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Category: Interviews

Interviews with authors and industry professionals

AGraciemugshotDiane here to welcome back fabulous Australian author Anne Gracie who is here to talk about her latest, The Autumn Bride. Anne is the award-winning author of Regency Historical Romance (and a few others).

Anne and I have mutual friends in Australia. When her first book,  A Gallant Waif, was a RITA finalist in 2000, and Anne came to the Romance Writers of America conference, we were supposed to meet and have a little chat, but we kept missing each other. It was only on the last day we managed a quick hello.

I’m delighted to have Anne as our guest today and to manage a “virtual” chat about The Autumn Bride, which has received some wonderful reviews.AutumnBride64k

Reviews

Publishers Weekly starred review: Gracie . . . charms and entices with this launch of the Regency-era Chance Sisters series. . . . Layers of secrets and deft characterization make for a deep, rich story that will leave readers starry-eyed.

Romantic Times, 4 1/2 stars: Readers will want to take a a chance on this delightful, heartwarming series about sisters of the heart, family, friends, and the fun and passion of romance. Gracie lifts readers’ spirits, creating a delightful cast of characters, tender moments and lighthearted repartee designed to tug at the heart. Keep a hankie handy for tears of laughter and joy.

Nightowl Reviews: I honestly can’t remember the last time I’ve enjoyed a book quite this much. . . . I predict The Autumn Bride is going to be “THE” book to add to the TBR list of Historical Romance fans everywhere.

Giveaway

Anne will be giving away a copy of The Autumn Bride to one lucky commenter chosen at random.

Interview

1. Welcome, Anne. Tell us about The Autumn Bride.

This is the first book in a series about four young women, all orphans, who come together and form a kind of a family, When their situation goes from bad to worse, Abby, my heroine, climbs through the window of a nearby mansion hoping to find something to steal. Instead she finds a bedridden aristocratic old lady at the mercy of her neglectful, rapacious servants. The four girls move in with Lady Beatrice, pretending to be her nieces and sacking the servants. All goes well until Lady Beatrice’s nephew Max returns after nine years in the Far East. He’s not impressed to find his aunt under the sway of these impostors.

It’s a rags-to-riches, feel-good, fun story with a dark undertow. But mostly it’s about the joy of friendship, second chances, sisterhood — and love.

2. I love the premise and the concept of a hodgepodge family of women coming together. How did you come up with the idea of creating such a family, rather than one with traditional biological ties?

Thanks, Diane, I did have fun with it. And I’m from a family of four siblings, though these days we live very far from each other.

But I often like to write about people who’ve “fallen through the cracks” of Regency society — well born, but cut adrift from society through scandal, poverty, being orphaned, or through some other personal catastrophe. I’ve had a hero who was sent to sea at the age of seven, a heroine who travelled with the army, the son of an English lord who grew up on the streets of Naples, a heroine who grew up on the streets of Cairo, dressed as a boy and lots more. My stories are about their journey back — back to family, and back to the kind of society that should have been their birthright.

I also think that people today can identify with the idea of “sisters of the heart” — or as we say today, girlfriends. I think many of us are closer to our girlfriends than we are to our blood relatives.

Australian Cover

Australian Cover

3. What is risky about The Autumn Bride?

There are a few risky things — firstly the hero didn’t make his entrance for quite a few chapters. I was a bit worried that readers wouldn’t like that, but sometimes you have to write the book the way it needs to be written, and I loved the relationship that developed between the four girls and the feisty, bedridden Lady Beatrice. Luckily, a lot of readers feel the same.

Then there was my heroine’s risk when she climbs through the window of a mansion intending to steal, risking hanging or transportation. Here’s an excerpt:

The sash window was stiff, but she managed to push it up some more. She leaned in, listened, checked. Not a sound. A bedchamber. She could see the heavy hangings of the bed, an ornate wardrobe, a dressing table. No sign of life.
She swung one leg over the sill, heaved and she was in. She crouched a moment in the darkness, waiting for her eyes to adjust to the gloom, breathing deeply until her racing heart slowed.
Now to seek what she had come for. She crept toward the dressing table.
“Have you come to kill me?” The hoarse whisper coming out of the darkness almost stopped Abby’s heart. She swung around, scanning the room, braced to flee. Nothing moved, only shadows lit by the faint shimmer of moonlight from the windows where she’d pulled back the curtains. No sign of anyone.
“I said, have you come to kill me?” It came from the bed. Sounding more irritated than frightened.
“No, of course not!” Abby whispered back. She tiptoed closer to the bed, straining her eyes in the darkness. What she’d taken for a bundle of clothes piled on the bed was an old woman lying awkwardly, fallen between her pillows, her bedclothes rumpled in a twist.
“You’re a gel. Wearing breeches, but I can still tell you’re a gel.”
“Yes.” Abby waited. If the woman screamed or tried to raise the alarm she’d dive out of the window. It was risky, but better than being hanged or transported.
“You’re not here to kill me?”
“No.”
“Pity.”
Abby blinked. “Pity?”

