Back to Top



What a sad reflection on everyday life, or at least everyday life with the Riskies…fairy princesses yesterday, pigs today. In my tradition of eloquently bringing down the tone, I thought we should take a look at farm animals of the regency or earlier, and I’m unapologetically concentrating on pigs. Like my hero Adam in Dedication, I’m quite fond of pigs. They do spend a lot of time squelching in mud and making disgusting noises, but they are very intelligent and can be quite friendly. Did you know that if you scratch a pig’s back, its hind legs will give way and it will collapse in a pleasured heap? They can also be extremely aggressive (in an earlier version of Dedication, the villain was attacked and eaten, all except for his watch, by Adam’s pigs). It’s remarkable that creatures bred for centuries to be eaten can have so much personality and smarts.

In 1807, Mr. Richard and Mr. Edward Toomer trained a pig as a retriever in the New Forest (honestly, this is true). She was named Slut for her fondness for wallowing in mud, and excelled at her vocation: When called to go out shooting she would come home off the forest at full stretch, and be as elevated as a dog upone being shown the gun. (By the way, I do not recommend doing a Google seach for “pig hunt slut.” The results are not for the faint of heart.)

There’s a lot of interest in England in saving old breeds and here are some pics of some of these porcine beauties: from left to right, the Old Black, the Gloucester Old Spotted, and the British Saddleback. Most original British breeds are actually not that ancient–they derive from the great interest in agriculture of the eighteenth century, when pigs from the near east were imported to improve native species. Despite their limited gene pool, these “heirloom” pigs are resistant to modern pig diseases and also have better maternal instincts (which probably translates as being less likely to eat, or squash, their offspring) than their factory-farmed cousins.

In my pig research, I also discovered that the wild boar, sus scrofa, extinct for three centuries, is making a comeback in England. I don’t know how specifically British the species is, since they are imported boars who escaped and are now surprising picnickers and annoying farmers. Both James I and Charles I were among those who attempted to re-introduce boars, for hunting purposes, with mixed success: not only will boars root where they please, but they taste good. Here’s a close up of the tusks of a two-year-old male.


Despite the aggressive mouth furniture of the adults, though, you have to admit the babies are adorable. Aaaaw!

Any other good Regency pig tales? The only example I can think of is Mr. Knightley giving Miss Bates a joint of pork in good neighborly fashion.

Posted in Regency, Research | Tagged | 9 Replies

A while back my CPs and I realized we were all tapping into elements of popular fairy tales: Beauty and the Beast, Sleeping Beauty and (mine) Cinderella. We didn’t see it as a Bad Thing. These stories have something called “enduring appeal”. Nothing wrong with that!

I’ve been thinking about Cinderella again (must be one of my favorites) and here are some of the reasons for her popularity:

  • The idea of a magical night where one meets (and instantly recognizes) one’s soul-mate. Glass slipper optional.
  • The whole rags-to-riches, ugliness-to-beauty transformation.
  • The desire to be rescued from one’s humdrum existence, the whole “Calgon, take me away!” fantasy.

But the rescue fantasy can also be the downside of a Cinderella story. I enjoyed the classic Disney animated version, but have to admit the mice carried the story. As a child, I wondered if you got a Prince just for putting up with annoying relatives. Knowing I couldn’t have put up with that evil stepmother and mean stepsisters made me feel a bit . . . guilty.

That was before we writers were told it was Bad to have a Passive Heroine who puts up with a toxic situation rather than leave or change it.

More recent retellings make an effort to reverse this. One of my favorite is the movie “Ever After” with Drew Barrymore. A plucky Cinderella, who has good reasons for staying with her family and does NOT meekly accept her fate (she punches out one evil stepsister, and rescues the hero from a band of brigands.)

A more self-conscious effort came in Disney’s remake of Rodgers & Hammerstein’s Cinderella (the version with Brandy and Whitney Houston). Some people dissed this movie for its interracial cast (but it’s a fairy tale, right, folks?) I enjoyed it for the most part, and thought Pablo Montalban was particularly charming as the prince though Jason Alexander was equally annoying as the palace gofer. Back to the subject, though, in this remake they have Cinderella run away from her toxic family near the end. Of course, on the way out she meets up with the Prince.

