This week the Riskies have graciously allowed me lots of extra attention because of the release of Mistletoe Kisses, Harlequin Historical’s Regency Christmas anthology. See the intervew with the other authors of the anthology here.

We also have a contest, giving away THREE autographed copies of Mistletoe Kisses. All you have to do is comment on our blogs this week – from now to Saturday. Say more than, “Great blog” please; we love to hear from you. Winners will be announced next Sunday Nov 19. See contest details here.

I apologize for talking about Christmas before Thanksgiving, I really do! But the Historicals, like other Harlequins, are only on the bookshelf in stores for one month (longer at online stores and eharlequin.com) and if we waited until the “proper time” you might not be able to find Mistletoe Kisses at all.

During the Regency era Christmas had some of the same customs we still follow today. Decorating one’s house with evergreens. Hanging mistletoe and kissing under it. Even one that surprised me–roast turkey for dinner.

In my family growing up we, unfortunately, did not have a wassail bowl, nor did we have a yule log, but then in some of the houses where we lived, we didn’t have a fireplace so maybe that was a good thing. We did cut greenery from our yard and use it to adorn our mantlepiece and to create centerpieces for the table, like Elizabeth and Zach in A Twelfth Night Tale. And we always had a live tree (a later tradition than “our” time period). We decorated our tree on Christmas Eve and took it down on New Year’s Day.

My favorite tradition has always been to decorate the Christmas tree. As a child, my sisters and I loved to unwrap our tree ornaments, to find our favorites, the ones we remembered having our whole lives, the ones we made ourselves, the ones that were souvenirs from various trips. We always had a certain way to hang the ornaments, showing our favorites in the front and those dumb plain blue ones my mother bought one year to the back. In my family growing up, the annual debate was always whether we ought to have the lights blink or not. I always voted for no blinking.

With my husband and children, decorating the tree has never been quite the valued experience it was when I was growing up. Maybe it was because Christmas had become more hectic -school parties, parties for every other activity my children were in, church pageants, work parties, Christmas shopping, visiting two sets of relatives. In fact, I always thought the time between Halloween and Christmas passed like a blur. So now that my children are grown, I often decorated the tree myself, an artificial tree so the cats won’t eat it. (I do have a great memory from my childhood when our cat knocked down the tree on New Year’s Eve just as my parents were getting ready to go to a party)

Thing is, I still love it, the tree decorating. I have some of those same ornaments from my childhood and some really lovely antique ones that were given to me long ago. My tree has twinkling lights now. My tastes have evolved with the technology.

I do not like the hectic nature of the holiday still, but I love the beauty of the season. I love the decorations, the holiday music, the Christmas Story. I love Christmas movies and TV episodes that celebrate the holiday. I love that we honor the winter holidays of all faiths now, making the season a time for loving everyone.

Last Christmas I had the additional joy of writing my Christmas novella during the holiday season. It was wonderful inspiration, both enriching my holiday and inspiring my writing.

So this year it is a great joy to share the story with you. I hope you all enjoy A Twelfth Night Tale and the other novellas in Mistletoe Kisses.

This week the Riskies are going to be talking about our favorite holiday customs or other holiday related themes, so this is an opportunity to share yours with us (and earn chances to win Mistletoe Kisses)

Tell which you would vote for and why: Live tree vs Artificial; Twinkling lights vs Non-Twinkling lights. Or share any pet-related tree stories. The Riskies want to know…

(Holiday) Cheers!
Diane

This week, the Riskies have the pleasure of interviewing not one but three authors: Elizabeth Rolls, Deborah Hale and our own Diane, with her Gaston hat on. Together, these three ladies have brought us a new holiday-themed anthology from Harlequin Historicals, MISTLETOE KISSES.

To make it more fun, these ladies have offered to give away THREE autographed copies. Just comment on each or any of the blog posts this week for a chance to win. Click here for complete contest rules.

PRAISE FOR MISTLETOE KISSES

“A talented trio of authors brings together a triptych of heartwarming holiday stories perfect for the season. Though short stories, they are long on emotions and the true spirit of the season: redemption, forgiveness and love. When you need a pick-me-up from the holiday rush, grab one of these and you’ll be rejuvenated and ready to celebrate the joy of family and friends.” – Romantic Times, 4 Stars

ABOUT THE AUTHORS

Elizabeth Rolls lives in the Adelaide Hills region of South Australia in a valley full of apple, pear and cherry orchards. She sold her first Regency historical, THE UNEXPECTED BRIDE, to Mills & Boon Historicals in 1999 and has now written six full length Regencies for them, which have all been reissued in Harlequin Historicals. As well she collaborated on A REGENCY INVITATION with Nicola Cornick and Joanna Maitland. She has won the HOLT Medallion for Best Regency twice and the Laurel Wreath as well as being shortlisted for other awards. She’s still slightly shocked and very grateful. She enjoys writing novellas as a change of weight, pace and structure from full length historicals. Learn more about Elizabeth at www.elizabethrolls.com.

