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Monthly Archives: July 2014

I’m taking a little blogging break for a couple of weeks, but we have an excellent guest blogger today, talking about the gorgeous city of Bath!  Keira Soleore is a a freelance book editor, a content editor for a travel start-up, and a medieval & Regency romance aspiring writer.  Visit her at www.keirasoleore.org….

Anyone who has visited Bath, England comes away with loving memories of a city rich in history and beauty. As Samuel Johnson wrote: “Let me counsel you not to waste your health in unprofitable sorrow, but go to Bath and endeavour to prolong your life.” For seventeen centuries, the City of Bath has hosted visitors from all walks of life believing exactly that. There’s this fan of Bath, H.V. Morton, who in 1927 wrote: “I like Bath. It has quality. I like Bath buns, Bath Olivers, Bath chaps, Bath brick, Bath stone (which to my London eyes is the beautiful sister of Portland stone), and watching the Bath chairs dash past.” Honestly, do you see any denizen of a Bath chair (AKA wheelchair) wanting to dash about the steep hills of the city?”

This gem in the Avon river valley lies over a volcano that sends up hot mineral water to the surface. King Bladud, who reigned in England 900 years before Christ is credited with the discovery of these springs. The first shrine at the site of the hot springs was built by Celts and was dedicated to the goddess Sulis, whom the Romans later identified with Minerva. Agricola arrived in Bath in the Roman year of 861. He called the city Aquae Sulis and constructed the temple to Minerva in 70 CE. He brought with him a taste for the Roman life, including public bathing, wearing of togas, traveling on well-constructed roads, and building temples and government buildings.

The waters of Bath were a natural draw for the elderly and the sick in the belief that bathing in and drinking of these waters cured the sufferers of all ailments, real and imagined. The Roman Baths that still stand today were built over the course of 300 years. King Bladud’s statue, which stands proudly in these baths, is saluted to in the whimsical words of Richard Brinsley Sheridan “Bladud assures me: Tho’ in his youth, about three thousand years ago, he was reckoned a man of Gallantry, yet he now never offers to take the least advantage of any lady bathing here.”

Bath1While public bathing continued to be the mainstay of life in Bath, many people disapproved of the practice. John Wood the Elder was much preoccupied with the licentious behavior in the baths: “Modesty was entirely shut out of them; People of both Sexes bathing by Day and Night naked.” Can you sense the outrage dripping in each syllable there? Many archdeacons and rectors over the years tried to school people in modesty;drawers for men, smocks for women, and no intermingling of the sexes. But people continued to court excommunication in order strip naked and enjoy bathing in their natural glory.

RoyalCrescentWhile John Wood the Elder was airing his views, John Wood the Younger was involved in a different project. He designed and built the Royal Crescent, a row of 30 terraced houses laid out in a sweeping crescent. This greatest example of Georgian architecture was built between 1767 and 1774 and is among the most enduring landmarks of Bath. Be sure to visit Number One Royal Crescent to see a typical townhouse in Georgian times. The others crescents to visit are the Lansdown Crescent and The Circus.

PumpRoom The Grand Pump Room, built in 1789 in the Abbey churchyard, was where the Georgian and Regency nobility gathered in the mornings to partake of the sulfurous waters. It was a place to see and be seen, and people dressed carefully for the occasion. Gossiping over glasses of the water was considered the norm as was promenading around the room. Nowadays, you can visit the building for a meal in the reputable restaurant.

The Bath Abbey, AKA The Abbey Church of Saint Peter and Saint Paul, was a former Benedictine monastery, but is now an Anglican parish church. It was founded in the seventh century, rebuilt and/or restored in the 12th, 16th, and 19th centuries. The abbey currently seats 1,200 people and continues to be actively used for religious services, various non-religious ceremonies, and also concerts and lectures. Small eclectic restaurants and shops have sprung up in the lanes surrounding there to cater to the thousands of tourists who throng to the abbey every year.

SallyLunnOne of the oldest houses in Bath and the origin of the famed Bath buns, Sally Lunn’s House is a must visit for its traditional but varied menu. The Sally Lunn Bun is like a teacake made with a yeast dough, cream, eggs, and spice and is very similar to French sweet brioche.

The 148-foot long 58-foot wide Pulteney Bridge, across River Avon, has been in continuous use since 1774. Sir John Soane’s Museum in London in 2000, I saw Robert Adam’s original drawings for this bridge. To this day, it is only one of four bridges in the world to have shops across its full span on both sides.

