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Author Archives: Janet Mullany

According to British librarians, here are the top 30 books you should read, and my results:
Favorites, would re-read any time.
Read a long time ago.
Read, found mediocre, and wonder why it’s here..
Yes, I keep meaning to read this and one day I will. Honest.
Anything else–no interest.

To Kill a Mockingbird by Harper Lee
The Bible (bits of. Very few of us have, unless we’ve been in prison, which I’m told is an excellent opportunity to read the whole thing. And I’d only count the King James version)
The Lord of the Rings Trilogy by JRR Tolkien
1984 by George Orwell
A Christmas Carol by Charles Dickens

Jane Eyre by Charlotte Bronte
Pride and Prejudice by Jane Austen

All Quiet on the Western Front by E M Remarque
His Dark Materials Trilogy by Phillip Pullman
Birdsong by Sebastian Faulks
The Grapes of Wrath by John Steinbeck
The Lord of the Flies by William Golding

The Curious Incident of the Dog in the Night-Time by Mark Haddon
Tess of the d’Urbervilles by Thomas Hardy
Winnie the Pooh by AA Milne
Wuthering Heights by Emily Bronte
The Wind in the Willows by Kenneth Graham

Gone With the Wind by Margaret Mitchell
Great Expectations by Charles Dickens
The Time Traveller’s Wife by Audrey Niffenegger
The Lovely Bones by Alice Sebold
The Prophet by Khalil Gibran
David Copperfield by Charles Dickens
The Alchemist by Paulo Coelho
The Master and Margarita by Mikhail Bulgakov
Life of Pi by Yann Martel
Middlemarch by George Eliot
The Poisonwood Bible by Barbara Kingsolver

A Clockwork Orange by Anthony Burgess
A Day in the Life of Ivan Denisovich by Alexander Solzenhitsyn

What do you think of such lists? What do you think they prove, if anything? And how did you score?
Janet


here’s my cover! It’s really, really pretty, but… they’re too young, too scrubbed-looking, and almost certainly too well-behaved. I asked for Harrison Ford with a bigger nose and Juliet Binoche. Personally I think it’s a mistake having people on covers, period, particularly on romances and particularly particularly on historicals where they get the costumes all wrong. (A red neckcloth???!)

If I could have the same art, but without the people, and with a stocking and a book lying on the sofa, that would have been fab. The worrisome thing about this cover is that it doesn’t deliver. It looks like a really sweet regency and it isn’t.

Janet

doesn’t mean it’s Regency.

Today I’m going to take a look at a few of my unfavorite myths about England and the Regency and rant about them.

First, the Downton phenomenon, otherwise known as when will it be safe to watch PBS again? The Downton phenomenon, formerly known as the OscarWildeization phenomenon can be further subdivided into:

silver_gel

THIS is a gel

The Gel thing aka the Maggie Smith Making a Quick Buck thing. Why do dowagers refer to young women as gels? Most of them seem fairly solid to me.  Why in fact does this upper class accent predominate in the Regency? We don’t know how they spoke. We do know that the Countess of Devonshire and her crowd affected a particular drawl. But the rest of them? One accent in society, another at home (particularly men who had to speak to the ragged oppressed on their estates)? See below, Beautiful Accents.

Which leads me to the Loveable Servant with vaguely cockney accent whatever their origins. I will stop right there. These are just two examples of this egregious blight.

The Postcard Phenomenon. This is the assumption that every part of England, particularly rural areas, are beautiful. Not so. Neither are thatched roofs generic.

The Wrong Food and Drink. Scones, afternoon tea referred to as high tea, muffins (unless sold by a muffin man; they are things like big flat crumpets), whisky outside of Scotland, bacon and eggs etc. for breakfast. And in other periods, potatoes were unknown in the medieval period; seventeenth century cottage dwellers did not cook apple crisp over their open fires. (Yes, I have seen these.) And if you were a vegetarian it was from necessity (and you’d kill for a bit of bacon to add to the pottage; some things just don’t change) or you’d be dying.

Moving on to topics also relevant to contemporaries:

soccerfan

English soccer fan

Excessive politeness and grace. I think I do not need to explain further.

Beautiful accents. Some of them. Some are unintelligible. But Fuck You sounds so much more genteel in a posh accent.

The Royal family and people with titles are universally adored, loved, and respected. Not so and certainly not all more-royalsthe time, unless there’s a need for a Big Celebration or a Big Cry. Much of the time they are regarded as overpaid embarrassments. During the worst of the Charles-Di breakup honest satirists and comedians were put out of work as the Royals surpassed themselves.

