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Author Archives: Elena Greene

About Elena Greene

Elena Greene grew up reading anything she could lay her hands on, including her mother's Georgette Heyer novels. She also enjoyed writing but decided to pursue a more practical career in software engineering. Fate intervened when she was sent on a three year international assignment to England, where she was inspired to start writing romances set in the Regency. Her books have won the National Readers' Choice Award, the Desert Rose Golden Quill and the Colorado Romance Writers' Award of Excellence. Her Super Regency, LADY DEARING'S MASQUERADE, won RT Book Club's award for Best Regency Romance of 2005 and made the Kindle Top 100 list in 2011. When not writing, Elena enjoys swimming, cooking, meditation, playing the piano, volunteer work and craft projects. She lives in upstate New York with her two daughters and more yarn, wire and beads than she would like to admit.

Right now I’m deep in researching the details of my army brat hero’s background and one of my absolute favorite references is Life in Wellington’s Army by Antony Brett-James. It’s just full of the sort of detail that is missed in most history books, much of it gathered from journals and letters of soldiers and officers.

Life in Wellington’s army was no picnic. Read on if you are not too faint of heart…or stomach.

Consider this letter from Charles Napier to his mother: “We are on biscuits full of maggots, and though not a bad soldier, hang me if I can relish maggots.”

Or the story of biscuits (of American make) that were so hard and thick that Lieutenant Wyndham Madden of the 43rd Light Infantry suggested they could turn a bullet aside as he put one in his jacket. “Never was prediction more completely verified,” a fellow officer wrote, “for early in the day the biscuit was shattered to pieces, turning the direction of the bullet from as gallant and true a heart as ever beat under a British uniform.”

(The illustration is “Half Rations” from The Military Adventures of Johnny Newcombe by Rowlandson.)

As for living conditions, when they were not billeted in some village or other, the men often had to sleep in the open. Sometimes they used makeshift tents. In 1813 tents were made general issue but were only a marginal improvement. With twenty soldiers to one tent, it meant, according to Sergeant Cooper, that “none could turn without general consent, and the word ‘turn’ given.” Moreover, in the wintry conditions in the Pyrenees, “mountain gusts and drenching rain tore the wooden pegs out of the mud and left the soldiers to flounder in horrible, enveloping wet folds of canvas.” Brrrr!

(Sketch from The Wheatley Diary.)

I was raised doing all sorts of camping, spending weeks with my family hiking in the Adirondacks or canoeing in the Canadian wilderness. At least we had modern, reasonably waterproof tents. And of course, no maggot-ridden biscuits–although I learned to love Spam while camping. I don’t know how it is—I’ve since tried it at home and found it disgusting!—but frying it over an open fire makes it crispy, salty and delicious beyond words.

Much as I cherish the memory of those family camping trips, now I am married to a man whose idea of roughing it is staying at Day’s Inn rather than Marriott. I still like to hike and canoe, but now our “camping” involves something more like this. Even I have to admit there’s something to be said for modern plumbing!

So how about you? What have been your experiences in “roughing it”? Did you enjoy it? Or would you rather just read about it?

Elena
www.elenagreene.com

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Welcome to another “meeting” of the Jane Austen Movie Club! This is where like-minded folk gather to discuss, debate, and dissect every adaptation of Jane Austen that we can get our hands on.

Today we’re talking about the new adaptation of Mansfield Park.

To aid the discussion, here are the major credits, with a few notes on some of the people involved.

DIRECTOR: Iain B. MacDonald

SCREENPLAY: Maggie Wadey

Maggie Wadey wrote the screenplay for the 1986 (creepy Tilney) adaptation of Northanger Abbey! She also wrote the 1991 Adam Bede and the 1995 Buccaneers.

CAST:

Douglas Hodge — Sir Thomas Bertram

Maggie O’Neill — Mrs. Norris

Jemma Redgrave — Lady Bertram

In case anyone was wondering exactly what the relationships are, Jemma Redgrave is the daughter of Corin Redgrave (who played Sir Walter Elliot in the 1995 Persuasion), the niece of Lynn Redgrave and Vanessa Redgrave, and cousin to Natasha and Joely Richardson.

