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Monthly Archives: January 2012

I’ve been wondering whether to blog about this or not but on the other hand it’s been on my mind. Two weeks ago I showed you a picture of two people a century apart in age, one of whom was my father. He died very peacefully last Sunday after living rather too long and with increasing mental and physical frailty. I saw him last in 2010 and he didn’t really know who I was but accepted cups of tea from me, some of which he said were lousy. Sorry, dad.

Think about it: a hundred years. His mother, at the time of the 1901 census, was 20 and a housemaid in London (possibly a family secret I unearthed) at 28 Alma Square in Marylebone, London, something I now incorporate into my presentation on Regency servants. The house is still there (thanks, google maps, although I don’t know which one it is! It is now a VERY posh area. I don’t think it was in 1901). There’s a lot I don’t know about his family because he wouldn’t volunteer information or talk about them, and he’s the last of his generation by a long shot. He was of Irish descent and his grandfather (who came over from Dublin) drove a hansom cab in London. When he was a very small child he was put on a train to visit relatives and was given chocolate to cheer him up by young soldiers who were going to the front in World War I.

He gave me my appreciation of music and books. I thought everyone went to sleep listening to their father play violin accompanied by their mother on piano. Wrong. Here he is in a local community orchestra, as a youngster of 92, playing that most geeky of instruments, the viola.

He and I had a very nice Jane Austen moment one time when I was a rebellious teenager and we weren’t getting along too well. Somehow we got onto Jane Austen, and I said I liked Emma best and he said he liked P&P, particularly the smackdown scene between Lizzie and Lady Catherine de Bourgh, and we then read it together. I’m trying to think of a way to incorporate this into the funeral service at the end of this month. And if I ever need to think of the way a Regency person would say something, I recall my father’s way of speaking, which had a very old-fashioned cadence. So I owe him a lot.

He read my first book, Dedication, but by then his memory was already going and he had trouble connecting thoughts. He did however comment that he’d be too embarrassed to donate the book to the church jumble sale.

We had some memorable moments when he and my mother visited the States a couple of decades ago. He may have been the only person ever to take a mule ride in the Grand Canyon wearing a necktie (he didn’t feel properly dressed without one). And he was thrilled to find a “Sod and Sodding Services” section in the yellow pages. English people used the term “turf.” Over there, “sod” and “sodding” mean … something else. I cut it out for him and he took it back home to show people.

It’s the end of an era. I’m sad he’s gone but when someone lives this long you have expected it for a long, long time. So don’t feel bad for me, but do tell me about any interesting ancestors you may have!

Happy Tuesday, everyone! I hope you’ve all recovered from the post-holidays. I’ve been working on the next book and trying to get back to exercising and NOT eating leftover Christmas candy.

I’ve also been reading fashion magazines and some celebrity gossip blogs while pretending to write. And something struck me when I was reading that Katy Perry and Russell Brand split after 14 months of marriage (something besides the fact that I thought “If she had just read a couple chapters of My Bookie Wook she would have totally known he was not a good husband bet” that is…). In romance novels we’re always asked to suspend disbelief and trust that a man with a, er, colorful past (say,your average historical Duke of Slut, TM) will meet his True Love and happily settle down for life with nary a thought to his old wild ways. Or that a marriage of convenience will work out to romantic bliss every time. Stuff like that.

I have been reading romances a long time, and I’ve also been dating a long time. I’ve never taken my dating cues from books (there are no dukes around here, for one thing). Aside from the fact that I learned one valuable lesson from these stories that has always served me well–never stay with someone who doesn’t treat you well, doesn’t respect you for who you are, or just plain doesn’t feel right. That can mean it takes longer to find the Right One maybe, but then it’s a lot easier to spot him when he does come along…

What life lessons have you learned from romance novels? Which lessons would you stay clear of? And have you read anything good lately??

