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Category: Interviews

Interviews with authors and industry professionals

Lost In A Royal Kiss (eBook)I’m delighted to welcome Vanessa Kelly to the Riskies today, with a contest to win an ARC of the first book in her Renegade Royals series, Secrets for Seducing a Royal Bodyguard. The novella Lost in A Royal Kiss–just released introduces the series, in which readers are transported to the court of King George III, where a London street urchin unwittingly plays Cupid, ushering in a new era—and ultimately a new kind of royal…

Welcome, Vanessa! What’s the premise of the Renegade Royals series?

vanessaThank you for hosting me on Risky Regencies, Janet.  I’m very happy to be here!

The basis for the series was a tidbit of information in a book about the daughters of King George III.  Queen Charlotte had taken in a boy as charity case to be raised as a companion to the royal princes.  It was a misguided impulse since the Prince of Wales, for one, resented the unfortunate child.  I found that historical snippet intriguing.  What would life be like for a boy of humble origins raised with royalty and yet never truly a part of their world?  And where in life did he end up?

In my series, this boy became Dominic Hunter, who grows up to be a magistrate, a spymaster, and a trusted liaison to the Court of St. James.  But Dominic has never forgotten the ill-usage he suffered in his youth, and the bad behavior of the royal princes continues to irk him. For one thing, they tend to scatter the landscape with illegitimate children, some lacking a proper name or place in the world.  So Dominic decides to track down these offspring who are royal in everything but name.  He does everything he can to help them find their rightful places in society and make good marriages.

SECRETS, SEDUCING,BODYGUARDLost in a Royal Kiss is set in 1786, but the first of the Renegade Royals series, Secrets for Seducing a Royal Bodyguard (January 2014), is set in 1814. What do you find most interesting in the differences between these two periods almost thirty years apart?

One interesting difference was in the way the royal court conducted itself.  King George III and Queen Charlotte lived modestly, by royal standards, preferring a simple life and a more relaxed protocol at Windsor or Kew to a grand court scene in London.  They enjoyed country pursuits and a life that revolved around family entertainments.  This dismayed many courtiers, who found life at Kew Palace or Windsor to be boring and lacking in grandeur.  Of course when the king fell ill there were even more restrictions, since the queen and her daughters all but lived in seclusion at Kew Palace.

Under the Prince Regent, however, court life was a great deal more extravagant and lively, often to the point of dissipation.  But for all his faults, the Regent was a great patron of the arts and architecture, a legacy we see today in structures like the Royal Pavilion at Brighton.  George III, often referred to as Farmer George, would not have approved.

Another significant change was with clothing.  Georgian attire was quite different from Regency attire:   more ornately decorated and with rich materials, particularly for the men.  Long hair, wigs, powder…styles changed dramatically under the influence of men like Beau Brummel.

I too was introduced to the Regency by the books of Georgette Heyer, and you and I both read Regency Buck as our first. Do you still like to read/re-read Heyer and do you think she’s stood the test of time? What’s your favorite?

I re-read Georgette Heyer on a regular basis.  She’s my go-to author when I’m sick or in need of a little comfort reading.  I absolutely think her books stand the test of time, although I laugh now at all the exclamation points she uses—I never thought about things like that until I started writing my own books.  My favorites are The Grand Sophy and Arabella.  Such witty, entertaining books!

What do you love about the Regency?

The clothing, the architecture, and the absolute gusto for life in that era—Regency folk really knew how to have a good time, sometimes to an insane degree.

Hate about the Regency?

The profoundly disturbing levels of poverty, especially in the cities, and the crime rate.  Life for the poor was incredibly grim, and their treatment by the middle and upper classes was often callous beyond belief.  The way the Irish were treated was also horrible, although that had been going on for a very long time.

You have an alterego, V.K. Sykes, the combined writing genius of you and your husband. What’s your writing process? Do you find it difficult to switch gears?