4. Did you come across any interesting research when writing this book?

Not really — this story is more about characters than facts. Mostly the new research I did was about the district Lady Beatrice and the girls lived in, which centuries before had been a rich area filled with mansions, but in the Regency era was in decline, and starting to be redeveloped. Just like it happens today.

5. What is next for you?

I’m writing the second story in the series, and it’s more conventional in that the hero is on the page from the start. But the community of characters that’s in the first book is continuing, too. I really love the world of this story and I’m having a lot of fun with it.

Thanks Diane for letting me come and play with the Riskies.
Here’s a question for readers: “Is there anyone in your life that you consider ‘family’ even if they aren’t?”

I’ll give a copy of The Autumn Bride to one lucky commenter.

Diane here again. Anne will be back to answer any questions and to respond to comments, but, remember, she’ll be sleeping part of the time we’ll be awake, because she’s on the other side of the world!

 This week Risky Amanda is launching her latest Harlequin Historical title, The Taming of the Rogue!!  Risky Megan steps in as interviewer and talks to Amanda about all things Elizabethan….
 
There is only one woman who can tame London’s most notorious heartbreaker!
Anna Barrett is more comfortable filling tankards at the White Heron theater than shopping for corsets.  Her “take no prisoners” attitude has earned her a tough reputation.  Where she was once innocent and naive, now she’s vowed never to be ensnared by a man again.  Except Robert Alden is not just any man…
Gorgeous, dashing, and decidedly reckless, this playwright has left a trail of broken hearts across London.  He’s also a spy on a dangerous assignment.  Anna cannot help getting embroiled in his mission–even if this seemingly untameable rogue is the last person  with whom she should become involved…
“McCabe sweeps readers into the world of the Elizabethan theater, delighting us with a lively tale and artfully drawing on the era’s backdrop of bawdy plays, wild actors, and thrilling adventure” –RT Book Reviews
Megan:  Your books are so rich with history—but never overdone—that your characters seem as if they could only have existed at that time. You reveal bits of history and setting so well that it’s possible to know more than you did when you started the book, and yet the romance is primary.
What intrigues you most about the Elizabethan period?
Amanda:  Thanks so much!!!  That is the greatest compliment someone could give me about my writing (jn my mind anyway…)  Since I write in a variety of time periods, I love the challenge of finding the “tone” and atmosphere of each setting and figuring out what makes the characters people of their times (even if they rebel against some aspects of their surroundings, which they usually do!).  Anna and Rob couldn’t really be a Regency couple (unless they ran a Covent Garden brothel or something darker like that!), they are very 16th century in their thinking and their actions.
I think what draws me to this period so often is the incredible raw energy that surrounded the later 16th century, surrounding the charismatic queen.  The arts were flourishing in a whole new way, particularly with music, literature, and the theater, “new” people were rising up the social ranks, exploration was opening up the world in ways unimaginable a century before, and sex and romance was at a very honest and bawdy place (as well as a beautiful, poetic place)–it’s a very exciting moment in history.  And there’s lots of juicy conflict inherent in the times to throw at my characters!!
Megan: What is your most favorite obscure bit of history?
Amanda:  Wow, where do I start??  I’m such a history nerd–one of the most exciting things in my life is to read non-fiction books, especially old diaries and letters, and find weird events and people I could somehow make into stories.  One of my favorite real-life characters of this period is Penelope Rich, a cousin of the queen who was one of the most beautiful, intelligent, cultured, and rebellious women of her day, who lived a wild and eventful life.  I’m always surprised more people haven’t heard of her!  I’m hoping to write a historical novel about her one day…
But this particular story came about after I got to see play at the reconstructed Globe Theater in London!  I toured the great museum behind the scenes then watched A Midsummer Night’s Dream.  It was amazing–as I sat there on the narrow little bench, laughing at the antics of the characters on stage and eating honey-roasted almonds (while the people behind me ate extremely stinky beef and onions–also authentic, I guess, since it would not have smelled pretty at Shakespeare’s real Globe!), I felt like I had almost stepped back in time and was seeing this play for the very first time.  I could really picture Anna and Rob there.  (Also I’ve always been intrigued by stories from the theater of the time, like that of Christopher Marlowe, the young, handsome playwright/spy who came to such a violent and weird end…)
