HAPPY BIRTHDAY, JANE AUSTEN!!!!
And many happy returns!
(Cara’s post will follow shortly…)
Cara
HAPPY BIRTHDAY, JANE AUSTEN!!!!
And many happy returns!
(Cara’s post will follow shortly…)
Cara
The winner of Michelle Styles’s Viking Warrior, Unwilling Wife is Cheri 2628, and the winner of Michelle Willingham’s Her Warrior Slave is Deborah! Congratulations! Please send your addresses to us at riskies@yahoo.com
Today Michelle Styles and Michelle Willingham will join us to continue the discussion on UH (Unusual Historicals)! Comment for a chance to win a signed copy of one of their books…
But it wasn’t the threat of conquest that shook Sela to the core. It was the way her heart responded to the proud face and chiseled body of Vikar Hrutson, jaarl, leader of the invading force–and Sela’s ex-husband!
“A perfect combination of highly-charged tension and tender intimate moments” –Medieval Book Reviews
Michelle S: I have done a number of different settings for my books. Ancient Rome, the beginning of the Viking era (790s), the North East of England both in the early Victorian period and during the Regency have all formed the backdrop of my books. It gives me the opportunity to indulge in research.
Currently, because I just finished Lady Worsley’s Whim by Hallie Rubenhold which is a non-fiction book about a sex scandal that touched the ton in the 1780s, the late Georgian/early Regency periods hold a fascination. But I have promised my editor several early Victorians first!
As a reader, I simply love a good story. It is more if the blurb interests me or not, rather than reading for a specific time period. The great thing about reading in an Unusual Historical period is that I get to experience different themes and time periods.
RR: What draws you to Unusual Historicals? What are soem advantages and drawbacks?
MS: I love history, and the whole thought about how people lived and the social constraints they faced fascinates me.
The advantages to writing in unusual periods or settings is that the field is more open. You can find themes that maybe not everyone has already explored, and it gives me the opportunity to tell a number of different types of stories. For example, Viking warriors versus Regency rakes versus early Victorian railway men. The opportunities to research should not be underestimated! Also, it means I can allow my imagination to take flight.
The disadvantages are the vast majority of the historical romance public prefer their romance in Georgian/Regency/Victorian garb, so the market is smaller. This can be that people want a familiarity with their stories, or it could be that the period captures the imagination more than others. Also by switching time periods, I know that there are some readers who refuse to read certain periods. For example, some might prefer Rome and hate the Vikings. And there are some who will read the Unusual Historical but won’t touch a Regency or Victorian.
However, I really do think the freedom that writing in a wide range of periods brings far outweighs its disadvantages!
RR: Tell us about your research mehtods/favorite sources.
MS: I love doing research–both doing the physical research, which involves going to the places where my book is set or learning various different crafts and skills. In the name of research I have fallen off horses in Iceland, gone down sewers in Rome, and ridden replica trains in Northumberland.
I love finding new research books, as well. One of my great joys is belonging to the Literary and Philosophical Society in Newcastle, which was founded in 1795 and is one of the last remaining private libraries in Britain. Its reading room dates from 1825 and is largely unchanged. The Lit and Phil is where George Stephenson first demonstrated his safety lamp for miners and where Swan gave the first demonstration of the electric light bulb. They allow you to take out books as long as they are post 1850.
One of the advantages to writing Unusual Historicals is that my editor actively encourages a historical note at the back and I’m able to list my favorite sources. For my Viking novels, my favorite source is some of the Icelandic sagas which are basically the primary source for much of what we know of the Vikings. I have also found Women in the Viking Age by Judith Jesch to be really useful.
I have found the book review section of the Spectator to be really useful in highlighting books on social history. This was how I discovered Consuming Passions by Judith Flanders, which is all about the growth of consumer consumption, and now Lady Worsley’s Whim.
RR: What are some Unusual Historicals you would recommend to readers?
MS: Harlequin Historicals publishes a number of unusual historicals! I enjoy Michelle Willingham’s medieval Irish knights. Nicola Cornick has done an Edwardian, The Last Rake in London, as well as an English Civil War story, Lord Greville’s Captive. And I am looking forward to reading Amanda McCabe’s latest, as I do love a good pirate story! Kensington is beginning to offer more unusual historicals. I am looking forward to reading Carrie Lofty’s take on the Robin Hood legend, What the Scoundrel Wants.
The YA book Mara Daughter of the Nile by Eloise Jarvis McGraw started off my love of historical romance many years ago, and so I suppose you could say it gave me a taste for the unusual.
RR: What’s next for you?
