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Happy Tuesday, everyone!  What are you doing this week??  I got my latest Harlequin Regency romance turned in (yay!!) and am getting caught up on a few things before diving into the next Elizabethan mystery.  Things like grocery shopping and running the vacuum cleaner, which always fall by the wayside when a deadline looms.  Among my projects–a fun round-robin story my local RWA chapter is doing with a St. Patrick’s Day theme!  Stay tuned for more info on that….

I am also announcing a winner!  The winner of a copy of A Stranger at Castonbury is…Emily!  Congrats!  Email me your info at amccabe7551 AT yahoo.com….

LadyAndMonstersCoverIn between taking a few naps and watching some DVDs that have piled up while I was working on the book (including all of season one of Girls, I have also been dreaming of spring.  Like many places, winter has been dismal here, with more gray skies and snow and freezing rain than usual.  (I also just read The Lady and Her Monsters, about Mary Shelley and the writing of Frankenstein, which included some depressing details of 1816’s Year Without a Summer.  It hasn’t been that bad here, but still…).  So I’ve been perusing garden catalogs and spring fashion websites (already bought some shorts at J Crew!).

 

 

If I was in the Regency this is the outfit I would be wanting to wear now (from my Regency Pinterest page!):

RegencyYellowDress RegencyParasol RegencyBonnet

And we could go out for a nice drive on a sunny afternoon:

RegencyPhaeton

What are you looking forward to this spring???

Hero of My Heart by Megan Frampton

Hero of My Heart by Megan Frampton

In about a month, my Regency-set historical, Hero of My Heart, will be available for your e-reader of choice. Meanwhile, I’ve just finished the revision of the first draft of What Not to Bare, which is due to my editor next Friday (yay for making a deadline!).

Hero of My Heart is an angsty book, filled with Life-Altering Decisions. What Not to Bare‘s biggest decision is what horrible outfit the heroine will choose to put on–and how the hero will manage to get it off her.

The two books are completely different in tone, and so writing WNTB was refreshing after dealing with the sturm und drang of HoMH. I’m including the description of the–of course!–stunningly gorgeous hero from WNTB:

He was even more stunning the closer he got. From far away, of course she’d noticed his commanding presence and brooding good looks; he’d walked into the room like he owned it, his height and dark hair making him stand out from the shorter, lighter-haired men. Which were all of them. He was the darkest and tallest. And definitely the handsomest.

Up close, she could see his dark eyes, which she’d assumed were brown, were deep blue, like a lake under a full moon. His hair was so dark brown as to be almost black. And his mouth, dear lord, his mouth was sinful to look at, with full lips curled into a knowing smile, which of course meant Charlotte couldn’t look away.

And he was speaking now, which meant she had to stare at his mouth, didn’t it? “I am pleased to make your acquaintance, Lady Charlotte. Perhaps you would save me a dance for later this evening?” His voice was low and husky, as though he’d recently recovered from a cough.

Charlotte wanted to giggle at the thought of offering him a poultice for his throat. “Yes, of course, my lord. I would be honored.” She stood silent, feeling as awkward as she ever had. What did a young lady say to such an impossibly handsome man: Goodness, you are lovely. Perhaps you would care to undress so I might compare you against all those statues my mother never wants me to see?

She felt her cheeks flush up a bright red; unlike Emma, Charlotte didn’t get a delicate lady-like blush, but instead looked as though she’d been sticking her face directly into a blazing fireplace.

And next up, I have an entirely different piece of writing, the potential second book to follow my contemporary women’s fiction title, Vanity Fare. Vive la difference (in writing!)

Megan

Posted in Risky Book Talk, Writing | Tagged | 3 Replies

Hero-of-My-Heart-by-Megan-Frampton225x329My historical, Hero of My Heart, will be released Monday, and it has a different kind of hero–in that he is not heroic at all, not when we first meet him. In fact, he is a Marquess who does not wish to have his title, nor even be alive. Here’s the blurb:

When Mary Smith’s corrupt, debt-ridden brother drags her to a seedy pub to sell her virtue to the highest bidder, Alasdair Thornham leaps to the rescue. Of course the marquess is far from perfect husband material. Although he is exceedingly handsome, with a perfect, strong body, chiseled jaw, and piercing green eyes, Alasdair is also too fond of opium, preferring delirium to reality. Still, he has come to Mary’s aid, and now she intends to return the favor. She will show him that he is not evil, just troubled.