One Cinderella retelling I thoroughly enjoyed was Gail Carson Levine’s ELLA ENCHANTED. The movie version was cute, but totally deviated from the book except for the main premise, that Ella struggled against an enchantment that forced her to obey any command from anyone. The book is a fun read, with an important message.

On to some Regency-set romances with Cinderella elements.

ARABELLA, by Georgette Heyer, is perhaps the classic, quintessential London Season story, where a heroine from a modest country family becomes the most sought-after belle in society. It’s great fun, but I have to say too that it’s been imitated far too many times. The other Cinderella element that’s become rather tired is the poor, unappreciated heroine whose mother (or stepmother) unfairly favors her supposedly more beautiful sister.

One story that flipped over the Cinderella concept is AN UNLIKELY HERO, by Gail Eastwood. The hero, Gilbey, is a soft-spoken, scholarly NICE guy who comes into his strength while aiding the heroine and her sister. Loved this one!

A more obviously Cinderella-inspired story is ONE NIGHT OF PASSION, by Elizabeth Boyle. The story starts with the heroine seducing the hero at a Cyprian’s Ball. Though it doesn’t tap much deeper into the fairy tale, it’s a fun, quick read.

So what do you like best/worst about the Cinderella fantasy? When does a Cinderella cross the line from being worthy to being a doormat? Is it going too far to have a kickbutt Cinderella instead?

What are your best/least favorite interpretations of Cinderella?

Elena
LADY DEARING’S MASQUERADE, RT Reviewers’ Choice Award nominee
www.elenagreene.com

On Saturday, I went to the annual JANE AUSTEN EVENING, which is sponsored by the Lively Arts History Association. (More info about them at http://lahacal.org/)

First was a lovely tea, followed by a performance by Herr Beethoven. Then supper, and then several hours of dancing to live period music. The dances were mostly country dances, ranging from easy (such as Child Grove) through intermediate and on to advanced (anything with a hey, apparently!) I was delighted to be able to dance several of the advanced dances this year. There were hundreds of people there, most in some sort of costume, and the whole thing was quite splendid.

Some, like me, were in simple handmade empire gowns…nothing fancy, but at least the right feeling. (That’s me, grinning away! And please keep in mind that empire gowns add thirty pounds, easily!) 🙂 Some, like my husband, were in fake-it-and-make-it-look-vaguely-period costume. But many were in the most detailed, intricate, amazing costumes ever. (Yes, I mean real corsets and everything!) 🙂

This is the third Jane Austen Evening I’ve attended, and each has been better than the last. I danced until my feet could take no more. And I danced three maggots — Dick’s Maggot, Jack’s Maggot, and Mr. Beveridge’s Maggot (easily the most famous, having featured in the BBC/A&E Pride and Prejudice.)

These photos are courtesy of my delightful friend Jean — she’s the one on the right in the final photo, in the red and gold gown. Jean and her handsome husband Jack are graceful and energetic dancers (beware Jack’s energy when he takes his Trip to Paris!) who have been dancing for a long time.

There don’t seem to be any English country dancing groups very near where I live (I’m iffy about driving twenty or thirty miles to one) but I can always hope! I danced with local groups when I lived in Santa Barbara and in Pittsburgh, and it’s great exercise as well as educational social fun. (That’s pretty much everything one could ever want rolled into one, if you add a little chocolate.)

All in all, I had a wonderful time (could you guess?) at the Jane Austen Evening, and can hardly wait until next year!

Cara
Cara King, www.caraking.com
MY LADY GAMESTER — from Signet Regency, on sale now!!!!


Good evening! May I offer you some tea? Perhaps some seed cake? (I am always polite, you see, even when deeply perplexed). When I went to my slumber last night, it was 1810 and I was visiting my dear friends Lord and Lady Seaforth-Haigh-Smythe. I was most comfortably ensconced in their lovely Yellow Chamber (rumored to be haunted, by those inclined to romantic superstition), and when I awoke I found myself here. In the small (yet charming!) cottage of Lady Amanda, surrounded by almost as many pets as our own Duchess of York possesses and forced to sleep on something called a “sleeper sofa.” There is also this magical contraption, the come-puter, and its instant post.