Megan: Who’s your favorite actor? Which actor did you see as Robert?
Amanda: As you have probably figured out, my actorly obsessions change depending on what I’ve been watching or reading!  I have really been loving Michael Fassbender lately, and I decided after seeing The Artist that Jean Dusjardin is now my French husband.  But for this book I had to turn to one of my favorite movies, Shakespeare in Love, and Joseph Fiennes.  (though Anna is more Emily Blunt than Gwyneth Paltrow).  They even managed to make the cover hero look like him!
Megan: If Anna and Robert were contemporary characters, what would they be doing? Where would they live?
Amanda: Interesting question!! I imagine Anna would be one of those very efficient, sharply dressed  young women running a chic modern-art gallery or auction house in London, living in a sleek apartment on the Thames and thinking she will never marry.  She doesn’t have time to date.  Rob would be–hmm, something mysterious.  Spy?  Oil company exec?  He comes into town, driving around too fast in some ridiculously expensive car, showing up at her art openings to sweep her off her feet before vanishing again on that mysterious job–until he realizes he can’t live without her and pursues her relentlessly…
Megan: What role do secrets play in the Taming of the Rogue?
Amanda: I always love characters with lots of secrets!  Things that torment them so they think they will die if anyone finds out.  Rob has secret reasons why he does what he does (working as a spy for Walsingham, which usually meant a very short life expectancy), why he thinks he has to make amends, and Anna has secret reasons why she can never marry again.
 Megan: What do you think is the biggest secret one person can keep from another?
Amanda:  LOL!  I guess that could depend on the context.  I often do stuff like sneak in new purchases and then claim they are not new at all (that’s how I know I’m a shopping addict…).  I would imagine marrying someone (spouse number two) while still being married to spouse number one would be pretty bad–but that wouldn’t be the romance novel hero!  Maybe the villain…
Megan: And what’s next for you??
Amanda: My other half, Laurel McKee, is launching a new series next month!  One Naughty Night is the first book in the Victorian-set “Scandalous St. Claires” series, which also features the theater (in a whole different time period), as well as an ancient family feud, Dickensian backstreet villains, and a heroine who has pulled herself up from the streets and is trying to be respectable at last–if the hero would just let her.  I loved exploring this whole new setting!  Amanda’s next book will be out in October–The Tarnished Rose of the Court, set at the court of Mary Queen of Scots in the 1560s…
What I’m most excited about at the moment is the fact that I will soon have a third alter ego!!  Amanda Carmack will be writing an Elizabethan-set mystery series for NAL starting next year. Stay tuned…
Comment for a chance to win a signed copy of The Taming of the Rogue!!  Winner will be announced on Tuesday. You can read an excerpt at Amanda’s website

Amanda McCabe has written 11 books and a novella for Signet Regency. She’s been a finalist for the RITA, RT’s Reviewer’s Choice Award, the Daphne DuMaurier Award, Holt Medallion, and National Reader’s Choice Award. When not reading or writing romance, she loves doing needlework, taking dance lessons in ballet and flamenco, and digging through antique stores in search of new treasures. She lives in Oklahoma with two cats and a Pug dog. Learn more at ammandamccabe.tripod.com

Praise for A TANGLED WEB!
“McCabe does a terrific job with this simple story of love, rank and a bit of deceit in, quite possibly, the last of our traditional Regencies. ” Romantic Times, 4 1/2 Stars!

The Interview

Q. How did you think of writing this particular book? Did it start with a character, a setting, or some other element?

It actually started with the PBS show “Regency House Party”! I loved the interaction of the various “characters”, and what happens when you throw different types of people into close proximity for an extended period of time. So, A TANGLED WEB is sort of “Regency House Party” crossed with “Persuasion.”

Q. How long did it take? Was this an easy or difficult book to write?

It took about three weeks. And I will NEVER do a book so quickly again! The publisher needed the manuscript in a hurry to get it into production, so I worked much longer hours than I usually do on a book. The characters didn’t help me at all, either. Some of them refused to follow my careful house party matchmaking, and kept switching partners on me!

