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I can’t believe it’s almost the end of October! It’s flown past and soon it will be time to think about Thanksgiving and (gasp!) Christmas. But there is still plenty of time left for more spookiness….

Last Tuesday we looked at some famous ghosts of the UK (Anne Boleyn, Mary Queen of Scots, etc)–today we’ll look at some interesting apparitions, not necessarily ghosts (whatever we think a “ghost” is) but stuff that is pretty creepy anyway. In many parts of the world, there are lots of legends of spirits and “phantom lights” wandering roadways, hitchhiking or just generally floating around being creepy. (When I was a teenager, I remember tales of a certain spot outside town where ghost lights could be seen, and the spirit of a girl who was run over on a railroad track and pushes cars over the fatal spot. But I was never brave enough to go look for myself…) There are also ghost cars and phantom carriages pulled by ghoulish horses and headless coachmen. The streets can be dangerous places.

There are also lots of haunted World War II airfields in England, places where scores of young men flew off to their doom and now keep coming back to their airstrips. One legend combines the haunted airstrip with the roadway ghost. At the remains of RAF Metheringham, a young woman is spotted standing by the road just outside the gates between 9 and 10 at night. She wears a pale green coat and gray scarf with an RAF wings badge pinned to her collar. She stops passers-by and asks for help, telling them her boyfriend had a motorcycle accident and is injured nearby. She looks quite real–until she suddenly vanishes, and leaves a feeling of fear and panic behind, along with an unpleasant smell. (Legend has it she was killed when riding the motorcycle with her fiance).

Biggin Hill airfield is perhaps the most famous of the “haunted airfields”–phantom Spitfires fly overhead, heard but not seen, and sometimes airmen dressed in trench coats walk through the village before disappearing. Another similar spot is Bircham Newton, where doomed airmen are said to play squash in deserted buildings.

One famous manifestation of the “phantom carriage” is Lady Howard, a 17th century noblewoman who was widowed 4 times and also lost her young son. Strangely, in life she had a good reputation, despite a horrible father who was detested in the local village (and killed himself) and one abusive husband who (shockers!) divorced her, but her other 3 marriages were content enough and she was charitable and well-liked. Now in death she is cursed to ride each night in a carriage made of the bones of her 4 husbands and accompanied by a huge black dog with blood-red eyes and driven by a headless coachman. The ghostly-white figure of a lady can be glimpsed inside. It leaves behind a foul smell, and it’s said that if it stops at any door or for anyone on the road, that person will die.

“And horses two and four;
My ladye hath a black blood-hound
That runneth on before.
My ladye’s coach hath nodding plumes,
The driver hath no head;
My ladye is an ashen white,
As one that is long dead.”

Black demon dogs are another favorite legendary haunt. They’re called different names–the Barghest and Gytrash of Yorkshire, Black Shuck of East Anglia, and Bogey Beast of Lancashire. They’re often associated with lightning storms, crossroads, places of execution, and isolated pathways. They’re often a harbinger of doom for those who see them (of course–what else would giant black dogs with blood-red eyes be doing??? Very Hound of the Baskervilles)

Another harbiner of doom is an apparition called a “Radiant Boy”–a child often wearing white, very blond and pretty. But beware looking in his eyes! (It’s speculated that these are a legacy of early Nordic settlers in the 9th and 10th centuries in Cumberland and Northumberland, since they are also common in Scandinavia). One “radiant boy” incident took place in 1803, when a rector and his wife visited the noble Howard family at Corby Castle in Cumberland (maybe best to avoid those Howards?). After dinner they retired to their guest chamber where they were woken up very late by a glimmer next to the bed that increased in light until it was overwhelming. A boy wearing white formed in the light, and looked in the rector’s eyes until he turned and disappeared. The couple ran out early the next morning, but the rector later gave a statement about what they saw to the Howards. (There is also a legend of Castlereagh seeing a radiant boy in Ireland, years before his tragic death…)

One last weird case, completely different from black dogs and haunted airfields, is the Phantom Drummer of Tedworth, a famous case of poltergeist in the 1660s in Wiltshire. A man named William Drury was annoying people with banging on a drum all the time (sounds like a neighbor in my old apartment!), and John Mompesson filed a complaint. Drury was released but his drum confiscated and given to Mompesson for safekeeping. The drum started making continual noises all on its own, sometimes accompanied by stuff like objects hurled across the room, terrible smells, disembodied voices, chamber pots overturned (yuck!), doors opening and slamming shut, children pinched, etc. Classic poltergeist activity. A minister came to investigate and saw some of the occurrences for himself. He thought an evil spirit must be responsible, but here is the twist–it turned out to be a living person (or so the legend goes).

Drury had meanwhile been arrested again for theft and was in Gloucester Gaol. He claimed he caused the activity because he wanted his drum back. He was tried for witchcraft, but amazingly got off easy–he was just told to leave the county. The activity stopped.

These are just a very, very few of the fascinating, creepy stuff I’ve found when researching these posts! I think I need to sleep with the lights on now. What are some of your favorite old legends and stories? And next week I’ll be looking at the history behind popular Halloween activities. What do you like to do on the holiday? (Obviously I like to dress up, but I also have the unfortunate driving desire to eat lots and lots of mini Snickers bars. I like the Halloween parade, but avoid haunted houses…)

It wasn’t so long ago that the buzz around publishing was that Historicals were “dead.” I never believed it, because I always thought there were plenty of readers like me who loved Historicals. It turns out, if I remember the statistics correctly, that sales of Historical Romance went down in the same proportion that all book sales went down.

