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St. Brice’s Day

I love finding local events to include in books. They can be fun inciting events, or random bits of action, or just a bit of historical authenticity. It’s the little things like this that add verisimilitude and depth to a book (at least in my opinion). One of my go-to sources for this kind of thing is The English Year by Steve Roud. It’s an absolutely fabulous book that goes through the whole year listing events and celebrations all over England. I’ve used something out of it for every book.

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The Stamford Bull-Run, 18thC

So, if we were dropped into Georgian England this week, what might happen? Well, if it happened in the city of Samford, we might get trampled by bulls. On Nov 13th (or the 14th if the 13th fell on a Sunday as it did this year), the Stamford Bull-Running took place up until the 1839 when it fell afoul of reformers.

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Stamford (photo by SmileyRose – Wikimedia Commons)

According to local tradition, the custom was started in the 12th century by William de Warenne, 5th Earl of Surrey, after he saw two bulls fighting in the meadow. When the butchers tried to part them, the bulls ran into the town. The earl so enjoyed the resulting ruckus (and giving chase) that he decreed it would be an annual event.

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A jug commemorates Ann Blades – a Stamford bull runner in 1792 (photo by Roger from Derby, UK Wikimedia Commons)

The city would block off side streets and board up windows. At 10:35AM the church bells would ring, alerting people to clear the street, and then the bull would be released and the crowd of “bullards” and their dogs would chase it through the main thoroughfare. When they reached the bridge, the bull would be tossed over into the water, and then pursued into the field, slaughtered, roasted and eaten (later the meat was sold off cheaply, rather than cooked and consumed on the meadow).

 
By the late 18th century, bloodsports (and anything that involved riotous celebration by the poor and working class) were falling out of favor. The local paper in 1785 commented:

 
Monday last being our annual bull-running, the same was observed here with the usual celebrity—several men heated with liquor got tossed by the bull, and were most terribly hurt, while some others more sober had little better usage. What a pity it is so barbarous a custom is permitted to be continued, that has no one good purpose to recommend it, but is kept as an orgy of drunkenness and idleness to the manifest injury of many poor families, even tho’ the men escape bodily hurt.”

The bull-run became a major cause for reformers, and was first banned in 1788, but the powers that be were unable to suppress the custom and eventually gave up trying. The cause was again taken up in 1824 by the newly formed Society of the Prevention of Cruelty to Animals, and ending it (by turning the tide of local opinion) was their first major success. [ok, so this was an entirely unexpected discovery when I chose this topic, it’s a twofer for anyone wanting to write an authentic reformer hero or heroine!).

So, happy St. Brice’s day! Be glad you weren’t trampled by a bull.

Author Websites

I’m putting some serious thought into a long-needed upgrade to my rather lamentably home-made website, www.elenagreene.com and I’d love to have some input from readers.

Of course it is important to have a website that is uncluttered and easy to navigate. Although I personally don’t care to surf the web on my phone, but I know a lot of people do, so it’s also looking important to have a site that is mobile-friendly.

As for style, I’ve been looking through a lot of historical romance authors’ websites to get ideas of what might work for mine. One of my favorites is our own Risky Diane’s website at www.dianegaston.com. Here’s a screenshot. I think it’s elegant and has a romantic, historical feel without being too busy or flowery.

dianegastonwebsite

Some other website along these lines include: www.lorettachase.com and www.janmarieanello.com.

I also do happen to enjoy sites that have more imagery, including romantic couples and stately homes. Some examples: www.sarahmaclean.net and www.cynthiawrightauthor.com.

I’ve also noticed that some sites combine simple, elegant graphics with an author portrait. Examples: www.eloisajames.com and www.tessadare.com. I’d probably want to get a new headshot for this type of site, although that might be a good idea anyway.

So I’d love to hear what you think.

How often do you visit author websites?

  • Occasionally (a few times a year) (50%, 7 Votes)
  • Often (at least once a month) (36%, 5 Votes)
  • Rarely (14%, 2 Votes)
  • Never (0%, 0 Votes)

Total Voters: 14

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Where do you most often view author websites?

