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I’m on the downhill slide to finish my Marquess and the Governess book and my friend Emery Lee aka Victoria Vane kindly volunteered to guest blog for me. How cool is that? Do you know what is even better? She’s giving away a free download of her new erotic Georgian novella, A BREACH OF PROMISE to one lucky commenter chosen at random. 

Give a warm welcome to Emery Lee/Victoria Vane!!! 

Since this blog is very much about risk taking, I am posting today about my own huge and exciting risky transition from romantic historical fiction to erotic historical romance, and to share a bit about my naughty new novellas.


How it all began… Late last spring I found myself in both a crisis of confidence and already floundering in a writing career that had only just begun. As many authors are aware, the oh-so-wonderful publication of that first novel is only the beginning of one’s struggles. Often the second and third book deals don’t come much easier than the first. While I had sold and finished my second novel, FORTUNE’S SON, and was continuing to write my little heart out, my publisher had taken a “wait and see” stance on my proposed third, fourth and fifth novels, leaving me sitting impotently on my thumbs. To make matters worse, my agent quit the publishing business altogether, leaving me high and dry.
It was during this frustrating dry spell that the wonderful Diane Gaston suggested I try writing something short to help bridge the gap until I could sell another of my full length novels. While I had read a number of the Historical Undone titles, it had never occurred to me to write anything short. To be honest, I didn’t know if I even could. Novella length romantic fiction presents some serious challenges—to fully develop characters and a plot readers will embrace in 50-100 pages is no easy feat. Yet, it seemed a logical and productive use of my time, so I decided to give it a go.
Loosely inspired by The Belle’s Stratagem, a Georgian era play I had read, the result of my efforts was a 15K word story about a broken engagement. Believing it “perfect” for Harlequin’s Historical Undone line, I joyfully sent it off. Unfortunately, Harlequin didn’t share my sentiments! But by then, I had already submitted to several other publishers, certain that one of them would snatch up my short masterpiece. Wrong again. I got several more rejections.
Having by then decided to write it all off as a “failed experiment,” you can imagine my shock in receiving a conditional acceptance from an erotic romance publisher who loved the story but felt it needed more development and a higher heat level. Develop the romance and make it longer? (Big smile.) No problem! Amp up the heat level to erotic level? (Gulp.)  I was terrified.
You see, I had never written steamy love scenes. While having strong sexual tension, my other books are pretty much PG-13. Yet, armed with a burning desire to see something, anything, published to keep my career moving forward, I accepted the contract with the promise to deliver a scorching hot historical romance that readers would love. Easy, right? NOT!!!
After working tirelessly for weeks, I submitted my revised manuscript only to receive 8 pages of notes back from my editor! I was crushed. Where did I go wrong? What was lacking? While I had adopted the more graphic language used in erotic romance and had the “mechanics” in abundance, my editor described the weakness in the manuscript as lacking the “sixth sense,” or the emotional connection the reader must feel. In any great love scene, the reader must be engaged with the characters’ emotion not just visualizing the act. Engaging the reader in this manner is one of the most difficult undertakings of any writer, but to integrate this into sex scenes is exponentially harder. It is a true gift when done well.
Wanting very much to learn how, I set out to find authors who meld strong emotion into explicit love scenes, authors I wished to emulate. While the idea was truly daunting, I also perceived a golden opportunity to stretch myself as a writer. It was time for a crash course in Sex Writing 101.
I began by reading- devouring actually- works by bestselling erotic romance authors to learn what they do and how they do it. I discovered authors like Robin Schone, Sylvia Day, and Charlotte Featherstone, who combine beautifully crafted prose in stories with deep sensuality, and Lila DiPasqua who I much admire for her creative vision in melding real history with eroticism.
Armed with what I had learned from these amazing authors, I went back to work on A BREACH OF PROMISE with the goal of writing an erotic level romance my own way— with a well-drawn and emotionally compelling plot, sympathetic characters, witty dialogue, a touch of humor, and scorching heat without the “kink factor.”
Released a month ago, my “naughty little novella” has had an incredible early reception and has already scored me a three book deal with another erotic romance publisher. Me, a purveyor of high quality smut? Who knew? ;P 
ABOUT VICTORIA VANE:
A lover of history and deeply romantic stories, Victoria combines these elements to craft romantic historical novels and novellas for a mature reading audience. She also writes non-erotic historical fiction as Emery Lee.  Erotic Historical Romance Titles:
A BREACH OF PROMISE, Ellora’s Cave
A WILD NIGHT’S BRIDE, a sexy rollicking Georgian romp – Coming soon from Breathless press.
A BREACH OF PROMISE by Victoria Vane
WHEN CHARM AND PERSUASION FAIL… ONLY SEDUCTION REMAINS….
On the night of her betrothal, Lydia Trent receives just a taste of what ecstasy will be at the hands of her fiancé…and then he leaves her wanting. After waiting six years, and tired of being neglected by her exceedingly reluctant husband-to-be, Lydia decides to break it off. When Marcus, Lord Russell, receives Lydia’s letter requesting a release from their contract, he is stunned by her audacity. Confident he’ll have her eating out of his hand with his usual wit and charm, he’s determined to repair the damage. However, the headstrong woman she’s blossomed into is equally determined to thwart his every effort to win her back. Marcus discovers, in spite of her conviction to end the union, Lydia is more responsive to his touch than he ever imagined. He just needs to get her alone to unleash the promised passion he sees within his wanton virgin. Marcus will use any tool in his arsenal to exploit her weakness—his kisses, his hands, his mouth…her own body. In short, he’ll just have to ruin her!
“Reckless hearts, battling wits, and plenty of steam in a wonderfully well drawn Georgian setting.”              -NYT Bestselling author Grace Burrowes
LINKS TO EXCERPTS:
http://www.jasminejade.com/productspecs/9781419937330.htm

