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Author Archives: Amanda McCabe/Laurel McKee

About Amanda McCabe/Laurel McKee

Writer (as Amanda McCabe, Laurel McKee, Amanda Carmack), history geek, yoga enthusiast, pet owner!

I’ve been busy lately writing/working on the yard now that it’s warm outside/reading research books, but I just finished reading an absolutely terrific new novel, The Great Night, Chris Adrian’s San Francisco-set, modern retelling of Midsummer Night’s Dream. (I knew I had to read it when I came across a review that said “Events turn ever wackier, ever more sinister and seductive, as Adrian’s narrative spins outward from its Bard-based core to its near-hard-core bawdy apogee, in which both the mortals and the underworld fairies engage in phantasmagorically depicted sexual, familial, ancient, childhood, professional, and political debaucheries-cum-memories-cum-dreams-run-amok.” Also, that the modern “rude mechanicals” stage a musical-theater version of the movie Soylent Green. I was not disappointed.

Reading this book (and Diane’s classic-lit post yesterday) had me wondering what other modern-day retellings are out there. There are tons of movie reworkings, of course (like Clueless, 10 Things I Hate About You, the wonderful BBC “Shakespeare Re-Told” films, Bride and Prejudice, and, er, Gnomeo and Juliet), and I’m sure there are far more books out there than I can thinkof. But here are a few I found:

Jane Austen is big for this sort of thing. I really enjoyed Paula Marantz Cohen’s Jane Austen in Boca (P&P in the retirement community, where Lizzy is a retired librarian) and Jane Austen in Scarsdale (Peruasion in the suburbs, where the Anne character is a high school guidance counselor reunited with her girlhood sweetheart). There is Cathleen Schine’s The Three Weissmanns of Westport (Sense and Sensibility), and the YA novel by Kristina Springer, The Esperessologist (Emma as barista, who can match people up according to the coffeees they drink).

YA actually seems to have a lot of adaptation titles. There is (among many others) Troy High by Shana Norris (The Iliad as football rivalry), and many Shakespeare stories, especially ones based on Romeo and Juliet.

And there’s always Michael Cunningham’s The Hours, Virginia Woolfe’s Mrs. Dalloway in 3 interlocking stories.

What is your favorite adaptation, either book or movie? What story would you like to see adaptated to a modern setting–or what would you definitely not like to see??

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Cara Elliott (aka Andrea Pickens, aka Andrea DaRif) is a longtime visitor to the Riskies, but today we welcome her new persona, historical mystery author Andrea Penrose! Comment for a chance to win a signed copy of Sweet Revenge, and be sure and visit Andrea’s website for more behind-the scenes info and fun contests…

Welcome (back) to the Riskies, Andrea! Tell us about your new book–and your new persona.

Sweet Revenge is my debut into historical mystery–a world I love as a reader as well as a writer. And my publisher thought a new genre needed a new name (oh, don’t ask!) so here I am, wearing my Andrea Penrose chipstraw bonnet…

I chose to set the new series in the Regency because, as we all know, it was a world experiencing change in so many facets of life–political, social, artistic, scientific, economic. Add the intrigue of the Napoleonic Wars, and what better setting is there for a mystery series? For me it presents a wonderful change to explore themes and issues that are true to the era but also resonate with modern readers: Here’s a small taste of the story:
Lady Arianna Hadley’s desire to discover her father’s murderer has brought her back to London from exile in the Caribbean. Masquerading as a male chef, she is working in one of London’s aristocratic households. But when the Prince Regent is taken ill after consuming Arianna’s special chocolate dessert, she finds herself at the center of a scandal. Because of his expertise in chocolate, the eccentric Earl of Saybrook is asked to investigate the crime. But during his first interrogation of Arianna, someone tries to assassinate both of them, and it quickly becomes clear that something very sinister is afoot within the highest circles of government. They each have very different reasons for wanting to uncover the truth, yet to have any chance of doing so they must become allies. Trust Treachery. Arianna must assume yet another identity as their search takes them from the glittering ballrooms of Mayfair to the slums of St. Giles. And their reluctant alliance is tested in more ways than one as it becomes clear that someone is looking to plunge England into chaos…

What is the inspiration behind the story?

