Back to Top

Lord Langdon's KissLord Langdon’s Kiss was the first book I wrote. Although some readers have asked about it, I haven’t reissued it yet because I thought it needed work. I’m in the thick of it now, about 5 chapters in, and I rather wish someone had told me back then to cut 10,000 words. Yup. 10,000.

Lord Langdon’s Kiss was originally published at about 85,000 words. My other traditional Regencies, the “Three Disgraces” series, are all around 75,000. And Lord Langdon’s Kiss has no more plot than any of them. What it does have is introspection. Tons and tons of introspection. What was I thinking?

I was thinking that it was so fun to get inside my characters’ heads.

And it is. Why people do things is still fascinating to me, and that applies to my characters as much as it does to real people. What I learned from the next story I wrote, a novella, The Wedding Wager, was that I didn’t need to use introspection to reveal everything. Writing a 20,000 word story taught me to tighten, tighten, and tighten some more.

I have a confession to make, though. I still love introspection, but I use it in a more disciplined way now. If a character can express him or herself through dialogue, action or body language, I use that instead. But there are times when a character has good reasons not to want to reveal his or her thoughts or feelings to others, and then I think a little internal dialogue is just fine.

Looking back over some older traditional Regencies, I see that I wasn’t the only one to write paragraphs and paragraphs of introspection. Perhaps one reason for it is the mores of the Regency, when it would have been improper for couples to express their feelings to each other before having an “understanding”. But I also think it’s a more old-fashioned way of writing.

What do you think of introspection? How much is too much? Can there be too little?

Elena
www.elenagreene.com

A Certain Latitude by Janet MullanyI’m happy to announce that A Certain Latitude is free for kindle today through next Monday, so now you have no excuse whatsoever to acquire it. Here’s an excerpt from a very nice review:

The book pairs two subjects you wouldn’t think would work together: very kinky explorations along with a serious eye-opening look at the sugar trade on an island loosely based on Antigua about eight or ten years before the slave trade is abolished in England. … You wouldn’t think those subjects would mesh at all, but in a weird way, they do. It’s not as if modern people don’t get up to serious mischief while the problems of the world continue to rage on right in our faces. However, at the heart of it, what holds the whole story together is a remarkable and easy-to-like heroine. All you need to know about her is this quote from early in the book which portrays her character perfectly: “Whenever she wished she had had the moral courage to starve… she was glad she had the good sense not to.”

readerimarriedhim333x500And I’ve also reissued my erotic tribute to Jane Eyre– Reader, I Married Him–which caused some weeping and wailing and gnashing of teeth for its suggestion that Jane could go in uh, different directions. It is finally, finally priced appropriately for a novella. Cool cover!

And remember that reviews are very, very important to other readers, so please post one.

Thanks! Next week we return to our regularly scheduled program.

Murder at Westminster Abbey-1So many lovely new Risky books lately!!!  I am headed to the hospital today for surgery (hopefully just one night there, then I will be home again), and I have my Kindle loaded with new books and my stuffed Hello Kitty in my bag to keep me company.  In the meantime, I think a giveaway would be a good thing…

The second in my Amanda Carmack “Kate Haywood Elizabethan Mysteries” is out in April!  Murder at Westminster Abbey is set around the festivities of Queen Elizabeth’s coronation (which was tremendous fun to research!).  I just got a boxful of ARCs last week, and will give away one of them to a commenter on today’s post!  Just let us know what you’re reading lately, some of your favorite get-well-quick tips, whose coronation you would have liked to attend, anything you like.

OLYMPUS DIGITAL CAMERASee you all next week!

Posted in Giveaways | 5 Replies

I’m about to start writing a new book, so this is a good time to remind myself of what qualities I need in a hero. Years ago in my pre-blogging days, I wrote an article about romantic heroes. I looked it over and thought to share it with you.

Gentleman1812Here are, in my view, 10 qualities essential in a romantic hero, as I wrote them over ten years ago.

1. Be flawed. Surprisingly, women don’t want the heroes of romance novels to be perfect. Perfect is boring. After all, if the hero has no flaws, what can the heroine offer him? Romantic heroes are often arrogant, short-tempered, and tough. They are complex and full of paradox. The romance reader wants the hero to overcome his faults, grow emotionally, and rise to grander heights because of his relationship with the heroine. Love enriches him and makes him into a better person.

2. Be self-assured. No, this does not contradict tip number one. The romantic hero knows himself well. He knows his strengths and weaknesses and accepts himself as he is. He has come to terms with who he is and, as a result, has confidence and surety of purpose. The heroine is attracted to his confidence, though her challenge that he become a better person always shakes him up. The hero is less sure of himself in her presence. She upsets his equilibrium.