Since winning the Golden Heart in 1997, Deborah Hale has written over a dozen award-winning novels for Harlequin Historical with settings ranging from 12th century Wales to Whitehorn Montana and her native Atlantic Canada. Deborah has also written two fantasy novels for Luna Books. Her books have been translated into more than a dozen languages and sold in over twenty countries around the world. Learn more about Deborah at www.deborahhale.com.

The third author is our own Diane Perkins/Gaston, winner of RWA’s RITA Award for Best Regency Romance for A REPUTABLE RAKE. If you haven’t already, go read our interview with Diane and visit her website at www.dianegaston.com.

INTERVIEW

Please tell us about your stories!

“A Soldier’s Tale” by Elizabeth Rolls

Dominic, Viscount Alderley returns from Waterloo scarred, only to find that he is expected to do his duty and wed the heiress who spurned him on the eve of battle. But Dominic is far more interested in his quiet, gentle cousin. Pippa alone seems to be able to see past the scars to the man beneath.

“Elizabeth Rolls delivers a seasonal winner. ‘A Soldier’s Tale’ is a lovely story filled with the warmth, the magic, and the happily-ever-afters every Christmas story needs. Truly, I must hunt down more from this author!” – MaryGrace Meloche, Historical Romance Writers/Romance Designs

“Rolls’ ‘A Soldier’s Tale’ is Beauty and the Beast with a twist. A scarred war hero finds the love and compassion he needs — not from the heiress his family wants him to marry, but from his poor cousin with a heart of pure gold. This story will make your heart sing with joy.” – Romantic Times

“A Winter Night’s Tale” by Deborah Hale

This year’s festivities for Christabel Wilton and her young son will be sparse and cold — or so she fears. When the man she once spurned offers them warmth, comfort and a true family Christmas, Christabel wonders if she was mistaken about Jonathan Frost. And is it too late to make amends?

“’A Winter’s Tale’ is very sweet and very romantic. The heroine’s regret was palpable, the hero’s forgiveness was acceptable, and the secondary characters were “capital.” Deborah Hale creates two very likeable characters in Jonathan and Christabel and this reader cheered for their continual happiness.” — MaryGrace Meloche, Historical Romance Writers/Romance Designs

“It is cold comfort for a young widow who sees only sadness in the holiday until a man she once loved comes back into her life and they are both given a second chance for happiness in Hale’s compassionate ‘A Winter’s Tale.’” – Romantic Times

‘A Twelfth Night Tale’ by Diane Perkins

One impulsive night of love changed Elizabeth’s life forever. Now, ten years later, Elizabeth and Zachary meet again in a stable to deliver the child of the disgraced young woman to whom Elizabeth had been governess and who is now totally dependent upon her. Zachary offers them security, but will his second Twelfth Night with Elizabeth see their happiness reborn?

“Her fantastic THE MYSTERIOUS MISS M placed me in Diana Gaston’s corner some time ago. In ‘A Twelfth Night Tale’ Ms. Gaston grants two lovers a second chance…” — MaryGrace Meloche, Historical Romance Writers/Romance Designs

“Second chances and a love reborn are what makes Gaston’s ‘A Twelfth Night Tale’ pure pleasure as she proves that even a decade of separation is not enough to destroy a love that flames alive after one night of great passion.” – Romantic Times

When researching historical holiday customs, did you come across anything interesting you’d like to share?

Elizabeth:
I discovered that people often used to put on amateur theatricals to amuse themselves. Indoor activities make sense when the days are short and cold. So I started wondering about which play to use. I’ve always loved the story of Beauty and the Beast, oddly enough for pretty much the reason Hermione gives for wanting to use it; it’s one of the few fairy tales where the hero and heroine spend enough time together to form a real relationship.

Deborah:
I learned that the traditional carol “The Twelve Days of Christmas” was sometimes
played as a memory game. Players took turns naming gifts for each day, then having to recall and recite all the others that had gone before. I used this game for a central scene in ‘A Winter Night’s Tale’. My working title for the story had been ‘My True Love Gave to Me’.

Diane:
I learned about the custom of the “Dark Man.” In Yorkshire, it was considered good luck for a dark-haired man to be the first person to cross the threshold in the new year. So in some communities a dark-haired man would be chosen to go from house to house where he, of course, would be given food and drink. I could just imagine this man getting more and more soused as he progressed through the village. In other parts of the UK the same superstition exists. In Scotland, however, this man would have had red hair and in other areas he would be fair.

There have been many Christmas anthologies. How did you make the Christmas theme fresh for your stories?

