Is it Byron?
Almost two years ago, I saw this in a local antique store, advertised as an 19th century hand-drawing. Believe it or not, I passed it up, then decided I was nuts and went back and purchased it for about $40.00. I refrained from saying to the cashier, “Do you think this is Lord Byron? I really think this is Lord Byron.”

When I went to England in June 2005, I looked everywhere for a similar portrait of Byron, especially when we visited Newstead Abbey, but I never saw anything like it. So I am leaving it up to you. I have reversed some well-known Byron portraits and put them in black and white, for comparison.

Is my sketch Lord Byron?

This is what I imagine. A young Regency miss was infatuated with Lord Byron. Perhaps she even glimpsed him in Mayfair, at a ball or the theatre. She and her girlfriends sighed over his Childe Harold’s Pilgrimage, bought engravings of his portrait at the local print shop. She did what I did when I was a teenager. She drew her own picture of Byron, putting him in exotic dress, like she would have imagined Child Harold to wear.

Of course, when I was a teenager, the hearthrob I drew a portrait of was Paul McCartney of the Beatles. I’d scan that too, if I knew where it was. I still have it someplace. I just went on a long search and found all sorts of other things (including my photo of William Shatner as Captain Kirk) but no Paul McCartney.

Weigh in here with your opinions. Do I have a portrait of Byron?
Confess. Who would you have drawn in those tender years of infatuation?

Cheers!
Diane (who has so far refrained from drawing Gerard Butler–or anyone else for a brazillion years)

I’m so lucky to live near Washington, DC. A couple of months ago I heard that The Smithsonian Institution was offering an all day lecture on The Regency World of Jane Austen by Bonita Billman, an Art Historican from Georgetown University. The lecture was scheduled for two days after my Mills & Boon book #5 was due, so the timing was perfect. I decided to indulge myself (the museums in DC are free, but the lecture was a little pricey) and sign up.

The lecture was held in the Ripley Center, the entrance of which is between the Freer Gallery and the Museum of African Art (We’re full of museums in DC). The Center is underground, and the lecture hall is a very comfortable room with theatre seats.

Ms. Billman showed the Regency World of Jane Austen through visual images, slides of the art of the time period, but also photography of the architecture, decorative arts, and fashions. She used the “social Regency” definition (1790-1830) rather than “political Regency” (1811-1821), when the Prince was Regent. I think she slipped a little into the Georgian period, but that was okay. The day was divided into four lectures: The Personalities in Jane Austen’s World; Regency Portraiture; Late Georgian Architecture; and Daily Life, Social Customs, Interior Design, and Fashion.

Billman showed the people of the Regency through their portraits, which was great fun. The Prince Regent, Mrs. Fitzpatrick, Beau Brummell, Jane (of course), Byron, Princess Caroline, and Princess Charlotte–and my hero, The Duke of Wellington.

Next Billman talked about the portrait artists of the time: Thomas Lawrence, Thomas Gainsborough, Joshua Reynolds, George Romney, and some lesser known ones: Hoppner, Beechey, Raeburn–even Stubbs, who is best known for his horses. My favorite was when she showed slide after slide of miniatures, small portraits to keep in one’s pocket.

Cosway was a name I had not known before the lecture. I love miniatures and hope some day to find one I can afford.

The next lecture was about the architecture. She basically just showed classical and gothic architecture–and, of course, the Pavilion.

She talked about William Gilpin, who toured the areas of natural beauty in the British Isles and whose home tour was satirized in Rowlandson’s Tours of Dr. Syntax.

Then last of all slide after slide of furniture, porcelain (not enough of that), interior design, and clothing.

I did not expect to learn new things, but I did. I did not know about Cosway, the miniaturist. I did not know about Gilpin or the Picturesque movement, but my interest was held throughout the whole day.

Another thing about it, I usually go places like this with a friend, but I wound up going alone and, actually, that was good for me. In a way it became more of a respite for me and I could more easily immerse myself in the time period and in the art. It was a day very well spent!