Thank you for calling us geniuses!  The V.K. Sykes books are contemporary romance or romantic suspense so it can be a bit of a challenge to get into the headspace.  Fortunately, I don’t write the first drafts for those books.  I do the revisions and the editing, and I write all the sex scenes (hubby just can’t seem to bring himself to do that).  We rarely work on the same book at the same time, which is a good way to avoid wrangling over specific elements.  Whoever is working on the book has ownership over it.  It’s a process that is surprisingly stress-free.

What’s the last great book you read?

The Ape Who Guards the Balance, by Elizabeth Peters.  I had read the first few books in the Amelia Peabody mystery series back in college, but I re-discovered them a few months ago.  I’ve been tearing through them—they’re so skillfully written and the characters are fabulous.  The books are witty and smart, and I love the setting and the archaeological background.  Amelia Peabody and her family are the best kind of brain candy.

What’s next for you?

I’m finishing up the second novella in The Renegade Royals before moving on to book three in the series.  My husband and I are also working on a new contemporary romance series for Grand Central—small town romances set on an island off the coast of Maine.  That will be out in 2015.

Vanessa is giving away an ARC of Secrets for Seducing a Royal Bodyguard as a prize today. She’s told us what she loves and hates about the Regency–to enter the contest, share what you love and hate about the period, and help spread the word!

a Rafflecopter giveaway

Today we welcome guest blogger Elf Ahearn, here to talk about her new book, the second in the Albright Sisters Series. Currently at work on the third book, The Duke’s Brother, Elf (and yes, that really is her name) is giving away a download of A Rogue in Sheep’s Clothing (Book I) and Lord Monroe’s Dark Tower (Book II).

roses2Two years of bewildering silence have passed since Claire Albright’s passions were first inflamed by the powerful, brooding, Lord Flavian Monroe. On the brink of her debut in London he suddenly summons her, asking that she use her knowledge of healing to help his ward—a girl who hoards castoffs in memory of her dead brother. Embroiled in a desperate attempt to curb the child’s destructive madness, Claire struggles to understand Flavian’s burning kisses yet cold demeanor. Can she reach his heart before his ward’s insanity undoes Claire’s chance at love?
When he was fourteen, Flavian made a mistake so devastating it ruined all hope for happiness. Years later, he’s still paying for his sin. But before his ward’s troubled mind destroys his home and family, he must see Claire once more. Vowing to keep their relationship professional—she the healer, he the guardian—he finds the bonds of his resolve snapping. Somehow, he must content himself with the love that could have been . . . but he cannot resist . . . one final embrace . . .

Elf CloseupAnd now in Elf’s words, her inspiration for the book:

I find it exceptionally appropriate to introduce my latest novel, Lord Monroe’s Dark Tower, on a blog titled “Risky Regencies,” for its plot is risky indeed.

Naturally, the love story is front and center, but in this book I don’t limit my villain to occasional appearances – she is the hero’s ward – and therefore mingles and interrupts and winds herself around the budding couple’s every action.

My villainess, Abella, is very loosely based on my sister who became a hoarder following the death of my father. My sister is a brilliant, creative woman who ran her own theatre company, which my father supported in every way you can imagine. When he died, I think the floor dropped out beneath her and she just couldn’t cope.

He was a collector of books, maps and Asian antiquities, and our house, which was quite large, was jammed with his stuff. The moment any one of us left for college, he turned our bedroom into a library. By the time he died, we had more than 27,000 volumes in the house—about what a small local library might carry.

My mother invited booksellers from across the country to buy the collection. She emptied the majority of the shelves, but during my father’s last years, he’d taken to purchasing just about anything with pages and a binder. These were the books my sister felt obligated to protect.

In front of her small home by a running stream, under thick pines, my sister stacked about fifty boxes of books then covered them with a black tarp. This makeshift shed was so large the front door couldn’t be seen. The only way to access her house was through a narrow trail banked by teetering boxes. Then she filled the inside of her house with more boxes—boxes of old travel pamphlets, sheafs of the same theatrical flyer and resume shots of actors she’d never auditioned. When she ran out of floor space, she hung possessions from the ceiling.