Thanks Emery/Victoria for being my guest! Everyone, tell our guest what level of sensuality you like best in your Historical Romances! Or any comment for a chance to win a download of A BREACH OF PROMISE.

Today we honor Martin Luther King, Jr., the civil rights leader who, with nonviolent protest, reminded our country and the world that “all men are created equal”and should be treated as such. Here in the Washington, D.C. area there will be special events and celebration of Dr. King’s life at the new memorial dedicated to him.

What if Dr. King had not lived? How would the course of the civil rights movement been changed? What if his life had not been so tragically cut short? What other great accomplishments might he have made?

That’s my theme today. What if? Regency-style.

Today is also the anniversary of the death of Sir John Moore. On this date in 1809, the British army in Spain was in retreat from French forces, reaching the sea in Portugal where transport ships were due to arrive to take the soldiers back to England. Sir John Moore commanded the British forces and gained a tactical advantage over the French which enabled the British army to escape. During the fighting, Moore was struck by cannon shot and, after several hours of suffering, died from the wounds.

Moore had a distinguished army career that began with the American Revolution, included the Irish Rebellion and establishment of several army reforms, culminating with the Napoleonic war in Spain.

But it seemed to me that his death was also one of those pivotal events in history. If Moore had not been killed, the course of history might very well have been altered.

Moore was commanding in Spain at that time, because three senior commanders had been recalled for inquiry after allowing the defeated French army to evacuate their troops, with all their materials, supplies, and plunder, without further conflict. One of those recalled was Sir Arthur Wellesley, who was commanding forces at Vimeiro. Wellesley, who would, of course, become the Duke of Wellington, had been vehemently against the evacuation and he was ultimately cleared of any wrong doing.

After Moore’s death Wellesley was appointed to head all the forces in Portugal. What if Moore had not been killed? Would he have retained the command? Could he have accomplished all that Wellesley accomplished in Spain? Would Moore have been in command at Waterloo? Could he have brought about that victory?

One more interesting note about Sir John Moore. While he was dying, he is supposed to have said to his friend, Stanhope, “Remember me to your sister.” The sister was Lady Hester Stanhope, the colorful and adventurous Middle Eastern traveler. Some thought Lady Hester and Moore might have married. What if that would have happened?

Can you think of other pivotal moments in history? Do you ever wonder “What if?” about an event in your life?

Check my Diane Gaston blog today for my January 15 website contest winner.

And spare a moment today to think about Dr. Martin Luther King, Jr.

I’ve been wondering whether to blog about this or not but on the other hand it’s been on my mind. Two weeks ago I showed you a picture of two people a century apart in age, one of whom was my father. He died very peacefully last Sunday after living rather too long and with increasing mental and physical frailty. I saw him last in 2010 and he didn’t really know who I was but accepted cups of tea from me, some of which he said were lousy. Sorry, dad.

