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Category: Diane Gaston

bio_pic I am delighted to welcome back to Risky Regencies my good friend and wonderful author, Lavinia Kent. Ravishing Ruby is Lavinia’s latest book out from the fabulous Loveswept line, the latest in her Bound and Determined series.

Here what some Amazon reviewers have to say about Ravishing Ruby:
Lavinia Kent is one of the best authors I’ve ever read. Ravishing Ruby does not disappoint, and was worth every penny! You HAVE to read this book! And every one in this series, especially if you love historical romances! Seriously, Lavinia is one of the best.”

Lavinia Kent is amazing with those sex scene, she’s my queen. They are hot, they are unique and not one is like the other. This time Kent plays with fantasies. And oh … those fantasies …
Read it! It’s amazing!

Lavinia will give away one ebook copy (your choice of formats) of Ravishing Ruby to one commenter, chosen at random.

Here’s Lavinia!

51X1LLJ4vaL._SX373_BO1,204,203,200_Tell us about Ravishing Ruby.

Ravishing Ruby is the continuing story of Ruby, Madame Rouge, the proprietor of a London brothel. It follows the novella, Revealing Ruby, in which we first get a glimpse inside Ruby’s world and come to understand what motivates her. Ravishing Ruby takes us deeper into that world and into her relationship with Captain Derek Price, an American ship’s captain. Because of Ruby’s unique standing in society it seems that any real relationship between them should be impossible – but things are not always as they seem.

Tell us about your Bound and Determined series. How do the books fit together?

My Bound and Determined series is a collection of extremely sensuous regency stories all bound together by Madame Rouge’s Club for Gentlemen of Taste. All the books have at least a couple of scenes that take place there, and none of the relationships would have developed without Madame Rouge’s. When I first started writing the series, I had no idea that Ruby would be ever be a heroine, but every time she stepped onto the page she started to take over, and so I was compelled to write her story.

You are known for your sensual and long love scenes. What’s unique or special about a love scene in Ravishing Ruby?

In writing the love scenes for Ravishing Ruby, I really let my imagination fly. Ruby has very “vanilla” tastes; she’s seen it all, tried most of it, and knows what she doesn’t like. What she does like is fantasy. I had a wonderful time trying to imagine what fantasies a woman of her time might have had. Sir Walter Scott had just published Ivanhoe, and I had great fun having both Ruby and Derek read the book and then act out parts of it at a masquerade.

What is “risky” about Ravishing Ruby?

I think the very idea of a true Madame as a heroine is risky. Ruby has no pretense about what she does and why she does it. She does try to create the best house possible for her girls, but she also knows that it is a business and that her livelihood depends on it. I have always been intrigued by how different the choices that women had were in past centuries. Is there any way that Ruby cannot lie about who she is and still have a chance at happiness?

Did you come across any interesting pieces of research while writing Ravishing Ruby?

I read books and poetry to think about Ruby’s fantasies: Ivanhoe, Byron’s Corsair, Arabian Nights (now, One Thousand and One Nights). It was some of the most enjoyable research I’ve ever done and really helped get me into Ruby’s mindset.

What is next for you?

12615291_10208646717069638_8915591322798400798_oI’ve just finished writing Angel in Scarlet, my mid-summer release. It features Angela, the best friend of my heroine in Bound by Bliss, and also has several important scenes at Madame Rouge’s.

I’m just starting a Christmas story about Ruby that will take her story with Derek a little further and set up my next series. The story keeps getting longer and longer in my mind as all of my old characters come to visit.

Which brings me to my question. Do you like seeing past heroes and heroines in a later story and getting another glimpse into their lives, or do you prefer that each story be new and fresh?

Thank you for having me. I always love visiting Risky Regencies.

Diane here, again.
We love having you, Lavinia! Remember readers, Lavinia will give away one ebook of Ravishing Ruby to one lucky commenter. I’ll pick the winner at random on Monday, Feb 1.

51X1LLJ4vaL._SX373_BO1,204,203,200_On Friday, January 29, our guest will be Lavinia Kent, talking about her new book, Ravishing Ruby, out now from Loveswept.

My friend Lavinia’s forte is writing sensual love scenes. Like the first two books in her Bound and Determined series, Ravishing Ruby, Ravishing Rubyis centered around a very special brothel.

If that doesn’t bring you here Friday, then maybe this will. Lavinia will be giving away one free ebook of Ravishing Ruby!

Drury_lane_interior_1808In researching for my WIP, Summerfield sister Genna’s story, I looked into my copy of The Annual Register, Or a View of History, Politics, and Literature of the Year 1816 (Baldwin, Cradock, and Joy, 1817) and came across this entry in the Chronicles for February 17, 1816.