Mary was a damsel in need of a hero, but Alasdair’s plan is shortsighted. He never foresaw her desire to save him from himself. Alasdair is quite at home in his private torment, until this angel proves that a heart still beats in his broken soul. The devil may have kept her from hell, but will Mary’s good intentions lead them back to the brink—or to heaven in each other’s arms?

Alasdair is as close to an anti-hero as I could write, and I chose to write him that way because like so many romance readers, I believe that love and compassion can help a person find their way back to happiness. I was fascinated by the idea of a man at the absolute brink of dissolution needing to claw his way back to reality, and I gave him a reason–Mary’s salvation–to do it. Eventually, he replaces his opium addiction with Mary’s sexual healing, but that isn’t enough to absolutely save him. It is only when he is able to give both Mary’s presence and opium up that he is deserving of his own Happy Ever After–and deserving of Mary.

In writing this, I was inspired by Edith Layton’s The Devil’s Bargain (and snagged her hero’s name for mine!), because her hero is tortured by the past, just like my Alasdair, even if he doesn’t end up an opium addict. Of course there have been historicals where the hero is addicted–most memorable is Jo Beverley’s To Rescue a Rogue and of course Mary Jo Putney’s The Rake‘s hero is an alcoholic.

I also wanted to write a classic road story–in fact, the original title of the book was Road to Passion, which a few people pointed out sounded like a Bob Hope movie, which was not the intent, so I changed it. My hero and heroine are together almost through the entire course of the book, are forced together through circumstances and can’t run away from their problems–like Alasdair was trying to do.

All of this makes it sound as though Alasdair and Mary are all Dark and Serious during the course of the book, but both of them have good senses of humor and Mary, in particular, does not hesitate to take Alasdair down a notch or two (and he is highly-notched, let me tell you!).

Do you like books with very difficult heroes? Which are your favorites?

Megan

Posted in Risky Book Talk, Writing | Tagged | 4 Replies

So, tomorrow I have to go in for a small surgery (luckily outpatient, and I am stocked up on pudding cups and Jane Austen movies for recovery…), but it made me think again how grateful I am for modern surgery!  Especially anasthetics and painkillers.  And when I looked around for something to talk about on the blog today, I found out that ether was first used in March for surgical purposes (though I couldn’t find an exact date!).  Also nitrous oxide played a very important role on last weekend’s episode of Call the Midwife

So here is a very short look at the history of some surgical painkillers….

LaughingGasNitrous oxide (laughing gas) was first synthesized by English  and chemist Joseph Priestly in 1772.  He called it phlogisticated nitrous air and published his discovery in the book Experiments and Observations on Different Kinds of Air (1775), where he described how to produce the preparation of “nitrous air diminished”, by heating iron filings dampened with nitric acid.  The first important use of nitrous oxide was by Thomas Beddoes and James Watt, who discussed it in their book Considerations on the Medical Use and on the Production of Factitious Airs (1794). James Watt also invented a new machine to produce “Factitious Airs” (i.e. nitrous oxide) and a novel “breathing apparatus” to inhale the gas.

The machine to produce “Factitious Airs” had three parts: A furnace to burn the needed material, a vessel with water where the produced gas passed through in a spiral pipe (for impurities to be “washed off”), and finally the gas cylinder with a gasometer where the gas produced, ‘air,’ could be tapped into portable air bags (made of airtight oily silk). The breathing apparatus consisted of one of the portable air bags connected with a tube to a mouthpiece. In the town of Hotwells in 1798,  Thomas Beddoes opened the “Pneumatic Institute for Relieving Diseases by Medical Airs”. In the basement of the building, a large-scale machine was producing the gases under the supervision of a young Humphry Davy, who was encouraged to experiment with new gases for patients to inhale. In 1800, Davy published his  Researches, Chemical and Philosophical where he notes the analgesic effect of nitrous oxide and its potential to be used for surgical operations. (But another 44 years went by before doctors attempted to use it for surgery. The use of nitrous oxide as a recreational drug at “laughing gas parties” became a trend beginning in 1799. While the effects of the gas generally make the user appear “stuporous, dreamy and sedated,” some people also “get the giggles” and probably say some pretty embarrassing stuff….

The first time nitrous oxide was used as a surgery anasthetic was when Connecticut dentist Horace Wells demonstrated on a dental extraction on Dec. 11, 1844.  But this new method didn’t come into general use until 1863, when Dr. Gardener Colton successfully started to use it in all his “Colton Dental Association” clinics in NYC.  Over the next three years, Colton  successfully administered nitrous oxide to more than 25,000 patients.

