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Author Archives: Elena Greene

About Elena Greene

Elena Greene grew up reading anything she could lay her hands on, including her mother's Georgette Heyer novels. She also enjoyed writing but decided to pursue a more practical career in software engineering. Fate intervened when she was sent on a three year international assignment to England, where she was inspired to start writing romances set in the Regency. Her books have won the National Readers' Choice Award, the Desert Rose Golden Quill and the Colorado Romance Writers' Award of Excellence. Her Super Regency, LADY DEARING'S MASQUERADE, won RT Book Club's award for Best Regency Romance of 2005 and made the Kindle Top 100 list in 2011. When not writing, Elena enjoys swimming, cooking, meditation, playing the piano, volunteer work and craft projects. She lives in upstate New York with her two daughters and more yarn, wire and beads than she would like to admit.

My family and I love this show. I think it’s great for kids as a demonstration of the scientific method in action. And the crew look they’re always having a great time, especially when blowing things up.
Some of my favorites include the duct tape episodes (they even built a boat out of it) and the one where they (sadly!) proved that Captain Kirk could not have built a bamboo cannon to defeat his Gorn Opponent in the “Arena” episode. Star Trek and black powder—what’s not to love?

Here’s a period weaponry myth that I ran across in reading LIFE IN WELLINGTON’S ARMY by Antony Brett-James. I would love to see this one tested.

Biscuits appear to have arrived in one of three states: hard, jaw-breaking and alive with maggots, as Napier indicates forcibly enough, or crushed to crumbs and mouldered to dust, or sometimes good but old. One day in November 1813 each man in the 43rd Light Infantry secured a biscuit of American make: nearly an inch thick, they were so hard as to require the stamp of an iron heel or some such hammer to break them. These American biscuits were even thick enough to save a man’s life. During the march to La Petite Rhune a fortnight before Christmas 1813 the officers of that regiment ate some for breakfast at two o’clock in the morning, when Lieutenant Wyndham Madden remarked that their thickness would turn a bullet aside, at the same time stuffing one into the breast of his jacket. ‘Never was prediction more completely verified,’ wrote a brother subaltern, ‘for early in the day the biscuit was shattered to pieces, turning the direction of the bullet from as gallant and true a heart as ever beat under a British uniform.’

Mythbusters has boards on www.discovery.com where one can submit new myths. In the historical myths section, I found someone has posted something similar related to the American Civil War, so I added this Napoleonic bit to that thread. It would be fun to see this one tested!

Do any of you enjoy Mythbusters? Have any favorite episodes? Any myths, Regency related or otherwise, that you’d like to see them try to bust?

Elena


I hope you all enjoyed your New Year’s, whether you got out or like me, did the cocoon thing. My family and I always celebrate by cooking together and trying new recipes. Last night it was shrimp and pancetta over pasta for dinner, with mint chocolate mousse for dessert. Yum!

I feel very grateful for the changes that came in 2010. My husband continues to recover from his stroke and I have found more time to take care of myself. This summer, I started swimming again. I also started going to Buddhist meditation classes. I am not a good meditator—some days my mind is still like that proverbial barrel of monkeys on crack!—but just trying seems to be helpful. My family seem determined not to let me miss any classes… maybe they’re trying to tell me something. 🙂

I am most grateful that I’ve been able to get back to writing this fall. I even finished something! I’ll tell more if it goes somewhere, but even if it doesn’t, it was a blast and helped me feel like a writer again.

So I have no formal resolutions for 2011 other than to continue to take care of everyone (including myself) and to keep writing!

How was your New Year’s celebration? Is there anything about 2010 you are particularly grateful for? Something to look forward to in 2011?

Wishing you all the best in 2011,

Elena

This fall, I’m getting back into writing after a nearly two year gap due to my husband’s stroke. It has been a rough reentry, but I’m feeling happy and productive again. I’m also thinking a lot about writer’s block, because things that helped me get over it before have helped me again this fall.

Let me clarify what I mean by writer’s block. I’m not talking about what happens with people who have been members of a writing organization for years and still haven’t completed and submitted a manuscript. That is writer’s block, but not a sort I feel qualified to write about.

Professional writers (regardless of publication status) learn to show up for work on a regular basis. The beauty of it is that writing begets more writing. You draft a crappy scene in the morning, then you go about your day job or errands and seemingly out of the blue, you get ideas for how to fix that scene and go on to the next. You ask why your hero is a loner and the next morning you wake up knowing.