At Drury Lane Theatre, at the opening scene of the farce called Modern Antiques, or The Merry Mourners, in which Miss Kelly appeared in the character of Nan, a country girl; and Mr. Knight, as Joey, a country lad; while these two performer were, according to their parts, embracing, a pistol was discharged from about the centre of the pit. Great consternation was excited on the stage and among the audience and it was not ascertained whether any person was shot, or what mischief was done. It was not known then whether the deadly attack was intended to be against Miss Kelly or Mr. Knight; but a subsequent investigation proved that it was aimed at Miss Kelly….

The shooter was George Barnett, aged 21, a law stationer who lived at No. 22 Princess Street. He was stopped and apprehended by two members of the audience and taken to the managers’ office in the theatre, where he and the witnesses were questioned by Mr. Birnie, the magistrate. Barnett would not say anything at the time, though. He was then taken to Tothill Fields Bridewell by the constables. The recovered pistols were taken to Bow Street.

Pistolet_marine_1837-IMG_6935Mr. Birnie stated that from the wild and incoherent manner in which he (Barnett) conducted himself that there is “very little doubt of his insanity.”

The account goes on:

It was with some difficulty that Miss Kelly finished acting her character in the farce. On her being informed of the man’s name, she recollected that it was the same name which she had received, signed to several love-letters, some of which contained threats, if she did not accept his offer, etc–She, not knowing the person, treated the whole as a matter of indifference…The fright had such an effect upon her that she has been much indisposed since, and was confined yesterday…

When the pistol was fired, several shots perforated through the left back scene and struck the back of the orchestra. Had it been a musical farce, members of the orchestra might have been struck.

Don’t you feel this could have happened in today’s world? So much rings familiar–shootings in theaters, obsessed fans, even brave bystanders saving the day.

Reading through the Chronicles in the various Annual Registers (I have from 1810 to 1820), I am always struck by how little some things have changed in two hundred years.

Do you have any examples?

Later today, I will be choosing a winner of Lavinia Kent’s latest book, Ravishing Ruby. There’s still time to come by and comment for a chance to win!

 

 

imgresLast night we saw the final episode of Downton Abbey, the most popular drama in the history of PBS and a worldwide hit. Needless to say, Julian Fellowes, the creator and writer of Downton Abbey, tied up all the loose strings and brought us what we Romance authors and readers love–the happy ending.

There won’t be any spoilers in this blog. Instead I want to talk about what this series can teach us about writing good historical romances.

Write great characters.
One of the things I love about Downton Abbey was the characters. The characters were vividly drawn and complicated. I know some would say the characters were stereotypes. Certainly they were recognizable in their roles, but each of them came with a few surprises and twists.

Include lots of conflict.
Downton Abbey thrived on conflict, both internal and external, mostly creating barriers to romance between the characters. Consider Lady Mary, whose class snobbery almost cost her each of her husbands. We tuned in to see if she’d choose love or her idea of what an aristocrat should be. Or think of the disasters that befell Edith every time she was close to having a happy ending to her romantic relationships.

800px-Highclere_Castle_(April_2011)Make setting matter.
Downton Abbey was always lush in its settings and paid attention to small details in the setting. Think of all the scenes at meals and how the details of place settings and food and how it was served helped to make those scenes come alive. Think of how the costumes of Downton Abbey enthralled us. The costume designers tried to make the costumes as accurate as possible, down to the smallest detail.

Make the history matter.
From the very first episode, the real history of the times affected the story. The inciting incident was the sinking of the Titanic. Throughout, the history was woven in to the story.

Don’t show the dirty bits.
I don’t mean don’t show love scenes or naked ladies. I mean don’t show the stark reality of the time period. Downton Abbey certainly idealized aristocrats, making them seem more benevolent of their servants than most probably were. And the Crawleys were probably more flexible and forgiving than their real counterparts, but they were what we’d wish them to be. I don’t want to write about Regency sanitation or about the bugs and vermin that were prevalent in the time period. I’d rather create a world my readers and I would enjoy inhabiting.

Watch the pacing.
I’m sure those who watched the final two episodes were left with the impression that the story lines seemed rushed, as if Julian Fellowes was in a hurry to tie up all those loose strings. How often have you read books where the endings seemed rushed? It is a pitfall we need to avoid when we plot our books.

I am sad to see the series end. I find myself hoping the actors all find other good roles to play, as if they were their characters and I want them to go on living. I know it was little more than a costume drama/soap opera. But soap operas have fiercely loyal followers. I should be so lucky to have those numbers of loyal fans.

How about you? Did you watch Downton Abbey? What do you think made it such a popular series?

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