A nearby theatre company threw out its sets. She brought them all home and built more tarp-covered sheds. Unscrupulous neighbors dumped garbage on her property. The moisture from the stream, trapped by the pine trees, and nurtured in the dense atmosphere in her house caused an outbreak of mold.

Sick from the foul air, my sister could no longer work. With no money she took to “shopping” at the local landfill. More sheds sprouted on her property, more belongings were crammed into her tiny space.

From this wreckage, she planned to start another theatre company. How would she use this string of Halloween lights with some of the owls cracked off? She’d found the other owls—she’d glue the string back together—put on a new plug. It was valuable. We couldn’t throw it out.

Finally, she was diagnosed with a lupus-like disease, and my mother lured her down to Florida for the winter. During their absence, another family member and I cleaned the place up. When she returned, her outrage was absolute. She still suffers from the sting of our betrayal—after all, we took everything of value from her.

What I try to portray in Abella’s character is the strange, impenetrable logic used by people who hoard, but I want to make it clear, her personality is nothing like my sister’s. Abella is a psychopath. My sister is a sweet lady who suffered a mental collapse, but has since gotten herself together, and now leads a successful life.

They say, “Write about what you know.” My hope is that readers will enjoy delving into the mind of someone who hoards, and that the action-packed adventure and steamy love story, will keep them turning the pages.

Hoarding has become increasingly prevalent. I’d like to ask if anyone knows someone who hoards; if they find themselves tending to pack the corners of their own households; or if they dig watching the TV show, Hoarders, which frankly, I find mesmerizing. There’s a free download of both A Rogue in Sheep’s Clothing AND Lord Monroe’s Dark Tower, for the best, most truthful answer.

 

Posted in Giveaways, Guest, Interviews | Tagged | 33 Replies

bio_picWelcome back my friend Lavinia Kent! Lavinia is known for her hot, smart, sexy and intelligent Regency Historicals for Avon. What the Duke Wants, for example. Or her very creative Real Duchesses of London ebook short story series.

I thoroughly enjoyed Lavinia’s Real Duchesses series! But I’m not alone. Here are a few of the Amazon reviews:

“…she managed to capture intense emotions and give great characters even in a really short novella, so kudos!” — Stella (Ex Libris), Of Kathryn, The Kitten.

“Another fun, fresh addition to what is shaping up to be a fantastic set of novellas that feature tests to the bonds of friendship, cattiness, laughter, and the overpowering result of true love.” — Lisa Wolff, of Linette, The Lioness.

“The marriage of convenience is one of my favorite tropes in romance and Kent’s Elizabeth, The Enchantress is a magnificent marriage of convenience tale.” — Yvonne.

PO456_RMS_Kent_Book_Georgianna_finalLavinia has continued the Real Duchesses of London series with a brand new novella — Georgianna: The Last Real Duchess and she’s giving away a Kindle download of the novella (or a copy of a signed copy of an earlier book) to one lucky commenter.

Here’s the Amazon blurb:

Lavinia Kent returns to her iconic Real Duchesses of London series of novellas to tell the story of Georgianna, the last Real Duchess. When Georgianna’s husband. Lord Richard, unexpectedly becomes a duke, the two are brought together and then torn apart as each tries to find a place in their new lives. Georgianna had married for love – only to discover her husband’s mistress. Now the two find themselves sharing residence at the ducal estate. Are circumstance and passion enough to bring the two together? Can Richard reveal the love he has barely admitted to himself? Can Georgianna forgive him for all the hurt and lies?
Will one night of passion become a lifetime of love?

Welcome back, Lavinia! Tell us about The Real Duchesses of London series and about Georgianna, The Last Real Duchess.