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People Magazine (1/9/12) gave Season 2 of Downton Abbey a rather negative review:

“What’s that new building next to Downton Abbey? The proportions are off, the materials look cheap–is it prefab? Oh: It’s season 2.”

Our own Janet is less enamored of the series than I am. But I must say, I enjoyed the first episode of Season 2. The obvious reason (besides the beautiful settings and fashions, which do not disappoint!) is to find out what will happen to Lady Mary and Matthew, Bates and Anna, but one thing I particularly liked about this episode was the way the writers threw more complexity into the characters.

For example, I didn’t have much sympathy for Thomas in Season 1. He was a pretty thorough villain, but in this episode, we see another side of him, something of his personal pain. Same for O’Brien. For both Thomas and O’Brien, it was a glimpse of their personal pain that captured my interest, as well as a kindness in them that had not been evident before.

I saw an unexpected side of Edith, too, one that made me like her better and one that made me want to cheer her on.

So, building from Megan’s blog of last Friday, about sexual tension between romantic characters, I realized that there were other elements of story that hook me. Show me the character’s pain. Show me a glimpse of their good side and suddenly I care and I want to know what happens to them, whether it be in a movie, a mini-series, a soap opera, or a book.

What about for you? What hooks you into a story? Have you ever been hooked on a show or a book series that you’d reluctantly confess to even your closest friends?

What did you think of the first episode of Downton Abbey?

I’ll announce Anne Gracie‘s winner after midnight today! So keep your comments coming on her guest blog, as well.

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Exciting day today. Today our guest is the incomparable Anne Gracie (be sure to read her bio! Find out why her parents were called “Chalkers.”). Her books have been lauded in North America and Australia, and today she is talking about her latest release, Bride By Mistake.

Praise for Bride By Mistake:

“Gracie pens an unconventional Regency romance with an original heroine and setting for the next Devil Riders story. This character-driven romance appeals to readers yearning for a love story with an unforgettable twist.” –RT BookReview 

“I loved Bride By Mistake. Gracie created two great characters, a high tension relationship, and a wonderfully satisfying ending. Not to be missed!” –Mary Jo Putney, NYT Bestselling Author.

Anne will be giving away a signed copy of Bride By Mistake to one lucky commenter!


1. Tell us about Bride By Mistake and how it is connected to your Devil Riders series.

 The Devil Riders series is about four friends, Gabe, Rafe, Harry and Luke, former soldiers who have returned from years at war and are trying to settle in to a peacetime existence. Each one finds it hard, and for each the key is finding the right woman. The problem is, they don’t always realize she’s the right woman.

Bride By Mistake is Luke’s story, the 5th in the series, but each book is stand alone. (The last book, The Accidental Wedding was an off-shoot of the series and starred Nash, an estranged brother of Gabe and Harry.)

2. What sparked the idea for Bride By Mistake?

 I suppose it was a kind of dream. I just woke up one morning with a scene rolling in my head like a movie. A young girl was being attacked in the mountains, a hero rides to the rescue, and then, having saved her and promised to protect her, he doesn’t know what to do with her.

 I wrote it down, still half asleep, and even though I was working on another book, that scene kept haunting me, so I knew there was more to it, possibly a book. So I asked myself what-if questions until I knew more about the story and the characters, and where it might go from there, and then I wanted to tell that story.

 3. We’re all for risky! What is risky about Bride By Mistake?

I never think about whether a book is risky or not — I just get an idea and follow the characters. It’s only later when the book is in that I start to worry that it might be risky. What’s risky about Bride By Mistake?

Let’s see…
(i) It’s set mostly in Spain — I’ve been told readers don’t like foreign settings, but I’ve set quite a few books outside of England, and they’ve all sold well, so fingers crossed this does, too. The way I see it is, why not incorporate some delicious exotic elements when you can?

(ii) The scene where the hero and heroine first meet is dark and quite violent. But they’re in the middle of a war, so it’s not surprising. There is also some violence later on, and there’s also comedy, so mixing the two might be risky. I think/hope it works, though.

