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Category: Writing

Posts in which we talk about the writing craft and process

I am just starting my next book and am in that situation where the plot is rudimentary and still fluid. I can keep or change any of my plot elements or my characters.

This is a gaming hell story, a gaming hell being a private and illegal establishment for the purpose of card-playing and other games of chance such as Hazard, a dice game, and Faro, a game of chance which does use cards. You can read more about gambling in Regency England here.

In writing the first chapter, I realized (through the suggestion of my brilliant writing friends, Darlene Gardner and Lisa Dyson) that I needed more….I needed to give my hero a buddy.

How did we realize this? In my first draft of my first chapter, my hero thought back to an incident in his past, but that passage put the reader in his thoughts for too long and it slowed down the pace. We realized it would be better if he could tell someone about this incident and that’s how the idea of giving him a friend came about.

The friend character serves a useful purpose in Romance for this very reason. The friend gives the hero or heroine someone to talk to, so that information can be given to the reader in an interesting, natural way.

Michael Hauge (Story Mastery) calls the friend a reflection character who is commonly used to support the hero in the achievement of his goal. Hauge would say that the reflection character sees the hero’s “essence,” his true-self, which we want him to achieve by the end of the book, and by so doing, shows the reader the hero’s essence as well.

I also think that the friend character can illuminate the hero’s character by being the total opposite. Think of Bingley in Pride and Prejudice. Darcy is uncomfortable among the people at the Assembly, but Bingley is friendly and eager to enjoy himself. Bingley believes only the good in people and Darcy is wary of others, more certain that their motives are not good ones. Bingley is also easily led, but Darcy is firm in his opinions and decisive in his actions.

For readers, the glimpse of a buddy can be very intriguing. How many of us have emailed authors to ask when the hero’s friend will have his own book? I still get emails asking about the hero’s friends in The Marriage Bargain, my 2005 Diane Perkins book. (You’ll see them someday!!!! I don’t know when…)

Almost all my heroes have had buddies, and most of the buddies went on to have romances of their own, so it will be fun to create this new friend for my new hero. I already have an image of him….actor/model  Raphaello Balzo.

Now aren’t you intrigued????

Do you like your Regency heroes to have buddies? Is there anything that annoys you about the “buddy” character?

Posted in Reading, Writing | Tagged | 9 Replies

This week, we’ve been wowed by the Research Nerds (Cara and Elena), Amanda’s cooking larks, and Janet’s quest for inspiration. Today I woke up with a vicious, pre-flu headache, which necessitates my bringing the tone down a bit for today’s post. Discussion follows the quiz:

Bluestocking
Oh dear, you are Bookish, aren’t you? You are a highly intelligent and witty bluestocking, whose beauty is hidden behind spectacles. Your dress sense is eccentric and a little unfashionable, and you consider yourself plain. You have very little use for men, who find your knowledge of Shakespeare, interest in politics and forthright speech formidable. You are undoubtedly well-off. The only reason for your presence in a novel of this kind (which, I might add, you would not dream of reading, although you have occasionally enjoyed the works of Miss Austen), is your mother, who is absolutely determined that you will make a good marriage. Rather than defying her directly, you are quietly subversive, dancing with anyone who asks you, but making no attempt to hide your intellectual interests. The only person who can get past your facade is the man who is witty enough to spar with you, and be amused at your blatant attempts to scare your suitors away. While you will, no doubt, subject him to a gruelling cross-examination to find out whether his respect for your intelligence is real or mere flattery, you may be sure that he is your match, and that you, he AND your mother will all live happily ever after,

The Regency Romance Quiz: What kind of Romance Heroine are you?
brought to you by Quizilla

Okay, so probably a lot of romance readers would get the same result. Most of us are, by definition, bookish. But is that the kind of heroine you like to read about? For me, the answer is a resounding ‘yes.’ I love the intellectual, forthright, opinionated heroines who aren’t afraid of saying what they know. I don’t mind reading about feisty women, but they also have to be intelligent, not just spirited. Amanda Quick’s heroines are usually this type of bookish miss, and I love them. Loretta Chase’s heroines are often a good deal smarter than the hero (or at least it seems that way). Many traditional Regencies feature governesses, companions, scholars’ and vicars’ daughters, and I like reading their transformation as they develop a passion for love as well as for books.

