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I’ve kept thinking about our discussion last week’s post about Prinnyworld vs. the real Regency, also about news I had that a particular publisher was looking for “dark” stories, and it’s led me to wonder what dark means to different people.

“Dark” requires torture, but what sort?

The first darker books I read were some of Mary Jo Putney’s, stories like PETALS IN THE STORM (heroine raped by the men who just killed her father) and THE RAKE (alcoholic hero). Later, I discovered Laura Kinsale, whose stories are usually dark: FLOWERS FROM THE STORM (hero a stroke victim put into an insane asylum), SHADOWHEART (hero raised by his father to be an assassin). What some authors do to their poor characters…

My own darkest book was LADY DEARING’S MASQUERADE, the dark elements being the grim reality of the lives of foundlings and the bad first marriages of the hero and heroine. I put in a lot of lighter elements, though, this is “Little League” dark compared to Putney or Kinsale.

So there’s the sort of “Real World Dark” that draws upon real world elements, like poverty or war or sexual abuse. Things we still read about in the news.

My other darker book was SAVING LORD VERWOOD, in which it seemed everyone wanted to kill the hero. It was dark in a Gothic sort of way: deranged villain, eerie setting (north coast of Cornwall, where there are so many cliffs to throw people over). Despite the attempted murder plot, this book felt lighter to me than LDM. I think “Gothic Dark” is somehow less grim than “Real World Dark”, just because these elements are further removed from our lives and everyday news.

Then “Gothic Dark” shades over into “Paranormal Dark”, which often taps into the angst of the accursed and those who love them. My favorite paranormal Regency is Karen Harbaugh’s THE VAMPIRE VISCOUNT. This sort of story provides a delicious roller-coaster of emotion, a thrilling touch of horror. It’s so different from our ordinary lives that I think it is more escapist.

There end my musings… These flavor categories are just for fun, and I don’t mean to imply any of them is better or worse than the others. What do you think? Have I missed some flavors? Do you have favorites? Which authors do dark better than anyone else?

Elena
LADY DEARING’S MASQUERADE, Golden Quill Best Historical Romance!
www.elenagreene.com

Well, here I am in Regency dress at last weekend’s signing! (I’m not sure why the picture’s so blurry — sorry!) On the down side, I never got my hair right — it looks totally non-Regency (the curl fell out — surprise surprise).

On the up side, I found some cool gloves at the last minute (though they really ought to extend to above the elbow, of course, which they don’t — in fact, they almost look like wrist-length gloves here, they’ve slid down so far) and my nice fan (which Todd painted for me, also at the last minute). Kind chapter-mates in LARA (Los Angeles Romance Authors, my local RWA chapter) tied me into my dress. And also bought some of my books. I love LARA!

There were eight other authors signing, and it was a lot of fun! We chatted and bought each other’s books and joked about copy-editing mistakes and had a great time. And the signing went by so fast that before I got a chance to buy everyone’s books that I meant to, everyone had gone! (Well, that’s what I get for spending too much time fussing with my pens and chocolate and gloves and hair, and trying to fish out the bobby pins that kept falling down my bodice.) 🙂

If you look closely at the photo, you’ll see some little rectangles lined up next to my book — those are the Regency chocolates that I gave away. Okay, they aren’t actually Regency chocolates — such did not exist, after all! — they’re Hershey’s Miniatures, covered with Regency pictures. Todd designed them, and they turned out fantastic! Milk chocolate bore the picture of my heroine’s face, dark chocolate had her playing cards, and the other two flavors had miscellaneous Regency-era pictures.

So, here are today’s questions:

1) If you’re an author, and someone asks you to sign your book for them, do you write something inane in the front of it, wishing you could think of something clever to write? Or do you write something clever? Or what? Or are you too experienced or too sensible to worry about these things??? (Is it just me???)

2) If you’re a reader (and we’re all readers, even those of us who are also writers), have you ever met an author you admire and said something inane while trying to say something clever? (Or is it just me???) 🙂

Cara
Cara King, author of MY LADY GAMESTERfinalist for the Booksellers’ Best Award for Best Regency of 2005

Posted in Reading, Writing | Tagged | 13 Replies


Several weeks ago when I had the good fortune to join Risky Regencies, I prosed on forever about Regency heroes, fictional and those appearing on cover art (not to mention GB). It is time I spoke about Regency heroines.

When I conceive a story in my head it almost always starts with the hero. Heroes are so much easier for me. Apart from the obvious reason that I love to fantasize about dishy Regency guys, I think it is because the men in those times were able to lead such interesting lives, while the women had very few options, unless they were willing to risk social ostracism or give up on respectability altogether and live in the demimonde.

In some ways I love to explore women who were willing to risk being shamed (Morgana running a courtesan school in A Reputable Rake, for example; Emily gambling in The Wagering Widow; or even Maggie, a total imposter, in The Improper Wife ). I like even more to imagine what life would be like for those women outside of respectable society (Maddie, the ruined girl, in The Mysterious Miss M). My next Mills & Boon features a singer as the heroine, and in my next Warner–now called Hachette–the heroine is a con artist.