I had so much fun writing this series.  I loved the idea of writing about a group of strong women who would support each other during hard times.  The first four novellas are definitely tied together in an overarching story.

Georgianna is more of a stand-alone story, although the other duchesses do appear.

I had originally hoped to write her story as full-length novel, but time and circumstance got in the way.  I had a hard time cutting some of the earlier scenes to create something tighter, but I think in the end I succeeded in creating a novella about emotional trust.

 You created quite a challenge for yourself. Both writing short novellas AND planning a series. How did you manage it?

The first four were relatively easy – except for the time pressure involved in writing a novella a month.  They left me feeling a little burned out.  I discovered that I get so attached to my characters when writing, that I needed more time to make the transition to the next hero and heroine.

I found writing Georgianna to be more difficult because I wasn’t following my original plan, but I still wanted to write a compelling love story.

What is risky about Georgiana, The Last Real Duchess?

Georgianna has to learn to trust a man who has completely betrayed her.  Everything she believed when she fell in love and married turned out to be a big lie.  She must make the decision to take a great risk, rather than live without love.

 Did you come across any interesting research while writing the novella (or the series)?

I had a lot of fun researching political cartoons when I was working on the earlier four books of the series.  I enjoyed thinking about the different ways information has been distributed over time.  We take so much for granted today about how quickly information spreads.  It was interesting to consider how differently a scandal would spread during the Regency.

For Georgianna, I researched funerals, but none of my work made it onto the page when I shortened the story.  I’m saving it for later.

RDoL- largeWhat’s the connection between the caricature of the Real Duchesses on your website and Risky Regencies? 

The fabulous Janet Mullany’s daughter drew the original sketch for the caricature.  I loved it, and it helped make the characters really come alive in my mind.

ImageYou’ve recently embarked on an indy published series. Tell us about it. How can readers find the books?

The series is called The Desire Series and consists of three books: Hint of Desire, Price of Desire, and Taste of Desire.  This series is a prequel to my books for Avon.  The hero of my first book, A Talent for Sin is the younger brother of the hero in Taste of Desire.

The series is currently on available on Amazon for Kindle, but I am working on increasing formats.

What’s next for you?

Ahh, the most difficult question of all.  Currently, I’m working on (and about to finish) a prequel novella for a brand new regency series.  This series is completely unrelated to any of the books I’ve already written.

If all goes as planned, this series will be darker and more erotic than my current books.

I’m also working on a steampunk romance that requires more world building than I’ve ever done before.  It features a wonderful hero, and I’m working hard at getting him out of my head and onto page.

Thank you for having me at Risky Regencies.  I love having the chance to visit.

And now my question for readers – one of whom will win either a Kindle copy of Georgianna: The Last Real Duchess or a signed copy of one of my earlier books.

At the end of the prequel I’m currently writing, the hero sends the heroine a gift.  I’m debating whether he should give her a beautiful enameled hand mirror or kitten.  There are reasons why each would be appropriate.

The hero has never actually seen the heroine’s face, and in the next book he will recognize the heroine because of the gift.

So, mirror or kitten?  Help!

SMKname2Diane here.
Today we welcome back Sally MacKenzie to talk about her latest Regency, Surprising Lord Jack. Sally just keeps giving us charming books. First the Naked series, now the Duchess of Love series. By giving, I also mean  Sally is giving away a signed copy of Surprising Lord Jack to one lucky commenter chosen at random.

n403080Here is what reviewers are saying about Surprising Lord Jack

*Starred review* “MacKenzie has penned another humorous Regency-era gem that will get a collective thumbs-up from readers.”–Shelley Mosley, Booklist

Four stars. “MacKenzie delights her devoted fans once again with a quick-witted, steamy romp. Add a touch of mystery and another bright tale of love and laughter is born. An engaging, and meddlesome, cast whips this lusty tale into a perfect heart-holiday treat!”–Anne Black, RT Book Reviews

4.50 / 5 -Reviewer Top Pick. “I recommend this book to all my fellow historical romance fans.”–Debra Taylor, Night Owl Reviews

Welcome back, Sally!

