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Author Archives: Amanda McCabe/Laurel McKee

About Amanda McCabe/Laurel McKee

Writer (as Amanda McCabe, Laurel McKee, Amanda Carmack), history geek, yoga enthusiast, pet owner!

I hope everyone had a wonderful Thanksgiving weekend! All the leftovers here have been consumed, and I spent far too much money online for Christmas presents–both for my family and for myself. Most of these were books of course, because books make stupendous holiday gifts!

My own new book, Duchess of Sin, is out now (shipping today from Amazon!), and I’m setting out on a blog tour (see the dates here on my blog!). I’m so proud to see Anna and Conlan’s story on the shelves now, as they had to work so hard to find their HEA.

I had lots of inspirations for this “Daughters of Erin” series, and one was my love of non-fiction about historical marriages. I can’t seem to get enough of reading about how couples of the past, whether middle-class sorts like Jane Austen’s family or the nobility, made their relationships work–or not work, as the case may be! There are certainly some spectacular failures in marital history (hello, Prinny and Caroline!). I like to imagine how my own characters will build a life together.

I recently read two books about just such couples. Couples who really had almost nothing in common with each other, except that both wives were unusually strong women and both couples were very much in love. Also they lived through times of immense conflict.

The first was Joseph J. Ellis’s First Family: Abigail and John Adams. Ellis calls them the “premier husband and wife team in all American history” and for 54 years they were lovers and friends, real partners, through very turbulent times. I love the Adamses–theirs was an enviable marriage, and I like to imagine my Anna and Conlan end up something like them, working together in everything and always passionate about each other!

The other was Katie Whitaker’s A Royal Passion about Charles I and Henrietta Maria. Unlike the Adamses, this was an arranged marriage that didn’t start all that well. But it grew into a passionate and devoted marriage. A partnership that ended in disaster, but was fiercely united. Whitaker says that this marriage was both Charles’s greatest strength and greatest weakness. I highly recommend both books!

So, what are your favorite historical couples? Do you find inspiration (or warning!) in their stories??

Today I’m so excited to welcome my friend and fellow Harlequin author Nicola Cornick back to the blog so we can chat about our December books! My own release is my second Laurel McKee book, Duchess of Sin, Anna’s story, and Nicola’s is the third of her back-to-back releases, Scandalous Women of the Ton! I’ve been waiting for Merryn’s story ever since the first book came out, and now it’s here in Mistress by Midnight. We sit down to tea and cakes to chat about hunky dukes, intelligent heroines, and history….


“A one-of-a-kind read! Truly an amazing tale, a love to warm the heart and an adventure that never ended. I found myself enraptured by Conlan and Lady Anna, by the surprising love I felt for the Angel of Kildare, and the strong desire for the next story.” –Fresh Fiction, on Duchess of Sin

“(An) emotionally charged romance and a powerful love story!” –RT Book Reviews on Mistress by Midnight

Amanda (pouring the tea and helping herself to a chocolate cake): Welcome to the Riskies today, Nicola! I’m so excited to see the last book of your new trilogy on the shelves. Tell us about it!

Nicola (sipping tea, and trying to ignore that Amanda took the only chocolate cake): Thanks for having me here today! Well, my new series, The Scandalous Women of the Ton, is all about heroines doing outrageous things–traveling to the far-flung corners of the globe, working for a living, marrying five times. Each of my heroines manages to shock society’s sensibilities in a different way.

Merryn, the heroine of my December book Mistress by Midnight, is a bluestocking, very unfashionable, with total scorn for everything she sees as superficial about society. She prefers to attend lectures rather than balls and even has a job, although she has to keep this a secret. Merryn is a sweet girl but she does tend to see everything in black and white and a lot of the book is about how she learns that often the truth is nowhere near as straightforward as she thinks. She’s on a mission to ruin Garrick, Duke of Farne, because she holds him responsible for her brother’s death. But she hasn’t taken into account her raging attraction to Garrick or that fact that he’s out to stop her from revealing the truth!