Billie Piper — Fanny Price

Billie Piper, of course, is famous for Doctor Who. She also played Sally Lockhart in the adaptation of the Victorian-set Philip Pullman novel The Ruby in the Smoke, and its sequel, The Shadow in the North (which also featured Northanger Abbey‘s J J Feild).

Blake Ritson — Edmund Bertram

Does Blake Ritson look familiar? He played Cedric Diggory in Harry Potter and the Goblet of Fire.

Catherine Steadman — Julia Bertram

James D’Arcy — Tom Bertram

James D’Arcy is certainly a familiar face — he was First Lieutenant Tom Pullings in Master and Commander, Blifil in the 1997 Tom Jones, and Nicholas Nickleby in the 2001 adaptation of the same name.

Michelle Ryan — Maria Bertram

Michelle Ryan, in case you didn’t recognize her face from a million adverts and billboards, is the new Bionic Woman.

Rory Kinnear — Rushworth

Joseph Morgan — William Price

Joseph Morgan has played a sailor before — though his previous character had a less happy outcome. His William Warley, captain of the mizzen-top, didn’t end well in Master and Commander.

Hayley Atwell — Mary Crawford

Hayley Atwell played alongside Billie Piper in The Ruby in the Smoke and The Shadow in the North.

Joseph Beattie — Henry Crawford

So…what did you think???

All comments welcome!

Cara
Cara King, who will give a puppy from Pug’s next litter to whoever can say what country dances they were doing

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Just a reminder of the schedule for our “Jane Austen Movie Club” — where we meet online to discuss adaptations of Jane Austen’s works!

(And the occasional Film Of Interest To Austen Junkies.)

All meetings are on Tuesdays.

We always meet the first Tuesday of every month — plus, we have extra meetings when called for (and PBS’s Complete Jane Austen certainly calls for it!)

SCHEDULE

January 29: the new MANSFIELD PARK

February 5: MISS AUSTEN REGRETS

March 3: 1940 PRIDE AND PREJUDICE (Greer Garson & Laurence Olivier)

April 1: first half of the new SENSE AND SENSIBILITY

April 8: the rest of the new SENSE AND SENSIBILITY

And if you would like to participate in some of our previous discussions, it’s not too late! Just click on the link at the bottom of this post that says “Jane Austen Movie Club,” and you’ll see all of our discussions.

As always, we’d love to hear your opinion!

Cara

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Last week, in a new installment to the Cassie Edwards saga, Paul Tolme spoke out at Newsweek about the experience of having words from his Defenders of Wildlife article on black-footed ferrets used as dialogue in a romance novel. He’s clearly delighted that the resulting publicity has caused a spike in donations and ferret adoptions. However, he’s also upset some romance readers and writers by his use of terms like “trashy romance novel” and “standard romance-novel schlock”, for which he has since apologized.

It brings up the question of how much should we care when people mock the romance genre.

I certainly understand those who feel upset about it. Yet I can’t personally blame Paul Tolme. How could he resist such material? And he hasn’t exactly had a good introduction to the genre, has he? There are just too many people who share this view of romance (some of them even my relatives and friends). I just don’t have the energy to be angry with all of them.

What I do think is that too much righteous indignation can make us look foolish. Maybe we should just enjoy what we read and write and not worry about what people think.

But on the other hand, I’ve met too many women who might enjoy romance and won’t even try one, perhaps for fear of being thought foolish or frivolous. Especially if one of them admits to loving Jane Austen and/or the Brontes, I suspect there are romance novels that might appeal to her. If we managed to somehow tap into that market, it could lead to more sales of the sort of books I want to read and write.

So anyway, I do care and have always paid attention to advice coming through RWA and elsewhere on how to improve the image of the romance genre.

Sometimes we are advised to quote statistics (the ones like romance accounts for 50% of mass market fiction sales). Some people will be impressed by the size of the business even if they don’t think they’d care for the product. On the other hand, that can be like telling people they should be impressed with McDonald’s food because of the X brazillion burgers sold.

