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Author Archives: Amanda McCabe/Laurel McKee

About Amanda McCabe/Laurel McKee

Writer (as Amanda McCabe, Laurel McKee, Amanda Carmack), history geek, yoga enthusiast, pet owner!


At this time of year, when we’re supposed to think about all we’re “thankful” for (like LOLRegencies and chocolate-cranberry truffles? Sequined party dresses and champagne? I’m definitely thankful for those…) I’m thankful for old favorite books to read, and the people who wrote them. And today is the 189th birthday of George Eliot, great writer and rebellious spirit!

Mary Anne Evans was born the youngest of 5 children in 1819. Her father was the manager of the Arbury Hall estate belonging to the Newdigate family in Warwickshire, and she was born on that estate at a house called South Farm. Early on she showed signs of obvious intelligence, and was allowed access to the library at Arbury, where she was especially interested in the volumes on classical Greece. Eventually she was sent to boarding schools at Attleborough, Nuneaton, and Coventry, where she met the evangelical Maria Lewis, who became her great friend and correspondent (until Mary Anne decided to quit going to church…)

In 1836 her mother died and she returned home to keep house for her father, until her elder brother married and took over the house and she and her father moved to Coventry. The move brought her closer to new influences, including the wealthy Charles and Cara Bray, whose home at Rosehill was a haven for people of radical views and liberal theologies. It was there she made the decision to stop attending church, which caused a deep rift between herself and her family (her father threatened to kick her out, but didn’t follow through). When her father died in 1849, she traveled to Switzerland with the Brays and then stayed on in Geneva alone. On her return to England the next year, she moved to London alone with the intent of becoming a writer. (Oh no! A woman on her own, running loose in Victorian England!!!)

In 1851 she met philosopher and critic George Henry Lewes, and by 1854 they were openly living together. Lewes was married, but he and his wife, Agnes Jervis, had agreed on an “open marriage”–in addition to the 3 children the Lewes’ had together, she also had several with other men. (Oh no! Shockers!!!) In 1854, Evans and Lewes went together to Berlin as a sort of “honeymoon”, where she called him her husband and started working on a series of essays that would eventually become Scenes of Clerical Life. She also came up with a new nom-de-plume–George Eliot.

In 1859, her first published novel, Adam Bede, made a big splash, and speculation as to the author’s identity ran rampant (there was even a “pretender” to the name, Joseph Liggins). In the end, she had to step forward and admit she was the author. The revelations of her private life shocked many of her readers, but it didn’t seem to affect sales. In 1867, the couple was even introduced to Princess Louise, daughter of Queen Victoria and a big fan.

Eliot continued to write well-received and popular novels for 15 years. After Adam Bede came The Mill on the Floss, dedicated “To my beloved husband, George Henry Lewes, I give this MS of my third books, written in the third year of our lives together.”

Her last novel was Daniel Deronda, published in 1876, after which she and Lewes moved to Witley, Surrey, in hopes that the fresh air would help improve his failing health. He died in November 1878, and Eliot spent the next two years editing his final work, Life and Mind. But the scandal didn’t end with Lewes death. In May 1880, Eliot married an American banker named John Walter Cross, 20 years her junior.

Cross was not the most stable of characters. On their honeymoon in Venice, he either jumped or fell from their hotel window into the Grand Canal (yuck!), and there were quarrels. That didn’t last long, as Eliot died soon after their return to their new house in Chelsea, on December 22, 1880, at the age of 61. The possibility of burial at Westminster Abbey was vetoed due to her naughty life (refusing to go to church, shacking up with Lewes, etc), and she was buried next to Lewes in Highgate Cemetery. In 1980, 100 years after her death, a memorial plaque was erected at Westminster’s Poet’s Corner.

Some of her other works include Silas Marner and Romola, set in 15th century Florence, but my personal favorite of her books (and one of my favorites of all time) is Middlemarch, her 7th and next-to-last work, published first in serial form between 1871-72. It’s a big book, with multiple plots, a huge cast of characters, and many underlying themes such as the status of women in society, the nature of marriage, religion/hypocrisy, political and educational reform, and idealism vs self-interest (themes that never lose their immediacy, especially if one looks at this year’s election!). It’s also a great story. Virginia Woolf called it “the magnificent book, with all its imperfections, is one of the few English novels written for grown-up people.”