Q. Tell me more about your characters. What or who inspired them?

There are four couples altogether. The main one, the hero and heroine, are my “Persuasion” couple. Diana and Tom were in love when they were young, but as she was an earl’s daughter and he was a tenant’s son, they were kept apart by her ambitious family. He went off to Canada to seek his fortune, and she married and was widowed. But they never forgot each other. One couple is quite villainous, and the other two are young people in love (the ones who could not decide who they really love!). We have Diana’s shy younger sister, her beautiful and flamboyant best friend, the bookish duke’s son, and the handsome n’er do well. Who will end up with whom??? And then there is their hostess, Diana’s mischevious Aunt Mary, who is quite delighted by all the romantic turmoil she’s caused. It was so much fun to work with all of them, even when they were being stubborn!

Q. Did you run across anything new and unusual while researching this book?

I had to research the history of Canada (or British North America) in this period, something I hadn’t really looked at for any other project. Tom spent a great deal of time out in the wilderness and in small trading communities, where the amenities were rough. But his mother, who went to Canada with him (and now wants him to marry well, since he’s rich!), lived in Toronto, or York, and it was quite a comfortable and civilized place. I learned a great deal that I didn’t know before.

Q. What do you think is the greatest creative risk you’ve taken in this book? How do you feel about it?

Hmmm-this doesn’t seem like an especially “risky” story, since I had to get it done in such a hurry! But my hero isn’t a duke or earl, he has no title at all, and he made his own way in the world. I liked him so much, both for the fact that he built a fortune on his own wits and adventurous spirit, and for the fact that he loved Diana for so long and tried so hard to be “worthy” of her.

Q. Is there anything you wanted to include in the book that you (or your CPs or editor) felt was too controversial and left out?

Originally, in my mind, the villainous couple caused even more trouble, but in the end there just wasn’t enough room to include all their machinations! But hopefully they get what they deserve in their future lives.

Q. What are you working on now?

A historical fiction story set in Florence in the 1470s. The research has been fascinting! I also have an idea for a new romance series, titled “Villains, inc.” So, stay tuned!

I’m delighted to introduce today’s guest, Gail Eastwood.
Gail worked as a journalist, theatre critic and PR consultant before she penned her first romance novel, A Perilous Journey. Since then, she has written six more Signet Regencies which have been nominated or won awards including the NJRW Golden Leaf, the Holt Medallion, and Romantic Times Book Club’s Reviewers’ Choice Awards. She also teaches writing and takes an avid interest in theatre, historical dance and costuming. Her books are known for their emotional depth, mystery and adventure and innovative characters and plot elements, such as a hero who is a French prisoner of war (The Captain’s Dilemma).
But the real reason I’m so thrilled to welcome Gail is that like me, she is making a comeback after having to take a break from writing to deal with serious family health issues. Starting sometime last fall, we have been emailing each other regularly to cheer each other on and help each other balance our creative lives with the continued challenges of caring for our loved ones. Gail has been a wonderful support to me; she is not only talented, but one of the kindest writers I know.
 
Today we’re going to talk about Gail’s upcoming ebook reissues, A Perilous Journey (available now) and An Unlikely Hero, coming in July. Enter a comment or question for the chance to win a Kindle or Nook copy of A Perilous Journey (winner to be chosen by the Riskies).
Praise for A Perilous Journey and An Unlikely Hero

“A scintillating debut…(Gail Eastwood) charms us with her sparkling storytelling.” – Romantic Times Book Reviews (A Perilous Journey)