Think about it: a hundred years. His mother, at the time of the 1901 census, was 20 and a housemaid in London (possibly a family secret I unearthed) at 28 Alma Square in Marylebone, London, something I now incorporate into my presentation on Regency servants. The house is still there (thanks, google maps, although I don’t know which one it is! It is now a VERY posh area. I don’t think it was in 1901). There’s a lot I don’t know about his family because he wouldn’t volunteer information or talk about them, and he’s the last of his generation by a long shot. He was of Irish descent and his grandfather (who came over from Dublin) drove a hansom cab in London. When he was a very small child he was put on a train to visit relatives and was given chocolate to cheer him up by young soldiers who were going to the front in World War I.

He gave me my appreciation of music and books. I thought everyone went to sleep listening to their father play violin accompanied by their mother on piano. Wrong. Here he is in a local community orchestra, as a youngster of 92, playing that most geeky of instruments, the viola.

He and I had a very nice Jane Austen moment one time when I was a rebellious teenager and we weren’t getting along too well. Somehow we got onto Jane Austen, and I said I liked Emma best and he said he liked P&P, particularly the smackdown scene between Lizzie and Lady Catherine de Bourgh, and we then read it together. I’m trying to think of a way to incorporate this into the funeral service at the end of this month. And if I ever need to think of the way a Regency person would say something, I recall my father’s way of speaking, which had a very old-fashioned cadence. So I owe him a lot.

He read my first book, Dedication, but by then his memory was already going and he had trouble connecting thoughts. He did however comment that he’d be too embarrassed to donate the book to the church jumble sale.

We had some memorable moments when he and my mother visited the States a couple of decades ago. He may have been the only person ever to take a mule ride in the Grand Canyon wearing a necktie (he didn’t feel properly dressed without one). And he was thrilled to find a “Sod and Sodding Services” section in the yellow pages. English people used the term “turf.” Over there, “sod” and “sodding” mean … something else. I cut it out for him and he took it back home to show people.

It’s the end of an era. I’m sad he’s gone but when someone lives this long you have expected it for a long, long time. So don’t feel bad for me, but do tell me about any interesting ancestors you may have!

Exciting day today. Today our guest is the incomparable Anne Gracie (be sure to read her bio! Find out why her parents were called “Chalkers.”). Her books have been lauded in North America and Australia, and today she is talking about her latest release, Bride By Mistake.

Praise for Bride By Mistake:

“Gracie pens an unconventional Regency romance with an original heroine and setting for the next Devil Riders story. This character-driven romance appeals to readers yearning for a love story with an unforgettable twist.” –RT BookReview 

“I loved Bride By Mistake. Gracie created two great characters, a high tension relationship, and a wonderfully satisfying ending. Not to be missed!” –Mary Jo Putney, NYT Bestselling Author.

Anne will be giving away a signed copy of Bride By Mistake to one lucky commenter!


1. Tell us about Bride By Mistake and how it is connected to your Devil Riders series.

 The Devil Riders series is about four friends, Gabe, Rafe, Harry and Luke, former soldiers who have returned from years at war and are trying to settle in to a peacetime existence. Each one finds it hard, and for each the key is finding the right woman. The problem is, they don’t always realize she’s the right woman.

Bride By Mistake is Luke’s story, the 5th in the series, but each book is stand alone. (The last book, The Accidental Wedding was an off-shoot of the series and starred Nash, an estranged brother of Gabe and Harry.)

2. What sparked the idea for Bride By Mistake?

 I suppose it was a kind of dream. I just woke up one morning with a scene rolling in my head like a movie. A young girl was being attacked in the mountains, a hero rides to the rescue, and then, having saved her and promised to protect her, he doesn’t know what to do with her.

 I wrote it down, still half asleep, and even though I was working on another book, that scene kept haunting me, so I knew there was more to it, possibly a book. So I asked myself what-if questions until I knew more about the story and the characters, and where it might go from there, and then I wanted to tell that story.

 3. We’re all for risky! What is risky about Bride By Mistake?

I never think about whether a book is risky or not — I just get an idea and follow the characters. It’s only later when the book is in that I start to worry that it might be risky. What’s risky about Bride By Mistake?

