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Author Archives: Elena Greene

About Elena Greene

Elena Greene grew up reading anything she could lay her hands on, including her mother's Georgette Heyer novels. She also enjoyed writing but decided to pursue a more practical career in software engineering. Fate intervened when she was sent on a three year international assignment to England, where she was inspired to start writing romances set in the Regency. Her books have won the National Readers' Choice Award, the Desert Rose Golden Quill and the Colorado Romance Writers' Award of Excellence. Her Super Regency, LADY DEARING'S MASQUERADE, won RT Book Club's award for Best Regency Romance of 2005 and made the Kindle Top 100 list in 2011. When not writing, Elena enjoys swimming, cooking, meditation, playing the piano, volunteer work and craft projects. She lives in upstate New York with her two daughters and more yarn, wire and beads than she would like to admit.

When Santa asked for an update on our projects, I had mixed feelings. I love that someone cares enough to ask, don’t get me wrong! But I also have to admit something: I’ve been wandering for a while.

After completing LADY DEARING’S MASQUERADE, I started work on a historical romance with a Regency balloonist as the hero. I thought it would be fun, but instead it soon felt like pushing a boulder uphill. I switched gears to work on a different story that I believed was more “high concept”, only to find the going slow on that one, too. Then not long ago the market seemed to call for something darker than what I was writing. Then sexier–plot setups where the sex starts from the get-go, whereas most of my couples would take about half the book to get to that point.

After desperately mulling around the 15-20 story germs in my idea file, I realized I’d allowed fears about marketability to suck the joy out of the writing. By some wonderful serendipity, around the same time the Smart Bitches blog posted some words of wisdom from Laura Kinsale. And many of her words resonated with me.

“I began to write because I loved to write. That is still the only way.”

I realized this was true for me as well. So I went into Deep Think Mode, looked back over my list of story ideas and asked myself which one I really wanted to write. And I got not one but two answers, so here’s what I’m working on now.

Project #1: Completing the balloonist story. I guess I like closure and having looked back over the partial draft I wonder why I thought it was so bad. Galloping lack of self-confidence, I guess.

Project #2: Character and plot brainstorming on a story I don’t feel comfortable describing yet. In my rational mind, I know perfectly well that the Riskies and our guests would probably say, “Go ahead and write this story” but my insecure inner artist will assume you’re just being nice.

Anyway, the mojo is back. I am enjoying the process of writing again, even if it will take a bit longer for me to get another book completed.

Thanks again for asking about this, Santa!

Elena
LADY DEARING’S MASQUERADE, Romantic Times Best Regency Romance of 2005
www.elenagreene.com

P.S. The image above is a cartoon published by McCleary, A Balloon Tete-a-tete, c. 1820. Since the speech bubbles aren’t clear in this picture, I’ll let you know that the lady is exclaiming “How it rises!” and the gentleman, “It ascends exquisitely!!”

Posted in Risky Book Talk | Tagged | 8 Replies

I’ve kept thinking about our discussion last week’s post about Prinnyworld vs. the real Regency, also about news I had that a particular publisher was looking for “dark” stories, and it’s led me to wonder what dark means to different people.

“Dark” requires torture, but what sort?

The first darker books I read were some of Mary Jo Putney’s, stories like PETALS IN THE STORM (heroine raped by the men who just killed her father) and THE RAKE (alcoholic hero). Later, I discovered Laura Kinsale, whose stories are usually dark: FLOWERS FROM THE STORM (hero a stroke victim put into an insane asylum), SHADOWHEART (hero raised by his father to be an assassin). What some authors do to their poor characters…

My own darkest book was LADY DEARING’S MASQUERADE, the dark elements being the grim reality of the lives of foundlings and the bad first marriages of the hero and heroine. I put in a lot of lighter elements, though, this is “Little League” dark compared to Putney or Kinsale.

So there’s the sort of “Real World Dark” that draws upon real world elements, like poverty or war or sexual abuse. Things we still read about in the news.

My other darker book was SAVING LORD VERWOOD, in which it seemed everyone wanted to kill the hero. It was dark in a Gothic sort of way: deranged villain, eerie setting (north coast of Cornwall, where there are so many cliffs to throw people over). Despite the attempted murder plot, this book felt lighter to me than LDM. I think “Gothic Dark” is somehow less grim than “Real World Dark”, just because these elements are further removed from our lives and everyday news.

Then “Gothic Dark” shades over into “Paranormal Dark”, which often taps into the angst of the accursed and those who love them. My favorite paranormal Regency is Karen Harbaugh’s THE VAMPIRE VISCOUNT. This sort of story provides a delicious roller-coaster of emotion, a thrilling touch of horror. It’s so different from our ordinary lives that I think it is more escapist.

There end my musings… These flavor categories are just for fun, and I don’t mean to imply any of them is better or worse than the others. What do you think? Have I missed some flavors? Do you have favorites? Which authors do dark better than anyone else?

Elena
LADY DEARING’S MASQUERADE, Golden Quill Best Historical Romance!
www.elenagreene.com

The Word Wenches recently discussed the appeal of the Regency, touching on the popularity of “Regencyland” or “Prinnyworld” as a lovely escape from 21st century stresses.

Which it is. If I’m pampering a wretched cold or for any other reason looking for a light and/or comforting read, I’ll reach for a Georgette Heyer (stories like FREDERICA or COTILLION), a cozy trad, or a sexy Regency-set historical romp.

