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Author Archives: Elena Greene

About Elena Greene

Elena Greene grew up reading anything she could lay her hands on, including her mother's Georgette Heyer novels. She also enjoyed writing but decided to pursue a more practical career in software engineering. Fate intervened when she was sent on a three year international assignment to England, where she was inspired to start writing romances set in the Regency. Her books have won the National Readers' Choice Award, the Desert Rose Golden Quill and the Colorado Romance Writers' Award of Excellence. Her Super Regency, LADY DEARING'S MASQUERADE, won RT Book Club's award for Best Regency Romance of 2005 and made the Kindle Top 100 list in 2011. When not writing, Elena enjoys swimming, cooking, meditation, playing the piano, volunteer work and craft projects. She lives in upstate New York with her two daughters and more yarn, wire and beads than she would like to admit.


I know some people don’t see the connection when chick lit is compared to Jane Austen, but I can’t help seeing many parallels between her world and ours. Maybe one of the reasons her works are classics?

A few days ago, I watched a show involving the new concept of speed-dating. At least, I think it’s a fairly new thing, I’ve been out of the dating scene (is it still called a “scene”?) for over 17 years. Yikes! Anyway, for anyone else who is terminally behind the times (when I first got spam about Paris Hilton I thought there must have been a scandal at a Parisian hotel), speed dating apparently involves couples seated at rows of tables who get to talk for something like 8-10 minutes before moving on to another partner. By the end of the evening, anyone who enjoyed their brief time together can arrange for a longer date.

Is this a hip and clever new way of weeding out people one would hate to be stuck with for a full-length date? Perhaps. But is it so different from Regency balls and assemblies, ranging from the exclusive events at Almack’s to the public assemblies held at inns and such in towns and larger villages all over England?

Think about it. Singles at a Regency ball were expected to have a range of partners; no more than a couple of dances with just one. And given all the action and intricate movements, were they left with much more than 8-10 minutes to converse?

A fairly efficient way for a busy aristocrat (one of those who actually minds his estate and his duties to Parliament) to interview potential brides.

But I’m also sure it was a good way to identify the partners a lady would rather NOT take a carriage ride with the next day. The aging roué with sawdust padding out his calves (Regency equivalent of a lounge lizard). The lisping, mincing dandy. The bored rake who despises country dances? (Which I happen to think are good fun.) The bluff country squire with long stories of his hunting dogs, who steps on your delicately embroidered hem with his BOOTS since he couldn’t be bothered to change into regular shoes for a ball. Oops! I think that last one has appeared on more than one Regency cover, impersonating a Hero. I’d better stop while I’m ahead…

Elena
www.elenagreene.com

Posted in Regency | Tagged , , | 7 Replies


Yesterday I wrote a short scene between the heroine of my very new mess-in-progress and her mother. The heroine’s father had to be dead, for plot purposes, but I thought perhaps the mother might prove an interesting character. Well, I tried her one way and another—sympathetic, controlling, whiny, funny—and nothing clicked. So I decided she was just better off dead, too. I may revive her at some point, but only if she has something entertaining to contribute to the story!

I think there’s a reason why heroines of romances often don’t have mothers, or at least not ones who are present for most of the story. The mother/daughter relationship is very complex and can take over from the romance. A mother’s good counsel might keep a heroine from making her own mistakes and learning from them. And depending on the story, having a mom around might destroy the mood.

And yet, is creating orphaned characters an easy (and cheap) way to buy a reader’s sympathy? A problematic mother (like Mrs. Bennett in Pride & Prejudice) can escalate conflict, but wouldn’t it be refreshing to see more positive mother figures in romance fiction?

Most books I recall that included such a mother also featured a hero with bigger problems than the heroine’s, where it made sense that a mother’s support would help her deal with him. Some examples: Julia Ross’s MY DARK PRINCE and Jo Beverley’s DEVILISH.

Can anyone else think of examples of interesting fictional mothers, good, bad and ugly?

Elena
www.elenagreene.com/

Not long ago, I heard the good news that Laura Kinsale has completed a new book.

For anyone who doesn’t already know, Laura Kinsale writes superb historical romances, many of them featuring amazingly tortured heroes. In fact, no one does dark heroes better, as the judges of this year’s Romance Writers of America RITA contest recognized in selecting her last release, SHADOWHEART, as Best Historical Romance. My critique partners and I sometimes refer to her as the Goddess. When we analyze her scenes, as a writing exercise, we usually find ourselves genuflecting and mumbling, “We are not worthy, we are not worthy…”

OK, I could rhapsodize for a while longer, but you get the picture.

