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Megan: So, what made you think of this story?
Amanda: Well–Romeo and Juliet! Or the Zeffirelli movie version of it. Along with movies like A Dangeous Beauty and Casanova. I love the aesthetics of Renaissance Italy, the clothes, the villas, the whole juxtaposition of violence and feuds with the most amazing art and learning. And Venice is so romantic and mysterious! Julietta and Marc just seemed to belong there.
Megan: And what made you change your writing venue from Regency England to 16th century Venice?
Amanda: The Regency well had run dry! After the books and novellas at Signet, I had a very hard time getting excited about any Regency ideas. But I’ve always been interested in the Renaissance (being a complete history geek). The tremendous optimism of the time period, the advances in science and exploration, the rise of humanism and art–not just in terms of technique, but in what it meant to be an Artist. What it meant to really be human. Tremendously exciting. (Plus those great gowns!). And now even the Regency well is refilling with new ideas!
Megan: How did you do your research?
Amanda: I read a lot! (Plus forced myself to watch those movies over and over again. It was terrible, but anything for my craft…) I also found a great treasure at a book sale just as I was starting this story–a reproduction of a 16th century souvenir book full of colored sketches of Venice during Carnival. Masked revelers pelting each other with eggshells full of perfume, dance barges on the Grand Canal, sword duels, the Marriage of the Sea ceremony. It was a great inspiration, many of those scenes found their way into the A Notorious Woman! Masked balls at the Piazza San Marco, for instance. Some other great sources were Cohn’s Women in the Street: Essays on Sex and Power in Renaissance Italy; Ruggiero’s Binding Passions: Tales of Magic, Marriage, and Power at the End of the Renaissance; Wills’ Venice: Lion City; and Newton’s The Dress of the Venetians, 1495-1525. (These are just a few).
Megan: What’s with the codpieces? How did they work exactly?
Amanda: Heh heh, you said ‘codpieces’!! (Sorry, immature moment there. Ahem). In short (ha! short!), a codpiece is a flap or pouch attached to the front of trousers/hose, held closed by string ties or buttons. At first, anyway, this was a matter of modesty–hose were very snug, open at the crotch, with a man’s, er, equipment loose under the doublet. As doublets got shorter, this was just not going to work anymore, and the codpiece became a thing of vanity. They became padded to emphasize the genital area, weirdly shaped. To see some examples, you can go here. (BTW, in Middle English, cod or codd means “bag”. Get it? Tee hee).
Megan: It seemed as if you might be thinking of continuing this with one of the other characters; do you have plans to go on with the series?
Amanda: When I first wrote this story, I didn’t mean to set up sequels! But, as characters sometimes do, Nicolai and then Balthazar caught my imagination. They needed their own stories! Their own heroines! I had also been thinking of another character for a while, a beautiful French assassin, et voila! She turned out to be a great match for Nicolai (even though she tried to kill him in the past. Oops). Balthazar was a bit tougher to matchmake for–he’s handsome but, well, complicated. He has to go to the Caribbean to find his love (and no, it’s not Elizabeth Swann!). I also may have to go there, and do in-depth research on beaches and pina coladas for this book…
Megan: Your heroine is a perfumier (is that the right word??). What’s your favorite scent?
Amanda: I love perfume, and read way too many perfume blogs! (Check out this and this). Unfortunately, I seem to have a weird body chemistry that makes scents I love in the bottle (like Chanel #5 and Joy) smell like motor oil when I put them on. But I have two stand-bys–Evelyn by Crabtree & Evelyn (a summery rose smell!) and Coco Mademoiselle for special occasions (why this works and #5 doesn’t, I dunno). It was so much fun to research Renaissance methods and styles of perfume bottles.
Megan: Are there real people who were the inspirations behind Julietta and Marc?
Amanda: I wish there was a Marc! As for Julietta–I guess she is a bit like me (sadly not the tall part). Most of my heroines are either something like me or something like how I wish I was. Or a mix. And heroes are guys I wish I could meet.
Megan: What are you working on now?
Amanda: I just started working on a Regency-set story (book #2 in the upcoming “Muses of Mayfair”–Clio’s story), which is set in Sicily. After that, on to Balthazar’s Caribbean story!
Megan: In your writing, do you feel you’re taking risks? How?
Amanda: I think trying an Italian Renaissance setting was a risk. And some editors felt the story was too “dark” (even though no one dies or gets tortured or anything!!). I was lucky Harlequin loved it, and saw the potential! Sometimes there are stories we just have to tell, and this was one for me. Also, I find myself drawn more to experienced, more complex heroines lately, women who are making their own way in a dangerous world. (Julietta owns a perfume shop, and dabbles in some alchemy on the side; Marguerite, Nicolai’s lady, is a spy/assassin; Balthazar’s heroine, Kate, runs a tavern in Santo Domingo). They’re more of a match for the heroes, LOL!
Megan: Is there anything you wanted to include in this book that you (or your CPs or editor) felt was too controversial and left out?
Amanda: Originally, there was more about Julietta’s alchemical experiments! But it was cut due to word count constraints. I do tend to ramble on when not given perimeters! They did let me keep the Greek fire, which I really enjoyed…
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I read a sad little news story the other day in between the sad and huge news stories about flooding in England. English bumblebees are becoming rare.