“The brilliantly versatile Gail Eastwood changes pace once again to bring us a frothy Regency delight spiced with touching emotion…. beguiling characters and zesty interplay.” – Romantic Times Book reviews (An Unlikely Hero) 
Tell us about these two stories.
These two books tell the related-but-separate stories of twins Gillian Kentwell and her brother Gilbey, Viscount Cranford. When we first meet them in A Perilous Journey, headstrong Gillian has run away from home after finding no other way to avoid the marriage to an elderly neighbor her guardian has arranged. She has romanticized ideas about Scotlandand is heading there, hoping to find refuge with an aunt she has never met. Gilbey has come along to try to protect her, knowing that she will never give up the 400-mile path she has chosen. Young and inexperienced, they are already in trouble their first night out. That’s when they meet up with Julian Rafferty de Raymond, the Earl of Brinton, still one of my favorite heroes. Brinton rescues them twice in less than 12 hours, and by then is hopelessly ensnared by his own curiosity, not to mention his attraction to Gillian.
Their progress north through western England (including a stopover in Bath) includes misadventures and detours as they try to evade their pursuers, always driven by the question of whether or not they will be caught before they can reach their destination. Anyone who travels, even today, knows that it can test the best of relationships, but it can also forge strong bonds. The journey these three characters undertake certainly does both! A surprise awaits them in Scotland, however, and they must face more challenges before Gillian and Brinton can earn a happy ending.
Gilbey’s happy ending is that he is going to be sent off to university. An Unlikely Hero  takes place after he has been there three years and is the story of what happens when one of his Cambridge pals, the son of a duke, convinces him to attend a house party at the duke’s estate. Gilbey is a reluctant guest enlisted to help keep watch over his friend’s sisters, identical twins known as the Lioness and the Lamb. They are notorious for refusing marriage offers and testing their suitors, but this time their father has drawn a line, declaring that they must finally choose husbands from among the assembled guests.
The twins’ behavior is not all capriciousness and mischief—they have a dark secret, and one of the guests is trying to use it to blackmail them into a marriage. Gilbey, fighting his attraction to the beautiful twins, finds trying to meet the expectations of everyone around him challenge enough for his wits. The Duke has made it clear that Gilbey is not eligible and must keep his distance. The suitors have made it clear they don’t appreciate any perceived competition from Gilbey. But Fate keeps landing him repeatedly in the twins’ path and the center of attention. How can a hero worth his salt not step up to help them? What help is there for his heart, irretrievably lost to a twin he can never have?
What inspired you to write each?
A Perilous Journey, which was my first novel, was stuck in my head for many years before I finally realized no one else would ever write this story—only I could release it! Does that sound completely weird? I always wanted to be an author, and I worked as a journalist for many years, but I just somehow thought someone else would think of this story and write it. LOL! Writing an entire novel is a daunting prospect when you first begin—even for an experienced writer. Maybe I was avoiding the reality of that, or the time just wasn’t right, or the story needed all that time to percolate.
An Unlikely Hero, on the other hand, was a story I never planned to write. Gilbey is such an antithesis of your typical romance hero—he wears glasses, he’s so fair he blushes, he’s a little accident-prone and he’s a total geek! I was surprised when readers wrote to me and approached me at booksignings asking when I would do his story! As soon as I said, “He isn’t really a romance hero,” he started kicking me and protesting the way I had pegged him. He is unfailingly loyal and sweet. I realized that, like all good Beta heroes, he had what it takes underneath, and that stripping away his outer layers to reveal the hero inside would be so much fun to do. But I didn’t have a lady for him, and that makes it pretty hard to have a romance!
Venetia and Vivian St. Aldwyn walked up to me in a dream, and I knew immediately one of them was meant for him. But they were smart, beautiful, rich daughters of a duke—what was their problem? You know, no conflict, no story! I muddled over that for a few days before I saw an article in my local paper that totally sparked the idea for the secret that drives them. I loved the idea that underneath the romance in this book there might also be a social message. I love that a little history always gets taught with each book, too!
Were there any particular challenges you encountered in your research? Any new or surprising historical information that you discovered?
I love, love, love to research. Stopping to actually write the story can be the challenge! A Perilous Journey required a ton of research because of all the locations in the story, not to mention understanding methods of travel in 1816, and so much more. I did some of my research “on location” in England, and at least one incident in the book, at Morecambe Bay, was inspired by the delightful and purely serendipitous discovery of the Hest Bank Hotel and its long history as a rescue station for people caught by the bay’s tidal bore. Who could resist?