Hello, Riskies! I’m so glad to be stopping by again. I had a chance to see Diane at the Washington Loves Romance gathering in February. She was apparently deep in deadline craziness, but she looked calm and composed as always– (Diane note: Most likely I was merely sleep-deprived…)

Tell us about Surprising Lord Jack.

Surprising Lord Jack is the second book in my Duchess of Love trilogy. (Well, it’s a trilogy plus a novella: “The Duchess of Love” is the prequel to the series and tells how the duchess met her duke.) It’s about the duchess’s youngest son, and it begins where Bedding Lord Ned, the first book in the series, ends.

Here’s the back cover copy:

Unladylike behavior…

Frances Hadley has managed her family’s estate for years. So why can’t she request her own dowry? She’ll have to go to London herself and knock some sense into the men interfering in her life. With the nonsense she’s dealt with lately, though, there’s no way she’s going as a woman. A pair of breeches and a quick chop of her red curls, and she’ll have much less to worry about…

Jack Valentine, third son of the famous Duchess of Love, is through being pursued by pushy young ladies. One particularly determined miss has run him out of his own house party. Luckily the inn has one bed left. Jack just has to share with a rather entertaining red-headed youth. Perhaps the two of them should ride to London together. It will make a pleasant escape from his mother’s matchmaking melodrama!

There a Jack the Ripper sort of plot thread as well: someone is slitting the throats of prostitutes and even society women with soiled reputations, a class into which Frances now falls.

I’m excited because ALA Booklist gave Jack a starred review!

What is risky about the book?

Well, three things come to mind, though they might be more tricky than risky.

First, I wanted to try my hand at a “chick-in-pants” book, where the heroine pretends to be a man–or, in this case, a boy. Sometimes in these stories, the hero begins to fall in love with the heroine even before he knows her true gender. However, I happened to be working on Jack’s book during the Jerry Sandusky scandal. I followed the news reports pretty closely, partly because I have sons who’ve competed in Division I varsity athletics (and I went to the University of Notre Dame), so I’m interested in the whole question of the power athletics has in a college’s culture. But mostly, of course, I was reading and listening to news reports because the story was so horrifying. And since I’m the mother of boys, these kinds of events make me start questioning my sons to see if any coach or scout leader or other male in their lives ever did anything inappropriate with them. (My questioning drives them crazy, by the way. None of the men I’m related to wanted to discuss the trial.)

So with that, there was no way I was going to have Jack feel any sexual attraction for Frances while she was pretending to be male. Frances, however, was free to fall in love with Jack, except she hates men. So making their relationship develop when she’s in disguise was tricky.

13252737Second, Jack’s book is the middle of a trilogy, and, unlike the Naked series, I planned these books to fit together. The first book had the advantage of setting things up, and the last book gets to tie things together (I hope). But the middle book is, well, in the middle. It’s got the threads I planned to run through the series coming and going. It has to be able to handle that, but be a satisfying, complete story on its own. So it was a bit tricky keeping things balanced. I think I managed it, though. A reviewer who’s read only Jack’s book told me she didn’t feel the need to have read Ned’s story first, so that was a big relief!

13223652Third, the books are set in a pretty tight timeframe. Jack’s book actually begins as Ned’s is ending. I haven’t tried that before.

Was it easy to write?