Bumblebees are not honeybees (although they do produce honey); they are the large, amiable, furry creatures about an inch long that, well, bumble about from flower to flower in England. We have something very similar (and even huger) in Maryland where I live, a place that is particularly blessed in flying insects, bees, pretend-bees, and things that will sting you as soon as look at you.

Talking of which, here’s the business end of a bumblebee, and unlike honeybees, they can sting you more than once. So even though they look delightfully furry, it’s not a good idea to pet them.

And it’s not only bumblebees that are endangered. In all, about fifty varieties of native bees in England have become extinct recently, and the reason is mostly the loss of hedgerows. A habitat for many species of plants, animals, and birds, these plantings were often centuries old, marking ancient land boundaries, and many have been destroyed by modern agribusiness. If you travel in the English countryside you can see the scars of hedgerows destroyed to make larger fields.

But the good news is that the bumblebee has moved into the ‘burbs. It’s English gardens, crammed with flowering plants, that will help the bumblebee survive.

And now for the Regency tie-in. Well, there were a lot more flying critters around then. Surely someone has written an entomologist or beekeeper hero or heroine? Anyone got any good bee or bug stories?

All contests all the time at www.janetmullany.com and www.janelockwood.com (or at least for the moment). And sign up at riskies@yahoo.com to get our newsletter buzzing over to you every month.

Well, it’s been a month since I returned from my trip to England & France, so it’s about time I shared some pictures, right?

First, a picture of the front of Syon House.

Syon Park is located near London (and you can tell — it’s like a country house paradise, ruined by the constant noise of planes flying overhead), and bills itself “London home of the Duke of Northumberland.” (Ah, yes, that’s the sort of second home I could live with — I could even tolerate the planes.)

The next photo is of the back of Syon House.

First came Syon Abbey. Then came Henry the Eighth. Syon Abbey refused to bow to Henry’s religious ideas, so soon, Syon Abbey was no more.

Which is really too bad, because Syon Abbey was apparently quite unusual… It was a Bridgettine Abbey, housing both men and women, and extremely wealthy. Recent architectural research argues that the Abbey Church was unique in England, and quite huge.

Our next photo is, of course, a side view of the house!

In 1547, the Duke of Somerset (then Lord Protector to King Edward VI) took the estate, and began constructing Syon House in the Renaissance style. Of course, in true Renaissance fashion, Somerset eventually fell out of power, and was executed in 1552.

The house itself is a square house, built around an internal courtyard, giving the interior a lot of sunlight, and an airy, almost Mediterranean feel.

Here we see the interior courtyard of the house.

In 1604, James I gave Syon to Henry Percy, the 9th Earl of Northumberland (and descendent of Shakespeare’s “Hotspur.”) Unfortunately, soon after this, his cousin took part in Guy Fawkes’s attempt to blow up Parliament, and the earl went to the Tower for fifteen years as a suspected conspirator.

The next four photos show one of the most stunning features of Syon Park: the Great Conservatory.

The Regency-era owners of Syon Park were Hugh, the 2nd Duke of Northumberland (who had the title from 1786 to 1817), and Hugh, the 3rd Duke of Northumberland (who was duke from 1817 to 1847).

The 2nd Duke was an army man, and fought in the Seven Years War and the American Revolution (where, among other things, he commanded the relief force at Lexington).

The Great Conservatory was built between 1826 and 1827. The architect was Charles Fowler (who also designed the covered market at Covent Garden); the masonry, of Bath stone, was by Thomas Cundy; and the metalwork was by James Richards of Birmingham.

The whole estate is really quite gorgeous. Though the outside of the house is plain and rather uninspiring (it’s no accident that brochures advertising the estate tend to show the conservatory rather than the house), the interiors are utterly fabulous. Adam did a lot of the interiors, including the famous double cube room. Inside photos are banned, so I have none, but if you want to see the interiors, you can see some here: http://www.syonpark.co.uk/


Todd and I did get rather lost walking from the train station to Syon Park — our directions were poor, and construction had made signs hard to see — so by the end of the day, our feet were killing us. But except for that, it was really a lovely day.

Indeed, if you take one day trip from London to see a stately home, I think Syon would be my recommendation. I’ve seen most of the stately homes and villas near London, including Ham House, Marble Hill House, Chiswick, the Queen’s House in Greenwich, and Kenwood House, and I found Syon the most enjoyable.

The grounds are lovely too — but more on that later.