MS: Next out in the UK in April ’09 is Impoverished Miss, Convenient Wife, which is the second part of my Regency duo. My latest Viking and my next Victorian are sitting on my editor’s desk. The Viking has been through 2 sets of revisions, so my fingers are crossed! And my editor has just agreed that I can write the son of the hero in IMCW, so this will be a fun challenge.
You can visit Michelle Styles’s website here, and go to eharlequin for more information on VWUW!
Kieran sold himself into slavery to save his brother’s life, but Iseult, with the face of an angel, gives him hope that he can again be a free man. Determined to find her child, Kieran may finally have his freedom–although now his heart is tied to Iseult’s forever…
“…has so much emotion, danger and romance packed in its pages that it will be hard to put down” –CataRomance
Michelle Willingham: I write primarily Irish medieval books, but I’ve also written a Viking short story for the new Harlequin Historical Undone line (The Viking’s Forbidden Love Slave). I love any setting with alpha heroes that make your toes curl!
Medieval Ireland wasn’t a setting I had seen very often, though I was always a big fan of Scottish medievals. When I began researching the period, I found many similarities between the cultures. The mystical Celtic past and the intensity of Ireland drew me in when I visited the country. After walking through some of the castles, I knew I had found the perfect place for a romance.
RR: What draws you to Unusual Historicals? What are some advantages and disadvantages that you see?
MW: I enjoy the variety of unusual historicals, especially when I’m not familiar with the customs or history of the setting. In my own writing, I enjoy introducing readers to some festivals such as Lughnasa or Bealtaine (Beltane). It’s fun to learn about them and see where the research takes me. Irish superstitions fascinate me. I think the only thing you have to watch out for is that the setting can never dominate the story–it always has to be about two people falling in love.
RR: Tell us about your research methods! What are some favorite sources?
MW: I love to consult the experts! When I was researching medieval woodworking, I posted my questions on a listserve of Irish archaeologists, and they put me in touch with a professor at the University College Dublin. Aidan O’Sullivan taught me some fascinating facts about woodworking when I was researching Her Warrior Slave; namely, that medieval woodcarvers had to work the wood while it was still “green” and unseasoned, since their tools weren’t sharp enough to carve the wood. Another archaeologist took me to a few ancient ringfort sites when I was researching Her Irish Warrior on a trip to Ireland. It was amazing, crawling through the brush to find thousand year old mounds. The photo shows you what I saw, though it’s a little hard to tell there’s a 12 foot deep ditch surrounding the ringfort, amid all the ivy and undergrowth.
RR: What are some unusual historicals you would recommend to readers?
MW: On the Night of the Seventh Moon by Victoria Holt was a favorite while growing up (set in the Black Forest and the Austro-Hungarian Empire). I also liked The Princess by Jude Deveraux, which is set in a fictional country during World War II. Helen Kirkman’s Anglo-Saxon settings are wonderful. If you haven’t read Amanda McCabe’s Shipwrecked and Seduced (another Undone short story), that Caribbean setting is really fun, too!
RR: And what’s next for you?
MW: I am currently finishing up Warrior’s Woman, Ewan MacEgan’s book in my MacEagen Brothers mini-series. If all goes to plan, that will be my next US release, while Wedded to the Enemy, a Victorian story, will be part of a duet in 2010. My hope is to wrap up all 5 of the Irish brothers and then explore some new sides to Victorian England!
You can read more of the MacEagen brothers at Michelle’s website!
And be sure and join us next week as we celebrate Jane Austen’s Birthday, with more fun and prizes!
Sometimes here at Risky Regencies we like to talk about some Risky Non-Regencies, as well! Historical romance settings that are maybe a bit out of the mainstream, a bit harder to find, but well-worth the search. Today, Amanda will start off this Unusual Historicals discussion, and tomorrow two Harlequin Historicals authors, Michelle Styles and Michelle Willingham, will join us. Two lucky commenters this weekend will win autographed copies of either Michelle S’s Viking Warrior, Unwilling Wife or Michelle W’s Her Warrior Slave…
But before she can take her revenge, she is captured by this rogue’s kiss. Her only chance for retribution is to stow away on his ship for a passionate adventure that will either kill them–or bring them together once and for all!
So, Amanda! 🙂 Tell us what historical periods are the settings for your books? And what are some settings that interest you?
So far, I’ve written books with Regency settings, as well as the Renaissance (1520s Venice, the Court of Henry VIII, and the Spanish Caribbean in the 1530s, as well as a WIP set in Elizabethan England). And I will have a trilogy come out in (tentatively) 2010 from Grand Central Publishing, set in Ireland around the 1798 Rebellion.
As for settings that interest me–hmmm, where to start! I love 18th century France (both pre and during the Revolution), the English Civil War, 19th century Russia…
What draws you to “unusual” historicals? What are some advantages/disadvantages?
