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Category: Writing

Posts in which we talk about the writing craft and process

I’m following Caroline’s lead in the business of shameless self promotion by showing you the book trailer I made for Dedication:

And now we have that over with, I’ll share the secrets of my plotting process with you. First of all, I have a visit from the Idea Elf. The Idea Elf whispers in my ear something like “Why don’t you write a book about …” and then his colleague, the Plot Fairy, comes to visit.

Yes, really. They are little people dressed in green and the Plot Fairy has lovely gauzy wings. They flit. They are cute. The Idea Elf tends to come around when I’m halfway through something and I have to tell him to go away and then he sulks. The Plot Fairy is a shy and wondrous creature whose visits are always unexpected and infrequent. I don’t know why the Idea Elf is male and the Plot Fairy female but it provides an excuse to post a pic of Orlando Bloom (who isn’t nearly as pretty as himself and the Idea Elf is rather more sort of green and wizened).

So here’s the latest from the Idea Elf:

As you know, a single woman, a friend or sister, was often invited to accompany the happy couple on their honeymoon. So Character A, companion to Character B, is in love with Mr. C. and then to her astonishment he proposes to Character B. B invites A to accompany them on their honeymoon. Now this is interesting because it could go a number of ways and so could they. It could be extremely sexy. It could be tender and reflective. It could be… calling the Plot Fairy. Come in, Plot Fairy. Plot Fairy, are you there?

Character A (a completely different A) is a woman whose reputation is dodgy because she’s had a string of failed engagements. Current fiance B turns up and begs to be set free because he’s gay and the guilt is driving him nuts. She suggests: a threesome … a drive in the park to clear his head … that he find her another potential husband superquick … Mayday, Plot Fairy. Are you receiving me?

Downton Abbey done right in the Regency: a houseful of conniving servants, upstairs-downstairs love affairs, and then … a body in the library (the butler done it with a blunt instrument!) … missing jewelry … a rude parrot … trapdoors … secret passages … a gaggle of women invited by the hero’s mother to try out for the position of bride … I’m actually writing this one and where is that Plot Fairy when you need her?

A terrible virus attacks the hot Dukes of Regency London, turning them into small brown dogs. The plucky heroine, an amateur scientist, joins forces with a renegade doctor to save the flower of England’s aristocracy but her heart is torn between him and a hot Duke whose DNA may provide the cure.

Now, are there any of these you’d actually want to read?

urlI’m a great fan of Downton Abbey and have faithfully watched each season. In fact, at this year’s Washington Romance Writers Retreat in April, I’m going to do a workshop on what Downton Abbey can teach us about writing Historical Romance. You’ll be hearing more on that later.

This week’s episode featured more on one of my favorite characters, Thomas, finely acted by Rob James-Collier.  (Don’t worry, though. I won’t give any spoilers in case you haven’t seen it yet)

imgresIn season one, Thomas was a scheming footman who would manipulate anyone to put himself in a good light. He’d get the dirt on the other servants and use the information against them, if he thought it would serve his own ends. He had it in for Mr. Bates from the beginning, never missing an opportunity to make Bates look bad. He even put the moves on one of the handsome houseguests, the foreign royal who seduced Mary and dropped dead in her bed.

In other words, Thomas was a villain. Along with O’Brien, Lady Grantham’s ladies maid, Thomas was the character we were supposed to hate, the quintessential bad guy.

In season two, though, something changed. Thomas went from being a character I loved to hate to someone more complicated. By the end of the season he was one of my favorite characters and still is.

If you want to make a villain sympathetic, this is how to do it.

Motivate him

In season two it became clearer that Thomas was a lonely man who wanted better for himself and who really had nobody who cared about him and no opportunities to aspire to more than service in an country house. I suddenly understood why he connived and clawed his way in life. When he is duped in his profiteering scheme and he loses everything, he has to go back into service. By this time you know what a difficult thing that is for him.

Make him vulnerable

In season two we saw a different side of Thomas from the smart-talking conniver. He went to war and was terribly traumatized by battle, so much so he lifted his hand out of the trenches and waits for it to be shot. That fear and desperation touched my heart.

Show his pain

Also in season two Thomas fell in love with an injured soldier who he tried to nurse back to health. His kindness and sympathy towards this man was unexpected, but showed that he, too, could have feelings for another person. When the soldier killed himself, Thomas was shattered. In season three he also breaks down into tears when Sybil dies, telling Anna, “There are few people in my life who’ve been kind to me. She was one of them.”

Now I know what makes Thomas who he is and I can see beyond his scheming facade. That is the trick to making a good villain. Show who he is, why he is the way he is, and show something of his humanity. If you do it right, you can even make the villain a character I can love.

Do you have a favorite villain? Why is he or she a favorite?

Are you watching Downton Abbey?

