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Monthly Archives: July 2008


It seems sacrilegious to follow Cara’s post on Pride & Prejudice with one on Sex and the City, but I finally saw it this weekend and can’t resist the urge to discuss it with you. I promise to do my best to stay on topic!

I will not discuss Carrie’s wedding dress. Or the possible hazards of sleeping in pearls. Or gladiator shoes. Or those horrific pants Samantha wears to the shower. I will not talk about the studded belt, or even about those gorgeous blue Manolos. No, I won’t talk about any of these things!

What I’d like to talk about is predictability. Many of the official reviews of the film were negative and the single biggest complaint I noticed was that the plot was predictable. Yet many fans rave about this film and I loved it too. Apparently, predictability isn’t the biggest issue for many people.

I think what saved it for fans is that they love the characters. The series established Carrie and her friends so well that we know all their flaws and quirks and can guess what challenges they’re going to face as their relationships progress. But we still like spending time with them.

Being a writer, I couldn’t help thinking about what might have been done to make the plot less predictable. Frankly, I was stumped. This was very much a character-driven series. It’s not like a mystery or action/adventure series where you can vary things by introducing a new villain or new threat to world peace or whatever. The surprises in a series like this come from revealing new aspects of character. But with these characters we’ve passed many of the big revelations. It’s more of a gradual evolution now as they don’t change so much as become more themselves.

To have Carrie, her friends and their men behave unpredictably one would likely have to have them go out of character, which would have bothered fans of the series far more. To me, predictability seems a lesser crime than being untrue to your characters.

In a standalone film or novel, this isn’t as much of an issue because the viewer or reader doesn’t already know the main characters and it’s easier to create surprises as layers get peeled away. But at some point, some readers (especially those who are also writers) can often predict what the characters’ Black Moment is going to be and even how it might end. It’s hard to keep the characterization true and also surprise a reader who takes the time to step back and make predictions. I aim for that but I also hope that my readers will become so engaged with my characters that they start seeing that world through the characters’ eyes. Then hopefully they’ll ache along with them and forget that they know better.

So what do you think about predictability in stories? If you saw it, did you enjoy SATC? And do you love these shoes as much as I do? (They’re only about $1000. A bargain, right?)

Elena
www.elenagreene.com

Posted in Uncategorized | Tagged , , | 13 Replies

Welcome to the Jane Austen Movie Club!

We here at Risky Regencies love to talk about movie and TV adaptations of Regency-era novels…and today we’re talking about the 1980 BBC version of PRIDE AND PREJUDICE! (Also known as “the one with David Rintoul.”)

I watched this adaptation first when I was a teenager, and then again a decade later. The first time, I had already read the novel (at least once), but no other Austen. I recall liking it all right, but not being thrilled with it.

The second time, I had read all of Austen’s novels at least twice, but not seen many adaptations of her works. My housemate (the oft-mentioned book-goddess Heather) and I started putting on Regency “teas” — casual affairs where we would watch Austen adaptations and try out period recipes (I had a little trouble with the orange fool, but the syllabub was delicious.)

I recall our friend Jack (a Jane Austen Ball veteran — when he dances a Trip to Paris, all the kittens run and hide so they don’t get stepped on!) recommended this adaptation when we had our Pride and Prejudice tea — if I recall correctly, he particularly liked David Rintoul’s interpretation of Darcy.

I know I did like this version better that time than I had when I’d first seen it. Was it my greater knowledge of Austen, or of the period? Or was it the wine in the syllabub? Only Jane Austen knows!

I have now watched this adaptation a third time, so let the discussion begin!

To aid the discussion, I’ve listed the major credits below; tidbits about where else you may have seen the actor are in italics.

DIRECTOR: Cyril Coke

SCREENPLAY: Fay Weldon

CAST:

Sabina Franklyn: Jane Bennet

Elizabeth Garvie: Elizabeth Bennet

Garvie appeared as Diana Rivers in the 1997 version of JANE EYRE (the one with Ciaran Hinds.)

Tessa Peake-Jones: Mary Bennet

Peake-Jones played Bridget Allworthy in the 1997 TOM JONES.

Clare Higgins: Kitty Bennet

Natalie Ogle: Lydia Bennet

Moray Watson: Mr. Bennet

Priscilla Morgan: Mrs. Bennet

David Rintoul: Mr. Fitzwilliam Darcy

Regency fans will also have seen Rintoul as Dr. Clive, ship’s surgeon on two episodes of the recent HORNBLOWER series.

Osmund Bullock: Mr. Bingley

Marsha Fitzalan: Caroline Bingley

Jennifer Granville: Mrs. Hurst

Edward Arthur: Mr. Hurst

Irene Richard: Charlotte Lucas

Richard played Elinor in the 1981 SENSE AND SENSIBILITY, and Mrs. Fitzherbert in the 1996 A ROYAL SCANDAL.

Peter Howell: Sir William Lucas

Malcolm Rennie: Mr. Collins

Peter Settelen: Mr. Wickham

Andrew Johns: Capt. Denny

Michael Lees: Mr. Gardiner

Barbara Shelley: Mrs. Gardiner

Moir Leslie: Anne de Bourgh

Judy Parfitt: Lady Catherine de Bourgh

Emma Jacobs: Georgiana Darcy

Elizabeth Stewart: Lady Lucas

Desmond Adams: Col. Fitzwilliam

So…what did you think? And if you haven’t seen it recently, how well did you like it when you last saw it?

All answers welcome!

And come back the first Tuesday of next month, when we’ll be discussing the film MASTER AND COMMANDER!

Cara
Cara King, who can’t think of anything clever to put in her sig line

Posted in Uncategorized | Tagged , | 18 Replies
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