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Author Archives: Diane Gaston

About Diane Gaston

Diane Gaston is the RITA award-winning author of Historical Romance for Harlequin Historical and Mills and Boon, with books that feature the darker side of the Regency. Formerly a mental health social worker, she is happiest now when deep in the psyches of soldiers, rakes and women who don’t always act like ladies.

Welcome back Emery Lee who is with us today to talk about her latest release, Fortune’s Son. Emery visited us last year with The Highest Stakes, an incredibly well-researched debut set in the Georgian racing world.

Lee brings the atmosphere of the Georgian era to life with lush descriptions that beg the reader to see, hear, feel and touch it all….suprising twists and turns that are reminiscient of Fielding’s Tom Jones or Defoe’s Moll Flanders — Kathe Robin, RTBookReviews
Emery is giving away a signed copy of Fortune’s Son to one lucky commenter chosen at random.
Welcome, Emery! Tell us about Fortune’s Son.
Fortune’s Son is the story of a complex and tumultuous romantic relationship between two people who despise and buck the world they live in but must maintain themselves in it nonetheless. Philip is a young adventurer, the disowned black sheep of an aristocratic family and Susannah Messingham is beautiful widow left upon her husband’s death with little means to support her extravagant lifestyle. While at an upscale gaming house she observes Philip winning at the tables and sets out to use her feminine wiles to persuade him to teach her. Philip, however, is not as malleable as she had hoped…

How did you come up with the idea for Fortune’s Son?
Philip and Susannah (Sukey to her intimates) are major secondary players in my first novel, The Highest Stakes, and characters who almost stole the book! Although part of their complex relationship is portrayed in my first book, I realized at the end of it that there was so much left to tell about them. How did they actually meet? What really drove them apart? Will they every have a happy ending? I had to write their story because they demanded that I do so!

What is risky about Fortune’s Son?
Honestly everything! Philip and Sukey are gamblers – people who rely on Lady Luck for even their daily bread. They are so very different yet mirror one another in many ways. She harbors a secret scandal and Philip is constantly at war with his family. She’s a widow with a social position to maintain and eight years older than Philip, who is virtually penniless, yet, the attraction between them is undeniable. Although clearly evident from their first meeting, they both fight it tooth and nail, but it is bigger than they are. In the end, however, love prevails and they are both shown to make tremendous sacrifices for one another.

Did you come up with any interesting research while writing this book?
Tons of stuff and almost all of it is in the book! I wanted to build the Georgian world as it has never been depicted in a romance novel – the sights, the sounds, the places and events that were part of my characters daily lives. This included everything from the play house to pugilism matches. I also incorporated many real historical figures into all of these scenes to make them more vivid. Two of my favorite scenes are Philip and George at the cockpit and the scene where Lord March tells Philip and George about his famous carriage race, a true event that I used in the resolution of my story.

You really love the Georgian period. Can you tell us why?
My very long answer to this question can be found in my blog post “Why I Love the Georges”, but the short and sweet response is:

“Why the clothes, dahling!”

What is next for you?
My very next release is actually an erotic historical romance novella, A BREACH OF PROMISE, from Ellora’s Cave. I’ve written it under the pseudonym Victoria Vane because it’s so unlike any of my other work in tone, style and sensuality level. It’s very light and witty but also very sexy, a story I like to think of as kind of Heyer-esque but with lottsa heat! My next Emery Lee project (PG13 again) is very exciting. It’s a full length romantic historical novel, working title, CHASING VENUS. Set in the mid- Georgian period, it involves science, discovery and high seas adventure between a couple who could not be more diametrically opposed to one another if they tried. For readers who relish conflict in a romance – it’s sure to deliver!

Diane, here, again. You’ve all read lots of historicals. Name any game of chance that was popular during the Georgian period. Or ask Emery a question. Make a comment for a chance to win a copy of Fortune’s Son.

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This weekend I attended a Michael Hauge Workshop. Michael Hauge is the story and script consultant who wrote the acclaimed Writing Screenplays That Sell (now on sale at Amazon), but his ideas about plot and character are equally applicable to writing Romance, which is why he’s become a sought-after speaker to romance writers.

Hauge conceptualizes Story as encompassing a transformation in the main character. I’m greatly simplifying this, but the hero (or heroine/or protagonist/or main character) of the story has suffered some kind of wound in his early life and has developed a defense to protect him from ever experiencing the pain of that wound again. This defense against pain works well, but it does keep the hero from satisfying some important need and becoming the person he really is inside. Hauge uses the term identity to define the hero’s defended self and essence to define the hero’s true self. A story is typically (not always) a character’s journey from identity (living in fear) to essence (living authentically). Plot comprises the steps the hero takes on that journey.

