From MS Encarta:
“Hydra (mythology), in Greek mythology, nine-headed monster that dwelled in a marsh near Lerna, Greece. A menace to all of Árgos, it had fatally poisonous breath and when one head was severed, grew two in its place; its central head was immortal. Hercules, sent to kill the serpent as the second of his 12 labors, succeeded in slaying it by burning off the eight mortal heads and burying the ninth, immortal head under a huge rock. The term hydra is commonly applied to any complex situation or problem that continually poses compounded difficulties.”

This is a pretty good description of how I’m feeling right now about researching my current mess-in-progress.

First, I actually do quite a bit of research ahead of time. This story has a balloonist hero so I read several books on the history of ballooning before I even started.

However, my plots are never that clear at the beginning so all sorts of questions crop up in the course of the writing. For instance, I hadn’t realized at the start that this hero was also an ex-soldier. Another area of research…sigh…but also a good excuse for viewing more Sharpe movies. 🙂

But I try not to get side-tracked by research (easy to do with Sharpe!) so usually I just put in notes to myself for what to look up later. This week, since my kids are off school and it’s hard to get into scene-writing, I have started to look at all those notes and tackle some of them.

And I’m really starting to feel overwhelmed! In the course of the drafting I’ve learned that this hero is not only an soldier but he’s also an army brat. Now I have to figure out not only where he’s been and what he’s done but also where and how his father might have served. Then there are a host of things about the heroine, her background and her family that keep cropping up. I need to study up on all sorts of diverse subjects from the Clapham sect to the mating habits of British birds. Yikes!

It makes me start wondering why I keep getting myself into these messes. When these ideas come to me, are they the true whisperings of my muse or just some sort of literary death wish???

Some authors blithely write bestsellers without checking basic facts and their readers don’t mind a bit. Oh well, I can’t do that (though I make no claims to perfection in my research). The real reason I do it is because I can’t write with confidence otherwise. When I’ve exhausted the resources of the local university library, when I’ve pulsed the helpful members of The Beau Monde without getting a definitive reply, then and only then do I feel safe in just “making it up.”

So, my fellow writers, have you ever had a manuscript turn into this sort of monster? Have you found any ways to tame it? When do you fling up your hands and just make it up?

Dear readers, do all these historical details really add to your pleasure in a story? Please tell me they do!

Elena 🙂
www.elenagreene.com

The Winner of The Naked Earl
is……..

Keira!!

Congratulations, Keira.

Email us with your address at
dgastonmail@aol.com

Cheers!
The Riskies

Siddons by Reynolds

http://www.library.utoronto.ca/utel/criticism/hazlittw_charsp/charsp_titlepage.html

THE WINTER’S TALE is one of the best-acting of our author’s plays. We remember seeing it with great pleasure many years ago. It was on the night that King took leave of the stage, when he and Mrs. Jordan played together in the after-piece of the Wedding-day. Nothing could go off with more eclat, with more spirit, and grandeur of effect. Mrs. Siddons played Hermione, and in the last scene acted the painted statue to the life–with true monumental dignity and noble passion; Mr. Kemble, in Leontes, worked himself up into a very fine classical phrensy; and Bannister, as Autolycus, roared as loud for pity as a sturdy beggar could do who felt none of the pain he counterfeited, and was sound of wind and limb. We shall never see these parts so acted again; or if we did, it would be in vain. Actors grow old, or no longer surprise us by their novelty. But true poetry, like nature, is always young; and we still read the courtship of Florizel and Perdita, as we welcome the return of spring, with the same feelings as ever.