Settings are important to me as a “world-building” element of story. The location of the duke’s estate in An Unlikely Hero was carefully chosen and researched. The surname I gave the duke’s family also derived from the local area where the story is set, and that led to a surprise. Five years after the book was published I got an email from the Earl of St. Aldwyn, a modern-day English peer, asking about the book characters’ names. Yikes! I always research my made-up title names to be sure they don’t actually belong to anyone, and I was in the clear, since the title names I used were Roxley and Edmonton, not St Aldwyn. But I hadn’t checked on St. Aldwyn, since I only used it for a family name! As I reassured the earl, that name came “straight off the map” and most certainly was not intended to reflect any connection to his family. He asked for a copy of the book, which of course I was happy to send!
We pride ourselves in writing Risky Regencies. Tell us what is risky about your books?
Wow, there are so many answers to this! One risk now, of course, is whether or not the freshness in these stories still holds up after all this time, or if the stories can still charm readers anyway. I suppose the greatest risk is the chance of writing something that readers won’t want to read or won’t “get” when you write against type, which I like to do. I recently described what I write as “kind of off-beat sweet Regencies with a twist of suspense.” When my books were first being published (1990’s), I was lauded for pushing the genre’s boundaries. I was nominated for RT’s Career Achievement Award twice, and people asked me if I was trying to invent a new sub-genre, the “Regency Intrigue”. We were just beginning to break out from the “drawing room comedy” style of traditional Regency that many readers still love and prefer. The genre has expanded so much since those days, I doubt anyone would think my stories are ground-breaking now, but at the time I wanted deeper emotion and more plot. Mary Jo Putney and Mary Balogh and a few others were heading that way, too. I wanted to be able to do some darker stories. I wasn’t sure if I was writing Traditional Regencies or Historicals—what I wrote was something in between! That was a risk, and I will always be grateful to Signet for going along with it.
I am drawn to write about things that I haven’t seen done. Venturing off the path can be a great way to risk falling on your face, though, LOL. For instance, when I tackled The Captain’s Dilemma (1995), I wasn’t sure a romance between an English miss and a French prisoner of war could even be successfully done, given the depth of the conflict. I hunted and hunted for other stories that tried this idea and found almost none (and those I found did not really succeed as romances). That was scary! Yet my research showed that there really may have been some true-life cases, and I really wanted to do that story. For The Lady from Spain I wanted to do a story where the heroine was seeking revenge, instead of the man. (That’s not so unusual to find now!) In The Rake’s Mistake, I wanted to do something with pleasure sailing on the Thames, totally charmed by an engraving I saw. I like to take my characters out into an expanded Regency world not limited to the ballrooms and Almack’s. I am so grateful that readers have been willing to go along!
I haven’t even touched on book-specific “risky writing” and if this wasn’t already too long, we could also talk about the emotional risks characters face. I’m sure we could talk about this stuff for hours!!!
What is it that most excites you about the Regency setting?
I think Beatrix Potter and A.A. Milne started my love affair with England long before I found Jane Austen, but it’s also in my blood –a raft of English ancestors must surely influence me, because I always feel like I’ve come home whenever I have the privilege of visiting over there. Of course there’s another theory –a psychic once told me I lived during the Regency. Do you believe in past lives? It’s a shame I can’t recall any of it –think of all the research time that would save! Despite my tendency to expand beyond them, I do love the clothing, the balls, the glittering lifestyle of the upper reaches of society in this period. The aristocracy were the celebrities of their day! I love the elegance, and the elegant language. But I also think part of the appeal is that it was a transitional time, bridging the 18th century “Age of Enlightenment” and the more modern Victorian era when the world became industrialized and much more recognizable to us. Regency people were living in a time when things were changing at a much faster pace than ever before in history, and I think that resonates with us today—we all face the challenges of adjusting. Challenges make good stories, and when we write about this time period, the challenges of the changing society are always at least part of the background if they are not part of the primary plot!
Historical costuming and historical dance are among my hobbies, and although I first got into those through the medieval and Renaissance periods as a member of the Society for Creative Anachronism (in which I am still active), I quickly expanded into the 18th century and Regency periods as well. Here’s a picture of me in the second Regency gown I have made (my first one now gets loaned out to ladies much thinner and younger than I am!). It was taken at a local “Jane Austen Birthday” dance. Some folks may recall me teaching historical dance at a couple of RWA national conferences, and leading the dancing at our Beau Monde mini-conferences a few times—many years ago at this point! I also still participate in English Country Dancing in my local area.
What are you working on next?