Amanda: I do love scandalous heroines! Anna Blacknall, heroine of Duchess of Sin, doesn’t have a job like Merryn, but she does like a good party–a lot. She likes to dance, ride her horse fast, and find places she’s not meant to be. She also likes to sneak out of the house and look for adventure, something different from her constrained life as belle of the Dublin social season. But she’s also trying to cover up her deep-seated fears and some bad memories from the Uprising of two years ago. She’s looking for acceptance for who she really is, and she wants to find something useful in life beyond being a Diamond. She’s also looking for a strong man to match her, though she doesn’t know at first that she’s already found him…

Nicola: Oooh, a yummy dark hero! My hero Garrick, is a total sweetie to my mind (I do admit to a bias!). He’s a very honorable hero. I love heroes who are strong protectors and Garrick has made it his life’s work to protect those who are weaker than he is and who need him. When he meets Merryn he has a terrible conflict because she threatens to reveal all the secrets he has kept for years as part of his role as defender. He is very attracted to Merryn and he wants to help her too, but he cannot tell her the truth without betraying others. He’s completely torn.

Amanda: He sounds so much like my own hero, Conlan, Duke of Adair! Besides both being dukes, that is. Conlan’s whole life is dedicated to protecting his people from all the dangers of Irish life, and he’ll do anything to fulfill that responsibility. The last thing he needs is a beautiful Ascendancy lady finding out all his secrets! But Anna needs him too–and he needs her. They’re true soul-mates, it just takes them a while (and several dangerous adventures) to find that out! It doesn’t help that Anna is being courted by Conlan’s villainous cousin, either.


One thing I love to do is find actors or models that look like my idea of my characters, and then I make character collages. (It’s not time wasting procrastination, it’s Very Important Research!). Conlan looked to me like a dark manly-man, like Richard Armitage or Gerard Butler (sorry, Diane! I borrowed him for a bit…). Anna is an aristocratic blonde, like Gywneth Paltrow or Diane Kruger. What about your characters? Who did you “see” while you were writing?

Nicola: Well, one of the things I love about Garrick is that he has auburn hair. I know red-haired heroes aren’t every reader’s cup of tea, but I think a man with red hair can be very sexy. My inspirations for Garrick were Damian Lewis, Prince Harry, and Toby Stephens in his Mr. Rochester guise! If I was to cast Merryn, I think Kate Winslet would be a good choice to play her.

Amanda: Yummy inspirations all! I know that, like me, you enjoy doing research and finding historical tidbits to put into stories. What can we look for in this book?

Nicola: Mistress by Midnight is set against the background of the London Beer Flood of 1814, a real event in which 7 people died. It was a freak accident. the vat on the top of the brewery in Tottenham Court Road exploded, setting off a chain reaction from the other vats and releasing a tidal wave of beer that swamped the surrounding streets. Several people drowned, some were crushed by falling masonry, and one died from drinking too much alcohol. It was all reported in The Times newspaper of the day.

Amanda: OMG, how have I never heard of this??? A real beer flood? There’s no flood of booze in my book, but there is a visit to a pub. I set Duchess of Sin around the upheaval concerning the Act of Union of 1801. Things had calmed down (though the atmosphere was still very tense) after the Uprising of 2 years before, but this political act was like setting a match to gunpowder again. Conlan is right in the middle of the fray, of course, and Anna finds herself embroiled in it as well. I talked about the historical background last week on your own Word Wenches blog!

Nicola: I love how your Daughters of Erin trilogy captures the wildness and spirit of Georgian Ireland. What inspired you to write a book there?

Amanda: I’ve always wanted to do an Irish book, but I just had to find the right characters! You’re so right that Georgian Ireland was full of a wild spirit. It was a place of contrasts, between high fashion and gorgeous architecture (much of which can still be seen), and hot tempers and a love of partying. There’s also so much conflict, it’s ideal for a book! And I also love an Irish Christmas, so I was excited to find out this was to be a holiday release.

