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Author Archives: Diane Gaston

About Diane Gaston

Diane Gaston is the RITA award-winning author of Historical Romance for Harlequin Historical and Mills and Boon, with books that feature the darker side of the Regency. Formerly a mental health social worker, she is happiest now when deep in the psyches of soldiers, rakes and women who don’t always act like ladies.

I like to imagine myself in a Regency Christmas, gathering evergreens and mistletoe with my beau (who looks a lot like Colin Firth); ice skating on the nearby pond.

Riding to church in a horse-drawn sleigh.

My Christmas gifts would be a copy of Pride and Prejudice by A Lady and a lovely silk and ivory fan.

We’d have a delicious Christmas dinner.

And afterward dance and play whist.

And I would have a wonderful Regency Christmas!

My friendships are the treasured gifts I’m thankful for this 2008. Thank you all for your friendship and for making Risky Regencies almost as nice a place to be as the real Regency!

What would you like for a Regency Christmas? Or for this 2008 Holiday?

Stop by the Wet Noodle Posse blog today and read all about when Snoopy knocked down the Christmas tree. There’s a photo of me and one of Snoopy, too.

The bookcover is the 2007 anthology that included my novella, A Twelfth Night Tale.

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I love to collect early Nineteenth Century prints, especially architectural prints, and I had a wonderful friend, Tony Wallace, who loved to feed my habit. I knew Tony through his wife, Susan with whom I traveled to Rome and Venice to visit her brother who worked for the US State Dept. there. That 1998 trip is a story for a different time. This is about Tony.


Tony had been a distinguished Foreign Service officer and later a professor in George Mason U’s School of Public Policy, but I knew him best as a collector, a collector of stamps, of books, and also of antique prints. Much of his collection of prints had come from his father, also a fine collector. The first time I went to their house, I noticed three prints of the Battle of Waterloo. Originals!! I was in AWE.

Several years ago Tony was diagnosed with ALS (Lou Gehrig’s Disease) and last Sept he lost his well-fought battle with the disease. When he’d been well enough, Tony had spent his time selling off the parts of his collections that held no sentimental value to his family. I missed the chance to buy those Waterloo Prints, but Tony did sell me several other prints and books. Last month when I visited Susan, she offered me some more prints, which, of course, I felt privileged to purchase.

I thought I’d share a few with you.

This one is Theatre Royal, Covent Garden, 1828!

Here’s Drury Lane Theatre.

I was nearly insensible with excitement when I saw these theatre prints. I’d written about both of these theatres.

These next prints are of Edinburgh Scotland, a place I visited in 2005 and would love to go back. Having been there, I could almost imagine walking these streets.

This print is “Waterloo Place, The National and Nelson’s Monuments, Calton Hill, Edinburgh.”
The year is 1829

This one is “George Street, St. Andrew’s Church, Lord Melville’s Monument” Also 1829.

This is “Edinburgh, from Calton Hill”

I have several more, a gift to myself, an early Christmas present to me.
All these prints are hand tinted. Susan also has a folder of about 200 similar prints that are not tinted, more of Tony’s collection. When she gets those appraised I might buy those as well, if I can.

I love these prints because of how close they were to the Regency. Even more, though, I love them because they remind me of Tony, my very favorite collector. I’ll miss him.

What items do you own that “capture” a memory of a special person?

What present have you purchased for yourself?

Come visit my website and see my snowflakes! And enter my new contest. Also visit the Wet Noodle Posse. We’re blogging about the holidays and I’m giving away one copy of Mistletoe Kisses, my 2006 Regency Christmas anthology.

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Tomorrow Linda Fildew (my lovely editor) and her Harlequin Historical team will be blogging with us. so be thinking of what you want to ask them.

I thought I would just do a little blog today about visiting the Richmond offices. The Mills & Boon offices are in Richmond, about ten miles from the center of London.

I visited the offices twice, once in 2003 when I’d just sold to them and everything was new to me. Amanda and my friend Julie went with me to the Richmond offices. The
second time was in 2005 right after The Wagering Widow had come out in the UK. Julie was with me that time, too.

We rode the underground to the Richmond station and walked the short distance to the offices. The town of Richmond is picturesque in itself, but, of course, I was too excited both times to take any photos.

The Mills and Boon editors treat visiting authors like valued guests, which to a brand new author was very gratifying in itself. I was given a tour of the offices and have to say I was struck by how neat and tidy everything was. One had the impression that this was a very efficient office. I also sensed a pleasant atmosphere, a happy place to work.


After my visit, the editors took us out to lunch. The first time was to a restaurant back on the main street in Richmond. The second was a restaurant on the Thames where we sat outside overlooking the river with the bridge in view. We had two bottles of wine and lovely conversation. Both lunches are treasured memories.

On that first visit, Amanda, Julie and I walked to the park nearby the Richmond offices and savored our view of the river. Here’s Amanda in the park and the monument that was there, as well.

My last photo was taken on the second trip. Julie and I were on underground on our way back to London when I took this photo of a non-paying passenger.When you aspiring writers sell to Harlequin Historical, make the trip to Richmond. You’ll love it!

Remember that the UK is 6 hours ahead of us here on the east coast, so try to visit us early tomorrow. Or leave your questions here. I’ll make certain the editors see them.

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