Argh!! No. Maybe because it was the middle book, it just about killed me. I finished the first draft and revised and polished, but the book wasn’t working. I had to do pretty much a complete rewrite–or at least it felt that way. And since my publisher had moved the release date up, I had a real honest-to-God, drop dead deadline. The icing on the cake was that the D.C. derecho roared through a few days before that deadline, leaving our house intact, thank God, but taking our electricity and internet. I had to write with an eye on my laptop battery’s charge indicator and be creative in finding places to recharge when it got low. I discovered the church’s “crying room” had an outlet that worked, so I sat through Sunday Mass plugged in. (No, I wasn’t working, and no, there weren’t any babies in the room with me at the time, and yes, I felt very good about going to church that week.) When we went out to eat, I asked for a table with an outlet. The upside was that I kept my nose to the grindstone–no internet to distract and no battery power to waste on endless games of computer solitaire. When I was done–the day I had to send the manuscript off–I went to Panera’s to use their internet.

Did you come across any interesting research?

Yes–and Janet has already told you all about it. Back on November 15, Janet posted about the Threads of Feeling exhibit*. I was so excited! No, I didn’t know about the exhibit (until Janet mentioned it), but I had been researching London’s Foundling Hospital, so I knew mothers used to leave scraps of fabric when they gave up their babies, sort of like a claims check, I guess…so they could come back and reclaim their children once they were able to care for them.

I knew Jack was going to have some sort of charity he was involved in, and it made sense to me that since Ned’s son died in childbirth, the charity would have something to do with children. Well Jack actually has two charities–one for prostitutes who want a way out of that life and one for abandoned children. I researched the Foundling Hospital to see if such a plan would work, though the children at Jack’s house are mostly the offspring of prostitutes, abandoned on the streets. He finds them, brings them to his “foundling hospital,” and educates them until they are old enough to find work.

Bedding Lord Ned had a thieving cat. There’s a dog on Surprising Lord Jack’s cover. Does he have a role in the story?

Of course! The dog’s name is Shakespeare; Jack and Frances discover him with an abandoned baby in the stews, and he can do all kinds of tricks.

I may have said before that I’m a bit of a pantser–the story develops as I write it. I realized that Shakespeare had belonged to a local actor who’d decamped for parts unknown, leaving his dog behind. I thought that was a bit odd, and I filed it away as a “possibly important but currently mystifying” detail. At the end of the story, I discovered that Shakespeare’s former owner had a role to play in resolving the Jack the Ripper thread.

And I’m sure any dedicated plotters reading this are now twitching.

I never thought I would be a pantser. If you ask any of my four sons, I’m sure they’d say I’m a control freak. I think I scored “possible army officer” on the career test I took in college. But, to quote Popeye, “I yam what I yam.”

What’s next for you?

I’ve finished the first draft of Loving Lord Ash, the last book in the trilogy which should be out in Spring 2014. Maybe because I’m a pantser, I can’t just type “the end” and send a manuscript off to my editor, though. I usually take several weeks to a month to revise and polish before I’m willing to part with a story. I’m just hoping Ash doesn’t give me the fits Jack did!

And now a question for your readers: Do you have a favorite book that features a cross-dressing heroine? Mine is Fool’s Masquerade by Joan Wolf. I have to say I’m a big fan of Joan Wolf’s Regencies–I have many of them on my keeper shelf. (Okay, really a keeper box.) Why do you like this kind of story–or if you don’t like “chick-in-pants” books, why not?

Thanks for being our guest, Sally. Readers, do not forget to comment for a chance to win Surprising Lord Jack.

*The Threads of Feeling exhibit comes to Williamsburg, VA, May 25, 2013.

 

I’m delighted to introduce our guest today, debut author Manda Collins whose How To Dance With A Duke is getting some nice buzz!

When I first met Manda, she was a reader and a reviewer who was wonderful enough to say nice things about my books. Now I’m thrilled that she is here as our guest author and is receiving some of the same.

“Collins’ debut delivers a fast-paced, adventurous love story that will enthrall readers. Her dynamic characters, a murder and passion combine with the perfect amount of lively repartee.” RT Book Reviews

“With sparkling Regency wit, a dash of mystery, and just the right amount of steam, How to Dance with a Duke is an enchanting debut, sure to sweep readers off their feet!” —Tessa Dare

Manda is giving away a signed copy of How To Dance With A Duke to one lucky commenter chosen at random.