General history geek-dom is what draws me in, I think! I find the way people lived in the past, how they are different from us and yet also fundamentally the same, fascinating. I’ve always wondered–what would it be like to defend a castle from Cromwell’s army (as Lady Derby did in 1644), or dance at Almack’s, or sail the Atlantic in a carrack? The research and writing of these stories lets me do that, and helps me prevent “writer burn-out”. I’m never bored, or short of “what-if” ideas! Plus so many of these time periods have such great clothes.
One drawback is a smaller market, I think. Settings like the Regency or the American West can feel more iconic and “familiar”, maybe, easier to slip into the fantasy. (Though I have to say “unusual historicals” don’t necessarily have to also have an unusual setting. Writers like our own Risky Diane Gaston can bring in aspects of Regency life that aren’t so widely known or often seen in romance fiction! I’m always learning new things from her books)
Another drawback can sometimes be a shortage of useful research material. For some settings, like Elizabethan England, there is no lack at all! But I had more of a challenge with the early Spanish Caribbean. Hooray for inter-library loan!
Which leads me to…
Tell us about your research material! What are some favorite sources?
Like I said, I luv libraries! The people at my local public library are wonderful–they’re always asking me what I’m researching now and giving me great suggestions. I’ve also found a fun resource in online groups of reenactors and scholars (which can also work great for promo! I actually did a booksigning at a Renaissance faire last year, and had a fabulous time).
Travel is a great help, too. To see where the stories are set adds such a richness in my mind! After seeing Versailles, I’m determined to write a story set there! That’s not always feasible, though–sometimes I can only afford a book, LOL. And sometimes the places are simply no longer the same (like the Caribbean–huge difference between 2008 and 1535. Though it was tempting to claim I needed to research beaches and Mai Tais…)
What are some unusual historicals you would recommend to readers?
Michelle Willingham and Michelle Styles both do wonderful books with richly-drawn settings! I also enjoyed Hope Tarr’s book Enslaved. And Claire Thornton’s Restoration-set trilogy, and Mary Reed McCall’s Templar’s Seduction are all great romance choices! (I’m sure I will think of 50 others as soon as I finish this blog)
In historical fiction, I recently read Elizabeth Robards’ With Violets (about Berthe Morisot) and Christie Dickason’s Firemaster’s Mistress (about the Gunpowder Plot).
And I grew up on Victoria Holt books, as well as Barbara Cartlands that had a variety of settings–this was what got me started on reading non-fiction, wanting to know the story-behind-the-story of these novels.
What’s next for you?
I’m finishing up the Elizabethan story (set during the Christmas season of 1564, when the Thames froze through and there was a Frost Fair), the Ireland books, and possibly some stories set around the Elizabethan theater and the Court of Marie Antoinette. In May, there will also be my anthology with Diane and Deb Marlowe, The Diamonds of Welbourne Manor, about the Fitzmanning family–a very “unusual” family indeed! And in 2010, look for the US release of my Regency “Muses of Mayfair” trilogy with Harlequin Historicals.
Now it’s your turn! What are some interesting books you’ve read lately? Any settings you’d love to see out there? Any you’d like not to see???
First: the schedule for the next five months of Jane Austen Movie Club — watch the film ahead of time (or go from memory), and come prepared to discuss! (Remember, our discussions are always the first Tuesday of the month!)
January 6: The first Ioan Gruffudd Horatio Hornblower (entitled HORNBLOWER: THE EVEN CHANCE in the UK, and HORATIO HORNBLOWER: THE DUEL in the US…)
February 3: THE SCARLET PIMPERNEL (1934 — Leslie Howard)
March 3: THE SCARLET PIMPERNEL (1982 — Anthony Andrews)
April 7: THE MADNESS OF KING GEORGE
May 5: SHARPE’S RIFLES
Now, today’s topic: a communal story!
I’ll write the beginning of the story, and anyone who wishes can continue the story in a comment…a sentence, a paragraph, whatever you like! Then the second comment can continue from the first…and eventually, we’ll have a (certainly bizarre) little story! (And if you like, you can keep coming back and adding to it — you’re not limited to one comment!)
THE CAT IN THE CRAVAT
On the first of May, in 1813, Almack’s was a frightful bore…until six minutes past ten, when a giant white cat in an exquisite coat by Weston strolled through the doors.
All the ladies swooned — the mothers, in fear of a wild beast; the grandmothers, in fear of white cat-hairs on their blue or maroon silk gowns; and the daughters, in fear that this ferociously handsome stranger might fall in love with anyone but them.
Let the madness begin!
Cara
Cara King, who far prefers cats to ratafia