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Author Archives: Janet Mullany

I’m off to the 2012 Love of Writing Conference today so I must count pairs of underwear and remember to pack my toothbrush. Having turned my office inside out and upside down I found one of the many cables I own that enable a mac to talk to a projector, so that’s one big relief. Whew.

So here’s an excerpt from Dedication on sale now! Now! for Kindle, Nook, and at LooseId. When I first wrote the book nearly everyone commented that there was a hole at the end. So there was. The hero Adam is challenged to a duel by the heroine’s brother, because, tsk tsk, she’s pregnant. So naturally after the duel he has to do the honorable thing…

The next morning Fabienne sat at her writing desk, a tisane at her elbow. She could not stomach coffee, formerly one of the great sensual pleasures of her life, and regarded both the blank page and the cooling cup of herbal tea with distaste. She sharpened her pen again to delay writing. Her mind was dull and sleepy. Even so simple a task as writing to a friend to borrow half a dozen footmen for her salon seemed beyond her. So she had sat, indecisive and nervous, searching for words, the first time she had written to Mrs. Ravenwood.

Mrs. Ravenwood. She grimaced. What a train of events she had set in motion.
The sound of an opening door and male voices came from downstairs—Ippolite, her footman, and another voice that despite her anger and resentment caused a familiar sizzle of excitement.
She laid her hand on her belly. “Your papa is here, and for your sake, I shall remain calm.”
Sure enough, her footman scratched at the door. “Mr. Ashworth, ma’am.”
Before she could speak, Adam had pushed past him, opening the door. She noticed that his hat and gloves were in the footman’s hands, suggesting that Adam’s visit was to be of some duration, before the door was firmly closed in the servant’s face.
“I trust I’m not interrupting you,” he said. “I’ve come to discuss our wedding.”
“Our wedding?”
“Yes.” He wandered over to her desk and drummed his fingers on the wooden surface. She could feel his warmth as he leaned against her chair. “To whom are you writing?”
“It is none of your business.”
“If there’s nothing written, it can be no one’s business, unless you use an invisible ink. I wonder that I ask, but I’m not myself. I lost a fair amount of blood yesterday, and my sister and daughter drive me mad fussing over me.”
“Sit down, Adam, and tell me what you want.”
“Very well.” He sat and reached into his coat, clumsily, for he used his left hand, and she wondered, with a pang of sympathy, if his injury pained him. He handed her a document. “I had this drawn up. It states that I make no claim on your fortune when we marry, for you are a French citizen and subject to French law, under which a married woman controls her money.”
“When we marry? Should that not be if we marry?” She laid the document aside. “A fine gesture, Adam, but I doubt it would stand up in court.”
He glared at her. “Then you shall have to trust my word in the matter of your finances. As unpleasant a prospect as it may be, yes, Fabienne, you shall marry me, by God. It is a question of honor. My honor. I am damned if our child shall be born without my name, and I let your brother skewer me like a stuck pig yesterday for that reason. My ballocks ache still from his defense of the Argonac family name. Pray do not argue. We marry, and that’s an end to it.” He flung another document onto her lap.
“A special license,” she said.
“This afternoon.”
“What?”
“I’m in a hurry. Surely you don’t need more than a couple of hours to get ready. Put a bonnet on and we’ll be on our way. Ippolite will stand as witness. I gather you no longer adhere to the Catholic faith? Good.”
“I’m not even dressed!”
“Beg your pardon, ma’am. I can’t always tell with ladies’ fashions as they are.” He leaned back, stretched out his legs, and crossed his feet at the ankles. He gave her an appreciative, masculine look, gaze sliding from her casually tied-back hair—she had washed it that morning, and it fell in drying tendrils around her face—to her loose gown and embroidered Indian slippers.
“Oh, you…” she said, torn between a sudden fierce urge to fling herself onto his lap or to rail at his officiousness.
“I love you,” he said. “I have reason to believe you love me too. Come, Fabienne, it’s the right thing to do. Don’t fight me.” He reached for her hand and rubbed his thumb over her knuckles. “You have nothing to fear from me.”
“I can’t possibly go to the country. I have my salon next week.” But she let her hand lie under his.
“Of course. You’ll come to my house later. Whenever you wish.”
“I’m not sure I wish to live with you,” she said, as much to provoke him as anything else.
“I should be most happy to provide conjugal visits at your pleasure, but wouldn’t you prefer to lie-in in the country? It’s far healthier, and we have an excellent doctor nearby.”
“So I tell her, Mr. Ashworth.” Susan bumped the door open with her hip. She laid a tray of tea things on the low table in the room. “I don’t hold with cows and so on, but I’ll go to the country if I must. Mr. Argonac says you’re to drink tea, Mr. Ashworth, and keep your strength up. Anything more, ma’am?”
Fabienne shook her head, and Susan left. “I am surrounded by conspirators.”
“Conspirators who love you.” Another amorous glance, lingering on her breasts.
She frowned and wrapped her shawl more closely around herself.
“You’re looking very well,” Adam continued as he poured tea. “Do you quicken yet?”
“No,” she lied.
“Mags was a glory when she was pregnant. Like a lovely ripe plum. And amorous. Good heavens, she was insatiable.” He smiled fondly. “Asleep over her sewing half the afternoon and a raging succubus after dinner.”
“How charming. I feel no amorous urges at all,” Fabienne said, very aware of the slow stroke of his thumb on her knuckles. “Besides, my doctor advises me that such activities are injurious to the child.”
He blinked at that barefaced lie—she had not yet even consulted a physician—and laughed aloud. “More fool him.”
She attempted to move her hand from beneath his and succeeded only in drawing his hand closer to her belly where the child fluttered and quivered deep inside her. She was fairly sure he could not feel anything through her dressing gown and shift, but he gave a slow smile as their hands came to rest in the warmth of her lap.
“No amorous urges?”
“None.”
He leaned forward and kissed her forehead, where a drying curl escaped the ribbon she had tied around her hair. “You’re very beautiful. You looked tired before, but now your hair is delicious—is that sandalwood?—and your skin glows.”
“I feel well enough.”
His lips brushed hers, lingered at the corner of her mouth. “Get dressed. I want to marry you. I have a very nervous clergyman waiting for us, drinking all the claret at my house. We need to get there before he becomes insensible.”
Their joined hands pressed between her thighs, and she couldn’t help a small gasp of excitement escaping her lips.