  • laptop or desktop computer (62%, 8 Votes)
  • tablet (31%, 4 Votes)
  • a mix (8%, 1 Votes)
  • mobile phone (0%, 0 Votes)
  • I don't visit author websites. (0%, 0 Votes)

Total Voters: 13

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What style of historical romance website do you most enjoy?

  • I don't care as long as I can find what I want (46%, 6 Votes)
  • Simple, elegant graphics (38%, 5 Votes)
  • Romantic images of people and scenery (8%, 1 Votes)
  • Other (please explain in comments) (8%, 1 Votes)

Total Voters: 13

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How do you feel about having the author's portrait on the main page?

  • I don't care one way or another. (46%, 6 Votes)
  • I like seeing the author's portrait on the main page. (38%, 5 Votes)
  • It's OK to just have the author portrait on the bio page. (15%, 2 Votes)
  • I'd rather not see the author portrait. (0%, 0 Votes)

Total Voters: 13

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Please feel free to comment on any of your answers and let me know if there’s anything else you think is important.
Thanks!
Elena

Elections, Regency Style Redux!

I originally wrote this blog Nov 5, 2012, so this is a redux (giving me time to finish the work-in-progress)

Tomorrow is Election Day here in the USA and when you live in a swing state (Virginia) in the suburbs of the nation’s capital (Washington, D.C.), You. Cannot. Escape. This. Fact. Ever. (Diane Note: I would daresay, if you are a citizen of the WORLD this election cycle, You. Cannot. Escape. This. Fact. Ever.)

If I lived in Regency England, though, things would be a lot different. An election would only be for members of the House of Commons. In the early 1800s, the House of Lords consisted of hereditary peers and, of course, the king was not elected. Members of Parliament served until Parliament was dissolved, every five years unless emergency extensions were necessary.

Fairness was a rare commodity in election to the House of Commons. Some “pocket boroughs” were in the pocket of the local magnate or his designee and, therefore, had no real opposition. Other “rotten boroughs” might have small enough numbers of voters that all could be successfully bribed, while areas as densely populated as Manchester had no representative. For example, Old Sarum in Wiltshire had three houses and seven voters. The Reform Act of 1832 dissolved the rotten boroughs and more evenly distributed representation.

Like in the US, there were two main political parties. Generally speaking, the Tories were conservative, wanting to maintain the status quo, while the Whigs advocated electoral, parliamentary, and social reform. After the French Revolution, the Tory party experienced years of largely uncontested power. Before he became Prince Regent, George IV supported Whig sentiments, but when in power, he turned Tory.

The only people who could vote in Regency England were male landowners. Only one man in seven could vote in England; one in 44 in Scotland. Women did not earn full voting rights in the UK until 1928.

So when I cast my vote tomorrow, I’ll be grateful that I have a voice in my government and I’ll appreciate how different it would have been if I had lived in my beloved Regency England.

Go vote!!

Helping Hands: Life with Servants

house-maid-by-william-pyneDo you ever catch yourself wishing you had a cook and a housekeeper? How about a lady’s maid to do your hair, or a footman you could send to the store? My schedule imploded this week thanks to a big surprise project at work, and once again I caught myself wishing for that kind of extra help.

My family has already pointed out to me that clones wouldn’t do. They would be just like me, and therefore likely to enthusiastically embrace new projects, rather than merely help complete the existing ones, so they would multiply the problem rather than solve it. (sigh)

If you could have whatever servants you wanted, which ones would you choose? Our modern conveniences have made some servant jobs obsolete –scullery maid, for instance. In a large Regency household, the scullery maid washed all the dishes, pots, and pans, not only for the family, but also those used by the other servants, all of whom outranked her. Today the dishwashing machine handles most of that.