What is going on is a partnership between your conscious and subconscious minds. It’s not always perfect, of course. Sometimes you need 10-20 minutes of warmup before the writing starts to flow. Sometimes you need to take a break to brainstorm a plot snag or murky character motivation. Sometimes you just have a bad day. These are minor blocks; you develop tricks to get through them. And when it’s going well, it feels great. Like an athlete who is in the zone, you are still working and sweating, but the work feels good and productive.

The writer’s block I’m talking happens when you are showing up for work but the ideas slow down or stop coming. At first you may think it’s just a bad day. But it happens again, over a period of weeks or even months. Your characters no longer feel real. They’re more like mannequins you laboriously push through their paces. You lose your gut feel for what works. You don’t know what to keep, change or cut.

What’s happened is like an athletic injury. Unlike a swollen ankle, you can’t see it. But it’s real. Your subconscious mind is on strike.

If you keep going, in a deadline crunch or just out of perseverance, you’re like an athlete compounding an injury. You start to associate writing with pain. You may have trouble finishing a book or starting the next one. It hurts like being at outs with your best friend. You may fall into depression and bad habits.

You could give up or wait it out, but I think it’s better to treat it as a professional athlete would an injury, with rest and therapy. You need to be both kind and tough.

The kind part means getting good sleep, nutrition and exercise if you weren’t already. It could mean massage, meditation, long walks or anything that makes you feel good and clears your mind. You need mental clarity for the tough part.

The tough part is figuring out what caused the block and what to do about it. Some writers say blocks are mysterious but I think one can figure them out. I find journaling (a process I first learned by doing The Artist’s Way by Julia Cameron) helpful. I also talk through blocks with trusted writer friends. Some writers go to a therapist. (I think it’d be very important to find a good one.)

Blocks are caused by fear. It could be fear of rejection, decreasing sales, bad reviews, of not being able to do justice to your ideas, of your friends being jealous if your career progresses faster than theirs. If you fear being punished in some way for writing, your subconscious mind “protects” you by not sending any more ideas.

You can’t just dismiss your fears. Bad things do happen to good writers. You may have to teach yourself that you are strong enough to cope. You may have to work on surrounding yourself with supportive people but also learn to support yourself, too. You may want to change your career plan or writing process. Maybe you need to switch genres. Maybe you need to allow more time for each book.

While you’re doing all this, it’s also a good idea to try what Julia Cameron calls an “Artist Date”. Make time for a fun, creative activity that has no career baggage. It could be something you used to enjoy, or always wanted to try but haven’t had time for. Consider it a peace offering to your creative side.

Once you start back into the writing, be patient. Continue to take care of yourself and trust your gut.

So anyway, this is my theory on writer’s block. What do you think? If you’ve had it, what helped? If you haven’t, do you do things to prevent it?

Elena

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A few weeks back, the Smart Bitches asked for reader opinions to help in writing a chapter for a book “Everything I Know About Love, I Learned from Romance Novels.” The specific question was what traits readers associate with the ideal romance hero and heroine. Life was too busy that week for me to even read all the responses, let alone partake in the discussion. But I thought it was an interesting question.

Now that I’ve read the comments, I see that there are lots of common themes: intelligence, humor, and the ability to make sacrifices for the other. Yet something in the discussion disturbed me until I figured it out.

My creative self isn’t comfortable with the concept of an ideal hero or heroine. I doubt the SBs meant it this way, but if readers were to reach consensus on the ideal, should all romance authors should aim for the same goal, book after book? If the alpha hero is the ideal (as some readers say) should we never write beta heroes?

IMHO all heroes and heroines should be innately good people. What I want in heroes and heroines is variety. Jessica and Dain from Loretta Chase’s LORD OF SCOUNDRELS are not much like Maddy and Christian from Laura Kinsale’s FLOWERS OF THE STORM. Both books are firmly on my keeper shelf.

What I can define a little more easily is my deal-breakers. I used to have more of them, but books like Laura Kinsale’s SHADOWHEART made me reconsider. Now it’s a short list. I can’t deal with heroes or heroines who are:

  • Small-minded or petty. No kicking dogs, please.
  • Distant and cold throughout the entire story. Some alpha heroes come off this way to me. I want to see even the toughest guy break down when he thinks he’s lost the love of his life.
  • Apathetic. No heroes or heroines who are just waiting for the other to heal them.
  • Racist, homophobic, or intolerant in any way, especially if the author seems to support the intolerance and doesn’t make them change.

Beyond those deal-breakers, I really just want to know why a hero is right for that heroine and not someone else, and vice versa. Like Mr. Darcy and Elizabeth Bennet, they should have opposing traits that drive them crazy but also make them grow.

What about you? Are there specific traits you expect in a hero or heroine? What are your deal-breakers?

Elena

Posted in Uncategorized | Tagged , | 7 Replies
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