Are you following me?

Take a look at Mr. Darcy’s transformation in Pride and Prejudice, the Colin Firth version, specifically. I would argue that Elizabeth is really the protagonist of P&P, but it is more fun to look at Darcy.

Darcy emotionally guards himself against people who merely curry his favor because of his money and status. It makes sense that he would fear this sort of exploitation. His sister just suffered Wickham’s attempt to marry her for her money, and Darcy thinks Jane Bennett wants to do the same to Bingley. No one is going to fool Darcy, however. Trouble is, he is so guarded that all anyone sees of him is an arrogant, aloof, judgmental man.

This is the Darcy Lizzie sees at the beginning of the story. This is his identity, to stay aloof from people lest they exploit him. Darcy is fully in identity when he tells Bingley that Lizzie doesn’t tempt him.

Through the first half of the story, Lizzie and Darcy are thrown into each other’s company. Just as Hauge suggests, in this first half, Darcy begins to show Lizzie glimpses of his true self – when Lizzie is staying at Netherfield, for example. Or at Rosings when he confides to Lizzie that he doesn’t find conversation easy, like she does.

Hauge calls the midpoint of a story The Point of No Return. For Darcy this is his marriage proposal to Lizzie. He is making himself vulnerable to her, but, at the same time, he is retaining his identity and the proposal does not go well at all. He can never go back to being indifferent to her, though. He’s expressed his regard for her. (I was going to say he exposed himself to her, but then I realized Janet would have a field day with that one!)

When Lizzie meets Darcy again, her words to him have obviously had an effect. He increasingly gives up his identity and shows more of his essence when with her – being gentlemanly at Pemberley, inviting her and her aunt and uncle to dinner, rescuing Lydia from her scandalous liaison with Wickham (by forcing a marriage), and restoring Bingley to Jane. But it is only when Lizzie refuses to promise Lady Catherine that she will never marry Darcy that he takes the chance to propose again. But this time he is fully in essence, telling her that all he did for Lydia was done for her.

Then, VOILA! Happy ending!

I love that I can apply Hauge’s concepts to specific stories. Now the challenge for me will be to use these same concepts to assist me as I begin my next book.

Do Hauge’s concepts make sense to you?

If you are writing, do you have a favorite plot or character format that you use? If reading, do you think of any of these elements when you read?

Isn’t that the most memorable marriage proposal of all fiction? Can you think of a better one?

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Today we are delighted to have Rose Lerner as our guest author. Rose burst onto the scene last year with her debut book, In For A Penny (Amanda listed this book as one of her 2010 favorites). Today Rose will talk about her second book, A Lily Among Thorns.

Praise for A Lily Among Thorns:
“I loved it, even more than I loved In For A Penny…most of all for a heroine who is independent, prickly, and wonderful all at the same time.” — Courtney Milan, author of Unveiled.

“Rose Lerner is masterful at bringing out the details that make characters human, in a way that reminds me of Judith Ivory and Meredith Duran. I highly recommend this novel and can’t wait for her next novel.” — Kat Latham, Reader I created him.
Rose is giving away one signed copy of A Lily Among Thorns to one lucky commenter chosen at random.
A Big Risky Regencies welcome to Rose Lerner!
Tell us about A Lily Among Thorns.

My heroine Serena has been fighting for the past five years to build her hotel’s business and to be safe as a woman alone who’s known to have once worked as a courtesan. Then Solomon walks back into her life. She’s had a secret crush on him for years, ever since he gave her the money she needed to buy back her contract at a brothel, and walked away without touching her. But love, and the vulnerability it brings, terrifies Serena at the best of times–and these are definitely the worst of times. On the heels of Solomon’s arrival, she faces a close friend’s betrayal, the threat of losing her hotel, French spies, and a whole mess of other things that could bring her carefully constructed life crashing down around her ears.

What inspired this story?

Traditional Regencies, actually. There was a certain type of alpha hero who was very popular for a while: he never ever expressed his emotions. He barely had facial expressions. And sometimes, he had a deep, broad, and often unexplained knowledge of the criminal underworld. He was generally saved from his own self-hatred and isolation by the unconditional acceptance of an innocent but unconventional young woman. And I wanted to see what that would look like with the genders flipped.

