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Monthly Archives: November 2010

I’m off for a few days, giving a workshop on historical fashion at the LERA RWA chapter, eating Mexican food in Santa Fe, and taking yoga lessons in the mountains. Will be back with a regularly scheduled blog next week In the meantime, these are a few fashions I’m talking about this weekend:


Tudor fashions, from early Tudor to Elizabethan frufferies…

Georgian fashions


Regency gowns and accesories (hats, spencers, pelisses, etc)

1880s bustle dresses

I’m also hauling piles of dresses and accessories in the car, so wish me luck!

What’s your favorite fashion era?

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Today I’m on the road, traveling back home from a family wedding this weekend. So, because I’m thinking about weddings, I’ve adapted a blog I wrote a couple of years ago for Harlequin Romance authors who had a blog promoting their series, The Wedding Planners. I was their guest blogger, talking about Regency Weddings.

I was married a brazillion years ago, long before I started writing or reading Regency romance. It wasn’t too long ago I realized I actually had a Regency Wedding!

Here I am with my bridesmaids. Notice that our dresses are all empire-waisted. Notice the leg-o-mutton sleeves on my dress and the puffed sleeves on the bridesmaids dresses.

Now compare these dresses to two Regency Fashion Prints from the fashion magazines of 1815.

See the similarities?

I had a Regency Wedding!

And you can have a Regency Wedding, too. There are many sites on the internet offering custom made Regency wedding dresses. Here are two of them:

Regency Reproductions

Fashions in Time

Or if you are handy you could make your Regency gown:

McCall’s Pattern M6030

In fact, if you so desire, you can have a Regency wedding in one of the historic sites in the UK.

This is St. George’s, the church on Havover Square in Mayfair, London, where many Regency lords and ladies held their weddings. You can, too.

You can also have your wedding in the Prince Regent’s summer home, the Brighton Pavilion in Brighton Hove.

In a room like this:

If that is too fussy for you, or if you must marry in a hurry, like many couples in Regency Romances, you can elope to Gretna Green over the border in Scotland. Here I am standing at the historic anvil. Regency couples were married “over the anvil” in Gretna Green.
No, this isn’t another wedding photo. It is me with the tour guide at Gretna Green when I visited in 2005. I’m holding a copy of The Wagering Widow which began with a Gretna Green wedding.

How about it? Have I convinced you to have a Regency Wedding?

Ask me any questions you like about Regency Weddings, but I won’t be home until after 7 pm. I’ll let you know then how this wedding was. What do you think? Do you think the bride will have worn: a) Leg o’ mutton sleeves b) empire waist dress c) stapless dress?

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The Riskies love a great debut, and today we welcome Elyse Mady! Her book, appropriately titled The Debutante’s Dilemma, is out with Carina Press. For more information, visit her website here, and comment for a chance to win a copy on today’s blog!

Welcome to the blog, Elyse! Tell us about The Debutante’s Dilemma

I’m so happy to be here! The Debutante’s Dilemma is a Regency tale that tells about the romantic awakening of Miss Cecilia Hastings, the non-pareil of the London Season in 1814. She’s come up the winner in the sweepstakes known as the marriage mart and when the story opens she is on the cusp of receiving not one, but two, marriage proposals, from Jeremy, the Earl of Henley, and Richard, the Duke of Wexford.

They’re fabulously wealthy, handsome, titled, and brave. There’s just one little snag in this lovely scenario and that is that Cecilia wants passion in her marriage, not just tepid liking, and both her suitors have yet to convince her of their true feelings.

This dilemma compels her to issue the unorthodox challenge to her two suitors: a kiss before she will entertain their proposals. She knows herself well enough to know that she couldn’t bear to be stymied or constrained by a polite agreement like so many others of her acquaintance seem to endure. This is a story about people confronting the unspoken expectations that surround all of us every day and making a bold grasp for their happiness. I won’t give away the ending, but neither Cecilia nor Henley or Wexford expect anything like what comes of their encounter, I promise you that!

This is your debut, right? How did you get started writing?