Lately it occurred to me that not only are Historicals not dead, they have sprung to life in lots of different ways!

1. Reinventing and expanding on Jane Austen’s work.

Just think of how many books have expanded on Jane Austen’s work, particularly Pride & Prejudice! Our guest yesterday, Abigail Reynolds with her latest Mr. Darcy’s Obsession, is a prime example! But there are a bunch more. See here.

2. Using Jane Austen as a character herself.

Stephanie Barron’s Jane Austen Mysteries come to mind. As well as Becoming Jane Austen. But number one in my mind is our own Janet’s so very clever Jane and the Damned.

3. Using real historical events in books about fictional people.

Amanda and I do this a lot! Amanda’s The Winter Queen takes place in the court of Queen Elizabeth I and the Frost Fair of 1564. Her Laurel McKee books take place in during the tumultuous time of the 1800 Union Acts in Ireland. And, of course, my Three Soldiers Series uses the real historical events of the Napoleonic War.

4. Then there are the Historicals that are fictionalized stories of real historical figures or events.

Philippa Gregory, of course, is perhaps the queen of this sort of book and her upcoming book, The Red Queen, set during The War of the Roses is just the latest example. Carolly Erickson is another author of this sort of book. Next Sunday, I’m excited to say our guest will be Kathryn Johnson whose historical The Gentleman Poet, is based on a piece of history that tells a story of love and danger, including, perhaps, the events behind Shakespeare’s The Tempest. (It is a spectacular book, so don’t forget to stop by. You might even win a signed copy!)

What are some of the books of each of these types that you’ve read and enjoyed? What do you like about each of these different kinds of books? Have you heard any buzz about The Gentleman Poet?

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I’m a magpie. I’m drawn to shiny, sparkly things and always have been. I love glitter, sequins, chandeliers, beaded bookmarks and of course, jewelry. It doesn’t have to be expensive. In fact, after I lost one of a pair of opal (luckily, not antique) earrings at a hotel, I decided I prefer to own jewelry I won’t feel terribly guilty about losing. I’m most attracted to jewelry that is unusual, vintage or artsy. I’ve even dabbled in jewelry making; though my results are not professional, it’s fun.

I love when I have to research jewelry for a story. One of my favorite sources is Three Graces Antique Jewelry, a good place for research and fantasy shopping. Most of the images in this post are from Three Graces. I based a ring in one of my books on this one, substituting sapphires for the rubies.

I’ve also learned that for the heroine on a budget like me, there were options that were less expensive than gold and gemstones.

I remember seeing the term “pinchbeck” in Georgette Heyer novel and wondered what it meant. It turns out it’s an alloy of copper and zinc invented by Christopher Pinchbeck (1670-1732) and used extensively to make durable jewelry that was less expensive than gold. The earrings to the left are gold, to the right, pinchbeck, both early 19th century. I think both are very pretty! One could wear these to a ball, with a pretty white gown if one were young, or with more vibrant colors if older (I love gold with green).

The term “paste” used to make me think of plastic (ugh!) but it actually refers to cut leaded glass faceted to resemble real gemstones. Being softer, it was trickier to cut. And some of it is very pretty as well. Here I have several sets of earrings, diamonds above, paste below. Frankly, I cannot tell the difference! Any of them would be just the thing for a night with my lover at the opera.

The term “parure” refers to a set of matching jewelry. The first is amethyst, the other is emerald-colored paste. I think these parures would be great for a presentation at court. Since the combination of high waists and hoop skirts couldn’t flatter any figure, pretty trinkets like this would help to bring the eye toward the face, instead.

Here are some more period baubles. Can you guess what period they are and can you tell the paste and pinchbeck from the real? (Don’t worry if you can’t–I was very surprised by some of them.) Where would you wear them?

Elena



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Recently–or actually, all of the time–authors on Twitter were discussing copy edits, and their bad habits.

One commented THAT she seemed to use THAT all the time, and THAT it was THAT annoying to find in her manuscript.

Others have talked about their heroines making certain expressions continually, such as glaring, and heroes often drawl (especially Regency heroes!) beyond even the deepest of Southerners.

One of my tells is starting blog posts with “So,” which I do in real life a lot. One of my other tells is repeating the same information in the next sentence, just in case you didn’t get it the first time. Yeah, not such a good habit.

Resulting in the ever popular *facepalm*.

And then there are thematic tells, but that is for a much longer post.

Certain authors have such distinctive tells you can immediately identify their work by a few sentences. For example (and some of these are so, so easy!):

Sentences that last AT LEAST half a page (hello, Mr. Faulkner!)
Sentences that are one word and one entire paragraph (Robin Schone and, um, me)
No capital letters (It was just e.e. cummings‘ birthday)
No punctuation (this isn’t quite the same thing, but apparently Christopher Walken removes all the punctuation from his scripts which results in his intriguing reading of his material). Plus many early authors had unfamiliar punctuation, but that is more likely due to the changes in the art rather than a tell itself.
Certain words; I have yet to read a Barbara Hambly where I didn’t stumble across a word I had no idea of its meaning, usually within the first two pages. Always the first five.

Some of these tells result in what editors and agents are apparently always looking for, which is voice. I’ve been told I have a strong writing voice, which is good, unless you’re not fond of the voice in question.

What tells have you noticed in authors? If you’re an author, what is your best and worst tell?

Megan

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