Welcome, Manda! Tell us about How To Dance With A Duke.

This is my debut novel, and it’s the first in a trilogy about three wallflower cousins who must do battle with a Regency mean girl, solve mysteries, and find true love–all in the space of a season. In this story, Miss Cecily Hurston, an Egyptologist, must join forces with the newly minted Duke of Winterson to find her father’s travel diaries and Winterson’s missing brother. Think Agatha Christie meets Jane Austen. Or old school Amanda Quick.

We love a debut author! Tell us a little about your journey to publication and what it was like to get “The Call.”

I’ve been writing since my teen years, but didn’t do so with a serious eye toward publication until 2007 or so. I wrote one novel, a Victorian set in country house, that landed me an agent, but alas, did not sell. So I regrouped, licked my wounds, and decided to return to my first love–Regency romance. Since I’ve been reading Regency in one form or other since I was a pre-teen, it was like going home. I wrote How to Dance with a Duke, my agent loved it, and it sold five months later.

I got the call one morning while I was brushing my teeth. But because I am suspicious and didn’t want to tempt fate, I hadn’t programmed my agent’s number into my phone, so I thought it was a wrong number and let it go to voicemail. On the way to work though something kept niggling me about that call. So as soon as I go to the office I checked my email, and sure enough there was a message from my agent, Holly Root, telling me to call her. And when I looked through the rest of my email, I saw that Holly Blanck, the editor at St. Martin’s who was reading my MS, had followed me on Twtitter. I knew then that the news was good. I called Agent Holly back, she told me that Holly Blanck had offered me a three book contract and I’ve been grinning like a crazy person ever since.

You’ve been active in the Romance Writing community for a long time. What was it like to move from reader and reviewer to author?

It’s been kind of strange at times. I have never had a shortage of opinions on various issues in the community, so there have been some moments since I made the transition from reader to author when I’ve had to forcibly remind myself to just keep quiet. It’s not that I don’t think authors should have a place at the table–I actually get twitchy when it feels like the blogosphere would rather we just shut up and write–but there are times when as an author it’s just common sense not to get involved. If someone doesn’t like my book and writes a review about it, there’s just no good way–with a few rare exceptions–for an author to join that conversation and have it end well. On the other hand, I feel like getting published has given me insider knowledge that I can use to help other writers who are just starting on the road to publication, so it’s not all a matter of biting my tongue. And I still review every now and then. I’ve always been one of those “only if I have something good to say about it” reviewers anyway so that hasn’t really changed. Though I don’t really have as much time for it as I used to.

Why did you decide to write a Regency Historical?

As I said earlier, I’ve been reading Regency, both trad and historicals, since I was in middle school, so I was Regency before it was the hottest thing going. Which I sometimes feel like I have to defend since there seems to be a backlash in some quarters against the period. But I adore it. The social customs, the witty banter, the sense that society is kicking up a dust before the coming strictures of the Victorian period. Plus, as some of you may know, I am a sucker for a dandy and sadly there were very few of them in the latter part of the century.

What is risky about the book?

Believe it or not, the mystery element. Again and again while I was on submission I got rejections from editors who loved the story but were unsure of how to sell it because it felt like neither fish nor fowl. Fortunately Editor Holly has a fondness for mystery mixed with romance so when it landed on her desk she snapped it up. Or that’s how I imagine it. She might very well have carefully lifted it.

What is next for you?

Next up is the next book in the trilogy, How to Romance a Rake, which comes out this summer in late July. And just last week I accepted another three book contract from St. Martin’s Press for a trilogy with the tagline I Know What You Did Last Season. So I have plenty to keep me occupied writing-wise for the next few years or so.

And now I have a question for you. Do you like a bit of mystery mixed with your romance? What are some of your favorite examples?

Comment for a chance to win a signed copy of How To Dance With A Duke.

 

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