Today the Riskies welcome Sally MacKenzie, author of Kensington’s popular “Naked” Regency series. Sally’s The Naked Earl is in bookstores this month. Sally’s books have been praised as having a combination of humor, sensuality, and a hint of suspense. Here is what John Charles of Booklist said of The Naked Earl: “The latest in MacKenzie’s delectably sensual “Naked” historical Regencies series has plenty of sexy sizzle and charming wit.”–John Charles, Booklist

Sally is giving away a copy of The Naked Earl to one of our lucky readers who will be chosen at random Tuesday, April 10 at midnight and announced on the blog. Bertie the Beau has exerted himself to compose official Risky Regency contest rules. Please review them carefully or we will have to endure another Bertie snit!

Here’s Sally!

1. Tell us about your latest book, The Naked Earl.
The Naked Earl is the third book in my Naked series, following The Naked Duke (Feb. ’05) and The Naked Marquis (March ’06). The characters continue and develop, but the books are all stand alone. This book opens with the earl fleeing naked across a portico roof to escape a marriage trap. He climbs through a handy window and into Lady Elizabeth’s bedchamber. Lady Elizabeth, as naked as he, screams–and then decides she’s had enough of being proper. She will be bold and daring just this once–of course, her courage is aided by her earlier overindulgence in ratafia. Various house party intrigues ensue as the earl and Lady Elizabeth–and other guests, as well–make their ways to happily ever after.

2. What, if anything, was “risky” about The Naked Earl?
I feel as if I’m always doing something risky with these books–if nothing else, humor is risky–but probably the most notably risky bit in the Earl is the fact that the hero has what we would call performance anxiety, or, as he puts it, “[h]is shy little organ would not perform in the presence of company.”

3. Tell us about the review of The Naked Earl in Publishers Weekly.
Ooo, how did you know I wanted to talk about that??
The review was definitely a surprise. My agent called on Groundhog Day and asked if I was sitting down. Since we were in contract negotiations at the time, I was rather hoping she was going to tell me the publisher had offered me a six figure deal. Well, a girl can dream, right? But the review was wonderful. I love almost every word. (They did get just a teeny tiny bit wrong.) Here’s the first sentence: “MacKenzie continues her spicy Naked series (following last year’s Naked Marquis) with another ribald Regency, this time centering on a country house party full of the punch-drunk loveless.” It goes on from there and concludes: “Providing plenty of heat and hilarity, MacKenzie has great fun shepherding this boisterous party toward its happy ending; readers will be glad they RSVPed.” Excuse me while I go gaze in rapture at it one more time….
Oh, and while I’m bragging, I’ll tell you that RT gave Lord Westbrooke a KISS. Here’s a quote from their four star review: “MacKenzie continues her delightfully humorous, sexy series with a nice and naughty naked hero who matches wits and wiles with an equally irresistible heroine in the author’s typically touching style.”

4. All these naked guys in your titles–what a great marketing hook. Did you plan it that way or just how did that come about?
Well, it began as dumb luck, I suppose. One of my friends, a former editor who was critiquing an early draft of my first book, told me my original title was horrible. I had to come up with something better, so I thought, hmm…a title is a marketing tool, so what sells? Sex and power, right? Power = duke; sex = naked, so–The Naked Duke! It fit, since the duke does appear naked in the first chapter. That’s how he’s, um, “dressed” when he meets the heroine, who also happens to be naked.
The Naked Duke provoked a lot of buzz, so when it was time to come up with a title for my second book, sticking with Naked seemed like a good idea. I had two other men, friends of the Duke, to write about. However, I also had a problem–too many earls! Robert Hamilton, the Earl of Westbrooke, played a role in the Duke and had to keep his title. The Earl of Knightsdale, Captain Charles Draysmith’s brother, was only mentioned in passing, so I “promoted” him to a marquis during copy edits for the Duke. Captain Draysmith inherits the title just in time to be The Naked Marquis.

5. You were one of Kensington’s “Debs.” Tell us about that.
In June 2004, Kensington started publishing one book a month by a new author. The books were offered at only $3.99 to encourage readers to take a…risk…on a new writer. (See, I was risky from the beginning!) The stories run the gamut from strict historicals in varying time periods to paranormal historicals to contemporary romantic comedy. An added benefit from my perspective was that the early “Debs” found each other online and bonded. We, and a few other Kensington writers who got their start at the same time, helped each other take our first steps through the publishing maze. We are still friends. You can find us at www.romanceunleashed.com.