But back to the Regency. Would you care to share your favorite myths?

Posted in Rant | 3 Replies

In my occasional–very occasional series of great commuter reads, here’s a book that I don’t think is in print in the States, but is well worth going on to Amazon.co.uk to find. It’s by Philippa Gregory (who wrote The Other Boleyn Girl).

A Respectable Trade is about the lives of people caught up in the slave trade. It’s set in Bristol, one of the English cities whose wealth was built on the trade before business moved to Liverpool. The heroine, Frances, marries merchant Josiah Cole, who decides it’s time to move up in the world now he has a wife with social skills and connections–and also, because in his way, he cares about her and wants her to equal any other fine Bristol lady. And one of his plans to get rich is to import and train slaves for the English market. Frances realizes she can’t pretend to herself how her husband’s money is made, and can’t deny the slaves their humanity. It’s a book that is as harrowing and painful, and as full of ambiguities, as the period in history itself.

What Philippa Gregory does with her characters is astonishing. Even Josiah, the slave trader, is someone you can’t stop yourself feeling sorry for as you see him plunge toward total financial disaster, betrayed by the elite traders of Bristol from whom he so desperately craves acceptance. And Frances’ growing conscience and her awareness that her slaves are more than commodities or savages are wonderfully done.

It is, too, an amazing love story, although not a romance. One of the slaves Frances sets to train is Mehuru, formerly a priest in the African kingdom of Yaruba. Frances has just asked him how, in his country, a man would tell the woman he loved that she was beautiful:

“A man would tell her that he wanted her as his wife,” Mehuru said simply. “He would not tell her that she looked as well as another woman. What would that mean? He would not tell her that she was enjoyable–like a statue or a picture. He would tell her that he longed to lie with her. He would tell her that he would have no peace until she was in his arms, until she was beneath him, beside him, on top of him, until her mouth was his lake for drinking, and her body was his garden. Desire is not about ‘beauty,’ as if a woman as a work of art. Desire is about having a woman, because she can be as plain as an earthenware pot and still make you sick with longing for her.”

An amazing, thoughtful, moving book. Get hold of it.

Or, what I’m doing at the moment.

My next book (and you have no idea what a thrill it is to be able to say that), finally has a working title–The Chronicles of Miss Wellesley-Clegg with the Occasional Scribbles of Mr. Inigo Linsley–and will be out (probably) in October 2007 (Avon). It’s a Regency chicklit, and here’s an excerpt, a series of letters written and discarded by the hero to the heroine after she’s discovered why he really proposed to her:

Madam,
I do not deserve the censure you have heaped upon me. Consider that you are so depraved as to accept from gentlemen you barely know offers of marriage in water-closets and

Dear Miss Wellesley-Clegg,
Despite the offence you caused me today when you slandered my person, I shall deign to forgive you as you come from Trade and cannot

My dear Miss Wellesley-Clegg,
I shall forgive your for your impertinence towards me this afternoon, for a mere woman cannot be expected to understand the delicacies of the responsibilities thrust upon a gentleman

Dearest Miss Wellesley-Clegg,
It is indeed regrettable that I may have caused you inadvertent distress when I revealed my

Dear Philomena,
I do not wish to injure your maidenly modesty further by addressing you so, and regret deeply any indelicacy I may have shown when

Dearest Philomena,
Say I may call you thus. I cannot forget the look on your face, the contempt in your eyes, and I am to blame

Sweet Philomena,
Forgive me. I am a callous brute and you the gentlest and most lovely of women

Philomena,
Sweet beautiful Philomena, forgive me for the hurt I inflicted upon you so unthinkingly. I cannot eat for thinking of you, and were it not but three hours since we parted, I am sure I should toss restless all night on a bed of agony.
I lo…

Also in the works, an erotic historical set in the very early 1800s (technically the Georgian, not Regency period). an erotic novella based on Miss Bates which exists mainly as a collection of postits stuck into a copy of Emma, a couple of things to rewrite, and an idea for a Christmas novella that’s a sequel to Dedication (except I don’t think Christmas Regency collections exist any more). Not a to-do list as impressive as Cara’s or (either) Diane’s, but I try…

Janet

P.S. the artwork is something I came across while looking for something appropriate for my post on the Cult of Virginity a couple of weeks ago. Tasteful!

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