Elizabeth:
Only a couple of specialist Romance bookshops carry the Christmas anthologies here in Australia, so I haven’t read many. I just started with my characters and then once I had the idea of using Beauty and the Beast as the play, I built the whole story round that. I actually did rough out quite a bit of the play and I wrote the scene that is used in the story on Twelfth Night in detail – stage directions and all!

Deborah:
I love historical Christmas anthologies and had wanted to be part of one from the time I sold my first book. I didn’t set out to do anything fresh or different, then Jonathan Frost’s Aunt Fanny wandered into the story. She suffers from dementia and thinks she’s back in her childhood again. Not knowing what else to do, Frost does everything in his power to humor her. He enlists Christabel’s help to give his aunt a happy, family Christmas. I hope Aunt Fanny adds a touch of poignancy to the story without dimming its essential joy. Reader reaction so far has been very positive.

Diane:
I always buy the Regency Christmas anthologies and, before writing my novella, I reread a bunch of them to get an idea of the length and tone and structure of the stories. I didn’t worry about mine being fresh or new. In fact, I knew I wanted to start out with “no room at the inn” and a baby being born in a stable, hardly an original idea! What I like best about Christmas stories, though, is when they have parallels to the first Christmas, and I wanted my story to have that, too.

Did you have to collaborate in any way to make sure your stories weren’t too similar or didn’t clash in other ways?

Elizabeth:
I had no idea who the other authors were. As for the Mistletoe Kisses in the title – mine was a relatively late addition. I had a lightbulb moment during a working bee at my sons’ school one morning. My editor wanted to change my title, but I persuaded her not too. I heard afterwards that they contacted and persuaded Deborah to change her title to fit with Diane’s and my “Tales”. Sorry, Deborah!

Deborah:
Actually, I was asked to write my novella for a 2005 anthology with Nicola Cornick and Julia Justiss. We did some collaborating on a common theme and a variety of story plots and tones. Then all that went out the window! Due to changes in Harlequin’s historical program, it was decided to hold my story until this Christmas and publish Julia’s and Nicola’s with a Mary Balogh novella as an HQN anthology. I didn’t know for sure that Elizabeth and Diane would be the other authors in the 2006 anthology until after they had finished their stories. I assume the editors picked out the common thread of kisses under the mistletoe that gave our anthology its title and lovely cover. I think there is a very nice variety and balance among our three stories that I’m not sure we could have achieved even with extensive collaboration. Perhaps there was a little mistletoe magic at work.

Diane:
I was too new at this to even think of collaboration! I also didn’t know who the other authors were in the anthology until my story was all done. I love that our stories fit together anyway and it has been fun getting to know my novella mates after the fact.

Thanks to the three of you for talking to us about MISTLETOE KISSES!

And to our visitors, don’t forget to comment all this week for the chance to win an autographed copy!

The Riskies

This week, Risky Regencies are pleased to be able to give away THREE autographed copies of MISTLETOE KISSES, kindly provided by the authors: Elizabeth Rolls, Deborah Hale and our own Diane Gaston.

“A talented trio of authors brings together a triptych of heartwarming holiday stories perfect for the season. Though short stories, they are long on emotions and the true spirit of the season: redemption, forgiveness and love. When you need a pick-me-up from the holiday rush, grab one of these and you’ll be rejuvenated and ready to celebrate the joy of family and friends.” – Romantic Times, 4 Stars

To enter, all you have to do is comment on at least one of the Riskies’ posts this week. For each day this week (from Sunday through Saturday) that you comment on that day’s post, you will earn one chance to win — so if you comment on one post, you have one chance, and if you comment on all seven posts, you have seven chances, and so on.

Visit us early and often for your chance to win.

Winners will be announced on Sunday!

This week here at RR, we’re going to be kicking off the holiday season just a bit early! We’re holding a contest to celebrate the release of the Harlequin anthology Mistletoe Kisses, featuring stories by Elizabeth Rolls, Deborah Hale, and our own Diane Gaston. Starting Monday, comment on posts all week for the chance to win 1 of 3 autographed copies. Check here tomorrow for more details!

I’m so excited about this anthology! Every year at this time, I used to buy the annual Signet Regency Christmas anthology (sadly missing this year), and hoard it away for an emergency. The emergency usually consists of Holiday Bickering Relatives Overload (the dreaded HBRO), or acute psychosis on hearing “Jingle Bell Rock” one too many times. The only cure is a cup of hot cider, a fleece-y throw blanket, and a Regency Christmas novella where there is no “Jingle Bell Rock” (and won’t be for more than a hundred years. Lucky Regency people). I’m happy to have my emergency stash this year in the form of my own copy of Mistletoe Kisses.