Middlemarch was a Masterpiece Theater series in 1994, starring Juliet Aubrey and Rufus Sewell, and I have seen rumors of an upcoming feature film, written by Andrew Davies and directed by Sam Mendes, though I haven’t seen any casting news. Maybe Mendes’ wife, Kate Winslet? It’s hard to picture her falling for Casaubon’s BS, though.

A few sources I like (and used for this post) are: Jenny Uglow, George Eliot. Kathryn Hughes, George Eliot: The Last Victorian. Sandra Gilbert and Susan Gubar, The Madwoman in the Attic: The Woman Writer and the 19th Century Literary Imagination. Jerome Beaty, Middlemarch from Notebook to Novel: A Study of George Eliot’s Creative Method.

Do you enjoy George Eliot? What are your favorites of her books/the film adaptations of them? (There was good one not too long ago of Daniel Deronda). What books are you especially grateful for this holiday season??? (I think I’m going to curl up with Middlemarch this evening…)

I’ve been totally obsessed with 18th century France since I visited Versailles last month! And I’ve been feeding that obsession by reading the new book Versailles: The Biography of a Palace by Tony Spawforth. (I also wanted to buy another new book, Marie Antoinette and the Last Garden of Versailles, but I have been strictly warned by my family that I am not to buy any object on my Christmas gift wishlist!) And I’ve been shopping for fabric and trim for next summer’s Beau Monde Soiree costume. It’s just a total Marie Antoinette moment around here. And then I heard about this fabulous exhibit at the Royal Ontario Museum. They are displaying one the few extant gowns that belonged to Marie Antoinette!!! It’s very delicate and can only be displayed for a short time, but they’ve extended the exhibit to November 16. If you live near there at all, go go go, and send me info! (In the meantime, the website’s podcast about the gown is very interesting, but not nearly long enough)

It seems the gown was given to a lady-in-waiting and eventually taken to England (probably when that lady or her family fled the Revolution). It was re-cut during the 19th century, and the (fabulous, I’m sure) stomacher was lost. But it’s easy to picture how it must have looked when the Queen ordered it from Rose Bertin. It’s amazing.

I also found this picture of an exhibit in France (the shoes and garters are Marie Antoinette’s; the baby bonnet belonged to her daughter Marie Therese, Madame Royale).

And this is a fragment of one of the Queen’s petticoats in the Museum of London (given as mourning mementos to emigres in London after her death)

And this little goat carriage belonging to the royal children, displayed at the Petit Trianon

More Petit Trianon pictures!

So, I need some help putting together this costume for next summer. My living room is littered with swatches and bits of trim, not to mention “inspiration images” like the ones above! What color (pink, blue, silver, lavender? All of the above?) Trim (lace, tassles, fringe, flowers)? Shoes? Jewels?

And who are some of your historical inspirations? If you were going to a costume ball, what would your costume be (if you had to be either a historical figure or a character in a book?)


The Riskies are very “merry” today, to welcome Harlequin Historical authors Julia Justiss, Terri Brisbin, and Annie Burrows as they talk about their new anthology One Candlelit Christmas! It would make a perfect holiday gift, for yourself or any other readers on your list…

Julia Justiss: Christmas is my favorite holiday! And for me, the heart of it is family. Having all my children home to share meals, fun, and laughter is the season’s highlight. So when I thought about writing a Christmas story, Christmas Wedding Wish, I looked to the Wellingfords, a family who have appeared in my work on and off since my first book.

Since her older sister’s marriage and her fiance’s death, Meredyth has watched over the Wellingford estate and family, resigned to being competent manager, devoted sister, and doting aunt. Then her brother returns for Christmas with his best friend–and that friend’s brother.

Handsome Allen Mansfell begins to make Meredyth doubt that her heart and her senses have been buried forever. But could this younger man truly be interested in a spinster like Meredyth?

Terri Brisbin: Although I’ve always loved the holiday time of year and all the parties, presents, decorations, and festivities, I think the real reason that Christmas is my favorite holiday is the feeling of hope that surrounds us then. Hope that we’ll see family members and friends we haven’t seen lately. Hope that we’ll find just the perfect gift for that special person in our lives. Hope that the coming year will be filled with health, happiness, and everything important to us.