6. Why do you write in the Regency era?
I discovered Georgette Heyer at my local library when I was still in grade school and fell in love with her books. I loved the story conventions and the plots, the Regency wit and language. (I even sometimes talk in “Regency-isms.” When I used “brangle” in a conversation, my husband gave me a blank look–that’s how I realized the word is archaic.) And I’m sure it is very un-American of me to say so, but I think there is something very sexy about the aristocracy and landed nobility. I used to wish that I lived during the Regency. Of course, being mostly Irish, I’d probably have been a scullery maid. And really, who wants to live without antibiotics, anesthesia, and modern flush toilets?!!

7. Did you come across anything new or interesting when you were researching The Naked Earl?
I found some interesting objects when I was trying to furnish my dungeon, learned how cue sticks developed in billiards, and stuck my toe into the landscape gardening debate, somewhat of a hot topic in the Regency.

8. Are there more naked guys to come? What’s next for you?
I’ve already handed in The Naked Gentleman, scheduled for May 2008, and I’ve just accepted a contract to write three more books, so I think I’ll be hanging out with Naked guys for a few more years!

Thank you so much for visiting with us, Sally! The Riskies wish The Naked Earl every success and we can hardly wait for the next Naked guy.

Sally will attempt to stop by, so all comments and questions for her are welcome (and will enter you in the contest).

I just got the cover for my next book (out in August from Harlequin Historicals! Pre-order now!), and am so excited I had to share. Her gown looks a little more “Restoration” than “1520s Venice” to me, and the hero in my book actually has long hair, but what the heck. I love the colors, the gondola, and the fact that my name is really BIG. That’s the important thing. 🙂

I was first inspired to write this story a couple of years ago, when I went to an exhibit at the Museum of International Folk Art in Santa Fe called “Carnival!”. Each section was devoted to a different city–New Orleans, Rio, etc. The Rio room was great fun, bright and noisy with samba filling the air (videos and music were used as well as artifacts and costumes), while the Venice room was elegant and mysterious. There were elaborate costumes and masks, beautiful paintings, even a gondola. The perfect spot, I thought, for an elegant and mysterious heroine to hide out, circa 1525! (Venice, that is, not the museum, though it’s great, too)

The carnival (or Carnevale di Venezia, loosely translated from the Latin for “Farewell, meat!”) was first recorded in 1268, and immediately gained a reputation for a subversive and naughty festival, running from a few weeks before Ash Wednesday and ending Shrove (or Fat) Tuesday. On Ash Wednesday, the party was over. Over the centuries, various laws were passed to try and curb the celebrations, including banning the wearing of masks, but that didn’t last too long (thankfully for my characters, who go about in disguise half the time!). People were allowed to wear masks all the time between the festival of San Stefano (St. Stephen’s Day, December 26) and midnight on Shrove Tuesday.

Venetian masks are usually made with leather or papier-mache, with traditional shapes including the bauta (a mask that covers only the upper part of the face) and the moretta, a black velvet ladies’ mask originating in France. The most common is the white volto, worn with a black tricorn and cloak (very stark and mysterious!).

The 18th century was the height of Carnival hedonism. In 1797, Venice became part of the Austrian Kingdom of Lombardy-Venetia, when Napoleon signed the treaty of Campo Formio. It went into a long decline, before being banned by the Fascist government in the 1930s. In the 1980s, it saw a revival which grows to this day.

Some Carnival links:
Official City of Venice Carnival Site
Casanova Venetian Masks
Carta Alta

I would love to have a Carnival party and invite everyone here at RR! If my house wasn’t so tiny, and I had a canal in the back yard for floating gondolas. Another chance to play dress-up! What would YOUR costume be?