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Category: Risky Regencies

“What, are you at that again? I still have them, and they will still beat any of the cattle you own.”

These lines are from FARO’S DAUGHTER, by Georgette Heyer and for anyone who hasn’t read it (do find a copy–it’s a fun read even though the heroine doesn’t beat the hero at cards), this is what the hero, Max Ravenscar, says when challenged to a race by one of the villains.

When I first read this (I was probably around 9 or so) the immediate mental image was something more like the picture at left, though I did figure out that Max wasn’t about to hitch longhorns to his curricle.

It took me a bit longer to figure out that when Regency authors wrote about horses being corn-fed they weren’t talking about Indian corn or sweet corn, as they called it in England while I lived there. By the time I was researching my first Regency, reading about things like the Corn Laws, I knew it was a generic term for grain. None of this ever bothered me. Maybe it was my tender age. When you’re young you often accept odd things because, well, much of the world is just odd and new.

But I think I’ve always been pretty flexible in my reading. When I read historicals set in pre-Georgian times I sometimes encounter the odd unknown word. As long as it makes sense in context, for instance when I know it’s an item of clothing even if I can’t quite picture it, it doesn’t bother me a bit. I may look it up later.

But it’s a bit of a tightrope. In my own writing, I like to use the occasional Regencyism but I try to make sure it’s self-explanatory–like calling someone a ninnyhammer–or makes sense in context. I avoid terms that could be confusing, like “cattle”, especially if there are historically accurate alternatives. I expect they’d get nixed by a copy editor anyway.

I’ve heard some readers complain that this sort of censorship is “dumbing down” the Regency. I understand what they mean. Georgette Heyer created a shared world many of us like to visit and Regencyisms are the passwords. The thing is, I want my stories to be accessible to readers who aren’t familiar with the period. And there’s so much more to the Regency than just the language anyway!

So were there any Regencyisms that tripped you up when you first started reading Regencies? How important are they to your Regency reading experience? Do you have any favorites?

Elena
www.elenagreene.com

On Sunday, April 22, we’ll be interviewing Kalen Hughes about her debut historical romance, LORD SIN.

Chat with Kalen about LORD SIN, writing, the Georgian era and historical reenacting. Comment for the chance to win an autographed copy of LORD SIN. The winner will be announced Tuesday, April 24th.

We hope to see you there!

“Hughes debuts with a novel that’s part erotic romance and party country house party romp—a unique combination that will keep readers intrigued. Part of the appeal is Hughes’s ability to create likable characters as well as spicy love scenes tinged with rough sex and tenderness. She’s definitely on her way to enticing readers who adore Lisa Kleypas, Pamela Britton and Katherine O’Neal.” – RT Book Reviews, 4 Stars!

I received this email from Michelle Buonfiglio of Romance by the Blog and I felt the request was perfect for our intelligent and enthusiastic Risky Regencies readers (that means ALL of you!)

Here it is:

Monday, April 16th at www.RomanceByTheBlog.blogspot.com.

My pal Bill Gleason is a Princeton prof, and this Monday his “American Best Sellers” class will be spending the day at Romance: By the Blog to learn about the romance genre from the women and men who read and write it. The students, who in class are examining popular works of American literature in their historical contexts, have created a list of general questions they’d like to start with. From there? Who knows what sorts of mischief we can lead them into?

Won’t you please visit and take part in this fun, groundbreaking experiment to excite bright young minds about our important, vibrant genre?

Some of the questions/topics students wish to discuss:

1. Do you feel romance novels objectify men/women? If so, does this bother you?
2. If seduction is more than a whirlwind of passion, to what extent do aesthetic elements operate in its nature and in the texts themselves? Also, are there other traces of formal elements at play in these novels that might give them greater literary status than the typical mass-produced, formulaic fiction?
3. Do you consider the novels a form of pornography?
4. What’s the appeal of the novels to men?
5. Since they’ve studied “Gone With the Wind,” they’ll also be talking about why it’s “not” a romance.

I look forward to your joining us. Please let me know if you’ve got any questions. And please do invite any friends — especially readers — you feel can add to a lively and positive discussion.

All Best,

Michelle

Michelle Buonfiglio
Romance: B(u)y the Book™
mbuonfiglio@RBtheBook.com

www.RomanceBuyTheBook.com — Only the Good Stuff: Weekly Feature Reviews, AuthorView Interviews, More!

I’m going over there now to say my piece and I hope you will, too.
Here at Risky Regencies we can discuss what we think of whatever is going on there!!

As Michelle would say, Ciao, Bellas
Diane

Oh Oh! Innocence and Impropriety was reviewed in the Chicago Tribune yesterday! (along with several other romances, but it was there! ) Take a peek HERE! (you have to go to the second page to see the actual review. Scroll down. It’s there!)

From Dictionary.com
Talisman–a stone, ring, or other object, engraved with figures or characters supposed to possess occult powers and worn as an amulet or charm
Superstition–a belief or notion, not based on reason or knowledge, in or of the ominous significance of a particular thing, circumstance, occurence, proceeding, or the like
Hula–a sinuous Hawaiian native dance with intricate arm movements that tell a story in pantomime, usually danced to rhythmic drumming and accompanied by chanting
This post goes along with Megan’s yesterday (though Friday the 13th passed here with no grave occurences–it was just cold and rainy all day!). I’ve often found artists of all sorts (sometimes including myself!) to be a rather superstitious lot. Shakespearean actors and their “Scottish play,” for example, or an art major I knew in college who would only work at the easel while wearing his “lucky shoes” (an ancient pair of very smelly Converse, layered with varicolored oil paint splotches). Dancers might be the worst of all. When I was into ballet, everyone I knew had their own collection of talismans and lucky charms (necklaces, rocks, and troll dolls mostly, not the LC cereal, though there was this one girl who claimed if you ate the little marshmallows without milk they had no calories…). Everything had to be arranged and aligned just right to bring good fortune to a performance or rehersal. I had a special way of tying my shoe ribbons.
My desk is a little universe of talismans, designed to lure my muse and keep goblins (self-doubt, writer’s block, stubborn characters) away. I have two small, flat stones fished from an icy-cold riverbed in Taos. A little Buddha with a slot for tea light candles (yellow, to inspire creativity). A statue of St. Teresa of Avila (one of the patron saints of writers!) that belonged to my grandmother. Pictures of actors and actresses who resemble my characters, or who I just happen to like. And, most important, Leilani, whose photo you see here.
Leilani is a bobbling hula dancer figure, meant to go on a dashboard, that I bought at an ABC store on Maui. ABC stores are wondrous places, where you can buy flip flops, sunblock, a plastic tiki god, a jumbo box of chocolate-covered macademia nuts, and a bottle of pineapple wine, all in one easy stop. Leilani is my best good luck charm. When I get stuck in my writing, I just reach out and make her bobble, look into her weirdly painted eyes, and ask her for inspiration. She usually says things like “Give up on that Regency duke and write about palm trees and beaches!” But she’s better than nothing.
Do you have any good luck charms? What’s on your desk today?
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