“But of course, I forget. No amorous urges.” He reached for his teacup and drained it. “Come, madam. I’ll help you dress.”

Question for you. Do you think dressing can be as sexy as undressing? Why? 


Time to clear the literary palate…I was brought up in England, so I read some peculiarly English things–for instance, much Enid Blyton, the bane of teachers and parents for her awful and clunky prose, overuse of exclamation points (!!) and general idiocy, but beloved by many generations of English kids. I was a big admirer of the Famous Five series, starring Julian (older brother), Dick (fairly useless younger brother), Anne (their sister, a girly girl), their cousin George and her dog Timmy. George, aka Georgina, really really wanted to be a boy and I think she was destined to have some problems later on in life. The Five, in a fantasy world of endless school holidays, spent their time tracking down Evil Foreigners/Criminals who were doing Dastardly Deeds (usually involving the kidnapping of a geeky sort of scientist for his Big Secrets). Fab stuff. At a tender age I did some math and figured out, that counting three school holidays a year, the Famous Five were well into their 30s (and Timmy must have been a doddering canine geriatric), but they hadn’t aged a bit. Just as well, for George’s sake.


That’s the low end of the pile. How about the good stuff? One outstanding book is A Traveller in Time by Alison Uttley, one of the best time-travel stories I’ve ever read. It’s about a young girl who, when visiting her family in the country, goes back in time to become involved in the Babbington plot to overthrow Elizabeth I and put Mary Queen of Scots on the throne. It is a wonderfully dreamy and evocative book with a great use of language and historical detail, and the time travel details are absolutely convincing.


Another writer whose stuff I occasionally dip into now is Rosemary Sutcliffe, who wrote historical novels, concentrating mainly on the Roman-British occupation, and the period after the departure of the Roman legions from Britain. She’s another writer who created a vivid and believable world–you know she’s making stuff up but it feels absolutely right.


I could, but won’t, write a whole blog entry on Edith Nesbit, socialist, feminist, author, whose most famous book in the US is The Railway Children. I was fascinated by the adventures of children in the late Victorian period–even in the books that feature fantasy and magic, it was the ordinary fabric of everyday life that I found the most interesting. The Railway Children was made into a movie starring Jennie Agutter as its heroine Bobbie (another girl who wanted to be a boy but not as adamantly as George), and she starred as the children’s mother in a more recent version made by the BBC. A wonderful, major tearjerker.


And then there’s Rudyard Kipling. Yes, I know he was a racist, sexist misogynous product of his times, but boy, could that gent write. I feel an immediate kinship with anyone who knows what I’m talking about when I mutter the great, grey greasy Limpopo River or I am the Cat who walks by himself and all places are alike to me–both quotes from the Just-So Stories. Check out the lovely art-deco style illustrations by Kipling himself–here, the Elephant’s child is discovering what the crocodile has for dinner.

So, what did you read when you were a kid?

Posted in Reading | Tagged | 14 Replies

I wish I knew… how does anyone start a new book? I know some writers swear by creating collages. Jennifer Crusie wrote this article about it, and I was inspired to start one last weekend but then didn’t have the time to hit the dollar store or the thrift store. But I did mess around online a bit. So here, for what it’s worth, is the embryonic creative process for a book that may or may not be called The Story of Miss O.