All of these heroines require a mindset quite different from today’s woman, and it is sometimes hard to find that point where the modern reader can identify with the Regency woman’s predicament. Why be afraid you are going to wind up a prostitute? the modern woman might say. Why not just get a job?

The reality was, the Regency woman could not just get a job. She had to have references, even for such lowly positions as house maid or shop girl. And once ruined, any respectable employment was denied her.

There are plenty of weak, victim-like Regency heroine stereotypes – governesses, servants of any sort, impoverished vicar’s daughters, ladies companions, abused wives – but I think today’s reader wants the heroine to be strong, not a victim. I truly believe there have been strong women in every era of history, certainly in the Regency as well. I like to explore how women of the time period rose above their constaints and refused to be victims.

You know what else? It is hard finding reasons for Regency heroines to engage in “intimacies” with those hunky Regency men. I think the Regency woman’s mindset about sex had to be quite different from our own. She’d worry about pregnancy each and every time, no doubt. No respectable man would want a society girl if she went and had sex with another guy first.

I’m rambling because I need to write proposals for my next two books and I don’t know who the heroines will be! My next Mills & Boon has a marquess for the hero and the next Hachette will be Wolfe’s story. I want to devise strong heroines for these two men, both of whom I know down to the birthmarks on their—
(nevermind)

So! What kind of Regency heroines do you all like the best? Which ones are you tired of? Do you want that sexy read or doesn’t it matter?

Cheers!
Diane

Posted in Reading, Regency, Writing | Tagged | 16 Replies

SMKname2Diane here.
Today we welcome back Sally MacKenzie to talk about her latest Regency, Surprising Lord Jack. Sally just keeps giving us charming books. First the Naked series, now the Duchess of Love series. By giving, I also mean  Sally is giving away a signed copy of Surprising Lord Jack to one lucky commenter chosen at random.

n403080Here is what reviewers are saying about Surprising Lord Jack

*Starred review* “MacKenzie has penned another humorous Regency-era gem that will get a collective thumbs-up from readers.”–Shelley Mosley, Booklist

Four stars. “MacKenzie delights her devoted fans once again with a quick-witted, steamy romp. Add a touch of mystery and another bright tale of love and laughter is born. An engaging, and meddlesome, cast whips this lusty tale into a perfect heart-holiday treat!”–Anne Black, RT Book Reviews

4.50 / 5 -Reviewer Top Pick. “I recommend this book to all my fellow historical romance fans.”–Debra Taylor, Night Owl Reviews

Welcome back, Sally!

Hello, Riskies! I’m so glad to be stopping by again. I had a chance to see Diane at the Washington Loves Romance gathering in February. She was apparently deep in deadline craziness, but she looked calm and composed as always– (Diane note: Most likely I was merely sleep-deprived…)

Tell us about Surprising Lord Jack.

Surprising Lord Jack is the second book in my Duchess of Love trilogy. (Well, it’s a trilogy plus a novella: “The Duchess of Love” is the prequel to the series and tells how the duchess met her duke.) It’s about the duchess’s youngest son, and it begins where Bedding Lord Ned, the first book in the series, ends.

Here’s the back cover copy:

Unladylike behavior…

Frances Hadley has managed her family’s estate for years. So why can’t she request her own dowry? She’ll have to go to London herself and knock some sense into the men interfering in her life. With the nonsense she’s dealt with lately, though, there’s no way she’s going as a woman. A pair of breeches and a quick chop of her red curls, and she’ll have much less to worry about…

Jack Valentine, third son of the famous Duchess of Love, is through being pursued by pushy young ladies. One particularly determined miss has run him out of his own house party. Luckily the inn has one bed left. Jack just has to share with a rather entertaining red-headed youth. Perhaps the two of them should ride to London together. It will make a pleasant escape from his mother’s matchmaking melodrama!

There a Jack the Ripper sort of plot thread as well: someone is slitting the throats of prostitutes and even society women with soiled reputations, a class into which Frances now falls.

I’m excited because ALA Booklist gave Jack a starred review!

What is risky about the book?

Well, three things come to mind, though they might be more tricky than risky.

First, I wanted to try my hand at a “chick-in-pants” book, where the heroine pretends to be a man–or, in this case, a boy. Sometimes in these stories, the hero begins to fall in love with the heroine even before he knows her true gender. However, I happened to be working on Jack’s book during the Jerry Sandusky scandal. I followed the news reports pretty closely, partly because I have sons who’ve competed in Division I varsity athletics (and I went to the University of Notre Dame), so I’m interested in the whole question of the power athletics has in a college’s culture. But mostly, of course, I was reading and listening to news reports because the story was so horrifying. And since I’m the mother of boys, these kinds of events make me start questioning my sons to see if any coach or scout leader or other male in their lives ever did anything inappropriate with them. (My questioning drives them crazy, by the way. None of the men I’m related to wanted to discuss the trial.)

So with that, there was no way I was going to have Jack feel any sexual attraction for Frances while she was pretending to be male. Frances, however, was free to fall in love with Jack, except she hates men. So making their relationship develop when she’s in disguise was tricky.