The book grew from there, of course, but that was the seed.

What is risky about A Lily Among Thorns?

Three things. First, Serena is an embittered ex-courtesan. Remember that conversation last year about “unlikeable heroines”? (If not, my post on the subject is here, about how difficult it is as a woman to express anger and not feel guilty about it, and it’s got links to the original Dear Author post and another post at History Hoydens that I loved.)

Plus, Solomon, my hero, is a beta. He’s socially awkward, geeky, doesn’t have a ton of experience with women, and he works as a chemist for his uncle’s men’s tailoring shop. He’s got no problem standing up to Serena when it matters (and since she’s got some issues, that’s more often than you’d think), but he’s perfectly content to stand back and let her run the show in the general course of things.

The third thing is that the secondary romance is between two men, but I don’t want to say too much about that because there are some major spoilers involved.

Did you come across any interesting research when you were writing A Lily Among Thorns?

Oh, tons! I researched the London criminal world, gay clubs, annulments, chemistry, ethnic diversity in London, women’s property rights, who exactly is entitled to be beheaded instead of hanged, drawn, and quartered when convicted of treason, food and kitchens, the Battle of Waterloo…I could go on. If anyone has any questions about any of those things, I’d love to talk about them with you! Here’s two interesting things I discovered:

British people in the Regency did eat plenty of foreign-inspired food, especially French food. But it was much rarer than it would be a little later, or now, to refer to them by their foreign names. So when Solomon says he knows how to make crème brûlée, he calls it “burnt cream.”

And that story about Nathan Rothschild getting news of Waterloo in advance, tricking everyone at the ‘Change into thinking he knew Wellington lost, and then buying up all the consols and seizing control of England’s finances? Totally false. Also, when I was researching that, you would not believe how many scary anti-Semitic websites I found that used it as an example of how Jews control the world. Anyway, if you want to hear more, I’ve got a blog post about it here with lengthy quotes from a Rothschild biography.

I’ve also got a post on Regency chemistry up over at History Hoydens.

This is your second book, but we at Risky Regencies always love a debut author story. Your debut received some wonderful buzz. Tell us about your journey to publication?

Thank you! I was actually having a really tough time with writing romance when I sold that book. I was having a tough time, period. When I was about a hundred pages into my first draft of In for a Penny, I found out my mom’s cancer was back and that she was going to die. I found out she would never get to read the book, and I didn’t write a word for about six months. My mom introduced me to romance novels and she was always the person I wrote for, the person I knew would love my books.

Eventually I forced myself to finish a draft but it was like pulling teeth, and once I was done, I couldn’t bring myself to edit it. I couldn’t even bring myself to reread it. I had a revised first three chapters, though. I promised myself I’d pitch it at the Emerald City Writers Conference, but if I didn’t get any requests for a full, I didn’t have to look at it ever again.

Well, Leah Hultenschmidt requested the partial, and I sent it to her, and I didn’t hear back. I figured, okay, that’s it then. I didn’t revise it, I didn’t send it out, and I didn’t start my next book, either. I thought maybe it was the end of the line for me and historical romance. Maybe the spark was gone. Heck, it wasn’t like anyone would ever want to publish me anyway.

Then about six months later, Leah requested the full. For a minute there, I was actually kind of mad. I still didn’t believe she was going to buy it, and now I had to go through this whole grueling process and it would all be for nothing, right? But when I read the book again, I kind of liked it. Yeah, it needed a lot of work, but I could fix it. So I dived in, cleaned it up, sent it off, even got my groove back enough to start a new book…and it turned out the spark wasn’t gone at all. I just needed to believe that someone might someday read what I was writing. I just needed to believe that someone might love it.

And then Leah called and said she wanted to buy In for a Penny, and the rest is history!

What is next for you?

I’m not sure. I’m almost done with a draft of a book about the 1812 Parliamentary general election. By the local rules of her town, the middle-class heroine’s husband would be eligible for a vote…if she were married. The younger-son-of-an-earl hero is sent to the town to find the heroine a husband, but of course he falls in love with her himself! But it’s not sold yet so I don’t actually know yet if it will be my next book out or when it will be available. I’ll keep you posted!

There’s plenty to comment about from this interview. Rose’s emotional debut story. The risks she took in this book. The research, especially about the Rothschilds. The whole issue of unlikeable heroines. So there’s no excuse not to leave a comment and earn a chance to win a copy of A Lily Among Thorns.