But that post also made me think about a comment from one of my CPs on a draft of LADY DEARING’S MASQUERADE. Much of the plot revolves around London’s Foundling Hospital, pictured above. (There’s a great book on the subject called CORAM’S CHILDREN by Ruth K. McClure). Anyway, I wrote about the fate of unwanted children in Regency London, how they might be abandoned in parks to die of exposure or cast into the Thames. My CP noted that this was very sad; her way, possibly, of making me consider whether I wanted to include such grisly facts.

I pondered it a while. I know many readers want to escape into a lush Regency where nothing worse happens than maybe expulsion from Almack’s. But for this story, I wanted to show the stakes, for the foundlings who appear in the book and for the hero and heroine who care about them. I decided to not pull my punches and left that bit in.

I also included other facts I learned in the course of researching the book that I found interesting and yes, heart-wrenching, such as how many of the children were born to servant girls impregnated and abandoned by their masters or their sons, the real rakes of the Regency, unlike the charming scoundrels many of us write (I’ve written them too). I wrote about how the Foundling Hospital, for lack of room, turned away 1 in 5 infants brought to them. I used the fact that mothers left tokens behind to help them reclaim their children if they were ever in a position to care for them.

As I was writing, I kept worrying that I was going too deep into harsh reality. But that’s where this story took me. I’ve written lighter Regencies, too, like THE REDWYCK CHARM. As far as reading tastes go, it depends on my mood. I enjoy excursions into “Prinnyworld” where I can enjoy gorgeous clothes, beautiful settings, witty dialogue. But I also appreciate authors who have gone for some gritty reality. Mary Balogh and Carla Kelly come to mind. I like seeing Regency romance push some of these boundaries. Lots of interesting areas to explore: the Napoleonic Wars, the Luddites, etc…

What do you think? Does reality spoil the Regency experience for you? How real is too real? If you like the boundaries pushed, where?

Elena
LADY DEARING’S MASQUERADE, RT Reviewers’ Choice Award for Best Regency of 2005
www.elenagreene.com


There are little things that pop into my head when I go back and forth between the US and England. Here are a few of them — and please share any you may have had! (Mine, of course, are affected by the fact that I’ve lived most of my life in Southern California. New Yorkers, for example, will have somewhat different impressions, I am sure.) 🙂

THINGS I SOMETIMES THINK WHEN I VISIT ENGLAND

1. Wow, things cost so much here! (Especially books, restaurant food, and anything involving transportation!)

2. Everyone walks so much here! I should walk more when I’m at home. I really should. And I will, this time. I will really walk more when I get home.

3. The roads are so narrow! How can those drivers go so fast without constantly scraping things?

4. Okay, I have to change my vocabulary over now so I don’t make mistakes. (Mental reminder: wheat bread = brown bread, water = tap water, gas = petrol, pants = trousers, bathroom or restroom = loo or toilet or ladies’, eggplant = aubergine or courgette, I never can remember which one, the other is rutabaga I think, anyway I don’t like either one so it doesn’t much matter…)

5. Walk faster. Walk faster. You used to know how to walk fast. Come on, it will all come back, right?

THINGS I SOMETIMES THINK WHEN I RETURN TO THE U.S.

1. Wow, things are so cheap here! (Especially produce, gasoline, books, and…everything else, pretty much. Except tea, which is cheaper in England.)

2. Waiters are constantly refilling my water-glass! That’s so cool!

3. Why can’t restaurants figure out how to make a decent cup of tea?

4. Wow, everything’s so big! And so empty! And the sky is so blue!

So, what thoughts have you had upon going to England, and coming back to the US? (Or, if you live in England, upon going to the US, and coming back to England?) All opinions welcome!

Cara
Cara Kingwww.caraking.com
MY LADY GAMESTER — Holt Medallion Finalist for Best Regency of 2005!

Posted in Research | Tagged | 11 Replies

romeojulietThis is the advice Friar Lawrence gives Romeo and Juliet: “Therefore love moderately; long love doth so.”  It sounds kind of stingy, as if you have to dole out your love a little at a time or you’ll run out.

I guess his point really is that Romeo and Juliet’s level of drama is leading them into trouble. When writing romance, we want to tap into that sort of intensity. But just as the idea of reforming a rake is dangerously close to the unrealistic fantasies some women have of fixing an abusive lover, the idea of not being able to live without someone comes close to unhealthy obsession.

These tropes are edgy; maybe that’s why they’re so powerful.

So on one hand we have powerful emotion combined with the immature prefrontal cortex development of teenagers.  It’s great for tragedy, but not for the happy ending we want in a romance novel.

On the other hand, there are mature characters who could live without each other, if need be. Is there a loss of emotional intensity?

I don’t really think so. I think we can still feel the love, even while admiring the strength of characters who move on despite their heartache.

But sometimes there is a powerful need that makes it all work. Laura Kinsale creates characters so scarred that my fellow Kinsale fans and I joke they would need years of therapy in real life. It’s not weakness to need help healing from major trauma. So it’s intense and satisfying that the hero or heroine can help the other.

But to keep it from edging into codependency, I want to know that at some point, near the end of the story or at some point beyond, the wounded one will be strong, too. I want to know he or she would eventually live a happy life even if the other were killed in a carriage accident.

Although romance writers don’t do that at the end of the story, however much they might be tempted in the often-frustrating middle.

What do you think?

Elena
www.elenagreene.com
www.Facebook.com/ElenaGreene

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