13252737Second, Jack’s book is the middle of a trilogy, and, unlike the Naked series, I planned these books to fit together. The first book had the advantage of setting things up, and the last book gets to tie things together (I hope). But the middle book is, well, in the middle. It’s got the threads I planned to run through the series coming and going. It has to be able to handle that, but be a satisfying, complete story on its own. So it was a bit tricky keeping things balanced. I think I managed it, though. A reviewer who’s read only Jack’s book told me she didn’t feel the need to have read Ned’s story first, so that was a big relief!

13223652Third, the books are set in a pretty tight timeframe. Jack’s book actually begins as Ned’s is ending. I haven’t tried that before.

Was it easy to write?

Argh!! No. Maybe because it was the middle book, it just about killed me. I finished the first draft and revised and polished, but the book wasn’t working. I had to do pretty much a complete rewrite–or at least it felt that way. And since my publisher had moved the release date up, I had a real honest-to-God, drop dead deadline. The icing on the cake was that the D.C. derecho roared through a few days before that deadline, leaving our house intact, thank God, but taking our electricity and internet. I had to write with an eye on my laptop battery’s charge indicator and be creative in finding places to recharge when it got low. I discovered the church’s “crying room” had an outlet that worked, so I sat through Sunday Mass plugged in. (No, I wasn’t working, and no, there weren’t any babies in the room with me at the time, and yes, I felt very good about going to church that week.) When we went out to eat, I asked for a table with an outlet. The upside was that I kept my nose to the grindstone–no internet to distract and no battery power to waste on endless games of computer solitaire. When I was done–the day I had to send the manuscript off–I went to Panera’s to use their internet.

Did you come across any interesting research?

Yes–and Janet has already told you all about it. Back on November 15, Janet posted about the Threads of Feeling exhibit*. I was so excited! No, I didn’t know about the exhibit (until Janet mentioned it), but I had been researching London’s Foundling Hospital, so I knew mothers used to leave scraps of fabric when they gave up their babies, sort of like a claims check, I guess…so they could come back and reclaim their children once they were able to care for them.

I knew Jack was going to have some sort of charity he was involved in, and it made sense to me that since Ned’s son died in childbirth, the charity would have something to do with children. Well Jack actually has two charities–one for prostitutes who want a way out of that life and one for abandoned children. I researched the Foundling Hospital to see if such a plan would work, though the children at Jack’s house are mostly the offspring of prostitutes, abandoned on the streets. He finds them, brings them to his “foundling hospital,” and educates them until they are old enough to find work.

Bedding Lord Ned had a thieving cat. There’s a dog on Surprising Lord Jack’s cover. Does he have a role in the story?

Of course! The dog’s name is Shakespeare; Jack and Frances discover him with an abandoned baby in the stews, and he can do all kinds of tricks.

I may have said before that I’m a bit of a pantser–the story develops as I write it. I realized that Shakespeare had belonged to a local actor who’d decamped for parts unknown, leaving his dog behind. I thought that was a bit odd, and I filed it away as a “possibly important but currently mystifying” detail. At the end of the story, I discovered that Shakespeare’s former owner had a role to play in resolving the Jack the Ripper thread.

And I’m sure any dedicated plotters reading this are now twitching.

I never thought I would be a pantser. If you ask any of my four sons, I’m sure they’d say I’m a control freak. I think I scored “possible army officer” on the career test I took in college. But, to quote Popeye, “I yam what I yam.”

What’s next for you?

I’ve finished the first draft of Loving Lord Ash, the last book in the trilogy which should be out in Spring 2014. Maybe because I’m a pantser, I can’t just type “the end” and send a manuscript off to my editor, though. I usually take several weeks to a month to revise and polish before I’m willing to part with a story. I’m just hoping Ash doesn’t give me the fits Jack did!

And now a question for your readers: Do you have a favorite book that features a cross-dressing heroine? Mine is Fool’s Masquerade by Joan Wolf. I have to say I’m a big fan of Joan Wolf’s Regencies–I have many of them on my keeper shelf. (Okay, really a keeper box.) Why do you like this kind of story–or if you don’t like “chick-in-pants” books, why not?

Thanks for being our guest, Sally. Readers, do not forget to comment for a chance to win Surprising Lord Jack.

*The Threads of Feeling exhibit comes to Williamsburg, VA, May 25, 2013.

 

Congratulations to the following Riskies, for reaching the finals of Greater Detroit RWA’s Booksellers’ Best Award!

In the Regency category:

MY LADY GAMESTER, by Cara King
“a well-polished jewel of a book,
with a gem of a hero” — Barbara Metzger
THE MYSTERIOUS MISS M, by Diane Perkins/Gaston
“Gaston’s strong, memorable debut provides new insights into the era and characters that touch your heart and draw you emotionally into her powerful story. — Kathe Robin, Romantic Times BOOKclub.

and in the Historical Romance category:

LADY MIDNIGHT, by Amanda McCabe
“Lady Midnight will enchant and enrapture readers with its great depth of character…a tantalizing plot with wonderful gothic overtones and a daring hero” — Kathe Robin, Romantic Times BOOKclub.
Way to go, Riskies!!!!!!!!

 

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