Yes, indeedy. The Debutante’s Dilemma is my own debut and I’m totally excited to finally see my name in print. Possibly, the only person more jazzed about it is my mother , because that’s what mothers do! She manages to bring it up in conversation with everyone she encounters and at the rate she’s going, I may have to nail down some sort of referral fee in light of her efforts–maternal PR is frightening effective!

I got my start in writing (at least the paid kind!) about three years ago, publishing articles in magazines. It was really good training. I learned to promote myself, summarize and organize ideas, get familiar with contracts and negotiation, albeit on a much smaller scale than in book publishing, plus gain some real writing creds to tack on to the bottom of my slush pile letters. I also mastered writing to a deadline, writing in a variety of different voices and styles and working with editors, all skills that have stood me in very good stead since I’ve sold to Carina Press.

Did you come across any interesting research for this story?

Always! Research is one of my happy places. Give me a shelf full of obscure historical material and I’m as happy as a bi-valve mollusk. :))

A lot of the story’s climax takes place in a greenhouse and when I first sketched out the scene, I automatically pictured a big, white, glass walled conservatory type building–the epitome of the English gardening mania. I’d even played with the idea of reflections against the darkened glass as part of the seduction.

Then I discovered that all those all-glass buildings were a Victorian and Edwardian convention and that greenhouses in the 18th and early 19th century looked very different. They didn’t have the expensive glazings and iron frameworks. Instead they were often made of brick, with large, multi-paned windows, opaque roofs, and skylights for ventilation. Depending on what was being grown in them, the time of year they were being used and what kind of climate they were built in, they could have a lot of different floor surfaces too, from exposed earth to gravel to pavers to plants grown in individual tubs.

Luckily my characters were happy to oblige the about-face and none of them seemed put-off by the new details of their romantic space!

We always have to ask–what is “risky” about this book?

Oooh, lots of things! But it can all be summed up in one risky word–threesome…

I had a lot of fun playing with the tensions between my writing style, which definitely embraces a traditional Regency tone, right down to the phrasing and sentence structures, and the plot, which promptly veers from Georgette-ish-ness into territory that is challenging and erotic. I really liked exploring the dichotomy between the public and the private in the story because it’s the same problem that real people of the period had to navigate, balancing the expectations about their public behavior against the interests and activities they got up to behind closed doors.

What’s next for you?

I’m a busy bee. I’ve had 2 contemporary romances accepted by Carina and they should be hitting e-bookshelves at some point in 2011. I’ll have all the details on my blog as soon as they’re available.

I’m also working on on some more Regency stories that I’m really excited about! I’m currently shaping the outlines for one, possibly two, more novellas that link to the characters in The Debutante’s Dilemma. Cecilia’s cousin Georgiana will definitely be one of them, and if my plans for them hold up they’re definitely going to be interesting–in the naughtiest sense of the word!

Then I’m also working on a full-length historical novel which has no title at present because titles are not my forte. It’s another Regency, but it’s a significant departure for me–a fusion of sorts between historical fiction and romance that I’m really excited about. I’ve left behind the ballrooms and salons I explored in this current release and am moving into the less vaunted but still fascinating (to me at least!) spheres of everyday Londoners during the period. Many of the characters and events are matters of historical record and bringing them to life, filling in the many unknowns yet keeping true to the period and shaping a compelling story is a really interesting challenge for me as a writer. There are mass arrests and bribes, gaol fever and riots, and all sorts of legal skullduggery, leavened with a big heaping dose of romance!

And I’d love to say thanks for having me at the Riskies today by offering one poster the chance of winning a digital copy of The Debutante’s Dilemma in their choice of e-book format!

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A few weeks back, the Smart Bitches asked for reader opinions to help in writing a chapter for a book “Everything I Know About Love, I Learned from Romance Novels.” The specific question was what traits readers associate with the ideal romance hero and heroine. Life was too busy that week for me to even read all the responses, let alone partake in the discussion. But I thought it was an interesting question.

Now that I’ve read the comments, I see that there are lots of common themes: intelligence, humor, and the ability to make sacrifices for the other. Yet something in the discussion disturbed me until I figured it out.

