deep into her hidden reserves of desire and fortitude to blossom into the woman she was destined to become—a lady willing to sacrifice all for a mysterious, yet powerful man who insists he is nothing more than a perfect scoundrel.
2. How did you think of writing this particular book? Did it start with a character, a setting, or some other element?
It started with a character–Grace Sheffey. Many readers wrote in and demanded that this poor woman have her own happily ever after after the first two books. She was a challenge to write because after horrid endings for her in the first two books, she was very unsure of herself. So right away I put her in a situation where she had no choice but to prove how strong she was under her elegant facade. And the hero? Well, Michael Ranier is my very favorite hero I’ve ever created–enough said.
3. Did you run across anything new and unusual while researching this book?
Absolutely– the plot! While the characters were firmly fixed in my head early on, the overall plot was more elusive. Luckily I had planned a research trip to England months before. After driving 1,200 miles through a gazillion hair-raising roundabouts, I arrived in Derbyshire–right into the teeth of a freak snowstorm. And I wondered….what if Grace Sheffey got caught in a blizzard in Derbyshire? A hundred scenes popped into my head and a story was born.
4. What do you think is the greatest creative risk you’ve taken in this book? How do you feel about it?
I remember one of my favorite authors suggesting a long time ago that it was very difficult to have only two characters in a story. And she was right. But I wanted to delve deep into the psyches of two strangers cocooned in the middle of nowhere together. I have to say that I really loved writing this part of the book. The extraordinary chemistry between the hero/heroine made it easier than I had imagined. The tricky part was weaving in bits and pieces of the mysteries and secrets of Grace and Michael along the way.
Can you tell I loved writing this book? It’s not always that way. I will admit that The Kiss gave me ALOT of sleepless nights!
5. Your books have won an incredible number of awards in the relatively few years (in publishing years) that you’ve been writing, including the biggest of all, the RITA. What has this been like for you?
Well, while the initial glow of winning an award is lovely, I’ve also learned not to take any of it seriously. Author Anne Lamott wrote something like, “whenever the world throws rose petals at you, beware the cosmic banana peel right behind.” I’ve found this to be dead on. Right after the RITA and having a book named “Top Ten Romance of the Year” by Booklist the Signet Regency line closed, I struggled with a proposal that flopped, changed agents, wrote a new proposal, etc. ad nauseum before FINALLY, my stories found a new home.
And of course the opposit is true re my Banana Peel View on winning awards: All the writers watching the winners crying on stage are the ones with the last laugh since they’re the ones being offered the “significant” deals, right?
5. You’ve also had a variety of exciting careers, from news producer to Capitol Hill speech writer to Executive Director of the Washington International Horse Show. Why in the world did you become a Romance Writer? And how does writing Regency Romance compare?
The reason I turned to writing is a very sad story. My father, a WWII war hero and the most avid reader I’ve ever known, had always talked about the idea of one of us writing a novel. During the last stage of an illness, he made me promise to write a book because he said life was too short and he knew I secretly wanted to write. So I I forced myself to write a terrifyingly bad first draft of A Secret Passion. My father edited the first few chapters and I gave him my word before he died that I would see it through. Needless to say it is dedicated to him. Which of my jobs did I like best? Writing will always be my first love, although the nightly adreneline rush of the Miami newsroom was great. It was kind of like boot camp with alot of hairspray and duct tape.
6. What’s next for you?
An anthology: Four Dukes and a Devil arrives on book shelves this coming July. And then the final book in the Widows Club quartet, which I’m currently writing. Although…there might be another widow or other liar lurking about in mourning if the powers that be have a say…
Here’s your chance to ask Sophia a question. Or simply make a comment. You’ll be in the running for her prize, Love With A Proper Scoundrel
Thanks for blogging with us today, Sophia!
