Category: Risky Book Talk

Posts in which we talk about our own books

Another Risky Regency Writer here

Updated on January 13, 2013 by Janet Mullany

Hi, I’m Janet Mullany and my book Dedication comes out next month. What makes my book a risky Regency? It’s actually like a blueprint for what not to have in a romance:
1. Older, almost celibate hero.
2. Older and not at all celibate heroine.
3. Character who is a writer.
4. Character who is an artist.
5. The higher in rank my characters are, the worse they behave.
6. Unless they’re French.
7. And for a regency, sex.
Frankly I’m just confused by what makes a traditional regency. I always thought it meant a short book with no sex and Mr. and Ms. Middle America wearing their regency costumes on the cover, smiling idiotically. Lots of regency slang, descriptions of clothes, aristos being polite in drawing rooms, and the only balls mentioned were the ones that include dancing.
But let other pens dwell on guilt and misery.
I’m gonna see if I can upload my cover art now.

risky heroines

Updated on January 13, 2013 by Cara King

I’ll start the discussion by sharing what I think is risky in my Regency — my heroine.

I have always adored Georgette Heyer’s
FARO’S DAUGHTER, but every time I read it, a little part of me is disappointed that, of course, the hero is much better at cards than the heroine. She runs a gaming house, but he still knows more than she does. When they play piquet, he tells her she’s weak in her discards — and then he piques, repiques, and capots her. Argh! I love the hero, but sometimes I wanted to smack him across his self-satisfied face. Or have the heroine capot HIM for a change!

So when I wrote MY gambling Regency, I made my heroine, Atalanta, brilliant at cards. My hero, Stoke, is strong, smart, and stubborn as can be, but he’s not better at piquet than she. Oh, he THINKS he is–he assumes he is–and she helps along that assumption because, well, she’s a card-sharp. 🙂

I was hoping all along that I would not be forced to tone down Atalanta, to make her weaker so that Stoke seems stronger — and I am delighted to report that my wonderful editor never hinted that my heroine should be turned into a kinder, gentler version of herself. No, when MY LADY GAMESTER appears in November, Atalanta will be as fierce, as uncompromising, and as ambitious as she was when I first wrote her.

Will the readers like her? I guess I’ll find out in November! 🙂

Cara
—
Cara King —
MY LADY GAMESTER — Signet Regency, 11/05

Posted in Regency, Risky Book Talk | Tagged Faro's Daughter, Georgette Heyer, My Lady Gamester | 5 Replies

Cara’s Cover!

Updated on January 12, 2013 by Cara King

Here’s my cover! Hmm…does anyone want to talk about covers? Good covers? Bad covers? How you can have a cover that all your author friends tell you is really good, and you should be really grateful, but somehow you still whine about it? (Aw, come on, don’t say I’m the only one!) 🙂

Cara
Cara King, www.caraking.com
MY LADY GAMESTER — Signet Regency, 11/05

Posted in Risky Book Talk | Tagged Book covers | 17 Replies

When I think of risky Regencies….

Updated on January 12, 2013 by Laurie Bishop

Hello! This is Laurie Bishop. Great cover, Cara!

I’ve been reading everyone else’s comments and trying to decide how I would qualify what makes a Regency risky. I find it isn’t as easy as I thought it would be. But since I have to come up with something 😉 , to me a risky Regency is one in which the heroine, and/or the hero, do something extraordinary for their sex/time/station—or must act in an unexpected way to address their dilemma. Also, in addition to this, they must do or be in this way without violating the attitudes of the time.Hence the trickiness.Let us say that I want my heroine to be courageous and able to take command to save the family estate. She might come to the traumatic conclusion that she must ruin herself by becoming the mistress of Snidely Whiplash; and she can acknowledge this by having all of the appropriate thoughts and feelings about what she feels forced to do. But…she will not use language that a gently reared young lady does not use, and she will otherwise behave with all the decorum within her power that she has been raised to use. And she will not know something that a gently reared young lady does not know.

Of course, if she is not a gently reared young lady, we have a different bucket of peas. She will have the perspective of a farmer’s daughter, a soldier’s daughter, or what have you. And that can be quite different. Even middle class daughters were different than the daughters of the highest peers. In PRIDE AND PREJUDICE, the Bennett daughters walked to town alone. Lady Catherine de Bourgh’s daughter would never been allowed to do such a thing.

In my first Regency, THE BEST LAID PLANS, the heroine was a very independent-thinking American heiress who was not raised in high English society. She was therefore allowed to be a little outrageous—and was a ball to write!

Laurie

http://www.lauriebishop.com/

WHEN HORSES FLY Oct. 2005
LORD RYBURN’S APPRENTICE Jan. 2006

Posted in Regency, Risky Book Talk | Tagged Best Laid Plans | 7 Replies

Branding and Covers

Updated on January 10, 2013 by Elena Greene

I know branding is important and yet I struggle with it.

When I first put out my sexy Regency novella, Lady Em’s Indiscretion, as an e-book, I had several choices regarding cover. I could use a similar cover treatment to Lady Dearing’s Masquerade, the only e-book I had out at that time, or do something different. Being naïve, I thought that because the sex scenes in the novella weren’t really any hotter than those in the other book, a similar cover treatment would be fine. The problem is that while Lady Dearing’s Masquerade is a long book with many plot elements besides the sex, Lady Em’s Indiscretion is a short story where sex is the plot. Kind of like dessert without the meal, which is what was intended.

The other thing I didn’t realize is how many readers buy based on author name and a thumbnail. So although I described the story in the blurb, some readers were surprised that what they bought wasn’t like Lady Dearing’s Masquerade or my “Three Disgraces” trilogy. My bad. I need to fix that.

So here’s the range of my covers. I have my split style for most of my books, which are in that medium-sexy range. I intentionally asked for a different style for the reissue of my novella, The Wedding Wager, to indicate that this was a sweeter style book.

Much as I like the current cover for Lady Em’s Indiscretion, I think it needs to change to help it reach readers who enjoy the other end of the sweet/hot spectrum.

I recently read this interesting post at Dear Author about the cover evolution for Midnight Scandals, the new anthology from Courtney Milan, Sherry Thomas and Risky Carolyn Jewel. Now I’m especially aware that the cover needs to look striking (and different from my others) even as a thumbnail.

I’d be interested to know what people think. If I end up changing the cover, look forward to a celebration giveaway.

Also a bit of news. Authors Gail Eastwood and Susanna Fraser have kindly agreed to do some occasional guest posts for me. So you can look forward to a bit of variety on Fridays, while I am looking forward to a little extra writing time to help finish my balloonist story. 🙂

Elena
www.elenagreene.com
www.facebook.com/ElenaGreene
www.twitter.com/ElenaGreene7