I am busily preparing the ebook edition of The Lady from Spain to be my first self-pubbed reissue, and The Captain’s Dilemma will follow it soon. But I am also working on a new book, which I hope to have out next year. It features Harriet Pritchard, who has appeared as a secondary character in two of my previous books –she was a younger sister in one, and then turned up as a friend of the heroine in another one. She actually is referred to at the end of my last book, but not by name! Although readers have asked for this, too, I couldn’t do her story until I found the right man for her –to my surprise he turned out to be the best friend of the hero in that last book, The Rake’s Mistake, which should be reissued next year. Harry and Peter are such opposites (at least on the surface), but I know they are meant for each other! I’m having great fun with the new story and hope readers will too.
Thanks for talking to us, Gail!
Thank you so much for having me as a guest on the Risky Regencies blog, Elena! I really enjoy the blog and it’s both an honor and a pleasure to be here.
Ask Gail a question for the chance to win a Kindle or Nook copy of A Perilous Journey.
Void where prohibited. You must be over 18. No purchase necessary. Post your comment by midnight EST on Thursday, May 31st.  Either include your email address in your comment or make sure to check back Friday for the announcement post.

Today our Risky Regencies guest is Sally MacKenzie, here to talk about her latest book, Bedding Lord Ned. Bedding Lord Ned is the first of three books in Sally’s new Duchess in Love series and it has already received a starred review from Publishers Weekly

Mackenzie (The Naked King) launches the Duchess of Love Regency trilogy with an engaging tale that balances greed, jealousy, and malice with humor and sweetness….readers will cheer as each villain’s deceit is revealed and both justice and romance are served.

Sally will be giving away a signed copy of Bedding Lord Ned to one lucky commenter, chosen at random.

Welcome back, Sally!

Thanks so much for inviting me to stop by. It’s always fun to spend time with the Riskies!

Tell us about Bedding Lord Ned and your new non-Naked Duchess in Love series!

The first thing to know is the “Duchess of Love” is the ton’s nickname for Venus Valentine, the Duchess of Greycliffe. Venus has been a matchmaker since she was young enough to realize there was a difference between boys and girls, but the matches that most challenge her are those of her three sons. Bedding Lord Ned is the story of her efforts to bring Ned, her second son, together with his childhood friend Ellie Bowman.

When Ellie arrives at the duchess’s annual Valentine house party, she’s decided to give up any hope of marrying Ned. She’s loved him since she was a girl–even before he married her best friend–and she’d hoped, after she helped him through his year of mourning at the death of his wife and son in childbirth, he’d choose her for his second wife. But Cicely died four years ago, and Ned seems no closer to remarrying. Ellie wants children; it’s time for her to move on. This year she’ll put aside her dreams of Ned and find a husband from the other men the duchess has invited. She just needs to convince her heart of that–and to persuade the duchess’s thieving cat to stop stealing her red silk drawers and depositing them under Ned’s bed.

When Ned arrives at the house party, he’s decided to finally cooperate with his mother’s matchmaking efforts. He wants a family; he needs an heir. Ergo, he must consign his past to the past and get a wife–and the woman his mother seems to have selected for him even looks like his lost love. But his old friend Ellie is behaving strangely, and Reggie, Mama’s cat, keeps bringing him a pair of shocking red underwear. This outrageous, alluring scrap of silk couldn’t be good, old Ellie’s, could it? Suddenly his respectable childhood friend is invading his dreams in an utterly scandalous manner.

Admit it. The reason Bedding Lord Ned received a starred review from Publishers Weekly was because of the cat. Tell us about the use of cats as a plot device!

LOL! I’m sure that’s true. The funny thing is, I have no cats–or any pets–of my own. (I have four sons, but that’s a whole different story.) I think I’m inspired by the great Georgette Heyer’s use of pets in her books–loved, loved, loved those.

I’m not one of those writers that comes skipping, full of glee, to start a new book. Frankly, I am not bristling with ideas. I look at the blank screen in horror and get a suffocating feeling of panic when I think about the 400 some pages I have yet to fill. So I’m always scrambling around a bit trying to come up with an opening scene.

Enter Sir Reginald–Reggie–the duchess’s cat–and a pair of red silk drawers. (More on those later.) Reggie was born as a way to get the story going, but then he sort of took over–I guess that’s what cats do? I turns out he’s as much a matchmaker, in his own way, as the duchess.

Another funny thing about Reggie. When my editor showed me the cover for Bedding Lord Ned, there was an animal tugging on the girl’s dress, but it wasn’t a cat–it was a dog! I had a brief–a very brief–thought of transforming Reggie, but quickly realized I’d have to completely rewrite the book to do that. So, voila and hallelujah, the cover was changed.

Seriously, what has it been like to end a popular series, like the Naked series, and embark on something new?

The Naked series was tons of fun–it comprises seven novels and two novellas. I even came to embrace being “the Naked writer.” But all good things must come to an end. For one thing, I’d pretty much run through the peerage. Perhaps I could have wandered into other territory–I must admit The Naked Butler still calls to me–but I also think it was time to try something new.

The Duchess of Love books are planned as a series as opposed to the Naked world which grew haphazardly. Well, “planned” is a relative word–I’m what they call a “pantser” rather than a plotter. There’s a prequel novella and then a trilogy of books–one for each of the duchess’s sons. The books cover a relatively short period of time from February to perhaps November–Bedding Lord Ned happens over a matter of days in February–and intertwine a bit.

All that said, I think the Duchess of Love stories will be the same kind of read as the Naked books. I’m still having fun exploring family relationships with a touch–well, perhaps a generous helping–of humor.

