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Author Archives: Amanda McCabe/Laurel McKee

About Amanda McCabe/Laurel McKee

Writer (as Amanda McCabe, Laurel McKee, Amanda Carmack), history geek, yoga enthusiast, pet owner!


Last week I talked about one of my favorite winter pastimes–climbing under the electric blanket and watching movies until it’s spring again. This week, my #2 winter favorite–eating! Regency-style (sort of).

I’m not much of a cook. I just don’t have the patience for it, beyond stuff like omelettes and pasta carbonara. But I love to eat (and I’m sure my hips will love me for it, come May and sundress time!). And, if you look at portraits of people like our friend Prinny, obviously people in the Regency shared my appreciation for yummy cuisine.

Regency dinner parties were quite different from my own, of course. No bagged Caesar salads and boxes from the Mandarin Wok. Louis XIV’s court at Versailles (no slouch in the dining department) established the custom of dining “a la francaise”, i.e. all the different dishes at each course were placed on the table at the same time. Diners could then help themselves (or let footmen help them) to whatever was nearby. I imagine this would mean that the guests couldn’t sample all the dishes, so you would have to be sure an interesting selection was near each guest. It would be terrible if your favorite was waaay down the table! In France, important feasts could include up to eight courses (including my favorite, dessert), and last many hours. In England, it seems that even very formal dinners were usually in three courses (also including dessert!), after which ladies could retire to the drawing room for tea and gossip, and the men could remain behind for drinking.

But even the abbreviated courses meant dinner could last hours. In 1829, in a book titled “Apician Morsels”, the author wrote, “Five hours at dinner table are a reasonable latitude when the company is numerous and no lack of good cheer.” In “The Experienced English Housekeeper” (1769), Elizabeth Raffald pointed out “As many dishes as you have in one course, so many baskets or plates your dessert must have, and as my bill of fare is twenty-five to each course, so must your dessert be of the same number and set out in the same number.” Thus making 75 dishes. At a party in 1767, Sir William Lowther offered 180 dishes at his home in York.

The first course usually consisted of soups and stews, vegetables and boiled fish and meats, followed by “remove” dishes of more fish or meat. The second course sounds similar to me–vegetables, meats, fish, with exotic pies and other savory baked fare like “gumballs” and “cheese wigs.” (FYI, gumballs were made from eggs, flour, sugar, butter, mace, aniseed, and caraway seeds mixed together in a paste, then baked. Cheese wigs–er, I’m not entirely sure. Maybe another Risky can enlighten us!). Dessert was then the crowning glory. In 1750, Horace Walpole wrote “All the geniuses of the age are employed in designing new plans for dessert.” At a party given by the Duke and Duchess of Norfolk in 1756, dessert was “a Beautiful Park, round the edge was a Plantation of Flowering Shrubs, and in the middle a Fine piece of water with Dolphins Spouting out water.” Beats a carton of Hagen Dazs Dulce de Leche, I guess. 🙂

A very large household could employ their own confectioner, but smaller households would usually make use of independent chefs. In 1763, Viscount Fairfax held a party for 18 people, and the invoice for dessert (provided by William Baker) was 16 pounds, which included the rental of the glass structures necessary to display the dessert.

I recently came across a slightly modified recipe for Hedgehog Cake, which I may (or may not) attempt soon. Cake and custard, ummmmm. (If you’d like the recipe, just let me know!)

Hopefully winter will be over soon!

Posted in Regency, Research | Tagged , | 7 Replies


Good evening! May I offer you some tea? Perhaps some seed cake? (I am always polite, you see, even when deeply perplexed). When I went to my slumber last night, it was 1810 and I was visiting my dear friends Lord and Lady Seaforth-Haigh-Smythe. I was most comfortably ensconced in their lovely Yellow Chamber (rumored to be haunted, by those inclined to romantic superstition), and when I awoke I found myself here. In the small (yet charming!) cottage of Lady Amanda, surrounded by almost as many pets as our own Duchess of York possesses and forced to sleep on something called a “sleeper sofa.” There is also this magical contraption, the come-puter, and its instant post.

I am confused by many things in this new abode (tea in bags? Horrors!), but I am sure good manners and proper behavior will see me through. In my own time, I am rather well known for my knowledge of etiquette. I even pen my own pamphlet, “Ask Lady Cordelia,” where many a bewildered soul faced with social conundrums has benefited from my advice. Perhaps I can be of assistance to some of you?

As I bide my time until I can return home, I am quite relieved to see that a house party has recently (and properly) concluded, and that these, er, “Riskies” at least possess some knowledge of proper attire and gentle pursuits such as music.

Farewell for now!

Lady Cordelia

Posted in Frivolity, Regency | Tagged | 8 Replies

Happy Tuesday everyone!  I can’t believe May is already halfway gone.  I am buried in revisions and new projects here, but like Megan I seem to have only one major thing on my mind lately: sleep.  I can never seem to get enough of it!  So I started to wonder (as I lay awake last night thinking about all sorts of things), what would characters in historical novels take to help them sleep?

People have had trouble sleeping since time began.  I have no idea what cavemen took, but in the ancient world (Egypt, Greece, Rome) there were various herbs and things that don’t sound effective at all, such as lettuce juice, mandrake bark, something called “herbane,” and the one thing that was very effective indeed, opium derived from poppies.  (Hypnos, god of sleep, was often portrayed holding a poppy).