My off-the-top of my head, clunky notes are in italics:


Winter late afternoon, puddles icing over. Late January. Road between trees, gray, dun landscape. Ruts in road, mud, ice. Light fading.

It’s very difficult to find landscapes of bad weather–might have something to do with the fact that Constable et al only liked to be outdoors in the summer, and who can blame them. Similarly it’s quite difficult to find an image of ordinary gloomy winter weather rather than the picturesque. I don’t think there’s snow on the ground, but there may well be a frost setting in. So something like this, but with less snow, is good. I like the light in this pic.


Hero is in dogcart, trap (note to self: research vehicle or make it up, guess which I’ll pick). He’s come from London for the reading of a will, and at the moment I believe he’s the lawyer, the youngest son of an aristocratic family.

And he looks like, or something like, this gent (courtesy of Elizabeth Vigee-Lebrun, purely because there’s a huge stash of portraits all in one place). The portrait is of a Russian aristocrat (equal opportunity casting). He is nameless at the moment.


As the trap is about to make a turn at a crossroads, a woman approaches. Yes! It’s the heroine, wearing a horrible assortment of drab clothes (she’s in mourning and has dyed something black). As she lifts her skirt to avoid a puddle she reveals a grubby petticoat and a gray woollen stocking collapsing over the top of one boot. So she’s much the same color as the landscape, except for her hair, chopped short, and red gold.

And here she is, cleaned up (very cleaned up–Russian royalty). Her name is probably something like Iphigenia, Cassandra, Constance, Sophronia (did I make that last one up?), Theodosia, Theodora.

Finally, a poem I remembered, and which is of relevance to the heroine (The Ruined Maid by Thomas Hardy), because technically she’s ruined, and therefore able to make some, ah, interesting choices when she inherits some money. Here’s an overall image for the book (i.e., what I’d like to have on the cover in an ideal universe):


“I wish I had feathers, a fine sweeping gown,
And a delicate face, and could strut about Town!”
“My dear a raw country girl, such as you be,
Cannot quite expect that. You ain’t ruined,” said she.

So where do I get my ideas? Well, actually, there’s this website… Where do you get your ideas?

Janet

Posted in Writing | Tagged | 6 Replies



What a sad reflection on everyday life, or at least everyday life with the Riskies…fairy princesses yesterday, pigs today. In my tradition of eloquently bringing down the tone, I thought we should take a look at farm animals of the regency or earlier, and I’m unapologetically concentrating on pigs. Like my hero Adam in Dedication, I’m quite fond of pigs. They do spend a lot of time squelching in mud and making disgusting noises, but they are very intelligent and can be quite friendly. Did you know that if you scratch a pig’s back, its hind legs will give way and it will collapse in a pleasured heap? They can also be extremely aggressive (in an earlier version of Dedication, the villain was attacked and eaten, all except for his watch, by Adam’s pigs). It’s remarkable that creatures bred for centuries to be eaten can have so much personality and smarts.

In 1807, Mr. Richard and Mr. Edward Toomer trained a pig as a retriever in the New Forest (honestly, this is true). She was named Slut for her fondness for wallowing in mud, and excelled at her vocation: When called to go out shooting she would come home off the forest at full stretch, and be as elevated as a dog upone being shown the gun. (By the way, I do not recommend doing a Google seach for “pig hunt slut.” The results are not for the faint of heart.)

There’s a lot of interest in England in saving old breeds and here are some pics of some of these porcine beauties: from left to right, the Old Black, the Gloucester Old Spotted, and the British Saddleback. Most original British breeds are actually not that ancient–they derive from the great interest in agriculture of the eighteenth century, when pigs from the near east were imported to improve native species. Despite their limited gene pool, these “heirloom” pigs are resistant to modern pig diseases and also have better maternal instincts (which probably translates as being less likely to eat, or squash, their offspring) than their factory-farmed cousins.

In my pig research, I also discovered that the wild boar, sus scrofa, extinct for three centuries, is making a comeback in England. I don’t know how specifically British the species is, since they are imported boars who escaped and are now surprising picnickers and annoying farmers. Both James I and Charles I were among those who attempted to re-introduce boars, for hunting purposes, with mixed success: not only will boars root where they please, but they taste good. Here’s a close up of the tusks of a two-year-old male.


Despite the aggressive mouth furniture of the adults, though, you have to admit the babies are adorable. Aaaaw!

Any other good Regency pig tales? The only example I can think of is Mr. Knightley giving Miss Bates a joint of pork in good neighborly fashion.

Posted in Regency, Research | Tagged | 9 Replies
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