I’ll be selecting Anne Gracie’s winner at midnight tonight, so there’s still time to leave a comment for a chance to win a copy of The Autumn Bride.

 

 

I’ve been busy preparing for a writers’ retreat this weekend, preparing leftover meals for the family, baking my go-to oatmeal cookies (taking half, leaving half with the family to keep them in charity with me), getting a new laptop to replace the one that died a few years ago (my multi-draft writing takes a toll on technology), and generally getting psyched.

My friends and I have been doing these retreats for years and our formula is pretty fool-proof: a house on Cayuga Lake, laptops, notes, food, wine and chocolate. We write a lot during the day and in the evenings, we chat and watch romantic films.

I always come out with fresh ideas and often a big jump in the wordcount for my mess-in-progress. However, I learned during the earlier retreats that success doesn’t come from pushing too hard. It’s a good idea to think about goals beforehand, but once there, I just trust the process and let myself enjoy it.  I won’t check wordcount or the clock, or check if I’m on track.  I just enjoy my friends, the lake and the story, wherever it goes.  If I get stuck and the writing ceases to be fun, I switch gears. I go for a walk, I paddle on the lake, I meditate. If one of my friends isn’t busy, we may brainstorm. Or I might even take a nap! I go with the flow and something always works.

Friends of mine are going to the New England Chapter conference this weekend. I hope they have a wonderful, inspiring time.  It’s a conference I’ve enjoyed in the past but right now, getting my balloonist story finished is top priority.  As with retreats, I think it’s good to have goals for a conference. It’s also good to totally forget about them and be open to surprises.
Do you have anything fun and/or productive planned for this weekend?  How do you get yourself psyched for success?
Elena
Posted in Writing | Tagged | 4 Replies

I’m just getting caught up on Risky Regencies posts (and everything else), because I, like Elena, have been to a Retreat. Mine was more conference-like–Washington Romance Writers Spring Retreat, always titled In The Company of Writers.

The WRW Retreat is more conference-like, because there are workshops and speakers but it is also retreat-like, because we dress casually and the number of attendees stays small, about 110 this year.  No paddling on a lake, like Elena could do, but lots and lots of mixing with friends, old and new.

As in other years, the agents and editors attending are always asked what is selling these days; what is hot.

Contemporaries, especially small town stories and romances, are doing well, apparently. But all agreed that a good book will find its home and as soon as someone declares something won’t sell, a wonderful book will burst out and become the next big trend. They said it was much more important to feel passionate about the book you are writing than to try to write to trends.

One of the editors said that Regency remains an appeal because readers feel they know the time period and are comfortable there.

Mary Jo Putney talked about her 29 years in publishing and about her return to the Regency genre after writing some contemporaries, fantasies, and YA. Mary Jo also very much advocated writing what you are passionate about and, in the past, she took some big chances with her career to do just that.

What I took away from all this, was how important it is to write a book you are passionate about, no matter what the genre or subgenre.

Speaking of Mary Jo, she said her new release, No Longer A Gentleman, is on bookstore shelves. If you’ve purchased the book before today, check to see if page 362 is missing. A printing error left out page 362 in the first printed books. Ebooks are complete. Go to Mary Jo’s website for the text of the missing page.

Speaking of subgenres. Amanda’s blog yesterday was posted late. Go there and read all about The Taming of The Rogue, Amanda’s latest. Look at its fabulous cover and post a comment for a chance to win a signed copy!

What do you think? Can you tell if the author is passionate about the book you are reading?

Come to Diane’s Blog on Thursday for more about the WRW Retreat.

 

My writers’ weekend was fantastic. We did all the usual things and even the weather cooperated. It was supposed to be gloomy and in the 40s, but we got sun and 50s. I was able to do my “thinking walks” and “thinking paddles” and my friends and I all got lots of writing done.

My output was over two chapters and over 5000 words, which is great for a slow writer like me. Note my nifty Progress Meter. Yes, this story will get done eventually, even if by then everyone will be sick of hearing about it. 🙂
Click to view daily statistics

I’ve also reached a spot where I’m no longer confident about what comes next. I’m usually a combination of plotter and pantser. I start with a plot and though I often deviate when a better idea hits, I’m always aware of the overall arc that I planned out at the beginning. This time, it feels different, as if the right ending is behind a wall of fog. I can’t see ahead and it’s a little unsettling. But one thing I’m taking away from this weekend is that I can trust these characters. I have a hunch that if I keep moving forward, one scene at a time, they’ll do better things than if I try to follow the outline.

It’s a little weird and a little scary, but it also feels like some sort of breakthrough. Or is it the euphoria a bungee jumper feels just before she realizes the cord is a tad long?

Have you ever felt a compulsion (for which you can find no rational basis) to do something differently than you have in the past?  Did it work out for you?  I hope some of you say yes!
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