When I was lucky enough to get to write a couple of Christmas novellas myself (“A Partridge in a Pear Tree” in Regency Christmas, see cover on this post, and “Upon a Midnight Clear” in Regency Christmas Magic), I was very excited, but didn’t realize the unique challenge it would pose. For one thing, I was researching holiday traditions in July, when it was 100 degrees outside. I was thinking about swimming pools and flip flops, not snow and holly and wassail bowls! Listening to the Chieftain’s Christmas CD over and over helped. For another, the shorter word count presents its own challenges in characterization and plot developement. The characters still have to be well-rounded, the plot fairly complex, plus all that darned Christmas Cheer in under 50,000 words. But I did enjoy it very much, particularly with Upon a Midnight Clear because it featured my own favorite heroine (of my own devising, that is!)–Antoinette Duvall. The Jamaican daughter of a freed slave, she appeared as the heroine’s friend in A Loving Spirit. I liked her so much, and wanted her to find her own happy ending. She nagged me for it through a few more books, before she finally found her dashing naval captain one snowy Christmas night. Helping Antoinette have a cheerful holiday made me hope for one of my own. Even in July.

Another reason I’m so excited about this anthology (Warning! This post now becomes All About Me!) is that I found out I’m going to be joining Diane in her Gaston guise as a Harlequin author! Last week they bought 3 of my historical romances, 2 Renaissance-set and 1 Regency. Look for the first one, A Kiss of Poison (Renaissance Venice during Carnival! Masks and poinson and intrigue–plus really great clothes!) in the summer of ’07 from Harlequin Historicals. I’m sure you’ll be hearing a lot more about it from me before then. 🙂

Be sure and visit us all this week for the contest! And let us know what some of YOUR favorite Christmas novellas have been.

Before I actually tell you a story, let me tell you a little pre-story.

I hate prologues. I don’t mind reading them, but honestly, I feel that they are a writer’s lazy way out–a way to get backstory to the reader without having to use the skill required to embed the backstory within the story.

But sometimes they’re necessary.

I’m in the throes of revising my Regency-set historical, Lessons In Love, and the idea of adding a prologue was gently suggested to me. I felt like a hypocrite, but I wrote one. And then I wrote one for the hero. So not only did I have a prologue, I had a DOUBLE prologue.

Then I came to and removed the hero’s prologue. I think I can get his essential backstory into the story itself.

And now comes the reader participation part: Below, I’ve posted my prologue. Do you like it (I will not be offended at all if you don’t–this is not fishing for compliments time)? Would you want to read the story that follows? Do you think it’s a lazy way out? What do you think about prologues? (btw, if anyone insists on an epilogue, I will have to take a stand. No cutesy post-baby scenes for me, thank you.) Which authors (cough*Loretta Chase*cough) have written effective prologues?

Thanks for the help!

Lessons In Love: Prologue

The first time her husband hit her, he almost had Athena convinced she deserved it.

The second time, she knew she didn’t.

By the time her husband died, she’d lost count of how many times it had happened. The day of Lord Carlyle’s funeral was the happiest of her life, because she was free. Free of anyone who would have control over her, whose temper ruled her every waking moment.

How many times had she cursed his charm, his easy good looks, his title, his flatteringly intent focus on her? If he hadn’t been so damned persuasive, she would still be in Greece, in the warm sunshine, not in England where even the sunny days had an edge of damp.

She could barely remember her first impressions of him. And how wrong they had been. They had met when he was in Athens excavating for treasures to add to his extensive collection. Her father, a Greek statuary expert, had worked for him on site. She was 16 years old and thought she was terribly sophisticated. She had paraded in front of the English lord, thirty years her senior, hoping to make him notice her. He had. And she had paid for it ever since.

Her father had been equally naïve, not realizing his employer’s gruff bonhomie disguised a ruthless arrogance that brooked no argument. He’d even let her go without any kind of settlement money. Nor did he realize the last sight he would have of his daughter was when she sailed off with her new husband. Athena was married on board that day and had grown up forever that night.

Eventually, they’d achieved a peace of sorts; Lord Carlyle only hit her about once a month, and he allowed her to pursue her interests, as long as she never left the estate. She’d read all the works deemed necessary to a classic English education, practiced fencing until she was winning half the matches with her instructor, and rode for hours at a time.

And now he was dead. And Athena was free with a modest widow’s portion, a pleasant Dower house, and the opportunity to do whatever she wanted. She couldn’t wait to leave, to travel, to live on her own schedule.

What she would never do again was allow herself to be seduced by a handsome, charming man whose pleasant exterior hid a burning passionate temper.

Thanks!

Megan
www.meganframpton.com

Jason Lewis, pictured above, is the way I imagine my hero looking. I thought you might want to have something nice to look at while you read my writing.