How did you introduce the new series? 

We tried something new with The Duchess of Love series–or at least, new for me and I think my publisher: we kicked it off with an e-novella prequel–titled The Duchess of Love–that released April 24. But don’t worry if you haven’t made the jump to an e-reader–the novella is included in the back of the print version of Bedding Lord Ned.

The Duchess of Love is set thirty years before Bedding Lord Ned and is the story of how the duchess meets her duke. As a little bit of a nod to my Naked world, the duke first sees Venus when she’s skinny dipping in a pond on the property he’s recently inherited and is visiting for the first time. He thinks she’s drowning and rushes in to save her. It’s a mistaken identity, love at almost first sight story which includes a dog and some marauding caterpillars. (The caterpillar scene was based on a real life disaster that spelled the end of my Dwarf Mugo Pines.)

I hadn’t planned to write the novella, actually. In my original synopsis, the duchess was a widow. But when my agent suggested this prequel, I went with it. Of course, once I’d met the duke, I couldn’t kill him off. And since the duke was still alive, that meant the eldest son was “demoted” to heir apparent which changed his story quite a lot. But since I’m a pantser and not a plotter, it was all good.

Did you come across any interesting research when writing Bedding Lord Ned?

The first thing I needed to determine was whether cats do steal things. I did a little googling and came across this mention of a British underwear stealing feline. And in looking for that article while writing this blog, I came across this video:

Also in the interesting video department, I’ve got a scene where Ellie is skating on a pond and the ice cracks. She doesn’t actually fall in, but I wanted to research how Ned should best save her and found this video by a very dedicated Canadian scientist:

Finally, whenever I include objects in a story, I like to have a picture of what the thing might look like. When my husband and I were in London in the fall of 2010, I was fascinated with the decorative details on everyday objects like chairs, candelabra, andirons, and the like. At the silent auction at last year’s Beau Monde mini conference, I won a very heavy, very large paperback book, The Treasure Houses of Britain with the subtitle “Five Hundred Years of Private Patronage and Art Collecting.” It is full of photographs, some of which came in very helpful when I was writing the scenes where the house party guests go hunting for paper hearts in the dungeon.

What is risky about Bedding Lord Ned

I always say I’m not really a researcher. Some authors come to writing Regencies with a strong historical bent; I came because I’d read scads of Regencies, starting with Georgette Heyer when I was around middle school age. The Regency is a bit of my imaginative playground. I want to get things right–or at least not wrong–but I’m not a historian.

The Beau Monde chapter of RWA is a great place to get lots of–sometimes an overwhelming amount of–good information. And one topic that pops up from time to time is underwear: what did–or didn’t–they wear under those dresses? Some sources seem to say they went commando. (Hilarious print from 1815 I found when checking my terminology, which I got to from this article about a “True Scotsman.”

Ergo, I was very worried about those red silk drawers. Were they going to be like waving a red flag in front of a bull? (Alas, not a period expression.) But, as I say, I’m not a writer who’s bristling with ideas or thrilled with the blank page. I’d actually tried starting the book in an entirely different way–and that had been a complete disaster. So my muse was giving me these red silk drawers; I couldn’t afford to turn up my nose at them.

And then when my husband and I were in England, we visited the Sir John Soane’s Museum. I bought The Soanes at Home, and in it I discovered Mrs. Soane, who died in 1815, had a pair of long cotton drawers! If Mrs. Soane had drawers, I decided Ellie could, too. And once I felt somewhat confident about that, I was willing to finesse the red silk part. And it’s a good thing, because what began as a way to start the story, ended up–like Reggie–taking over much more of the book than I’d intended.

What is next?

I’m finishing up Jack’s–the third son’s–book (where you’ll find a dog named Shakespeare). And I’ll be starting Ash’s book as soon as I catch my breath. No firm release dates yet on Jack’s and Ash’s stories. Oh, and our third son is getting married in August, so that will take some of my attention, too!

Now I have a question for all of you. Dog or cat? Are there really dog people and cat people? And what do you think of pets in books?

So far, including the Naked books, I’ve had cats, dogs, a talking parrot, and a mischievous monkey. And maybe some others I’ve forgotten. Ash’s book will have a pet, too, but I haven’t yet decided what it will be. Any suggestions? It has to be something that will look fetching on the cover.

Answer Sally’s questions or make a comment or ask a question of your own for a chance to win a signed copy of Bedding Lord Ned. We’ll pick a winner Monday June 3 around midnight. 

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