The problem is I don’t really feel comfortable trying to defend the entire romance genre. Some books are pretty indefensible. The covers are sometimes cheesy. Sometimes the contents are, too. (There are also some pretty cheesy covers on some wonderful books and vice versa, but that’s a whole different blog post.) There is usually some truth to any stereotype.

Anyway, I don’t think indignation or a blanket endorsement of the genre are the right responses. If someone is rude (like the teen who walked up to me at a bookstore signing and said “Eeeewwww, romance!”) I smile and tell her she is entitled to her opinion. If someone is more polite and seems open-minded, I talk about the variety that exists within the romance genre.

I have occasionally tried to “convert” friends to romance. Not that that is the right word, actually. I wouldn’t want someone to try to convert me to reading horror, for instance. (Nothing against horror, I enjoyed the one Stephen King novel I read. But it’s just not my favorite flavor.) What I’d really like to do is to get more people to try romance.

Last year, I got Julia Ross’s THE WICKED LOVER onto my book group’s reading list. I thought her use of language and her characterizations would appeal to them. However, most members didn’t read it. It could be in part because it was the December book and everyone was busy (no one read the previous December book either and we’ve since decided to skip the month). But I don’t know if it would have flown in any other month.

I’m at peace with that. I can’t change the world and I did get one member into romance. She started out with Julia Ross but has moved on to many new authors. I’m happy about that small gain and I’ll continue recommending good romance novels–especially those by the Riskies. 🙂

So how do you feel when people diss romance? Do you think it matters? What do you do about it?

Elena
www.elenagreene.com

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Welcome to another special “meeting” of the Risky Regencies Jane Austen Movie Club!

Today we’re discussing the newest version of Northanger Abbey, which aired this Sunday in the US, and last spring in the UK.

We discussed the new Persuasion last Tuesday — and if you missed the discussion, it’s not too late to stop by and add a comment! Opinions on it were mixed, but with few raves, and a fair amount of disappointment (particularly about the run and the kiss at the end).

I suspect, however, that opinions on Northanger Abbey may be a bit different! Can’t wait to hear what you all thought of it…

Here are a few pieces of information I found interesting:

This Northanger Abbey was filmed entirely in Ireland.

And, not surprisingly, a lot of the cast are Irish actors doing English accents.

The screenplay is by Andrew Davies, who also scripted the upcoming BBC version of Sense and Sensibility, which will air in the US on March 30 and April 6.

Davies is, of course, the screenwriter for the 1995 Pride and Prejudice (the one with Jennifer Ehle and Colin Firth) and the 1996 Emma (which starred Kate Beckinsale), both of which will be shown on PBS as part of their “Complete Jane Austen.” He also did the screenplays for Bridget Jones’s Diary, the 1994 Middlemarch, the 1998 miniseries of Vanity Fair, the 2002 Daniel Deronda, and the 2005 Bleak House.

According to imdb.com, Northanger Abbey was played by Lismore Castle, in County Waterford, Ireland.


To aid discussion, here are some of the major credits:

CAST:

Catherine Morland: Felicity Jones

The Voice of Jane Austen: Geraldine James

Mrs. Morland: Julia Dearden

Mr. Morland: Gerry O’Brien

James Morland: Hugh O’Connor

Mr. Allen: Desmond Barrit

Mrs. Allen: Sylvestra Le Touzel

Sylvestra Le Touzel is a Jane Austen veteran, having played Fanny Price in the 1983 BBC miniseries of Mansfield Park. She was also seen as Marianne Thornton in 2006’s Amazing Grace.

Henry Tilney: JJ Feild

John Thorpe: William Beck

Mrs. Thorpe: Bernadette McKenna

Eleanor Tilney: Catherine Walker

General Tilney: Liam Cunningham

Capt. Frederick Tilney: Mark Dymond

Isabella Thorpe: Carey Mulligan

Carey Mulligan is no stranger to Austen either, having played Kitty Bennet in the 2005 film of Pride and Prejudice. She was also young Ada in the 2005 miniseries of Bleak House.

SCREENPLAY: Andrew Davies

DIRECTOR: Jon Jones

So….what did you think???

All opinions welcome!

Cara
Cara King, who danced Catherine & Tilney’s dance last Saturday at the annual Jane Austen Ball!

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