And finally, I cannot end an account of Bath without mention of one of its most famous visitors, Jane Austen. In 1897, she wrote in Northanger Abbey, “They arrived at Bath. Catherine was all eager delight;her eyes were here, there, everywhere, as they approached its fine striking environs, and afterwards drove through those streets which conducted them to the hotel. She was come to be happy, and felt happy already. they were soon settled in comfortable lodgings in Pulteney Street.”

Posted in Guest, History | 3 Replies
Nikolaj_Coster_Waldau_image

This is my hero.

While I can’t claim to have thought of the idea first–Seinfeld was famous for being “a show about nothing,”–I can say that I am proudly writing a book about nothing.

It doesn’t work out so well, it seems, when I try to put too much plot in there. So I am writing a book about a gentleman who succeeds somewhat unexpectedly to a dukedom, and finds that the dukedom comes with a duchess–a woman whose parents have entered into agreements to wed her to the man affiliated with the title, no matter who the man is.

It’s a Marriage of Convenience story, and there’s no big villain, or big misunderstanding, or traumatic life or death issues at stake; merely the happiness of two people who are already relatively comfortable in life, at least in terms of their circumstances.

It’s hard to keep the focus purely on the relationship, but I’m a quarter of the way in, and so far, it seems to be okay. I like stories about nothing but the relationship, although I definitely envy authors who can add plot and not make it seem incredibly lame.

Plot will find its way in somehow, it usually does, but meanwhile, I have two characters who have to come to know one another, trust one another and, eventually, love one another.

What other ‘books about nothing’ have you loved?

 

Posted in Risky Regencies | Tagged | 2 Replies

For once not talking about Regency clothes but what happens when you take on all of an author’s books in a short period of time. I attended an Austen discussion group recently where someone mentioned, having read four Austen books in a row, that she was tired of “the stuff”–balls, dances, who was going where with whom, and so on.

I’ve been a victim of this recently, reading with great enjoyment [brief digression to dispose of a mosquito the size of my head followed by burial at sea in bathroom] almost all the books in a series of of mysteries set in England, written by an American author.

What does happen [sorry about the mosquito digression] is that you start to notice the nervous tics, minor obsessions etc. of the writer. Unlike Austen, whose “stuff” is the gears that drive the novel, other writers’ “stuff” may be annoying or endearing. This author is fixated on English sandwiches, the sort sold just about everywhere in triangular packages. They are smaller and more compact than their US counterparts with modest but tasty fillings. The closest thing we have here are those sold by Pret A Manger (a chain that originated in London). Yum.

Now that I don’t mind. I’m quite happy to read about food, and possibly, it’s not too intrusive since the characters tend to chow down and discuss the case. What does bug me about this particular author is that every character introduces themselves in this way: “By the way, I’m …” Really? Do English people do that all the time?

Mysteries seem rather vulnerable to “stuff,” particularly kneejerk descriptions of what characters are wearing, even for cameo appearances. Whether it’s a bizarre reader expectation or an editor demanding a description of some sort, it can be distracting. I read a book some decades ago,  where the action was halted dramatically by sartorial details–memorably, after a gunman burst through a glass door, we were treated to a description of what he was wearing before the action resumed.

Dedication by Janet MullanyMy own writerly nervous tics include huge amounts of tea drinking, leaning on mantelpieces, heroes in tears, and they’re all there in the revised version of my first book Dedication which I self pubbed a few days ago. Filthy and affordable, what more could you ask for? Buy the Kindle version here.

Are you aware of writerly “stuff” as you read? Does it annoy you or do you just accept it as part of the book?

Scene in Kerry, IrelandThis summer I’m starting a new endeavor I may have mentioned before: a new series. I’m not ready to discuss it here yet, because it’s still so shapeless in my mind I can’t quite believe in it. It’s a project that excites me and scares me at the same time, because it’s going to require a lot more research and plotting on a level beyond what I did for my “Three Disgraces” trilogy, which were only loosely connected.

I hope readers will be patient with me as I take this climb. It looks steep, and after a point, I’m not sure what the path will entail. But there’s also the prospect of some amazing views as I get closer to the end.

So I have ordered some new reference books and stocked up on journals and my favorite pen (G-2 Pilot, in blue, not black), because I do my best brainstorming in longhand. I may also play with some easier side projects (I have several ideas for novellas) to take some of the pressure off.

I’m also taking some time to spiff up how I do ebook formatting. Many thanks to Risky Carolyn Jewel who spent an hour or so patiently answering my questions and gave me some excellent suggestions! Although it is technical work, it’s creative too, and that feeds my muse and it’s fun! (Yes, I am a little bid mad, but harmless, I promise you.)

What do you do to psyche yourselves up for a big project?

Elena
www.elenagreene.com

Posted in Writing | Tagged , | 2 Replies
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