So, it is with that hope in mind that I invite you to read my novella, Blame It On The Mistletoe. It has all the elements I think are so important during this time–family, friends, presents, hope, and most important, love.

Julia Fairchild has loved Iain MacLerie since she was just a young girl. When, years later, Iain attends their Christmas festivities, she is shocked to see a bitter, cold man where a vibrant, happy youth once was. Meanwhile, the love she felt as a child for a young man five years her senior has grown into something much more adult.

After facing death and sustaining injuries beyond repair, seeing the exquisite young woman who chased his steps as a girl just reminds Iain of all he lost, and everything he cannot have. Despite this bitter realization, his heart cannot help but hope when events and Christmas mistletoe conspire to bring them back together. But can the innocent love Julia offers conquer the fear he faces?

Annie Burrows: When I was asked if I would like to write a story for this anthology, I decided I wanted to celebrate the very essence of Christmas, which for me is not about presents and feasting and putting up decorations.

But about a baby, born to a poor family as a symbol of hope for the whole world. So my story is about forgiveness, and second chances, and the miraculous transforming power of love. I hope it touches your heart!

Before Carleton Tillotson left Nell, the rebellious rake broke her heart. Now he is back, just in time for Christmas, and Nell can’t hide her secret any longer–Carleton is the father of her son!

For readers: what is the “essence” of Christmas for you? How do you prefer to celebrate the holidays?

Happy start to the holiday season, everyone! One lucky commenter will win a copy…


While looking for post topics for today, I found out that today is the anniversary of the opening of the Louvre as a public museum in 1793. Since I visited there on my recent trip (and got hopelessly lost in their majorly twisty corridors, but that’s another story…), I thought it would be fun to find out more about its development from palace to vast museum! (FYI, the Louvre contains more than 380,000 objects, ranging from the 6th century BC to the 19th century, with 35,000 on display in more than 650,000 square feet. It averages 15,000 visitors a day, and employs more than 2000. In 1986, with the completion of the Musee d’Orsay, objects from after 1848 were moved there and the collection was split)

The Louvre started in the 12th century, as a fortress built by Phillipe II. Remnants of the fortress are still visible in below-ground galleries. The building was then extended several times, until in 1674 Louis XIV moved his court to the Palace of Versailles, leaving the Louvre mainly as a place to display some of the royal collections. During the Revolution, the National Assembly decreed the former palace a museum of the people (“a place for bringing together monuments of the arts and sciences”). It opened with an exhibit of 537 paintings, most of them seized from royal and Church property.

The public was given free access three days a week, but the building was closed in 1796 due to “structural deficiencies,” and not re-opened until 1801, with displays now arranged chronologically and organized with new columns and lighting.

Under Napoleon, the collections expanded greatly, thanks to works sent back from Egypt, Spain, Austria, Holland, and Italy. After his defeat at Waterloo, many former owners sought their return, which the Louvre’s administrators were, er, reluctant to comply with. In response, many of the restored foreign powers sent diplomats to seek out these works and secure their return. (An echo of this was seen just before World War II, when, on August 27, 1939, a long truck convoy left Paris taking countless objects and paintings to new hiding spots. By December, the museum was entirely cleared except for items too heavy or “insignificant” to be moved. In 1945, the art came back).

The Louvre is best known for objects such as the Venus de Milo, Nike of Samothrace, the Apollo Belvedere, Michelangelo’s “Slaves” sculptures, David’s Coronation of Napoleon (I stood in front of this for a long time studying the gowns!), Delacroix’s Liberty Leading the People, Vermeer’s The Lacemaker, and of course Mona Lisa.

Some good sources to read more about the Louvre are Andrew McClellan’s Inventing the Louvre; Bette Wynn Oliver’s From Royal to National: The Louvre Museum and the Bibliotheque National; and Alain Nave’s Treasures of the Louvre.

What are some of your favorite museums, or works of art? What would you do if you were lost in the Louvre???

And be sure and join us tomorrow, as we discuss the Harlequin Historicals anthology One Candlelit Christmas, just as the holiday season gets started!

(And also don’t forget that the Harlequin Historical Undone stories are only .89 at eharlequin for November!! Check The Good The Bad The Unread for reviews of all 4 stories…)

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