I don’t think I need a butler, either, even though in the Regency the butler might reign supreme over all the other servants in a household where there wasn’t a steward over him. The butler managed the wine cellar, looked after the good silver cutlery and plate, and supervised all the male servants in the household under him, especially the footmen who served the family and guests at dinner. He sorted the mail (well, on second thought, that still might be useful to me), and welcomed or turned away the visitors who came to call. (We have few visitors. Could a butler manage my social media?)

The housekeeper was, in many households, moreland_henry_robert_500_the_laundry_maid_ironing_1785of nearly equal rank with the butler, and often was trusted with keeping accounts and other management duties, which might have been shared with him. It was her job to supervise all the female servants under her, which would have included all the different types of maids (chamber maids, house maids, laundry maids) and sometimes, the cook, although male cooks were preferred in the wealthiest households, and in many homes the cook and housekeeper were equals.

A housekeeper and a couple of maids would be very welcome in my house –for paying the bills, keeping track of supplies, tending to my clothes, and getting rid of the unwanted stuff that accumulates around here! Most especially, for CLEANING. Everything! And a cook would be worth her weight in gold in my household.

Footmen. Well, who wouldn’t want a couple of those? In the Regency, footmen seeking positions often included their height as part of their qualifications. It seems that you wanted your footmen to come in matched sets, and the more handsome, the better! Experience, reliability and character were not enough. Footmen were handy because they could accompany you on errands and carry your packages, open doors, or if visiting, they would go to the door and present or leave your card. They could assist you in and out of you high carriage if you actually needed to get out. They waited on table at meals, and might be charged with answering the door if the butler was busy with other tasks. These days? I would love to send my footman to run my errands –think of all the time that would save!!

I admit I don’t have need for a coachman or a groom, thank you, but a gardener would be heavenly! For a place that has no lawn, our property needs an awful lot of pruning, weeding, and other kinds of yard care.

exhausted-servantOf course, having servants meant having enough of the ready to cover the cost. During the Regency, there was a tax to be paid on male servants in addition to their wages, their room and board, and the additional expense of clothing them and providing for incidentals. (A candle to light their room at night? Extravagant!) That was one reason the more modest households often employed only female servants. Females were also paid lower wages, even for similar work. (Hmm, some things take a long time to change.) Servants also had to be paid “board wages” if the employer’s family was not in residence for any length of time.

Even other people’s servants cost you money in the Regency, for tips (called vails) were expected, especially if you were visiting. Do you remember to leave a tip for your chamber maid when you stay at a hotel? Well, the same was expected then when you stayed at someone’s country house, and not only for the maid who tended your room, but any other servant who gave you service, whether it was the butler, the groom, or the host’s valet on loan to help your husband with his attire. (A valet today would probably refuse to work with my husband’s wardrobe!) These costs had to be considered before accepting just any invitation.

Employers not only had to follow the terms of the employment contracts, but they had to observe the strict social pecking order among the servants themselves. Heaven forbid if you asked one servant to perform a task that was the duty of another!

If you’re interested in more information about types of servants, wages paid, and more, the blogpost at: https://countryhousereader.wordpress.com/2013/12/19/the-servant-hierarchy/ has some of that information and a good bibliography at the end of it. Another good article is at: http://rth.org.uk/regency-period/family-life/servants. Authors Donna Hatch and Geri Walton, among others, have done more in-depth articles on this and related topics. Thanks to my crazy week (and lack of servants), this had to be a quick one!!

Having some live-in “help” seems like such a great idea, until you begin to weigh the complications of it. I have a feeling the maids would take one look at my house and run away screaming. (or I would need a bunch of them!!)

pearline-soap-ad-1890-granger-revisedMaybe I’m okay just muddling through on my own, thank you –unless a big enough chunk of cash comes along with the fantasy servants I’m wishing for!

How would you have fared in the Regency world having servants? Which ones would you still wish you could have today?

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Thinking of Portraits & a Cover Reveal

These past few weeks I’ve been thinking a lot about portraits in painting and the art of portraiture. This is perhaps hardly surprising as I needed to think about a cover for my new Roman story and also started a hashtag project on Twitter and Facebook (#FreePortraitFriday), where authors can share a description of their main characters and I’m going to pick one to do a free character portrait.

