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Category: Regency

wrw-logoThis past weekend I attended Washington Romance Writers Retreat, In the Company of Writers, where, in Winchester, Maryland, we listened to speakers, attended workshops, played the always raucous Romance Jeopardy, talked endlessly with other writers, and raffled off gift baskets. It was a glorious time even if our beautiful Spring weather, lately in the 60s and 70s, dipped to the uncharacteristically cold 50s.

I was trying to think of a connection between the Regency and the Retreat and suddenly slapped my forehead. Of course! It was obvious!

Joseph_Mallord_William_Turner_-_Lake_Geneva_and_Mount_Blanc_-_Google_Art_ProjectIn the summer of 1816, Lord Byron, his physician John Polidori, Percy Bysshe Shelley, Mary Shelley, and her step-sister, Claire Clairmont (who was chasing Byron) were summering in Geneva. Like at our Retreat the the weather turned on them, although Byron et. al. suffered rain and storms, which we didn’t, but it meant that they were all stuck for several days in the Villa Diodati, the villa Byron rented which once had once housed MiltonRousseau and Voltaire had also stayed nearby, so this was a place where writers gathered, albeit one at a time, until this summer of 1816.

Their stormy and cold weather was due to the 1815 eruption of a distant Indonesian volcano, creating (along with other atmospheric and meteorological events) the Year Without A Summer.

History will tell us whether our little cold snap was due to climate change or simply the way it is sometimes in the Mid-Atlantic region.

But I digress….

On June 16, in order to pass the time the group read German ghost stories aloud. Byron was seized with the idea that they all should write a ghost story. Shelley and Byron, after producing forgettable or incomplete results, soon tired of the idea. Polidori began a story that became The Vampyre, the first modern vampire tale. One might say that was the genesis of vampire romances…

Mary Shelley took the challenge seriously, but was distressed when no story idea came to her. (Certainly at our Retreat, discussion of writers block came up once or twice!) Mary stewed the next couple days.

The weather improved enough for them to take a boat trip around the lake during which they discussed whether scientists would bring a corpse back to life. Later Inspiration came to Mary in a dream (as romance writers we are used to inspiration coming in various ways), an image of a scientist looking down upon his creation and being horrified. She eventually  expanded this story idea into the book, Frankenstein; or, The Modern Prometheus.

758px-Gustave_Courbet_-_Le_château_de_ChillonOn that trip they also visited the medieval Château de Chillon. It had been a political prison in the 16th century and Byron and Shelley were enthralled by a visit to the dungeon where a prisoner had been chained to a pillar for six years. This visit seems to have inspired Byron’s poem The Prisoner of Chillon and sparked Shelley to work on his Hymn to Intellectual Beauty.

I figure that this 1816 group of writers (all except Claire Clairemont, who seemed to be there only to pursue Byron) used coming together to inspire themselves to further writing. As happens in the Retreat, some inspirations lead to writing success and some do not. Polidori and Mary Shelley persisted after the the writing challenge was made. Each produced stories that live on today. Byron and Shelley found inspiration elsewhere to produce lasting work.

At our Retreat Kathy Gilles Seidel and Pamela Regis led a writing workshop that had each of us working on our own stories. I came away from that with a story idea that I hope to make into a novella. There were other equally inspiring moments during the Retreat. Jane Porter‘s Pacing Workshop, for example.

I figure that when one is In The Company of Writers, whether it be in 1816 or 2013, creativity blossoms and great things may come from that…but only if one persists.

I have no photo from the Retreat, but I must tell you another thing about it. Years ago WRW devised a game they call Romance Jeopardy, based on the long-running TV game show and in the same style. This year we were all asked to wear something Scottish, producing some very clever costumes or some more mundane like my Scottish kilt. One of the categories was Gretna Green and the “answer” was “A penniless lord and a penniless lady marry in Gretna Green…” I’m thinking, “Who would write that story?”

Well, turns out the “question” was “What was The Wagering Widow by Diane Gaston?”

Let me tell you, the roar of laughter at my missing that question was deafening!!!

Come to my Diane Gaston Blog on Thursday to hear about how my workshop went. I spoke on What Downton Abbey Can Teach Us About Writing Historical (And Other) Romance.

Has a writing (or any kind) of retreat inspired you in certain ways? Did you persist? Will you persist?