Cheers!
Diane

I remember meeting Eloisa for the first time. It was in Chicago, I think, and I was just planning to start writing a Regency set historical. I was at the RWA National Conference and I was introduced to Eloisa whose first book, Potent Pleasures, was coming out in hardback. Needless to say, I was very impressed!

Eloisa, in addition to being a wonderful author of great books, is also very generous to other authors, sharing her expertise in all parts of the publishing process. I never met anyone who was so smart at the business side of writing. She is also a terrific speaker and very generous to New Jersey Romance Writers, of which I am a long distance member.

I’m thrilled that we Riskies have had the opportunity to sing the praises of Eloisa’s Pleasure for Pleasure and to have her visit with us!

And I am sure Eloisa’s work habits are a lot better than mine!

I generally allot myself four to five months to write a book. I come up with an idea, usually based on a character. My characters generally appear in a previous book, but when I write that book, I never know what their story will be. The next step in the process is to write a synopsis, because my editors want to approve the story before I write it. This means I have to at least figure out the main plot of the story and I have to dip into the research books enough to make sure I can fit the history in correctly. I also write them the first chapter, which is usually an easy chapter for me. I like to start out my books with something very exciting and that sort of scene is fun to write.

When I sit down to write the book, I never really know how I’m going to bring the book to the end. I usually know the hero and heroine fairly well, though – I could probably sit for hours and tell you incidents from their lives before the book starts, but I really have not figured out “what’s next.” I also have to think up secondary characters and subplots, otherwise it is going to be a short story, not a book!

I always write on a laptop, usually in my den on my couch, although I also might sit on the top of my bed, spreading research books around me. I try to start writing by 9 am and I pretty much continue until about 4. If I am very good, I will go to Curves at noon for a break. If I’m not worried about my deadline, I try to take weekends off.

I’m making myself sound very virtuous. I also check my email, play scrabbleblast, see what’s for sale on ebay…..there are a bunch of ways I can waste time when I should be writing. Blogging, the reading of it or the writing of it, is not a waste of time, however!

I research as I go along. I mostly research online (one favorite site www.answers.com), but I have a brazillion research books up in my “book room” a bedroom turned into a …book room, lined with bookshelves. My bookshelves have only cursory organization. Someday I’ll figure out how to arrange them so I can find things in an instant. Name a research book you like and I either own it or my fingers are tapping out abebooks.com and I’m going to buy it (right, Kalen???)

I have two lovely critique groups who read my stuff as I write and my favorite way of doing things is to take their suggestions and fix the chapters we’ve discussed before moving on to write a new chapter. This last book (I’m almost finished!!) I had to write in only 2 1/2 months so I tried something new. Just write and fix later. That works pretty well, actually. I may do things this way from now on. So I wrote the whole thing and then went back and revised that draft.

I am definitely not someone who plots out everything ahead of time, but I stopped worrying about that when Nora Roberts said she also does not plot ahead of time.

So with this book, I am finishing the revision of my first draft and should turn it in by Thursday. Make that will turn it in…

Ask me questions about what else you might want to know! And, those of you who are writers, tell us how you do it, too, this week.

Cheers!
Diane

In honor of Thanksgiving, I thought I’d let you all in on part of the reason I’m thankful for the job of writing Regency Romance. In my current Work In Progress, which you may recall is a road story, I have spent my days wandering around the north of England and the south of Scotland. Through the magic of the Internet I have visited many places and discovered wonderful things.

I can’t really share the visual images I’ve used to create my story, because most of the images are copyrighted, so I went into my own photographs from my 2005 trip to England and Scotland for some similar visual images.

My characters wound up in Liverpool which might have looked a little like this:

They rode over the countryside. Imagine these hills in the Autumn with all different colors:

They might have passed through villages like this one:

Or stayed in a castle ruin like this one:

My heroine may have gazed upon the home of her childhood:

And, finally, my hero and heroine may have shared a bed similar to this one:

Do I have the greatest job in the world or what?