One particularly interesting thing we saw — some archeologists (and a television reality show about archeologists, or some such thing) are currently excavating the remains of Syon Abbey. (This is how they now realize just how huge the church at Syon Abbey was.)

As I mentioned, the grounds are lovely. We had neither the time nor the feet to do much walking around, but we did stroll a bit on this river path.

In an attempt to bring in more money, part of Syon Park has been made into a children’s playground, the fancy sort that one pays to visit. There is also a large commercial gardening center — which seemed quite popular.

Some guidebooks were rolling their eyes at all this sad commercialization, but it seems to me that children’s playgrounds and garden centres make more sense than some of the alternatives.

Well, that was my trip to Syon! In the coming weeks, I shall have more photos for you all, and info about Regency-era Nice, among other things. (I have SO many photos! The blessing and the curse of having a digital camera.)

And remember: in two weeks is our next cyber-meeting of The Jane Austen Movie Club! (I had erroneously said it was next week — sorry, I can’t read a calendar!!! Yes, Cara, it’s ALWAYS THE FIRST TUESDAY OF THE MONTH. Which means August 7.) This time we’ll be discussing the version of EMMA starring Gwyneth Paltrow and Jeremy Northam. So if you’ve ever seen it, please show up and share your opinions!

And if you’ve never had the chance, you still have a week to rent it…and see what you think about Ewan McGregor as Frank Churchill, Alan Cumming as Mr. Elton, and Toni Collette as Harriet Smith!

So…the questions for today are: which is your favorite photo? What was Henry the Eighth’s problem, anyway? What’s your favorite country house or villa? How would you like to have Syon as YOUR second home? And if you’ve ever been to Syon, what did you think?

Cara
Cara King, author of MY LADY GAMESTER, which has not a single country house any it, not even of any kind

Janga, you’ve won a copy of Secrets of a Lady by Tracy Grant!

Please send your address to riskies@yahoo.com

Thanks to everyone who commented! Be sure to come back this coming Sunday, when our own Amanda McCabe will be giving away her new book, and we’ll have a great new interview with her!

The Riskies

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My first RWA was in New Orleans in (I think) 2001, and I’ve been to every one since. I look foward to it all year! I see people I consider some of my closest friends (even though I only see them at RWA), and meet ‘online friends’ in person, as well as get inspired by all the creativity floating around. I get to hear gossip, learn some new promo and plotting ideas, have fun–and come home totally exhausted, counting down the days until next year. But I have to say that this conference proved to be one of my favorites.

Not for the hotel or the food (the hotel was majorly confusing, not within walking distance to anything at all, and the food–well, it sucked). It was for something intangible that I can’t entirely figure out. A ‘positive vibe,’ maybe, that’s been missing for a couple of years. An overall atmosphere of happiness and excitement, and a sheer love of books and writing. I’m not sure where it came from, or even if I was imagining it (since I am, after all, pretty darn happy about my own upcoming books–preorder Notorious Woman now!). But I think I smiled and laughed more in those four days than ever before (and, yes, squealed when I met people).

And those people were a major part of the fun. I met Keira and Santa, RR regulars who are every bit as fabulous in person (and I saw Jane George in her lovely lace dress at the Beau Monde soiree, but she was dancing whenever I went to say hi! So “Hi!” Jane!). I met Elodie and Manda from Romance Vagabonds (where I will be appearing on Tuesday! Look me up there), and so, so many others. The luncheon speeches were inspiring (I don’t feel so bad now about writing in my old Hello Kitty pajamas, and I see armadillos in a new light…), and the awards ceremony mercifully quick and fun, with Regencies and historical novels well-represented. And there were so many lovely gowns, too!

And the Harlequin party–ahhhh, the Harlequin party. I have heard stories of the fabulosity of this event for years, but have never had the courage to ‘crash.’ I had to wait until this year, when I am bona fide, but it was worth it. So much exuberant happiness, such a sense of celebration, in one spot. Plus ’80s music, and a ride in a spectacularly tacky Hummer limo! What more could I ask for? (Except maybe Orlando to escort me…)

All was not perfect, of course. My books weren’t there for the literacy signing. And when I got home and started scanning the blogs I found Controversies had reared their heads (honestly, it’s not a conference unless there is Controversy). But, as usual in Amanda Land, such things went over my sleep-deprived head while I was actually there. I need to get more observant.

And the good always outweighs the not-so-good. Like most writers, I’ve had my share of ups and downs, lots (and lots) of doubts, much stress. I expect this will continue as long as I write. So, don’t I–don’t all of us!–deserve those 4 happy days? Days to meet friends and celebrate, and be glad romance novels exist in the world.

See you in San Francisco! I’m already planning my wardrobe…

(And the pics are: The Harlequin party, me with Deb Marlowe at the Beau Monde soiree, me with the Vagabonds, and me with Keira!)

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