Happy Saturday, everyone! I am off to our annual Friends of the Library book sale this morning (500,000 books all piled up, just waiting for me! And super-cheap, too). But first, a couple items. I’ve been doing research this week on 18th century fashions, and posted some of the gorgeous images on my own blog. And I’ve finally set up my own Facebook page, so “friend” me, if I haven’t already tracked you down! And I just added a Risky Regencies page yesterday, so while you’re at it come and sign on as a Fan…
And, of course, tomorrow is the Oscars. My predictions–Actress, Winslet (she is way past due!); Actor, Penn (maybe Rourke); Supporting Actress, Cruz, the only really good thing in Vicky Cristina Barcelona, except Barcelona itself (or maybe Davis–she only had one scene in Doubt, but it was an amazing one); Supporting Actor, Ledger; Picture, Slumdog Millionaire (a good movie, IMO, but not a great one, not a Best Picture for the Ages, but still the best of this lackluster line-up). And Costumes, I’m going to guess The Duchess.
Plus Hugh Jackman is the host. I would watch for that if nothing else.
Now on to today’s RR topic! A few weeks ago, Julia Justiss guest-blogged about smugglers. I’ve never written a book featuring smugglers, though I’ve thought about it. But I do love me some anti-authority characters, both as a reader and a writer (and in real-life historical figures, too!). I’m always attracted to characters who follow their own natures and hearts, even when it has the potential to get them into trouble. Who refuse to conform, to compromise their own essential characters.
At the moment, I’m wrestling with this in my WIP. It’s the first book in my “Irish trilogy” (out from Grand Central Publishing in February 2010!), set amidst the 1798 United Irishmen uprising. In this story, it’s my heroine, Eliza, who is anti-authority–despite being a countess (and thus not really “outsider,” as Megan talked about yesterday), she believes fervently in Irish independence, and has been writing “seditious” pamphlets and aiding fugitives. Back into her life comes her girlhood sweetheart, William, the gorgeous man she never forgot. But he is a major in the British Army. He sees the injustices of life in Ireland, but believes they can only be solved from the “inside,” reforming politics–not overthrowing it, as Eliza and her friends think. Neither will budge–which will prevail? (And when will they stop being stubborn and do what I tell them???)
Any which way, the dilemmas of these two strong people have me tied up in writing knots…
Who are some of your favorite anti-authority characters? (Or types–smugglers, pirates, rebels, bluestockings?). Any Oscar predictions or favorites? And now I am off to book-shop, yay! I will let you know if I make any great finds today.
Is everybody in the world sick with the flu? Or does it only seem like that?
Anyhoo, when our house hasn’t been running through tissues like a bunch of softies watching Terms of Endearment, I’ve been revising my super-racy, not-quite-erotic novella. It takes place in Paris in 1831, and its hero is a Free Person of Color.
The first inspiration for him was Barbara Hambly‘s Benjamin January, a free man of color in New Orleans around the same era. January spent many years in Paris, enjoying freedoms unknown to persons of color in America. But in figuring out how my guy ended up in France, I had to research how persons of color became freed in the slave era. Like January, Fortune–my hero–had been freed by his owner. Unlike January, however, he was freed only at his owner’s death, a former placee [a woman of color who entered into a legal contract with a white man to be his official mistress] who had a sizeable fortune and owned property in New Orleans.
[I originally wanted my hero’s former owner to be Haitian, but it was a more direct route from New Orleans to Paris; but do check out the history of the first successful slave revolt in Haiti here. Really cool.]
There are a few examples of such a woman, including Eulalie de Mandeville, whose white lover married her at his deathbed and left her his entire fortune, which was upheld even though his white relatives contested the will. Another such example is Rosette Rochon, who took what her various white lovers bestowed upon her and speculated in real estate, entered in money-lending and bought and sold mortgages, among other things. She died at age 96, still illiterate, with a fortune valued at about a million dollars in current valuation.
It’s been interesting, as a white twentieth century woman, to navigate the delicate balance of race relations in France in the nineteenth century. I have to admit, moreover, that my first draft didn’t take that into account, so I am revising with an eye to that.
Hambly describes January’s constant concern that he be taken and sold as a slave, despite being freed. He carries one set of papers at all times showing his status, but keeps another set in a secure spot in case the first set doesn’t suffice. My hero is equally uncertain as to how he will be treated, and he carries that awareness of race with him, no matter how much money is in his pocket.
One of my favorite themes, both in reading and in writing, is the outsider, and Fortune is the epitome of that: An educated, dark person of color living in a white world with resources but without ever quite belonging.
Do you like reading outsider stories? Do you have favorite outsider heroes or heroines? And would you think this kind of story too risky for a romance?