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Monthly Archives: October 2011


Uh-oh! I almost did what Janet did last week–completely forget what day it is. Somehow it seemed like a Monday….

I don’t watch a whole lot of TV. I have shows I get obsessed with and MUST watch (like my late, lamented Deadwood, Mad Men–which won’t be back until March 2012, and Vampire Diaries, though I’ve only seen one episode so far of the new season), but don’t spend a whole lot of time on it. Last week I heard some good things about the new Zooey Deshcanel show New Girl and decided to give it a try. I’m glad I did, because it is hilarious!

The premise is this girl (Jess), who is very quirky and dorky, has a messy break-up with her boyfriend and ends up living with 3 guys as roomates. I tried to imagine how this would work in the Regency. I suppose it could be a girl who has 3 older brothers, all of them over-protective of her as she stumbles her way through the Season looking for the perfect match. I could imagine all sorts of awkward, funny situations our heroine and her well-meaning but exasperating brothers could get into as she sorts through suitors looking for the perfect hero!

What shows inspire you??? What other strange places do you look for inspiration?

Today (or tomorrow) I’m the Take Ten With guest at Cover Cafe, talking about the bookcovers in my life.

We’ve addressed the topic of bookcovers a few times at Risky Regencies, most recently by Elena. It’s a topic I never tire of. I love how romance covers follow trends, like clinch covers and decapitated people. I thought I’d see what the current trends seem to be.
I peeked into Amazon, Barnes & Noble, and some Romance review sites and looked at the romance covers for October.
In Regency and Victorian historical romances the trend seems to be toward featuring the heroine on the cover, usually in a beautiful dress that might be half-off. Here’s a sample:

Interestingly enough, Scottish Historicals did feature the hero. And Westerns.

There were still a few traditional covers:
Funny, my recent covers show all the trends. Traditional. Hero-featured. Heroine-featured:

Do you agree with my conclusions? What trends do you see? What kind of covers do you prefer?
Speaking of covers….October 1 was the release for my new Undone short eStory. The Liberation of Miss Finch tells the story of what happened to Claude, the boy my three soldiers rescued at Badajoz. Check my website to see what else is new and to enter my contest.
Leave a comment on my blog on Thursday for a chance to win a signed copy of Regency Improprieties.

When my daughters were young, I read to them all the time. This summer, I had the joy of doing it again.

We’ve always had a rule of reading the book before watching the movie. I wanted us all to be able to watch THE LORD OF THE RINGS together, so I was urging my younger daughter to start reading THE HOBBIT. Although an avid reader, she resisted, saying she didn’t like reading books with long paragraphs. And so I decided to read THE HOBBIT aloud to her, and discovered that she was right. Tolkien did tend to use longer paragraphs than is common in more recent fiction and it can look a bit daunting on the page.

The previous summer, I read PRIDE AND PREJUDICE to my older daughter, again in preparation for watching the films. Much as I love Jane Austen, I know her style is difficult for young teens, with sentences that can run paragraphs long and paragraphs that can take over a whole page. And confusing period details. (“No, undressed ball does not mean they go naked.”) So when I suggested she try NORTHANGER ABBEY this summer, she still wanted me to read along with her. How could I refuse?

The whole reading-together project was a huge success. My younger daughter is now reading THE FELLOWSHIP OF THE RING on her own, and the older one is moving on to EMMA. So I’ve got them firmly hooked on some classics! I feel vindicated as a mother.

As an author, though, I’m aware that modern readers can have difficulty with older styles of writing. I would never write a sentence as long as this one:

Mrs Morland was a very good woman, and wished to see her children everything they ought to be; but her time was so much occupied in lying-in and teaching the little ones, that her elder daughters were inevitably left to shift for themselves; and it was not very wonderful that Catherine, who had by nature nothing heroic about her, should prefer cricket, baseball, riding on horseback, and running about the country at the age of fourteen, to books—or at least books of information—for provided that nothing like useful knowledge could be gained from them, provided they were all story and no reflection, she had never any objection to books at all.

There are also some grammatical constructions that trip up the reader, such as “Are not you wild to know?” Did your mind automatically change it to “Are you not wild to know?” That’s what happened to me as I was reading aloud, and it made me stumble.

I want to have a period feel to my books, but I do avoid anything like that that could trip up a reader. I also tend to use pretty short paragraphs, because I think having some white space is easier on the eyes.

But what a shame it would be if no one bothered to get past some of the challenges in the classics, if the stories lived on only in their films (fantastic as many of them are).

What do you think?

But before we chat, here are the winners of this week’s drawing for the Kindle edition of LADY EM’S INDISCRETION.

Willaful
Margay
Cathy P
Girlygirlhoosier52
Tracey

Congratulations! Please send your email and the email of a friend who you think might enjoy the Kindle ebook to elena @ elenagreene dot com.

Elena
www.elenagreene.com
www.facebook.com/ElenaGreene

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