Back to Top

Category: Writing

Posts in which we talk about the writing craft and process

I read the responses to Cara’s day asking what the readers of this blog want. I love research things myself, and I love just composing. The writer part of me is often more eager than the history buff, so I change around a bit.

Today I have something a little different. Since there are writers reading Risky Regencies, some published, some aspiring to be published…I thought I’d talk a little about my own experience.

The details of my back-story aren’t that important. Everyone has one, and they are all good—they all lead to the love of writing. I’ve mentioned before what made me love Regencies—and romantic suspense and good gothic romances—and that was my early reading. I loved Charles Dickens, Mary Roberts Rinehart, Victoria Holt, Helen MacInnes, Jane Austen and Georgette Heyer—by way of Nancy Drew, The Hardy Boys and the Black Stallion. 😉 Readers have the first ingredient that makes writers, by the way.

Growing as a writer—For those who would like to read about this, with apologies to those who don’t: To make it as a writer you do have to write every day, or nearly every day. Like anything else you become better at, it is practice, practice, practice. Many of us start with the love of the written word and write to please ourselves. Eventually our minds turn to the possibility of becoming published. We keep on writing, have our highs and our lows, and one day, after what seems an eon of time and a colossal amount of work, we receive an offer. My offer came from NAL Signet for my manuscript that I called “Cat of My Heart.” It was renamed “The Best Laid Plans” and came out as a Signet Regency in November 2003.

Here comes the “Rolling With the Punches” part: I now need to seek publication all over again. This is the lot of a writer, particularly a novelist, and it is not that unusual. Signet Regencies will no longer be produced, and I have completed my last contract for them.

I still love Regencies, but my current project is a romantic suspense. I am, however, daily attacked by Regency plot ideas! So no one must think I will not write in the Regency period again. I shall. It is only a matter of when.

Those of you who are aspiring writers may find it discouraging to know that being published does not mean a constant state of being with no further concerns about being published in the future. But I can tell you that it is not all that bad, either. I am eager to plunge ahead and see where I end up. Our books are adventures—so our careers must be. And the current state of publishing only makes it more of a challenge.

I’d love to hear everyone’s comments about publishing, either their own story, or about the state of publishing, or what they are targeting and why. Regency historicals are still popular, and this is where I hope to find myself eventually. There are also other avenues. If you love Regencies, where are you focusing your efforts now?

Laurie
LORD RYBURN’S APPRENTICE
Signet January, 2006

Posted in Writing | 5 Replies

If you visit writers’ blogs, chances are good you’ve come across the terms Pantser and Plotter. Writers use these terms to distinguish the style of writing they do; pantsers write by the seat of their pants, with no idea where the story is going. Plotters, no surprise (in more ways than one!), know where their story is going before they put finger to keyboard.

I am a pantser. I know the characters, I know why they absolutely should not be together, and that I am going to force them together nonetheless, but I have no idea how I am going to get them there. Which is fine if you’re working on the story steadily, but what about if you take a break?

I just returned from a vacation to Portland, OR, where I drank coffee, shopped for books, and hung out with my best friend. Note that I did not write. So now I’m back in Brooklyn with REALITY staring me in the face. Not the laundry, that’s doable, or the dishes, or the fact that the Spouse DID NOT BUY MILK even though I have an issue with not enough milk in the house (see the coffee comment for a clue). All manageable, albeit with much gnashing of teeth.

No, the problem is that I have to pick up the threads of my story and start weaving them together again. And since I write by feel, that’s really, really hard. To put it in perspective, think about misplacing a book you’re in the middle of reading–you locate it about a week or so later, with relief, but you don’t remember exactly why it’s important she revenge her father, or he has trust issues, or whatever. If you’re reading the story, you can get past that. If you’re writing the darn thing? Yow. Hard work.

So today I am buying milk, doing laundry, and heading off again to collect my son from his grandmother’s house. Monday I launch myself back into writing, where I hope I can figure out where the heck I was going when I last touched the story.

So–what do you do to jumpstart a project? If you’re a writer, how do you convince yourself to write again after a break?

Start Me Up,

Megan
www.meganframpton.com
PS: I don’t know if you can read it all, but the album cover is a movie soundtrack featuring “Let’s Do It Again” by the Staple Singers. I just love the Staple Singers. Mavis Staples has one of the sexiest voices in the universe, and this song seemed appropriate.

Posted in Writing | Tagged , | 11 Replies

We at Risky Regencies are always delighted to know which posts you, our blog visitors, find most interesting here — or what you’d like to see here in the future. At the moment, the best we can do is judge based on the number of comments a post receives — so if a post gets a lot of comments, we assume that our visitors found it interesting…and if a post doesn’t, we may not make similar posts in the future.

However, we also know that there are some posts that our visitors may enjoy quite a bit, but that do not elicit comments! But we have a hard time telling the difference between posts you enjoy but don’t see the need to comment on, and posts that don’t really interest you.

So, for example, the fact that Bertie’s last two posts received only three comments each, none of which were from visitors to the blog, might indicate that people aren’t really interested in poor Bertie’s hapless posts. (Or it might not.)

Similarly, the fact that my two “what dirty bits did Kemble cut out of Shakespeare” posts also received no visitor comments might seem to indicate that our blog readers aren’t interested in Regency Shakespeare…. Then again, it might just be that our visitors felt the posts did not lend themselves to comments.

In other words, do you really want me to stop posting Bertie’s clueless questions? And the naughty bits from Shakespeare? Do you want more talk about Jane Austen movie hunks, or about Georgette Heyer novels, or about Horatio Hornblower? Do you want to hear more about the writing process, about how we create our novels, or how the publishing process works? Are you interested in hearing about what we’re working on now? Do you want to discuss your favorite romance heroes, or the romance cliches you hate the most, or what you require in a heroine? Do you want more Regency history info here? Do you want to discuss your favorite Regencies, and get recommendations that may lead to new favorites?