Have you ever seen the movie Topsy-Turvy? I LOVE this movie, which is a terrific behind-the-scenes look at Victorian theater life via the creation of Gilbert and Sullivan’s The Mikado. But I’m not here to talk about the music, or the costumes, or this great ‘rehearsal’ scene that revolves around the correct pronounciation of “corroborative.” I’m here to talk about another scene, where Gilbert (played by the great Jim Broadbent, who should have received an Oscar nod for this role, IMO) goes to have a diseased tooth extracted. There’s much screaming and cursing and kicking, as the dentist clamly chats away–“You know, my wife and I went to see Princess Ida, and we felt it was rather too long…”

I thought about this scene on Thursday afternoon, as I prepared to go in for my own emergency dental surgery. Luckily, I had nitrous, numbing agents, and lovely painkillers for after. But I do still hate to visit the dentist. So, I distracted myself by looking up facts about historical dentistry to share with all of you! (Just in case your next hero is going to be a dentist or something…)

Dentistry has been around as long as people have had teeth. Clay tablets from Sumeria, dated from between 5000 and 3000 BC, speculate that tooth decay was caused by the gnawings of a tiny worm. Despite this rather yucky theory, early civilzations still had surprisingly advanced dental knowledge. They even filled or extracted diseased teeth, and splinted loose teeth. Egyptian mummies have been found with teeth made of ivory, or even transplanted human teeth. And the ancient Greeks even figured out that sweet foods add to tooth decay.

In medieval England, dentistry was practiced by barbers, until the 17th century. George III had his own dentist, William Green. And in England and France, women practiced dentistry, such as a Madame Silvie, who made and fitted artifical teeth and also made snuff-boxes and tweezer cases. In 1771, John Hunter, an English anatomist and surgeon, published A Natural History of Human Teeth. In 1799, Joseph Fox was appointed dental surgeon at Guy’s Hospital.

I also found a couple of interesting letters from Jane Austen to her sister Cassandra from September 1813 (from Jane Austen’s Letters, Deirdre Le Faye, ed.), where she details a visit she made to the dentist with their nieces Lizzy, Marianne, and Fanny. The dentist, a Mr. Spence, is obliged to extract two of poor Marianne’s teeth. “When her doom was fixed,” writes Austen, “Fanny, Lizzy, and I walked into the next room, where we heard each of the two sharp hasty Screams.” In Dr. Johnson’s London, Liza Picard has an even lovelier account of how one extracted teeth: “The fearsome instruments designed to extract teeth usually wrenched them out sideways, once they had been loosened by careful hammering. Pulling perpendicularly without damaging the surrounding teeth and gums seems to have been beyond an eighteenth century dentist, even when he flexed his muscles, put the patient on the floor, and took his–the patient’s–head between his–the dentist’s–knees.”

There WERE some methods of cleaning teeth at the time. There were various powders and pastes on the market, which (much like Crest and Aquafresh today) makes great claims to brilliance and whiteness. But they were also made of things like gunpowder, lead, pitch and beeswax, which could wear away enamel. Pierre Fouchard (1676-1761, often called the “founder of modern dentistry”) recommended urine as a good cleaner. (BTW, those are some of his instruments in the pic. They look just like the pliers in my toolbox here at home). It was a common practice to scour the teeth with the end of a wooden stick, though I think this would leave splinters. And the wealthy sometimes had pretty little gold-handled brushes. There were also false teeth and even transplantation, should cleaning fail (I even came across a tale of a young and destitute Emma Hamilton, dissuaded from selling her teeth to make some money. Instead she went with a less repuatble method of fundraising, but one that preserved her looks a bit better!)

In the end, Jane Austen said she would not let Mr. Spence “look at my teeth for a shilling a tooth and double it!” Very sensible of her.

BTW, if I haven’t bored you enough here, I found an interesting (albeit rather “technical”) article in The British Dental Journal about an archaelogical dig in the 1990s concerning a church in Kent. This is the dental history of one of the unfortunate “specimens” found in the vault, a Viscount Whitworth, who died in 1825 aged 71. Now, I think I’ll go take one of those pain pills. All this thinking about teeth has made mine ache again. 🙂

cherry blossoms

**Cherry Blossoms in Washington, DC

Myretta entertained and educated us about some of the odd taxes that existed in and around “our” period. But today is Income Tax Day here in the US, so I went looking for some connection between income tax and the Regency.

There was an income tax during part of the Regency, it turns out.

An income tax was first introduced in 1799 by Prime Minister William Pitt the Younger, in order to pay for weapons and equipment for the impending Napoleonic War. It was a graduated income tax, levied at 2 pence a pound in incomes over 60 pounds, increased to 2 shillings per pound on incomes over 200 pounds.

The tax was on income from land, from public securities, from trade, professions, vocations and employment, income from interest, foreign income, and casual income (gambling winnings).

Although Pitt hoped that the tax would raise 10 million pounds, its actual amount for 1799 was 6 million. Later tax on dividend income was added.

Pitt’s income tax was abolished in 1802 when Henry Addington took over as Prime Minister (Pitt had resigned over Catholic Emancipation) and the Treaty of Amiens temporarily ended hostilities with France. Addington reintroduced the income tax a year later when the war started again. It was abolished in 1816, one year after the Battle of Waterloo.

There is another connection between Income Tax and the Regency. The first income tax proposed in the United States was during the War of 1812, which, of course, was with with England during “our” period. Ironically, the US income tax proposal was based on the British Tax Act of 1798. It was never levied, however, because the war ended before it came up for vote.

So….Have you complete your taxes yet? Or are you going to be in line at the Post Office minutes before 12 Midnight?