I read on her website (www.laurakinsale.com/books/lucky.html) that Laura decided to do a lighter story after all the angst and turmoil in SHADOWHEART. It’s going to be more like her other lighter book, MIDSUMMER MOON.

As presumptuous, not to say blasphemous, as it is to say this, I think I understand. Some of my earlier Regencies were on the light side, but LADY DEARING’S MASQUERADE has darker elements than I’ve tackled before (still Little League compared to SHADOWHEART, of course). I found myself suffering along with my characters, which can be a draining experience. When I started another angsty story it was like wading through an ever-deepening snowdrift. Now I’m doing a lighter one and finding that the ideas are coming a little more quickly (though first drafts are never easy). So for me, changing up was a creative necessity.

However, switching gears feels like yet another creative risk.

I think Laura Kinsale’s devoted fans will buy her next book. I certainly will. But do some readers feel cheated when an author of an angsty (or funny, or sweet, or sexy… you name it) book does something radically different in her next?

I wonder.

Elena
www.elenagreene.com

Posted in Reading, Writing | Tagged | 12 Replies

I’ve been loving this thread about places, and definitely want to return to it! But since I just got done sorting through my summer photos, I thought I’d share this one of some of us during the Beau Monde conference in Reno.

I’m the one in the middle. That’s Cara to my left, looking very cute. (Sorry Cara, you are cute! And I envy your skill at Regency dances. And your left foot, a left foot that actually knows it’s your left foot and not your right…) To the right is our good friend Regina Scott aka Regan Allen (www.reganallen.com). I miss that rakish dandy Sir Reginald Scott, who has made appearances at previous soirees, but I have to say Lady Regina is most elegant! As for me, although the high-waisted Regency style doesn’t highlight the real waist that I do have (honest, it’s under there somewhere) and anyone who knows me can tell I’d had a few glasses of merlot by that point, I don’t care!

It was fun, though looking at the pictures from the soiree did make me think about why we like to dress up in period costume.

It isn’t as if anyone is actually going to mistake me for Elizabeth Bennett on the dance floor. Maybe more like Mr. Collins, occasionally coming close to bumping into the other dancers and messing up the entire figure. Though of course real Regency folk would have many more opportunities to practice, it’s not as easy as they make it look in the movies!

It is actually a good learning experience to don somewhat-accurate period clothing and try to recreate period activities (though I hasten to say I am not a purist and did not have my costume hand-sewn, as I’ve heard some Civil War reenactors do).

But I think the bottom line is some of us never really outgrow the urge to dress up. I figure inside me there’s still a five-year-old who clumps around in her mother’s pumps, a necklace swinging way past her belly-button.

It’s just fun.

Elena
LADY DEARING’S MASQUERADE – an RT Top Pick – available now
www.elenagreene.com


It is early morning. My kids go back to school today.

The backpacks are packed, every item that can bear a name tag has one, and the pencils are sharpened. At least, half of them are. Suddenly I couldn’t remember whether the teachers liked to have the pencils pre-sharpened. Then I pictured the other children happily taking turns at the sharpener and my own children miserable at being left out. So I decided to do half and half. Yes, I know I overanalyze everything! It’s part of being a writer and a mother.

It’s been a tough summer for writing. I’ve hired a babysitter for a few afternoons here and there, but frankly, I’ve had trouble getting my head into the game. I feel guilty writing during the summer, as if by having my children romp for a few hours with the sweet teenager who lives next door I am depriving them of something vital that only I can give. In my saner moments I realize this is nonsense; we’ve had all sorts of fun time together this summer, from blueberry picking to craft projects to a vacation in Maine.

Yesterday, a couple other mothers and I took our children for a last fling at a park. The kids waded around the stream below a sunlit waterfall, catching crayfish, frogs and minnows, while the other mothers and I talked about all our mingled feelings: joy, regret, guilt. We weren’t sure (at least I wasn’t) whether we’d be dancing or crying when the bus pulled up.

Part of me can’t wait for the quiet house, for more time for my writing. And part of me feels terribly guilty about feeling that way. What sort of awful mother am I? I remind myself that it’s important to find balance: time to be with my little ones, but also time to nurture myself and my own creativity. My children look to me as a role model. I don’t want them to see a cranky martyr; I don’t want to pass on the burden of guilt. I want them to see a woman passionate about them and about her work, too. One who takes risks and doesn’t limit herself to a single role in life.

So to any mothers sending their children back to school, remember it’s OK to do the happy dance in your bathrobe as the bus pulls away. It’s also OK to shed a few (buckets of) tears.

I expect I’ll do both. Then I’ll get back to writing.

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