Risky Regencies: Welcome to the blog, Michelle (S)! First of all, tell us what historical periods are the settings for your books? What are some other settings that interest you (either as a reader or writer)?
Michelle S: I have done a number of different settings for my books. Ancient Rome, the beginning of the Viking era (790s), the North East of England both in the early Victorian period and during the Regency have all formed the backdrop of my books. It gives me the opportunity to indulge in research.
Currently, because I just finished Lady Worsley’s Whim by Hallie Rubenhold which is a non-fiction book about a sex scandal that touched the ton in the 1780s, the late Georgian/early Regency periods hold a fascination. But I have promised my editor several early Victorians first!
As a reader, I simply love a good story. It is more if the blurb interests me or not, rather than reading for a specific time period. The great thing about reading in an Unusual Historical period is that I get to experience different themes and time periods.
RR: What draws you to Unusual Historicals? What are soem advantages and drawbacks?
MS: I love history, and the whole thought about how people lived and the social constraints they faced fascinates me.
The advantages to writing in unusual periods or settings is that the field is more open. You can find themes that maybe not everyone has already explored, and it gives me the opportunity to tell a number of different types of stories. For example, Viking warriors versus Regency rakes versus early Victorian railway men. The opportunities to research should not be underestimated! Also, it means I can allow my imagination to take flight.
The disadvantages are the vast majority of the historical romance public prefer their romance in Georgian/Regency/Victorian garb, so the market is smaller. This can be that people want a familiarity with their stories, or it could be that the period captures the imagination more than others. Also by switching time periods, I know that there are some readers who refuse to read certain periods. For example, some might prefer Rome and hate the Vikings. And there are some who will read the Unusual Historical but won’t touch a Regency or Victorian.
However, I really do think the freedom that writing in a wide range of periods brings far outweighs its disadvantages!
RR: Tell us about your research mehtods/favorite sources.
MS: I love doing research–both doing the physical research, which involves going to the places where my book is set or learning various different crafts and skills. In the name of research I have fallen off horses in Iceland, gone down sewers in Rome, and ridden replica trains in Northumberland.
I love finding new research books, as well. One of my great joys is belonging to the Literary and Philosophical Society in Newcastle, which was founded in 1795 and is one of the last remaining private libraries in Britain. Its reading room dates from 1825 and is largely unchanged. The Lit and Phil is where George Stephenson first demonstrated his safety lamp for miners and where Swan gave the first demonstration of the electric light bulb. They allow you to take out books as long as they are post 1850.
One of the advantages to writing Unusual Historicals is that my editor actively encourages a historical note at the back and I’m able to list my favorite sources. For my Viking novels, my favorite source is some of the Icelandic sagas which are basically the primary source for much of what we know of the Vikings. I have also found Women in the Viking Age by Judith Jesch to be really useful.
I have found the book review section of the Spectator to be really useful in highlighting books on social history. This was how I discovered Consuming Passions by Judith Flanders, which is all about the growth of consumer consumption, and now Lady Worsley’s Whim.
RR: What are some Unusual Historicals you would recommend to readers?
MS: Harlequin Historicals publishes a number of unusual historicals! I enjoy Michelle Willingham’s medieval Irish knights. Nicola Cornick has done an Edwardian, The Last Rake in London, as well as an English Civil War story, Lord Greville’s Captive. And I am looking forward to reading Amanda McCabe’s latest, as I do love a good pirate story! Kensington is beginning to offer more unusual historicals. I am looking forward to reading Carrie Lofty’s take on the Robin Hood legend, What the Scoundrel Wants.
The YA book Mara Daughter of the Nile by Eloise Jarvis McGraw started off my love of historical romance many years ago, and so I suppose you could say it gave me a taste for the unusual.
RR: What’s next for you?
MS: Next out in the UK in April ’09 is Impoverished Miss, Convenient Wife, which is the second part of my Regency duo. My latest Viking and my next Victorian are sitting on my editor’s desk. The Viking has been through 2 sets of revisions, so my fingers are crossed! And my editor has just agreed that I can write the son of the hero in IMCW, so this will be a fun challenge.
You can visit Michelle Styles’s website here, and go to eharlequin for more information on VWUW!