Or ask Rose a question! She’s coming back from a conference today, but will check in during the evening.
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Last week I wrote a version of this blog for my Harlequin Historical Authors Blog, but I thought some of our readers here might have missed it. I wrote about a book I thought so wonderful, I wanted to be sure everyone interested in the Regency heard about it. My thanks to the Beau Monde member who mentioned it first (Isobel Carr/Kalen Hughes, perhaps?).

The book is a new research book, Vauxhall Gardens: A History by David Coke and Alan Borg, a coffee-table sized volume brimming with everything you’d want to know about these historical pleasure gardens. It was worth every penny I spend on it and I spent a lot of pennies!

I think of Vauxhall Gardens as the Disneyland of its time, a place people of all walks of life and social classes flock to for recreation, to see wonders that thrill, amaze, or simply entertain them. Things like fireworks and tightrope walkers, musical performances, frescos made so real you felt transported to a different land, spooky dark walks featuring a hermit at the end. There was food special to the place, just like the special foods we find at amusement parks or State Fairs. Paper-thin slices of ham, tiny whole chickens, orgeat (the soft drink of the day), poor quality wines, cider and ale.

Jonathan Tyers opened Vauxhall Gardens in 1729 and from the first made no distinctions between the classes. Everyone paid the same price of admission, so from the first, the classes mixed in the various entertainments like a Venetian Carnival. Throughout the years Vauxhall Gardens entertained visitors with music, a mix of performances from serious styles of music to light-hearted popular tunes of the day. A grand organ was included. Handel was featured. Popular vocalists appeared.

Artwork was always a part of the gardens, including paintings by Hogarth and sculpture. A statue of Handel came to personify Vauxhall and remained in the gardens most of its almost 200 years.

Other entertainments appeared, some from the beginning and some as years went on. Fireworks. Fountains. Lamps which were lit all at once. A rope dancer named Madame Saqui. I once mentioned Madame Saqui in one of my books and received a letter from a reader in the UK whose last name was Saqui. She’d not known of this possible ancestor until reading of her in my book

I love using Vauxhall Gardens as a setting in my books. Flynn, my hero in Innocence and Impropriety became smitten with Rose as she sang at Vauxhall Gardens. In A Reputable Rake, Morgana brought her courtesan students to Vauxhall Gardens to practice their lessons. A masked Graham Veall chose Vauxhall Gardens as a place to meet Margaret and hire her as a temporary mistress in my homage to Phantom of the Opera, The Unlacing of Miss Leigh.

I’m using Vauxhall Gardens again in Leo’s story, the last of the Welbourne Manor books, due to be released in 2012. This book is set in 1828 and I was delighted that my new research tome could give me detailed information of what happened at Vauxhall Gardens that year.

New was the Grand Hydropyric Exhibition, consisting of cascades of colored fire and water. A new vaudeville called The Statue Lover was introduced, as well as a short comic ballet called The Carnival of Venice. Even though there had been complaints of excessive noise the previous year, a reenactment of the Battle of Waterloo took place on the battle’s anniversary. They also introduced a lottery with dozens of different prizes.

I may not use any of those new entertainments in the book, but I did learn that Vauxhall Gardens did not open until June 4 of 1828. I’d set my story in May of that year, but now have moved it to the end of the London Season (because I like to be as faithful to history as I can be)

We’re all probably thinking of fall holidays instead of summer amusement parks like Vauxhall, but Vauxhall’s Dark Walk to visit the hermit could be akin to a ghost ride on Halloween. Or a Hay Ride, because a lot of hanky-panky went on on the Dark Walk.

Are you planning any Fall holiday outings? This Friday I’m going to the Library of Congress to hear my friend Carol Brown talk about costuming for places such as Dragoncon or the Renaissance Fair (12 noon in the Pickford Theatre and open to the public for any of you in Washington, DC)

On Halloween, Risky friend Michelle Willingham has gotten a bunch of us to have a Trick or Treat contest. Deb Marlowe is one of the “houses” for Trick or Treat, and my friend Darlene Gardner who writes for Superromance. We’ll all have prizes. Hey, Halloween is my next blogging day! I’ll have to try to find a Regency connection to Halloween. Check my website soon for complete details.

I also have a new contest going on my website. My September book, Valiant Soldier, Beautiful Enemy, is still available online, and don’t miss my October 2011 Undone short estory, The Liberation of Miss Finch.

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