Nicola: Did you have an idea of what your heroines were going to be like when you started writing? The Blacknall sisters are all strong characters, but very different from each other.

Amanda: I was so lucky! Each sister kind of sprang into the story fully-formed. Eliza is the eldest sister, very strong and sure of herself, very protective of the others, but also idealistic and strong-minded. Anna was the middle one, the beauty, whose intelligence was sometimes disregarded as she grew up. She feels she has something to prove, to the world and to herself. And Caroline is my bluestocking, the quiet one who prefers reading to dancing. But she finds herself embroiled in quite an adventure with an unlikely hero in her own story, Lady of Seduction (June 2011)! I love each of them, by this point they feel a bit like my own sisters.

Nicola: I feel the same about my Scandalous Women! After all this time, I feel as if I know them so well.

Amanda: And what’s next for you?

Nicola: Next is the fourth book in the Scandalous Women of the Ton, Notorious, in August 2011!

Amanda: Wonderful! Have some more tea. We can toast to gorgeous heroes and the scandalous heroines who love them.

I hope you’ve enjoyed our little tea-table chat today! Comment or ask a question for a chance to win both Duchess of Sin and Mistress by Midnight, and be sure to visit our websites for excerpts, more historical background, and contests. You can find me here, and Nicola here!


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A few weeks ago, I finally got around to watching a film I’ve meant to see for ages, Visconti’s Il Gatopardo (The Leopard). It’s an epic from 1963, with Burt Lancaster (dubbed in Italian!) as the patriarch of a great, aristocratic Sicilian family on the cusp of massive changes in the mid-19th century. It was gorgeous, and I couldn’t believe I waited so long to see it!

The last scene was my favorite, a 45-minute ballroom set-piece full of Verdi and swirling gowns, which manages to look fabulously authentic, draw the viewer deep into that world, and still be a meditation on mortality and change, youth and age. It’s so full of emotions that simmer just beneath the sparkling surface. Writing historical romance means writing lots of ballroom scenes, of course, and they’re some of my favorites to work on. So much can happen in a dance, so much that has to be hidden or that bursts out suddenly with vast consequences. It can mean so much in a story. And this scene in The Leopard was very inspiring.

It also made me think of other dance scenes I love in movies, especially with the holiday parties looming! I did a little informal polling on Facebook and Twitter, asking people’s favorite dance scenes. I heard about Rogers and Astaire (I especially love the “dancing in the gazebo while it rains” scene!), Gene Kelly dancing in the rain, Dirty Dancing (also a guilty pleasure of mine, I confess), and lots of Pride and Prejudice. It seems like every Austen adaptation has a dance scene (or two or three), including the most recent Emma, where Emma leaped around and shrieked like she was at a rugby match!

I’m partial to the Netherfield ball in the 2005 P&P, where the room slowly vanishes around Elizabeth and Darcy as they dance and stare smolderingly. I like The Age of Innocence, where the camera rises up from Newland and May to show the swirling characters on the polished floor while Strauss plays. The coronation ball in Young Victoria (I seriously covet her gown), the volta in Shakespeare in Love, the tango in The Mask of Zorro, Audrey Hepburn and Humphrey Bogart in the empty tennis court in Sabrina, the meet-cute at the Bath assembly rooms in Northanger Abbey. The cell-block tango in Chicago. And who could forget “Other way, Mr. Collins!”??

Now that I think about it, there are lots of dance scenes I love. What are your favorite movie dance scenes? Do you like reading/writing ballroom scenes?