Actually,
if I told you that I’d give away the mystery! But the inspiration for my heroine–the series is tagged “A Lady Arianna Regency Mystery”–came in a roundabout way. Several years ago, for my “real” job, I interviewed the head of a gourmet French chocolate company, which was founded by Marie Antoinette’s personal physician, and was fascinated to discover someamazing tidbits about the Regency and chocolate. I worked on a story idea that never saw the light of day, but was always determined to find a way to weave that chocolate research into a book. When I started to create Arianna, her Caribbean background suddenly made an expertise in chocolate a perfect ingredient to her character.

Did you run across any interesting research tidbits you can share?

Oh, don’t get me started! There’s a lot of real history woven into the plot, based on discoveries that surprised me. Researching chocolate provided a number of “delicious” little discoveries. Marie Antoinette complained about the unpleasant taste of her medicines, so her physician came up with the idea of mixing it into a solid form of chocolate–a pistole or wafer-like disc that the queen is said to have adored. (The company, Debauve & Gallet, still offers Pistoles de Marie Antoinette. A 1.7 lb box costs the princely sum of $200. Her favorite flavor was said to be almond milk). And Napoleon commissioned a chocolate treat to commemorate his victory at the Battle of Friedland.

What are some of the challenges of switching genres?

In romance, love is at the heart of the story–it’s primarily about the two main characters, and how they overcome obstacles, bot exterior and interior, to come together. For me, the core element of mystery is the idea of justice. So the characters in the story see themselves and those around them not just through a personal prism, but through the lens of conundrum. This adds a different slant to creating personas, but I’ve really enjoyed the challenge of seeing things from a new perspective.

Since this is a romance novel blog, we have to ask–is there romance in the story??

Yes, there is! It would be pretty hard for me to write a book without having a relationship be a core element of the story, because I really enjoy exploring the interaction between people. So I felt I got to do with the best of both worlds in creating a mystery with a romance.

The hero and heroine start out as very reluctant allies, and then it becomes–complicated. They are both loners, with a lot of conflicted feelings about their past, and I enjoyed being able to thread in more ambivalence into their interaction than I might be able to do in a romance. And since the relationship will carry on for a number of books (I hope!) it allows me to wrap a lot more layers around their cores. I’m looking forward to slowly revealing who they are. (Hey, they constantly surprise me, which is part of the fun!)

What’s next for Andrea Penrose? And what about Cara Elliott?

This year is a little crazy for me, in a very good way! In february I finished off my Cara Elliott “Circle of Sin” trilogy (To Surrender to a Rogue is a RITA nominee!), and in November Cara has a new trilogy debuting. Too Wicked to Wed begins the “Lords of Midnight” which stars 3 hardbitten rogues who are tamed by love.

As for Andrea, The Cocoa Conspiracy, the second LadyArianna mystery, will hit the shelves in December. It’s set at the Congress of Vienna, and once again chocolate does play a small part in the plot. In my research I discovered…but that would be spoiling the fun! I hope you’ll enjoy Arianna and Saybrook’s adventures through the Regency world.


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Happy Tuesday, everyone! I finally got to catch the new Jane Eyre movie this weekend, after waiting weeks for it to open here, and I am so glad I did. I enjoyed it very much–despite the fact that many aspects of the story had to be cut (as they always do for feature-length films), I thought the atmosphere and complexity of the characters was still there, as well as the dark intensity. Highly recommended! (My favorite Jane Eyre is still the old Timothy Dalton version, but this might be a close second. I’ll need to see it again to make sure…)

It was also very timely for me, since I’m deep into the first book of a new Laurel McKee series, this one set in the early Victorian era (1840s) and centering around two families who are old enemies, one a ducal family and one a family with underworld connections (and having done quite a bit of research now on the Victorian underworld, I can only say–I thought the Elizabethans were naughty, but those Victorians were nasty. Maybe it’s the whole hidden/repressed thing the Victorians had going on, where the Elizabethans had it all out there for everyone to see. The contrast is fascinating). You’ll be hearing a lot more about my research on this period later (I’ve never done a Victorian setting before, and I’m really loving being immersed in this new world), but for now let’s do what I always like to do–look at some clothes!