I am confused by many things in this new abode (tea in bags? Horrors!), but I am sure good manners and proper behavior will see me through. In my own time, I am rather well known for my knowledge of etiquette. I even pen my own pamphlet, “Ask Lady Cordelia,” where many a bewildered soul faced with social conundrums has benefited from my advice. Perhaps I can be of assistance to some of you?

As I bide my time until I can return home, I am quite relieved to see that a house party has recently (and properly) concluded, and that these, er, “Riskies” at least possess some knowledge of proper attire and gentle pursuits such as music.

Farewell for now!

Lady Cordelia

Posted in Frivolity, Regency | Tagged | 8 Replies

Amanda McCabe has written 11 books and a novella for Signet Regency. She’s been a finalist for the RITA, RT’s Reviewer’s Choice Award, the Daphne DuMaurier Award, Holt Medallion, and National Reader’s Choice Award. When not reading or writing romance, she loves doing needlework, taking dance lessons in ballet and flamenco, and digging through antique stores in search of new treasures. She lives in Oklahoma with two cats and a Pug dog. Learn more at ammandamccabe.tripod.com

Praise for A TANGLED WEB!
“McCabe does a terrific job with this simple story of love, rank and a bit of deceit in, quite possibly, the last of our traditional Regencies. ” Romantic Times, 4 1/2 Stars!

The Interview

Q. How did you think of writing this particular book? Did it start with a character, a setting, or some other element?

It actually started with the PBS show “Regency House Party”! I loved the interaction of the various “characters”, and what happens when you throw different types of people into close proximity for an extended period of time. So, A TANGLED WEB is sort of “Regency House Party” crossed with “Persuasion.”

Q. How long did it take? Was this an easy or difficult book to write?

It took about three weeks. And I will NEVER do a book so quickly again! The publisher needed the manuscript in a hurry to get it into production, so I worked much longer hours than I usually do on a book. The characters didn’t help me at all, either. Some of them refused to follow my careful house party matchmaking, and kept switching partners on me!

Q. Tell me more about your characters. What or who inspired them?

There are four couples altogether. The main one, the hero and heroine, are my “Persuasion” couple. Diana and Tom were in love when they were young, but as she was an earl’s daughter and he was a tenant’s son, they were kept apart by her ambitious family. He went off to Canada to seek his fortune, and she married and was widowed. But they never forgot each other. One couple is quite villainous, and the other two are young people in love (the ones who could not decide who they really love!). We have Diana’s shy younger sister, her beautiful and flamboyant best friend, the bookish duke’s son, and the handsome n’er do well. Who will end up with whom??? And then there is their hostess, Diana’s mischevious Aunt Mary, who is quite delighted by all the romantic turmoil she’s caused. It was so much fun to work with all of them, even when they were being stubborn!

Q. Did you run across anything new and unusual while researching this book?

I had to research the history of Canada (or British North America) in this period, something I hadn’t really looked at for any other project. Tom spent a great deal of time out in the wilderness and in small trading communities, where the amenities were rough. But his mother, who went to Canada with him (and now wants him to marry well, since he’s rich!), lived in Toronto, or York, and it was quite a comfortable and civilized place. I learned a great deal that I didn’t know before.

Q. What do you think is the greatest creative risk you’ve taken in this book? How do you feel about it?

Hmmm-this doesn’t seem like an especially “risky” story, since I had to get it done in such a hurry! But my hero isn’t a duke or earl, he has no title at all, and he made his own way in the world. I liked him so much, both for the fact that he built a fortune on his own wits and adventurous spirit, and for the fact that he loved Diana for so long and tried so hard to be “worthy” of her.

Q. Is there anything you wanted to include in the book that you (or your CPs or editor) felt was too controversial and left out?

Originally, in my mind, the villainous couple caused even more trouble, but in the end there just wasn’t enough room to include all their machinations! But hopefully they get what they deserve in their future lives.

Q. What are you working on now?

A historical fiction story set in Florence in the 1470s. The research has been fascinting! I also have an idea for a new romance series, titled “Villains, inc.” So, stay tuned!

Follow
Get every new post delivered to your inbox
Join millions of other followers
Powered By WPFruits.com