Do let us know!

Cara
Cara King, www.caraking.com
MY LADY GAMESTER — out now from Signet Regency!!!

The Merchant Sisters circa 1903

I’ve been having some crazy days lately. I’ve been in this deep reflection stage, pondering the meaning of my life (here is a great opening for Monty Python fans) and imagining that I have made progress.

Reflection is a unique ability of man. I sometimes think it is somewhat of a lost art. Perhaps I am wrong? I’d like to think so…but with the advent of so many “sit there and be done to” mediums, it seems that solitude is less often experienced these days, and solitude is a necessary prerequisite.

I am sitting in front of a computer screen right now, even though at the moment I am talking to myself. But in seconds I could be anywhere in the electronic world, shopping, checking the weather in Burma, perusing my email, looking for a chat room (although I am not a chatter, I could look for a chat room). It is incredibly easy to do these things.

If I want to stand up and go to where I last left my remote control, supposing I can find it (if not, I will experience some unpredicted exercise) I can flick on the boob tube. There are even more boobs on it these days (of any sort you want to consider), and if soaps aren’t your cuppa there are all of those “reality” shows–most of which don’t seem the least bit real to me, but nonetheless. Of course, if one does not want these, or the news, there are movies–some exceptionally good–and “how-to” programs, a favorite of mine, because I can imagine doing something I don’t, can’t, or won’t.

The radio is fairly innocuous these days. I usually tune into my local public radio that serves up NPR and PRI and the like. They actually do foster some thought on my part, rather like reading a good book–but it didn’t used to be there. No, just a few short generations ago, one had to occupy oneself with engaging directly with another person, by viewing a live presentation, or by reading or writing or involving oneself with one’s hobby.

My grandmothers sewed, read, played cards, wrote letters or poetry, took walks or buggy rides. They took walks, took the train, or went boating with their sweethearts/husbands. They made picnic lunches and made them exquisitely–they packed lemonade, cake and homemade pickles, homemade bread and jam, sliced meats, chicken legs, cloth napkins and a wool blanket or a woven tablecloth to lay out, and all was placed in a willow basket. In the evening they played the piano, sung, and read their favorite ladies’ magazine.

I get nostalgic thinking of this world I only lived in, peripherally, as a child. I of course did not experience the horses–tractors and cars and trucks had arrived by the time I arrived in the world–but I listened to the stories and saw the photographs. And when I grew older and was more interested in listening to my transistor radio off in a corner by myself, these experiences were still part of me. They are to this day, as I remember them.

I’d like to thank my grandparents and other grand-relatives for this gift of the past, and I do wish I could somehow bring it back, at least in a small way. And that, I think, is why I write–and why my mother wrote, and why my grandmother wrote.

It is a gift of reflection, and a gift of bringing back to life things we love.

All the best in your life,
Laurie

Posted in Writing | 7 Replies


I am finishing up my revisions for my Governess and Marquess story, now titled Born To Scandal, due today, so I’m recycling an early blog of mine. It first appeared in June of 2006 (Have we really been doing this blog for so long?), but my thoughts about Regency Heroines are much the same.


Here’s the recycled blog:

Several weeks ago when I had the good fortune to join Risky Regencies (this was an early blog!), I prosed on forever about Regency heroes, fictional and those appearing on cover art (not to mention GB*Gerard Butler*). It is time I spoke about Regency heroines.

When I conceive a story in my head it almost always starts with the hero. Heroes are so much easier for me. Apart from the obvious reason that I love to fantasize about dishy Regency guys, I think it is because the men in those times were able to lead such interesting lives, while the women had very few options, unless they were willing to risk social ostracism or give up on respectability altogether and live in the demimonde.

In some ways I love to explore women who were willing to risk being shamed (Morgana running a courtesan school in A Reputable Rake, for example; Emily gambling in The Wagering Widow. I like even more to imagine what life would be like for those women outside of respectable society (Maddie, the ruined girl, in The Mysterious Miss M). My next Mills & Boon features a singer as the heroine (that would be Innocence and Impropriety).

All of these heroines require a mindset quite different from today’s woman, and it is sometimes hard to find that point where the modern reader can identify with the Regency woman’s predicament. Why be afraid you are going to wind up a prostitute? the modern woman might say. Why not just get a job?

The reality was, the Regency woman could not just get a job. She had to have references, even for such lowly positions as house maid or shop girl. And once ruined, any respectable employment was denied her.

There are plenty of weak, victim-like Regency heroine stereotypes – governesses (writing one of those now–but not stereotypical!!), servants of any sort, impoverished vicar’s daughters, ladies companions, abused wives – but I think today’s reader wants the heroine to be strong, not a victim. I truly believe there have been strong women in every era of history, certainly in the Regency as well. I like to explore how women of the time period rose above their constraints and refused to be victims.

You know what else? It is hard finding reasons for Regency heroines to engage in “intimacies” with those hunky Regency men. I think the Regency woman’s mindset about sex had to be quite different from our own. She’d worry about pregnancy each and every time, no doubt. No respectable man would want a society girl if she went and had sex with another guy first.

I’m rambling because I need to write proposals for my next two books and I don’t know who the heroines will be! My next Mills & Boon has a marquess for the hero (that would be The Vanishing Viscountess). I want to devise a strong heroine for this hero, whom I know down to the birthmarks on his—
(nevermind)

So! What kind of Regency heroines do you all like the best? Which ones are you tired of? Do you want that sexy read or doesn’t it matter?

Cheers!
Diane

(expect a brand new episode next week!)

Follow
Get every new post delivered to your inbox
Join millions of other followers
Powered By WPFruits.com