My creative self isn’t comfortable with the concept of an ideal hero or heroine. I doubt the SBs meant it this way, but if readers were to reach consensus on the ideal, should all romance authors should aim for the same goal, book after book? If the alpha hero is the ideal (as some readers say) should we never write beta heroes?

IMHO all heroes and heroines should be innately good people. What I want in heroes and heroines is variety. Jessica and Dain from Loretta Chase’s LORD OF SCOUNDRELS are not much like Maddy and Christian from Laura Kinsale’s FLOWERS OF THE STORM. Both books are firmly on my keeper shelf.

What I can define a little more easily is my deal-breakers. I used to have more of them, but books like Laura Kinsale’s SHADOWHEART made me reconsider. Now it’s a short list. I can’t deal with heroes or heroines who are:

  • Small-minded or petty. No kicking dogs, please.
  • Distant and cold throughout the entire story. Some alpha heroes come off this way to me. I want to see even the toughest guy break down when he thinks he’s lost the love of his life.
  • Apathetic. No heroes or heroines who are just waiting for the other to heal them.
  • Racist, homophobic, or intolerant in any way, especially if the author seems to support the intolerance and doesn’t make them change.

Beyond those deal-breakers, I really just want to know why a hero is right for that heroine and not someone else, and vice versa. Like Mr. Darcy and Elizabeth Bennet, they should have opposing traits that drive them crazy but also make them grow.

What about you? Are there specific traits you expect in a hero or heroine? What are your deal-breakers?

Elena

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This week, as Carolyn mentioned on Wednesday, she and her ridiculously smart offspring are here in Brooklyn visiting; thus far, we’ve been to the Pop Tarts store (see Carolyn’s post), seen the musical Wicked (so fun!), had Vietnamese food, watched Mongol, written side-by-side at my breakfast bar, had a Random Facts contest (my son did well enough against Carolyn’s RSO, but the RSO still won).

Busy! Fun! Busy!

But earlier this week I did get to write, and this week I’ve been working on my Urban Fantasy, which is about a New York that is definitely a melting pot, in a melting pot of species ways. There are, however, evil plans afoot, and my heroine (a normal, if insecure, woman) and hero (a foxy demon who wears goofy t-shirts) have had to team up to suss out the evil plans. Here’s a bit:

He rose to a crouch, clutching the knife with one hand as he pushed the dark curtain of hair in front of his face onto his back.

If he were going to continue this, he should start braiding it or something. Maybe some barrettes?

The thought made me giggle.

“And here I thought you would perhaps be frightened by the prospect of some sort of explosion occurring,” he said, a dry tone to his voice.

He gripped the knife harder, his knuckles showing white.

He was really going to go out there and do something about this, wasn’t he? Suddenly I didn’t feel like laughing anymore.

“Be careful,” I whispered as he rose to his full height. My face was right next to his boots, and a part of my brain noticed how bad-ass they were. Which shouldn’t surprise me, everything but his t-shirt was bad-ass, and even that was bad-ass in an ironic hipster way.

Wait, did that mean ironic hipsters were demons, too?

No, that would be too much to hope for. They lived in Williamsburgh, not Hell. I bet Hell had fewer dive bars.

I squeezed my eyes shut as he began to move. I heard a hiss, and a knowing chuckle (one of these days, I was going to have to ask about arch villains’ maniacal laughter; what was it with those guys, anyway?).

And then I heard something far more frightening than maniacal laughter: The sound of death. Deeply unpleasant death, not that any death was pleasant. Unless it was Death By Chocolate.

I hoped to God–wait, no I didn’t–that my evil demon guy would win. Although I didn’t know if demons were automatically evil; this guy lacked much of a sense of humor, but that didn’t make him evil, did it? And he was doing his best to protect me, which in everyone’s eyes but my third-grade teacher and my next-door neighbor George Soulias would be a good thing.

I did finish the work I posted last week, and am tweaking a bit before sending to the Champion Agent. Yay! And the Champion Agent just submitted some more of my mss. out to the world, so double Yay! and Yikes, too!

What Random Fact do you know? (Not that I have a chance, but maybe I can at least hold my own).

Megan

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