For a wonderful virtual adventure, immerse yourself in this website!
http://www.undiscoveredscotland.co.uk/index.html

Is part of what you like to read about the Regency imagining what it looked like?
How much setting do you like in our books?

Happy Thanksgiving, Everybody!

Diane

A Twelfth Night Tale in Mistletoe Kisses “…splendidly satisfying…” BOOKLIST

This week the Riskies have graciously allowed me lots of extra attention because of the release of Mistletoe Kisses, Harlequin Historical’s Regency Christmas anthology. See the intervew with the other authors of the anthology here.

We also have a contest, giving away THREE autographed copies of Mistletoe Kisses. All you have to do is comment on our blogs this week – from now to Saturday. Say more than, “Great blog” please; we love to hear from you. Winners will be announced next Sunday Nov 19. See contest details here.

I apologize for talking about Christmas before Thanksgiving, I really do! But the Historicals, like other Harlequins, are only on the bookshelf in stores for one month (longer at online stores and eharlequin.com) and if we waited until the “proper time” you might not be able to find Mistletoe Kisses at all.

During the Regency era Christmas had some of the same customs we still follow today. Decorating one’s house with evergreens. Hanging mistletoe and kissing under it. Even one that surprised me–roast turkey for dinner.

In my family growing up we, unfortunately, did not have a wassail bowl, nor did we have a yule log, but then in some of the houses where we lived, we didn’t have a fireplace so maybe that was a good thing. We did cut greenery from our yard and use it to adorn our mantlepiece and to create centerpieces for the table, like Elizabeth and Zach in A Twelfth Night Tale. And we always had a live tree (a later tradition than “our” time period). We decorated our tree on Christmas Eve and took it down on New Year’s Day.

My favorite tradition has always been to decorate the Christmas tree. As a child, my sisters and I loved to unwrap our tree ornaments, to find our favorites, the ones we remembered having our whole lives, the ones we made ourselves, the ones that were souvenirs from various trips. We always had a certain way to hang the ornaments, showing our favorites in the front and those dumb plain blue ones my mother bought one year to the back. In my family growing up, the annual debate was always whether we ought to have the lights blink or not. I always voted for no blinking.

With my husband and children, decorating the tree has never been quite the valued experience it was when I was growing up. Maybe it was because Christmas had become more hectic -school parties, parties for every other activity my children were in, church pageants, work parties, Christmas shopping, visiting two sets of relatives. In fact, I always thought the time between Halloween and Christmas passed like a blur. So now that my children are grown, I often decorated the tree myself, an artificial tree so the cats won’t eat it. (I do have a great memory from my childhood when our cat knocked down the tree on New Year’s Eve just as my parents were getting ready to go to a party)

Thing is, I still love it, the tree decorating. I have some of those same ornaments from my childhood and some really lovely antique ones that were given to me long ago. My tree has twinkling lights now. My tastes have evolved with the technology.

I do not like the hectic nature of the holiday still, but I love the beauty of the season. I love the decorations, the holiday music, the Christmas Story. I love Christmas movies and TV episodes that celebrate the holiday. I love that we honor the winter holidays of all faiths now, making the season a time for loving everyone.

Last Christmas I had the additional joy of writing my Christmas novella during the holiday season. It was wonderful inspiration, both enriching my holiday and inspiring my writing.

So this year it is a great joy to share the story with you. I hope you all enjoy A Twelfth Night Tale and the other novellas in Mistletoe Kisses.

This week the Riskies are going to be talking about our favorite holiday customs or other holiday related themes, so this is an opportunity to share yours with us (and earn chances to win Mistletoe Kisses)

Tell which you would vote for and why: Live tree vs Artificial; Twinkling lights vs Non-Twinkling lights. Or share any pet-related tree stories. The Riskies want to know…

(Holiday) Cheers!
Diane