Nothing any better came along for a long time.  In 1805 a chemist named Frederick Setumer synthesized opium, which didn’t really change the effectiveness of the drug but led to the synthesis of various other sedatives.  By the 1850s chloryl hydrate was developed in Germany and became popular, but like opium it had a myriad of side effects and it was easy to overdose (especially when mixed with alcohol).  There also came about a variety of bromides (originally meant to cure epilepsy, but they didn’t really work for that).

By the beginning of the 20th century barbiturates such as Veronal became available, but they also had myriad unpleasant side effects.  It wasn’t really until the ’70s that benzodiazepines like Xanax and Valium were in widespread use.  Now the trend has swung back around to herbal solutions such as St. John’s Wort (which my liver doctor warns me not to try…)

What historical sleep solution sounds wackiest?  Lettuce juice?  What do you use to help you sleep?  Now I feel in need of a nap…

And now something that has absolutely nothing to do with this post but which i feel I must share:  I love this dress the Duchess of Cambridge wore last week!  I want to knock her down and steal it, if I didn’t know how ridiculous it would look on me since I am at least 2 feet shorter than her:

Posted in Research | Tagged , | 5 Replies

Amanda almost forgot it is Tuesday!  She will be back next week with a regular post.  (It’s because of revisions, but let’s pretend it’s because she is exhausted after attending Queen Elizabeth’s Jubilee Sovereigns’ Lunch!  Doesn’t this look like a fun group?  Who is your favorite king/queen/prince/princess??)

 

Posted in Frivolity | Tagged | 2 Replies
 Amanda is out of town for a few days, but she has bribed, er persuaded, her friend Kae Elle Wheeler (a brand new author!) to fill in for the day!  Comment for a chance to win a free download of The Wronged Princess…..

I am flattered beyond words to be invited as a guest blogger for the Risky Regency followers by my very VERY good friend, Amanda McCabe. While I do not write Regency, I am, an avid reader and fan of the period. I also have written my own small series of historical, dated just prior to Regency, late 18th century.

I am actually the resident historical romance reviewer for Book End Babes, and have been since 2007. I loveRegency romance. Some of the stories make me want to dive into a Delorean Time Machine to be whisked back in time as a heroine in one of Suzanne Enoch or Teresa Medieros outrageous plots. Take Charming the Prince for example. This little Cinderella story was so cute, I actually bought several copies to loan out, making sure I kept one available for myself to read when the notion struck. (I’ve read it six times).

The same goes for Ms. Enoch’s London’s Perfect Scoundrel. That hero was so messed up you could not help but fall in love with him when he turned the corner, determined to make the heroine his own. The same could be said for Lady Rogue.
I’m sure you are probably thinking that those are the only two authors I read. NOT! Other favorites include, but are not limited to, Amanda Quick, Julia Quinn, Victoria Alexander, Madeline…well, I’m sure you get the picture. (Including my good friend, Amanda).
My question is, what constitutes the allure to this particular time period that is so enthralling for a reader? I have a theory (it’s my own, of course). Europe—UK, France, Spain, etc. holds such a rich history. Not that, we in the US don’t as well, but theirs is just so jam packed with Royalty, diverse culture, tradition—long long looooong standing tradition. Hundreds of years worth tradition. I mean, think about it—200 years versus 1000 years!
I think Jayne Ann Krentz must touch on this very thing in her futuristic “Jayne Castle” line where the world as we know it has been closed off to the characters. So that in a sense she’s given the US that same allure to the characters in her books as we do with the Regency period, if that makes any sense. Regardless, there are other fun things about the Regency period that draw my interest. The clothes, of course. The dialogue has to be quite clever. But I think my favorite enticement is the way the characters have to gage the attention of their men, somehow avoiding risk to their reputations. Because, if their reputations are compromised, it is extremely dire. So how the author has hero step up becomes important. And if he’s the one who did the sullying—better yet, if someone else sullied, how does the hero move past that hurdle for his true love—andconvince the reader it’s ‘till death do us part’.
Not an easy task. (This is why I have my staples that I read over and over. The Wicked Widow­—Amanda Quick; To Love a Thief—Julie Anne Long).
In addition, I love the moving pictures in my head when I read and write period romance. I love the twist on a fun fairy tale. You know—like when Cinderella’s shoe fits one of her evil stepsisters. The Wronged Princess – Book I. Or when one of the stepsisters takes out a horde of villains and has to deal with Prince Charming’s irresistible cousin, Sir Arnald. The Unlikely Heroine – Book II.And what if the batting-eyed sister overhears the man she’s had a deep-seated crush on for years tell his father “I would ne’er marry a woman who could cause an avalanche in the Pyrenees Mountains.” (Well, she was devastated, I can tell you.) The Surprising Enchantress – Book III.
La! I have a feeling that I am “preaching to the choir,” so I shall wrap up by saying, thank you for having me. Au revoir!

Bio: Kathy L Wheeler, while an avid reader, as stated, also writes Contemporary Romance. Her debut novel Quotable is due out June 6th through Soul Mate Publishing. An active member of the OKRWA, she has a novella The Color of Betrayal, tbr June 13, through Wild Rose Press as part of the Tales of the Scrimshaw Doll series.
Currently, The Wronged Princess – Book I, and The Unlikely Heroine — Book II are now available
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