Those are excellent exercises for me as I don’t just have to think about how to visualize the verbal physical descriptions of a character, but also how to visualize the…eh…character of said character. Like, is that person shy or self-confident? Kind? Arrogant? Mischievous? Those character traits will translate into the pose and expression and are nearly as important as the physical characteristics.

A couple of years ago, there was an exhibition of children’s portraits at the Städel, a famous art museum in Frankfurt, and while I didn’t manage to go and see it, I did manage to snatch up a catalogue of the exhibition. The catalogue doesn’t just provide the reader with a good overview of the history and development of children’s portraits, but also invites the reader to look more closely at the small details. When you look at Joshua Reynold’s portrait of little Frances Crewe from 1775 (“Miss Crewe“), when more realistic portraits of children that emphasized their individual personalities rather than family and heritage, had just become all the rage, you can easily see what a sweet, funny little girl Frances must have been.

Francis Cotes, "The Young Cricketer"

Francis Cotes, “The Young Cricketer” (from Wikipedia)

For his portrait of young Lewis Cage, the artist Francis Cotes chose a pose reminiscent of that of military heroes, hinting at the boy’s self-confidence. However, he immediately subverts this pose and we are reminded that this is a little boy, for in contrast to the men depicted in those military portraits, young Lewis looks far from neat and tidy: his waistcoat is unbuttoned, a corner of his shirt is hanging out of his breeches, which have become unbuttoned at his left knee. All those details add to the vitality of the portrait by hinting at the vitality and physicality of the child: he is dirty, sweaty, and stinky, but immensely proud of his achievements in cricketing.

And all those paintings of little children cuddling with their pets with obvious affection? How cute are those? Joshua Reynolds’ little “Miss Jane Bowles” (1775) exuberantly hugs her (long-suffering?) pet spaniel while smiling mischievously. And when Henry Raeburn painted his step-grandson in 1814 (“Boy and Rabbit“), he depicted little Henry as an affectionate young boy who tenderly cradles his white pet rabbit in his arm.

Posing is something I find rather difficult when I’m working with my digital models (and not the least because digital models don’t automatically pose naturally and, thus, if you don’t do it correctly you end up with a wooden-looking zombie — NOT the kind of look you really want to go for) (unless you’re doing a picture of a zombie, of course). To find the right pose (and the right camera angle) for a character often takes me quite a long time, and I typically need several test runs before I come up with something I’m happy with. As with those real-life portraits, it’s often the small details that add character to cover art.

A portrait of my centurion

A portrait of my centurion

A few days ago I got thinking about what to do with the cover of THE CENTURION’S CHOICE.  Which of my two guys should I put on the cover? Lucius, whom I used on the teaser image? Or Caius, the centurion from the title of the novella? In the end I settled on burly, cranky Caius – and after some puttering around, I ended up with the above picture. (I wasn’t able to find a digital version of a centurion’s armor, so I put Caius in a set of shiny Spartan armor.) But somehow, it just wasn’t quite right. I mean, he’s a good-looking dude, yes, but he looks a bit young-ish, and besides, Caius is described as being built like an ox. And this guy isn’t quite what I would call burly. So…more tinkering ensued!

Luckily, the muscles of digital models can be pumped up on demand and so I did some pumping (gosh, that was too much….), tried to add some muscle definition to his lower arms, and…oh, what about body hair? *Sandy wanders off to investigate digital options of adding body hair, comes back slightly traumatized* Um. No body hair, sorry.

But I did change the camera angle somewhat and turned his hair windswept to make the whole thing look a bit more heroic. And finally, I ended up with – taaaahdaaaaah! – this cover draft. Which I quite like. 🙂 And I hope you do too!

Cover image of The Centurion's Choice by Sandra SchwabTHE CENTURION’S CHOICE will come out in late November / early December and will be my very first m/m story.

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