One reason this story ended up being set in the early Victorian period rather than the later 1860s-70s-80s was the fashion. I love the gowns of this decade (and was inspired a lot by the costumes and general aesthetics of the movie Young Victoria–my heroine, Lily, looks a lot like Emily Blunt in my mind, and she also has a great wardrobe!), before things get a little high-Victorian excessive. But I have to remember in the love scenes that there are a lot more underclothes to deal with….

So let’s look at some of the images from my Victorian Research File. I especially love that red gown–my heroine is definitely going to wear that one!













Also this week, I’m enjoying watching the new Upstairs Downstairs (though I keep getting the naughty housemaid and the naughty younger sister mixed up–why do they look so much alike?) and reading Giles Tremlett’s new bio of Catherine of Aragon, as well as working on the WIP and getting ready to go to Kansas City in a couple of weeks to see a Princess Di fashion exhibit (as well as watching the new royal wedding?). What are you doing this week? What do you think of fashion, the Victorian era, Upstairs Downstairs, or anything else in the world??

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So it’s been a busy couple of weeks here, so please forgive the short post today! I got back from the Vampire Diaries convention in Atlanta (see me at the masquerade ball here! And you can read about my adventures there on my new Heroes & Heartbreakers post), barely recovered from that craziness, finished one book and dove into another. (Also, FYI, Girl in the Beaded Mask is now available at eharlequin and Amazon!)

Since I got back from Atlanta and dove back into writing work, I’ve been thinking a lot about inspiration. I know I’ve blogged about it here before, but this seems to be the number one question I get when people first find out I’m a writer–“Where do you get your ideas?” I always mutter something like “Well, er, everywhere, I guess,” but it’s the truth. I find ideas for settings and plots in historical non-fiction, movies, songs, paintings. I can find character inspiration in the same places, and also just from watching and listening to people. I love people-watching.

And I was very inspired indeed by the Vampire Diaries convention. I always like to come up with hero and heroine models when I start a new WIP, just to get their image in my mind and figure out what sort of people they are. Contrary to what some of my friends think, my heroes are not always Ian Somerhalder, or as my brother calls him “your vampire boyfriend.” (For my just-finished book it was Henry Cavill from The Tudors; for the just-started book it’s Daniel Gillies from Vampire Diaries–I’m not even faithful within one show, sadly). I admit though, often the hero in my mind does look an awful lot like Ian Somerhalder, and I think this weekend just added fuel to that inspiration. (And if you really want to be inspired, check him out in an HBO show from a few years ago, Tell Me You Love Me…)

But this does bring up a dilemma in my mind. I’m a huge fan of the “brainy, bookish heroine gets hottie hero everyone wants” storyline–it may be my favorite romantic plot. But how does said brainy heroine even manage to talk to said hottie hero without collapsing into giggles? (I confess, I had my photo taken with Ian S. at the convention, and almost fainted when he just put his arm around my waist and smiled at me. What would I have done if I was a Regency deb at Almacks and had to waltz with him?? Yum, Ian Somerhalder in Regency garb…). How does said hero walk down the street without being mobbed all the time? The hero and heroine would have to hide out just to get two words together, let alone the chance to make out. It’s all something I never really considered while writing a hero before.

So, now it’s your turn. Where do you get inspiration? Who would make you faint if you met them in real life? (Megan and Clive Owen? Carolyn and Alexander Skarsgard? Diane and Gerard Butler?). What have you been watching/reading lately?

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