Let’s see…
(i) It’s set mostly in Spain — I’ve been told readers don’t like foreign settings, but I’ve set quite a few books outside of England, and they’ve all sold well, so fingers crossed this does, too. The way I see it is, why not incorporate some delicious exotic elements when you can?

(ii) The scene where the hero and heroine first meet is dark and quite violent. But they’re in the middle of a war, so it’s not surprising. There is also some violence later on, and there’s also comedy, so mixing the two might be risky. I think/hope it works, though.

(iii) The heroine is only 13 when she marries the hero. But it’s not how it looks, as my hero makes clear to when breaking it to his matchmaking mother that he’s already married:

“But Luke… Thirteen, a mere child! How could you?” She looked at him with faint horror.

“Don’t be ridiculous, Mama,” he said with asperity. “Of course I never touched her. What do you take me for?” And because he could still see the confusion and anxiety in his mother’s eyes, he continued, “I married her to protect her, of course. And then I gave her into the care of her aunt, who is a nun.”

So it’s eight years later when the story — and the marriage— really starts. And the heroine has spent all that time in a convent — not too happily, I might add. 😉

4. Did you come across any interesting research when writing Bride by Mistake?

 Yes, I read quite a bit about the period — journals and books — trying to learn about the situation in Spain during and after the Napoleonic wars, because I had to know how my heroine had lived. Of course it was for backstory, so hardly any of it was used in the book, but that’s what happens with most research anyway.

 It was a very difficult time for Spain — the country was split. To cut a long story short, the Spanish King abdicated in favor of Napoleon’s brother, and half the country followed suit and half the country rebelled. The Spanish rebels called themselves guerrilleros. They were on the side of the English — anyone who would help them throw the French out, really.

 Another interesting thing was that after the war, many of the great aristocratic families were ruined financially, which meant their daughters had no dowries. Pride dictated that this not be known, and pride also dictated that their daughters not sully their aristocratic blood by marrying beneath their class, so many young women were simply sent to convents. Their sons, however married into the nouveau riche quite happily. The family name must not be allowed to die out, after all. So my heroine was in the convent with some girls in this situation.

Bella had explained this to Paloma a dozen times, but all Paloma did was smile and say, “We must all have faith.”

She’d make a good nun, Isabella thought. Or a saint. St. Paloma of the missing dowry. Paloma’s brother had gambled Paloma’s dowry away, and now he was refusing to let her return home. Things were different since Papa died, he’d written. There was no appropriate husband for her and she was better off in the convent, in the tranquil environment she was used to.

Bella picked up a well worn sheet and ripped it savagely in half. Tranquil environment indeed! She’d love to lock Paloma’s brother up here, give him a taste of tranquil environment. Endless prayers, endlessly repeated dreary, pointless conversations and endless, endless sewing. 

I also researched Spanish food and some regional cuisine. Tough work, but somebody has to do it. 🙂

 5. Tell us what it is about the Regency that inspires your writing.

 I first fell in love with the period through Georgette Heyer, who I’ve been reading and rereading since I was eleven. In a way, I feel as though I’ve grown up there, so it doesn’t feel foreign or artificial or even old-fashioned to me — it’s just another place I visit.

I also love the sheer scope the Regency era gives a writer — from elegant ballrooms, fabulous clothes and witty conversations, to wars, industrial changes, social upheaval, major political changes, a huge expansion in travel and trade and more. Almost any kind of story I want to write, I can set it in the Regency.

6. What is next for you?

 I’ve started on a new series, about four girls — two sisters and two friends they make along the way and pass off as sisters. It’s probably a bit risky too, come to think of it, but I’m a bit superstitious about talking about books until they’re written. All the stories will be set in London, at least I think they will be at this point. It’s still fairly fluid. But the first story has sprung to life, which is a good sign, and I keep waking in the morning with scenes in my head, which is even better. I think/hope they’re going to be fun. Diane and the Riskies, thank you so much for inviting me to chat with you. I’ve really enjoyed it.

Let me ask, what appeals to you about the Regency Era that you enjoy seeing in historicals?

Diane, here. You can also ask Anne questions! It will soon be tomorrow in Australia, though, so part of the time, Anne will be sleeping.

Remember, one lucky commenter will be chosen at random to win a signed copy of Bride By Mistake.

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