Today nitrous is most often used in conjunction with local anesthetic in dental surgery. Nitrous oxide was not found to be strong enough for use alone in major surgery in hospital settings.  Sulfuric ether came into use in October 1846, along with chloroform in 1847.  (Queen Victoria was a great advocate for the use of chloroform in childbirth).  When Joseph Clover invented the “gas-ether inhaler” in 1876, it became a common practice at hospitals to initiate all anesthetic treatments with a mild flow of nitrous oxide, and then gradually increase the dose with the stronger ether/chloroform. Clover’s gas-ether inhaler was designed to supply the patient with nitrous oxide and ether at the same time, with the exact mixture being controlled by the operator of the device. It remained in use by many hospitals until the 1930s.   (Modern machines still use the same principle launched with Clover’s gas-ether inhaler, to initiate the anesthesia with nitrous oxide, before the administration of a more powerful anesthetic.)

What medical advances are you grateful for today??  And what movie would you recommend I watch to make me feel better?

Georgian-JewelleryBecause it’s a holiday weekend and I’m running a bit late, you get a short post  with lots of pretty pictures.  Today, we’re looking at Jewelry  of our era.  The information and pictures are from Georgian Jewellery 1714-1830, a gorgeously illustrated overview of Georgian jewels.

Click on any of the thumbnails to get a larger image of the various pieces.

Cameo & Intaglio - 1800

Cameos and intaglios are lumped together because they’re both made from carving stone.  The difference is that in cameos, the design stands out and in intaglios it’s carved into the surface.  agate, onyx, malachite and lapis were the stones of choice because of the their natural bands of color.

Opaline Glass - 1800

Opaline glass or opal paste was made in Derbyshire and in France.  This was a milky glass in which cooling during its manufacture caused a separation of various oxidex.  Opaline glass was a favorite for daytime wear.

Diamonds - 1800

Diamonds. There is much to be said about diamonds and probably not much that needs saying.  During our period, the table cut (flat on the top, faceted on the sides) of the 16th and 17th centuries was superseded by the rose cut (many different shaped and sized facets over a small culet, allowing the least amount of light to escape through the bottom of the stone.

Gold Woven Chain - 1800The chain was a particularly Georgian piece of jewelry.  It could be woven, knitted, engraved or stamped out links.  It would frequently feature a distinctive clasp.  There was a seemingly endless array of option.  Besides the gold, the chains were made out of silver and other materials such as iron, steel, gilt metal and pinchbeck.

Fine-cut steel - 1800Steel was an interesting jewel choice during the Georgian period.  The steel was fine cut and highly polished and primarily a night-time adornment as it reflected candle-glow particulary well.  Queen Charlotte wore a cut-steel chain made by Matthew Boulton.

Seed pearls 1810Seed pearls, tiny natural pearls from India were an essential part of Georgian jewelry.  They were used in a variety of ways:  long tasseled sautoirs, threaded into intricate designs on slides or clasps, used as surrounds for gemstones.

Iron and Steel 1815

Iron is probably not the first metal that jumps to mind when thinking about jewelry but black-lacquered cast iron jewelry was made by the Royal Berlin Foundry beginning in 1804 and became fashionable during the Napoleonic Wars.  It was made by moulding shapes into wax, impressing them in fine sand and then filling the impressions with molten iron.  Once cooled, it was usually lacquered black.

Coral 1820Coral had a brief period as jewelry desired for both day and evening wear.  It came in the form of cameos, carved rosettes, acorns, or cherubs’ heads, and beads carved in facets or crosshatched. In the early 1800s it was even paired with diamonds for evening dress.

PastePaste – It’s more than just something to replace the jewels you’ve pawned to support your gambling habit.  Much of the paste used in jewelry during the Georgian era was celebrated as jewels in their own right.   Paste was highly regarded because the stones could be cut into any shape required for a setting.  There are still some beautiful examples of fine paste jewelry.

Wedgwood & steel 1780Wedgwood jewelry is distinctly English.  Josiah Wedgwood’s ceramic-ware plaques were included in brooches, pendants, rings, buckles, clasps and earrings.  Mathew Boulton of Birmingham used jasperware ceramic, with its soft matte finish set into gold, silver, marcasite or cut-steel.  The beaded necklaces are particularly lovely.

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