So–which personality types do you most like your heroines to have? Do you consider yourself a “highly intelligent and witty Bluestocking?” And which heroines best demonstrate the qualities you like the most?

Thanks for sharing!

Megan
http://www.meganframpton.com

Posted in Frivolity, Reading, Writing | Tagged | 8 Replies

I wish I knew… how does anyone start a new book? I know some writers swear by creating collages. Jennifer Crusie wrote this article about it, and I was inspired to start one last weekend but then didn’t have the time to hit the dollar store or the thrift store. But I did mess around online a bit. So here, for what it’s worth, is the embryonic creative process for a book that may or may not be called The Story of Miss O.

My off-the-top of my head, clunky notes are in italics:


Winter late afternoon, puddles icing over. Late January. Road between trees, gray, dun landscape. Ruts in road, mud, ice. Light fading.

It’s very difficult to find landscapes of bad weather–might have something to do with the fact that Constable et al only liked to be outdoors in the summer, and who can blame them. Similarly it’s quite difficult to find an image of ordinary gloomy winter weather rather than the picturesque. I don’t think there’s snow on the ground, but there may well be a frost setting in. So something like this, but with less snow, is good. I like the light in this pic.


Hero is in dogcart, trap (note to self: research vehicle or make it up, guess which I’ll pick). He’s come from London for the reading of a will, and at the moment I believe he’s the lawyer, the youngest son of an aristocratic family.

And he looks like, or something like, this gent (courtesy of Elizabeth Vigee-Lebrun, purely because there’s a huge stash of portraits all in one place). The portrait is of a Russian aristocrat (equal opportunity casting). He is nameless at the moment.


As the trap is about to make a turn at a crossroads, a woman approaches. Yes! It’s the heroine, wearing a horrible assortment of drab clothes (she’s in mourning and has dyed something black). As she lifts her skirt to avoid a puddle she reveals a grubby petticoat and a gray woollen stocking collapsing over the top of one boot. So she’s much the same color as the landscape, except for her hair, chopped short, and red gold.

And here she is, cleaned up (very cleaned up–Russian royalty). Her name is probably something like Iphigenia, Cassandra, Constance, Sophronia (did I make that last one up?), Theodosia, Theodora.

Finally, a poem I remembered, and which is of relevance to the heroine (The Ruined Maid by Thomas Hardy), because technically she’s ruined, and therefore able to make some, ah, interesting choices when she inherits some money. Here’s an overall image for the book (i.e., what I’d like to have on the cover in an ideal universe):


“I wish I had feathers, a fine sweeping gown,
And a delicate face, and could strut about Town!”
“My dear a raw country girl, such as you be,
Cannot quite expect that. You ain’t ruined,” said she.

So where do I get my ideas? Well, actually, there’s this website… Where do you get your ideas?

Janet

Posted in Writing | Tagged | 6 Replies

Next week–February 9th from 12:30-2:00, to be exact–I’ll be signing books, along with
Eloisa James, at Waldenbooks in Rockefeller Center in New York City. It’s my first bookstore signing, and I’m pretty psyched (and yes, I will be wearing all black. I mean, did you expect taupe and teal?).

Which led me to think about meeting authors, and what you’d say to them, or if you even like meeting authors (or musicians, or artists, or actors), or if you prefer to keep your distance. And if you did meet someone whose work you admire–an author, specifically–what would you ask?


If I could ask Jane Austen a question, it would be: ‘Can I be you?’ No. Maybe not. How about ‘Do you like people, or do you just like making fun of them?’ Or ‘Were you trying to be so obvious in naming Mr. Knightley?’