(iii) The heroine is only 13 when she marries the hero. But it’s not how it looks, as my hero makes clear to when breaking it to his matchmaking mother that he’s already married:

“But Luke… Thirteen, a mere child! How could you?” She looked at him with faint horror.

“Don’t be ridiculous, Mama,” he said with asperity. “Of course I never touched her. What do you take me for?” And because he could still see the confusion and anxiety in his mother’s eyes, he continued, “I married her to protect her, of course. And then I gave her into the care of her aunt, who is a nun.”

So it’s eight years later when the story — and the marriage— really starts. And the heroine has spent all that time in a convent — not too happily, I might add. 😉

4. Did you come across any interesting research when writing Bride by Mistake?

 Yes, I read quite a bit about the period — journals and books — trying to learn about the situation in Spain during and after the Napoleonic wars, because I had to know how my heroine had lived. Of course it was for backstory, so hardly any of it was used in the book, but that’s what happens with most research anyway.

 It was a very difficult time for Spain — the country was split. To cut a long story short, the Spanish King abdicated in favor of Napoleon’s brother, and half the country followed suit and half the country rebelled. The Spanish rebels called themselves guerrilleros. They were on the side of the English — anyone who would help them throw the French out, really.

 Another interesting thing was that after the war, many of the great aristocratic families were ruined financially, which meant their daughters had no dowries. Pride dictated that this not be known, and pride also dictated that their daughters not sully their aristocratic blood by marrying beneath their class, so many young women were simply sent to convents. Their sons, however married into the nouveau riche quite happily. The family name must not be allowed to die out, after all. So my heroine was in the convent with some girls in this situation.

Bella had explained this to Paloma a dozen times, but all Paloma did was smile and say, “We must all have faith.”

She’d make a good nun, Isabella thought. Or a saint. St. Paloma of the missing dowry. Paloma’s brother had gambled Paloma’s dowry away, and now he was refusing to let her return home. Things were different since Papa died, he’d written. There was no appropriate husband for her and she was better off in the convent, in the tranquil environment she was used to.

Bella picked up a well worn sheet and ripped it savagely in half. Tranquil environment indeed! She’d love to lock Paloma’s brother up here, give him a taste of tranquil environment. Endless prayers, endlessly repeated dreary, pointless conversations and endless, endless sewing. 

I also researched Spanish food and some regional cuisine. Tough work, but somebody has to do it. 🙂

 5. Tell us what it is about the Regency that inspires your writing.

 I first fell in love with the period through Georgette Heyer, who I’ve been reading and rereading since I was eleven. In a way, I feel as though I’ve grown up there, so it doesn’t feel foreign or artificial or even old-fashioned to me — it’s just another place I visit.

I also love the sheer scope the Regency era gives a writer — from elegant ballrooms, fabulous clothes and witty conversations, to wars, industrial changes, social upheaval, major political changes, a huge expansion in travel and trade and more. Almost any kind of story I want to write, I can set it in the Regency.

6. What is next for you?

 I’ve started on a new series, about four girls — two sisters and two friends they make along the way and pass off as sisters. It’s probably a bit risky too, come to think of it, but I’m a bit superstitious about talking about books until they’re written. All the stories will be set in London, at least I think they will be at this point. It’s still fairly fluid. But the first story has sprung to life, which is a good sign, and I keep waking in the morning with scenes in my head, which is even better. I think/hope they’re going to be fun. Diane and the Riskies, thank you so much for inviting me to chat with you. I’ve really enjoyed it.

Let me ask, what appeals to you about the Regency Era that you enjoy seeing in historicals?

Diane, here. You can also ask Anne questions! It will soon be tomorrow in Australia, though, so part of the time, Anne will be sleeping.

Remember, one lucky commenter will be chosen at random to win a signed copy of Bride By Mistake.

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