And don’t forget, I’ll be back here this Sunday, along with Nicola Cornick, as we launch our December releases (and give away copies!), and I’ll be at the Word Wenches on the 24th. For more info on various blog appearances, excerpts, and a December contest, be sure and visit my Laurel site

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Risky Regencies welcomes another debut author this weekend, Grace Elliott, who will tell us more about her release A Dead Man’s Debt! One commenter will win a copy…

Hello, Riskies, what a pleasure to be here today to share a little about my debut novel, A Dead Man’s Debt, and the inspiration behind the story. Believe it or not, a painting of the young Emma Hart (who married Lord Hamilton and was Horatio Nelson’s mistress) was the catalyst behind my novel. The painting by George Romney shows an innocent yet lush young woman, scantily clad with a hint of bosom, brazenly staring out of the canvas with an allure that is quite hypnotic. It struck me as sensational for an 18th century work, that the sitter was not prim, proper, straight-backed and starchy. It must have been scandalous at the time. But who would be bold enough to commission such a portrait? (As it happened Emma was ahead of her time and loved to flout convention–but that’s another story!)

What a delicious idea for a story! What if the woman in the painting wanted to shock? What if, years later, this rebellious streak threatened to disgrace her family? What if only the son she despises can save her reputation–but at the price of his secret love? Thus the stage was set for a story of blackmail, sacrifice, and redeeming love. This excerpt from A Dead Man’s Debt shows the young Lady Sophia Cadnum revealing the shocking portrait of her friend:
With a swoosh the drape hissed to the ground. Georgiana’s eyes widened, and she flushed crimson as a hand covered her mouth. “Oh my!” The oil showed Sophia Cadnum stripped of her satins and silks with her natural beauty shining like an exotic flower. In just a gossamer shift, with a rope of pearls wound round a swan-like neck, she reclined in a woodland clearing, happy as a nymph. Ringlets of rich raven hair, unpowdered and unrestrained, tumbling over her shoulder to provide a modesty not offered by the transparent gown. On closer inspection, the male viewer would be enchanted to discover the ghost of a nipple peeping between ringlets. Sophia smiled happily. “Isn’t it wonderful?” Georgiana grew quiet, nervously averting her eyes. “I speak as your dear friend and only with your interests at heart, but is it quite…” she glanced at Sophia then steeled herself. “…appropriate?” Black thunder darkened Sophia’s pretty face. “And by that you mean?” Georgiana took a deep breath. “Well, what with your being a mother now, something less…provocative…might be more correct?” Sophia scowled. “But that’s precisely the point. Producing a son was my duty…and I won’t be made into a dowdy matron because of it. I need to feel alive and have my heart race for joy. Heaven knows already the Duke talks of producing another brat for the nursery.” Comprehension dawning, Georgiana gulped. “Was it so very awful giving birth?” Sophia closed her eyes. “Hateful, from start to finish.” Silence stilled the air. Georgiana cleared her throat. “Has the Duke seen the painting?” “In truth I don’t think he cares enough to have an opinion. As long as I serve my purpose as mother to his heirs, he won’t object.” She stroked her tightly laced stomacher, resting a hand on the barely perceptible dome of her belly. The light went from her eyes as she whispered, “Please God grant me respite from my duty.”

Like ripples on a pond, the consequences of this scandalous portrait are felt years later, when Lady Cadnum’s offspring are all grown up. It is resentment over the children she bore that expresses itself in her son Ranulf’s sullen moods and coolness. But being a Regency romance, the latter is like a red rag to a bull for our heroine, Celeste Armitage, who is determined to break through Ranulf’s reserve and uncover the passionate man beneath.

And all this from one portrait of Emma Hart! Phew—I’m saving my energy for a trip to the National Portrait Gallery in London, heaven only knows what inspiration will strike there…

About the Author: Grace Elliott leads a double life as a veterinarian by day and author of sensual historic romance by night, and firmly believes that intelligent people need to read romance as an antidote to the modern world.

A Dead Man’s Debt is available from most ebook retailers and on Amazon Kindle, and at the publisher’s site. If you’d like to read more excerpts or learn more about what makes Grace Elliott tick, please visit her website

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