If I met the Bronte sisters, I’d have to ask just what they felt about their brother, and were they really as nutty as their writing makes them seem.

If I met Jorge Luis Borges, I’d ask him–oh, I dunno. It wouldn’t be possible to ask him how his mind works, so I think I’d just gawk (I thought of Borges because in addition to Groundhog Day, yesterday was also the date of the founding of Buenos Aires, and Borges was Argentinean).

So–do you like getting to meet creators in person? Which authors would you most like to meet, and what would you ask them? Whom have you met already?

And, if you are in NYC next week, come say hi!

Megan
www.meganframpton.com

A while back my CPs and I realized we were all tapping into elements of popular fairy tales: Beauty and the Beast, Sleeping Beauty and (mine) Cinderella. We didn’t see it as a Bad Thing. These stories have something called “enduring appeal”. Nothing wrong with that!

I’ve been thinking about Cinderella again (must be one of my favorites) and here are some of the reasons for her popularity:

  • The idea of a magical night where one meets (and instantly recognizes) one’s soul-mate. Glass slipper optional.
  • The whole rags-to-riches, ugliness-to-beauty transformation.
  • The desire to be rescued from one’s humdrum existence, the whole “Calgon, take me away!” fantasy.

But the rescue fantasy can also be the downside of a Cinderella story. I enjoyed the classic Disney animated version, but have to admit the mice carried the story. As a child, I wondered if you got a Prince just for putting up with annoying relatives. Knowing I couldn’t have put up with that evil stepmother and mean stepsisters made me feel a bit . . . guilty.

That was before we writers were told it was Bad to have a Passive Heroine who puts up with a toxic situation rather than leave or change it.

More recent retellings make an effort to reverse this. One of my favorite is the movie “Ever After” with Drew Barrymore. A plucky Cinderella, who has good reasons for staying with her family and does NOT meekly accept her fate (she punches out one evil stepsister, and rescues the hero from a band of brigands.)

A more self-conscious effort came in Disney’s remake of Rodgers & Hammerstein’s Cinderella (the version with Brandy and Whitney Houston). Some people dissed this movie for its interracial cast (but it’s a fairy tale, right, folks?) I enjoyed it for the most part, and thought Pablo Montalban was particularly charming as the prince though Jason Alexander was equally annoying as the palace gofer. Back to the subject, though, in this remake they have Cinderella run away from her toxic family near the end. Of course, on the way out she meets up with the Prince.

One Cinderella retelling I thoroughly enjoyed was Gail Carson Levine’s ELLA ENCHANTED. The movie version was cute, but totally deviated from the book except for the main premise, that Ella struggled against an enchantment that forced her to obey any command from anyone. The book is a fun read, with an important message.

On to some Regency-set romances with Cinderella elements.

ARABELLA, by Georgette Heyer, is perhaps the classic, quintessential London Season story, where a heroine from a modest country family becomes the most sought-after belle in society. It’s great fun, but I have to say too that it’s been imitated far too many times. The other Cinderella element that’s become rather tired is the poor, unappreciated heroine whose mother (or stepmother) unfairly favors her supposedly more beautiful sister.

One story that flipped over the Cinderella concept is AN UNLIKELY HERO, by Gail Eastwood. The hero, Gilbey, is a soft-spoken, scholarly NICE guy who comes into his strength while aiding the heroine and her sister. Loved this one!

A more obviously Cinderella-inspired story is ONE NIGHT OF PASSION, by Elizabeth Boyle. The story starts with the heroine seducing the hero at a Cyprian’s Ball. Though it doesn’t tap much deeper into the fairy tale, it’s a fun, quick read.

So what do you like best/worst about the Cinderella fantasy? When does a Cinderella cross the line from being worthy to being a doormat? Is it going too far to have a kickbutt Cinderella instead?

What are your best/least favorite interpretations of Cinderella?

Elena
LADY DEARING’S MASQUERADE, RT Reviewers’ Choice Award nominee
www.elenagreene.com

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