3. Be tough. The romantic hero handles adversity, tolerates pain. He does the difficult jobs, the ones that need doing, that no one else wants to do. Romantic heroes are often special military men, like Navy Seals, or policemen, or rescue workers risking their lives for others. The worlds they inhabit are often bleak and depressing, as well as dangerous. The romantic hero is often emotionally (and physically) wounded, and the heroine’s love is what he needs to heal.

4. Be controlled. Though tough and often foul-tempered, the romantic hero nonetheless exhibits remarkable self-control. He shoulders his burdens without complaint and nevers dumps those burdens on others. He is too self-disciplined to discharge his emotions onto others. The heroine, then, helps him loosen up enough to risk sharing some of his burdens with her.

5. Be trustworthy. The romantic hero is a man of his word. If he says he will do something, he will do it. The heroine can count on him; especially, she can entrust her own vulnerability to him and know that he will not betray her. The plots of romantic novels sometimes include elements where the hero seems untrustworthy and might appear to betray the heroine; however, the reader always knows he will reveal himself to be unwaveringly true to her.

6. Be ethical. The hero’s strong sense of ethics is closely related to his trustworthiness. The romantic hero knows what is right and what is wrong. He stands by his beliefs even in the face of his own annihilation; indeed, even if he fears that, in doing so, he will lose the heroine’s love. The hero is not afraid to stand alone for what is important to him. He plays by the rules, though sometimes the rules are of his own making. He does not prey upon the less fortunate, but saves his strength to fight injustice.

7. Value equality. The romantic hero accepts his heroine as his equal, although it sometimes takes the whole book for him to learn to do so. He becomes less fixated on having his own way and learns to consider the heroine’s needs, wishes, and goals as equally important as his own. Rather than bully and dominate, he seeks to achieve an equitable balance between himself and the heroine, one in which they both are winners. He might even learn to cook.

8. Be physically fit. In romance novels, the hero’s fitness often reaches idealized perfection, but the important point is he values his body and his health. He may stretch his physical abilities to the limit and beyond, but he would never neglect himself physically or abuse his good health. At least, not once he meets the heroine.

9. Be sexually generous. Sometimes the romantic hero begins the book focused on superficial sexual relationships and his own pleasure. His relationship with the heroine, however, travels beyond the sexual. Lovemaking is one area where the hero can show the heroine his love. In his lovemaking, he gives as much or more than he takes. It is essential to him to please the heroine, to show her physically that he loves her. To his wonderment, the pleasure he receives from their lovemaking is intensified by his generosity.

10. Finally, be sure to have dark-as-night hair with a habit of falling waywardly across your forehead. The romantic heroine will ache to gently comb the unruly hair back into place with her fingers.

Actually, is it not really essential a hero have dark, touchable hair. Romance heroes come in all shapes, colors, and sizes. It is essential, though, that the romantic hero act like a hero.

What do you think? Did I miss anything?

What Not To Bare by Megan FramptonFirst off, I would be remiss if I did not mention that What Not to Bare is discounted, for a limited time, to .99.

And also (this feels as though it’s going to be a very newsy post, so bear with me–ha! see what I did there–while I share) I’ve had a workshop accepted to this year’s RWA National Conference: Angst and Affability: Using Jane Eyre and Pride and Prejudice to Craft New Adult and Contemporary Romance. I’ll be doing the workshop for the first time at the New England Conference, and I’m excited and nervous about presenting it.

I love going to conferences because it’s a time to connect in person with fellow writers and romance readers, people who know just what I’m talking about when I mention black moment, or DNF, or TBR pile, or any of those types of things.

Also–this is SO NEWSY, my goodness!–I received my RITA books for judging. For people who don’t know, the RITA is an award given to the best books from a year, rather like the Oscars for romance novels. And it’s judged by fellow writers. I love judging because I am exposed to authors and genres I might not normally find on my own. Of course I have the secret hope that someone out there is discovering ME and finding something she wouldn’t have known about. The nominations come out around the end of March. So cross your respective fingers for all of us who’ve entered!

Today, and most of this weekend, in fact, is set aside for writing, since I’m embarking on a new project, and I’m excited about it, but I can’t share details for a bit. So I’m off to read, and write, and flog my book sale, and all that. What about you? What are you doing this weekend?

Megan

 

Posted in Reading, Writing | Tagged | 3 Replies
Follow
Get every new post delivered to your inbox
Join millions of other followers
Powered By WPFruits.com