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Author Archives: Elena Greene

About Elena Greene

Elena Greene grew up reading anything she could lay her hands on, including her mother's Georgette Heyer novels. She also enjoyed writing but decided to pursue a more practical career in software engineering. Fate intervened when she was sent on a three year international assignment to England, where she was inspired to start writing romances set in the Regency. Her books have won the National Readers' Choice Award, the Desert Rose Golden Quill and the Colorado Romance Writers' Award of Excellence. Her Super Regency, LADY DEARING'S MASQUERADE, won RT Book Club's award for Best Regency Romance of 2005 and made the Kindle Top 100 list in 2011. When not writing, Elena enjoys swimming, cooking, meditation, playing the piano, volunteer work and craft projects. She lives in upstate New York with her two daughters and more yarn, wire and beads than she would like to admit.


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After blogging last week about caregiver heroines, I realized that whether they work for me or not really boils down to the message coming through the book.

“Do the right thing and happiness will result” is one I can get behind. In real life, sometimes bad things happen to good people but it’s still an idea to live by. But sometimes it comes through “Neglect yourself and someone will rescue you”–a bit dodgier as a principle.

But really, when I’m deep in a good book, I’m not thinking about messages at all, I’m just annoyed if I’m interrupted and then I wonder why those demanding children want dinner again, after all I fed them yesterday… 🙂

When I’m writing my own stories, I try to ignore any messages that come through because I don’t want them to seem forced. While I wouldn’t go so far as to agree with Mark Twain that “persons attempting to find a moral in it will be banished”, I hope no one notices any at least until she’s finished the book.

Maybe messages come out wrong when the reader is too obviously smacked over the head with them. But romance as a genre gets dissed for unrealistic messages. Naysayers interpret “Love has healing powers” as “If you love him enough, an abusive man will change”. I don’t know which (if any) specific books cause them to make that leap.

Do you think about messages when you read/write? If messages get twisted, do you think it’s through clumsy writing or perhaps readers’ prejudices?

Which messages in romance novels resonate most for you? Least?

Elena
www.elenagreene.com

Posted in Uncategorized | Tagged , | 10 Replies

Welcome back to Risky Regencies’ JANE AUSTEN MOVIE CLUB!

Today we’re discussing the new SENSE & SENSIBILITY, particularly its second half.

If you’d like to look at last week’s discussion, or the cast list for this adaptation, just click here.

So: what did you think???

All comments welcome!

Cara
Cara King, author of MY LADY GAMESTER, in which no one chops logs and men rarely take off their coats

Posted in Uncategorized | Tagged , , | 14 Replies

I love makeover shows. I’d like nothing better than to wake up some morning and be ambushed by Stacy and Clinton to go off on a $5000 shopping spree in NYC. At this point, I’m probably not enough of a fashion disaster to make the cut. But there was a time when my children were small, sleep was scarce and my beauty regimen consisted of showering. When I watch these shows I can definitely relate to some of the moms in their baggy sweatpants and bad 80s jeans!

But once in a while, when friends of the fashion victim say she deserves the makeover because “she does everything for others and never thinks of herself” it almost seems like a reward for martyrdom. It almost makes me want to go back into those Mom Jeans and see if someone will nominate me! 🙂

Which makes me think about the Caregiver Heroine. In Regencies, this is often the lady whose father gambled away the family fortune. Now she’s taking care of the estate and a bunch of younger siblings. Maybe she’s selling herself into marriage with a wealthy rake (or even submitting to a Fate Worse Than Death). Or she’s scrimping and saving so a younger sister can have her London Season. Georgette Heyer’s FREDERICA is a classic example.

With caregiver heroines the hero can provide that whole take-me-away-from-it-all fantasy which can be fun. On the other hand, the caregiver heroine can be a cliché, a shortcut to characterization. I’m glad to see that more recent releases feature heroines who are striking out for themselves in some way.

A caregiver heroine can still work for me, though. It’s part setup and part attitude. I want to know she really doesn’t have better alternatives and isn’t just enabling poor Papa’s gambling problem. At least let her be angry with him about it! I want to know she’s not putting her own needs on a backburner just because she doesn’t value herself. FREDERICA works because the heroine is a happy person. She enjoys the shopping and parties involved in giving her sister a Season; I’m sure she’ll have even more fun once her burdens are lightened.

So what do you think? Do you enjoy reading about caregiver heroines? Do you have any favorites? Where is the boundary between a heroine who is bravely dealing with a difficult situation and one who is just making a martyr of herself?

Elena

Posted in Uncategorized | Tagged | 18 Replies
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