We did our taxes early this year. We sent them off yesterday!

(**I couldn’t find an Income Taxes image, so enjoy a glimpse of DC’s Cherry Blossoms!)

Posted in Regency, Research | Tagged | 4 Replies

Happy Tuesday, everyone!  What are you doing this week??  I got my latest Harlequin Regency romance turned in (yay!!) and am getting caught up on a few things before diving into the next Elizabethan mystery.  Things like grocery shopping and running the vacuum cleaner, which always fall by the wayside when a deadline looms.  Among my projects–a fun round-robin story my local RWA chapter is doing with a St. Patrick’s Day theme!  Stay tuned for more info on that….

I am also announcing a winner!  The winner of a copy of A Stranger at Castonbury is…Emily!  Congrats!  Email me your info at amccabe7551 AT yahoo.com….

LadyAndMonstersCoverIn between taking a few naps and watching some DVDs that have piled up while I was working on the book (including all of season one of Girls, I have also been dreaming of spring.  Like many places, winter has been dismal here, with more gray skies and snow and freezing rain than usual.  (I also just read The Lady and Her Monsters, about Mary Shelley and the writing of Frankenstein, which included some depressing details of 1816’s Year Without a Summer.  It hasn’t been that bad here, but still…).  So I’ve been perusing garden catalogs and spring fashion websites (already bought some shorts at J Crew!).

 

 

If I was in the Regency this is the outfit I would be wanting to wear now (from my Regency Pinterest page!):

RegencyYellowDress RegencyParasol RegencyBonnet

And we could go out for a nice drive on a sunny afternoon:

RegencyPhaeton

What are you looking forward to this spring???

Georgian-JewelleryBecause it’s a holiday weekend and I’m running a bit late, you get a short post  with lots of pretty pictures.  Today, we’re looking at Jewelry  of our era.  The information and pictures are from Georgian Jewellery 1714-1830, a gorgeously illustrated overview of Georgian jewels.

Click on any of the thumbnails to get a larger image of the various pieces.

Cameo & Intaglio - 1800

Cameos and intaglios are lumped together because they’re both made from carving stone.  The difference is that in cameos, the design stands out and in intaglios it’s carved into the surface.  agate, onyx, malachite and lapis were the stones of choice because of the their natural bands of color.

Opaline Glass - 1800

Opaline glass or opal paste was made in Derbyshire and in France.  This was a milky glass in which cooling during its manufacture caused a separation of various oxidex.  Opaline glass was a favorite for daytime wear.

Diamonds - 1800

Diamonds. There is much to be said about diamonds and probably not much that needs saying.  During our period, the table cut (flat on the top, faceted on the sides) of the 16th and 17th centuries was superseded by the rose cut (many different shaped and sized facets over a small culet, allowing the least amount of light to escape through the bottom of the stone.

Gold Woven Chain - 1800The chain was a particularly Georgian piece of jewelry.  It could be woven, knitted, engraved or stamped out links.  It would frequently feature a distinctive clasp.  There was a seemingly endless array of option.  Besides the gold, the chains were made out of silver and other materials such as iron, steel, gilt metal and pinchbeck.

Fine-cut steel - 1800Steel was an interesting jewel choice during the Georgian period.  The steel was fine cut and highly polished and primarily a night-time adornment as it reflected candle-glow particulary well.  Queen Charlotte wore a cut-steel chain made by Matthew Boulton.

Seed pearls 1810Seed pearls, tiny natural pearls from India were an essential part of Georgian jewelry.  They were used in a variety of ways:  long tasseled sautoirs, threaded into intricate designs on slides or clasps, used as surrounds for gemstones.

Iron and Steel 1815

Iron is probably not the first metal that jumps to mind when thinking about jewelry but black-lacquered cast iron jewelry was made by the Royal Berlin Foundry beginning in 1804 and became fashionable during the Napoleonic Wars.  It was made by moulding shapes into wax, impressing them in fine sand and then filling the impressions with molten iron.  Once cooled, it was usually lacquered black.

Coral 1820Coral had a brief period as jewelry desired for both day and evening wear.  It came in the form of cameos, carved rosettes, acorns, or cherubs’ heads, and beads carved in facets or crosshatched. In the early 1800s it was even paired with diamonds for evening dress.

PastePaste – It’s more than just something to replace the jewels you’ve pawned to support your gambling habit.  Much of the paste used in jewelry during the Georgian era was celebrated as jewels in their own right.   Paste was highly regarded because the stones could be cut into any shape required for a setting.  There are still some beautiful examples of fine paste jewelry.

Wedgwood & steel 1780Wedgwood jewelry is distinctly English.  Josiah Wedgwood’s ceramic-ware plaques were included in brooches, pendants, rings, buckles, clasps and earrings.  Mathew Boulton of Birmingham used jasperware ceramic, with its soft matte finish set into gold, silver, marcasite or cut-steel.  The beaded necklaces are particularly lovely.

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